"Between the crosses row on row"; more symbolism and an apparent theme, connected to the poppies in the previous line; the poppies grew in the place of where fallen soldiers had deceased and were buried. Their growth symbolizing potential hope and renewal in an otherwise sorrowful period of turmoil.

"Between the crosses row on row"; more symbolism and an apparent theme, connected to the poppies in the previous line; the poppies grew in the place of where fallen soldiers had deceased and were buried. Their growth symbolizing potential hope and renewal in an otherwise sorrowful period of turmoil.

si c'est bien pour ADHO2025 : j'ajouterai que c'est un environnement/outil, comme toutes les déclinaisons wiki, qui se base sur l'idée d'une communauté de savoir, et d'un savoir citoyen (pour reprendre le thème du colloque)

The author's primary theme is shown in this statement, as they truly desired to learn and even now desired to teach languages so others might get to explore the world in many different and unique ways.

This line was the start of the true poem, the idea of who Rachel was and why she was so relevant to the author's identity

That is insane to believe that they are much deeper than their generalization but to think that women have no sort of depth.

theme

theme

5:25. The film explores the theme of a young girl transitioning into womanhood, focusing on her developing sexuality in the presence of a father figure. This situation is challenging because it involves the discomfort of acknowledging sexual activity within the family dynamic, where neither parents nor children are comfortable with the other's sexual lives.

She uses bones as a metaphor and explore themes of mixed blood.

obsidian digital garden dark/light theme toggle successful example

Theme

The main character Lovey, a teenage girl who speaks pidgin English in the film, and often gets bullied into silence by her nemesis, and picked on by her teacher. A vivid account of challenges and daydreams of self discovery in a young girl's life in Hawai'i.

The director said this film is for girls trying hard--and succeeding--to take charge of their own lives.

theme

The final stanza adequately represents the theme of "Yo Soy Joaquin", which is cultural identity.  Joaquin represents his people and rejects assimilation into American society at large. Joaquin's pledge of endurance demonstrates his resolve to uphold his cultural identity in the face of any difficulties. 

Time is becoming the theme of 2023 -- everyone writing about it rn

I read this poem as starting in an almost bitter fashion, with similes and seemingly straight insults towards his mistress. As the poem progresses to the final 4 lines however, I begin to see that the use of such bold terms of physical description are used to enhance the center message of the poem. To make the comparison of others in regards to physical attraction ignores the unique, emotional and unbiased connection between him and his love.

"tighter" is an adverb, tightness connotes desperation and persistence. she cant afford to lose the argument with the man and therefore she puts all she has on the line. the tightness on her grip is symbolic to the effort she makes to keep what she has. it goes back to the theme of people fight harder for the less they have.

This is really interesting. Hrothgar is waxing poetic about the wisdom of God to grant material wealth and pleasure to such an extent that one can become arrogant and ignorant. Does he consider Grendel's terror on Heorot a form of justified divine retribution?

To create notepad++ theme

Xerxes sees the impact of his hubris, religion and fate are used as aids to feel better about mortal actions.

Fate as a tool to describe hubris' consequences

truth bending, expanding on fate

Bending the truth, fate as a tool

Political consequences, using fate as a tool instead an end in itself.

Zeus equated more toward idea of power than directly.

Shame for evil punished, like flood in EoG, except here, the consequences are directed at political defeat instead of death.

The Persian reason for fighting is stupidity and foolishness, another Greek virtue (modesty) broken.

EoG-no one is really punished for stupidity, but only concretely evil acts.

The only acting immortal here is the voice of a ghost and description of gods as more ideas than main characters (EoG-main characters were part gods themselves)

Greek gods used by Persians?

Also, gods seem to represent ideas rather than play a central role in the story. In EoG, the supernatural is directly addressed, such as when Gilgamesh crosses the lake of death to save Enkidu.

EoG-concept of fate introduced; shows Aeschylus building on it to prove a seperate point.

Appealing to deities as a result of mortal actions. While EoG characters also try to appeal to gods, it's in more a a fantastic realm than here. This signifies more of a differentiation between humans and gods than before.

Builds on description of death's inevitability seen in EoG, but expanded to illustrate a point rather than using the story itself to make it. Also, Aeschylus uses the idea of fate to mark the effects of a more culturally relevant sin (hubris) than to show fate itself.

In EoG, sin is described more concretely to do evil, but in TP, this idea evolves into the central issue becoming a certain kind of sin (hubris), more ideological

Darius not immortal himself

Also possibly emphasized the Persian importance on an absolute ruler (which may have been established in EoG) contrasted with an army of strong, democratically-backed individuals.

Emphasis on mortal characters' strengths as Athens or those supporting Athens build support for democracy. Aeschylus may have known and fought alongside people with similar personalities, strength of individual mortals also emphasized (unlike one divine, absolute ruler in EoG).

Further, while EoG represents the rise of good to conquer evil, The Persians shows how one bad ruler (out of hubris and greed) of an otherwise good kingdom can become an antagonist -more complex setup than EoG

Critiques community economic development's focus on local empowerment. Advances the argument that a local focus divorced from the broader political economy cannot tackle the larger governance and economic forces that create inequality, especially due to concentrated poverty in some jurisdictions that leaves local governments under-resourced due to a meager tax base.

What do "native" research do and what might their particular challenges be for research?

Also see work on Futures Cones https://hack.allmende.io/s/SykyO7J6z

Familiarity and repetition is a common theme among many of the stories in Dubliners. Nothing changes, and there is a certain level of comfort in that stagnant familiarity. Although she dusted her home regularly, it always came back, representing stagnation as a systemic issue that cannot be solved by routine remedies.

Truth is obviously an important theme in a detective novel. Collins lays the metaphor thick here with the quicksand, conjuring imagery of truth lost in the muddy sands. Rosanna also mentions that she "may own" the truth - but is truth not objective fact? It emphasizes the question of perception versus reality and the epistemology of truth. For Rosanna, truth is what she believed to be true, her truth. She died due to the burden of this truth, fully believing in its validity.

This passage highlights the subjectivity in these narratives as a whole. Franklin believes that everyone would interpret Lucy's actions as that of a madwoman, and it is certainly the case that those whom he surrounds himself with would agree. However, there is a perfectly reasonable explanation for Lucy's actions that only women of her and Rosanna's class would know - people who have no voice in these narratives.

Miss Clack already seems to be far more religious than Betteredge. I wonder if she is going to cite the Bible similarly to Betteredge with Robinson Crusoe. It also suggests that Clack will be conservative in her views of societal norms and traditions, and may have a strict, judgmental perspective in line with her Christian values.

The reference to Original sin also brings up the classic dichotomy of good vs evil, innocence vs guilt. Does Clack view knowledge of good and evil as a deficiency in human nature? Does she believe in free will? These factors bring may provide a basis for how her narrative may be skewed or unreliable. Even if she does not ponder these questions herself, Collins certainly posits them to the reader by invoking original sin here. Furthermore, this sets up a tension between western Christianity and eastern Hinduism, reinforcing the previously introduced conflict between domestic and foreign values.

This is false. Betteredge himself confesses during this conversation that his thoughts were "muddled" until "Mr. Franklin took them in hand, and pointed out what they ought to see". Furthermore, wasn't it Franklin who pushed Betteredge to write his recollection in the first place? Franklin's influence on the Betteredge is apparent, putting into question the reliability of his narrative as well as Franklin's motives.

It again brings up the dichotomy of opinion versus fact, subjective versus objective. This reminds me of "In a Grove" by Ryunosuke Akutagawa, which was adapted into the film "Rashomon" by Akira Kurosawa. Very similar themes and narrative structure.

The capitalization of "Person" along with "Thing" leads me to believe that Rosanna may be a key character, especially as Betteredge describes her in great detail compared to the other characters he has introduced thus far. It's interesting that he quips it is "common politeness" to "put the Person before the Thing", when looking at the narrative as a whole, it is the "Thing" which comes before all else. This juxtaposition sets up a dichotomy of the personal versus the objective, which given the format of multiple narrators makes sense.

Also establishes Betteredge as someone who values social etiquette while subtly hinting that those who are obsessed with the Diamond are somehow indecent. Could that be a jab at the audience as well?

The COVID-19 Pandemic Is Changing Our Dreams—Scientific American. (n.d.). Retrieved September 29, 2020, from https://www.scientificamerican.com/article/the-covid-19-pandemic-is-changing-our-dreams/

Barnes, B. (2020, July 8). Disney World Draws Excitement and Incredulity as Reopening Nears. The New York Times. https://www.nytimes.com/2020/07/08/business/coronavirus-disney-world-reopening.html

Create a course or documentation for academic

I would like to see more on the general thematic content that is meant to be in this paragraph.

Foreshadowing the caos of suicide when the house and floor is flooding. She was the the one to clean it at one point now mama is the one causing the mess.

This sentence alludes to José Olivarez' mother, specifically his childhood with his mother where he doesn't know anything yet. Therefor, everything is possible. Aside from that, This also helps with understanding the content of the topic in which the three people are discussing.

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This is the first remarried woman in Austen's writing. While it was discussed in Persuasion, it was in much more generic terms, and mostly regarding men. This is an interesting dynamic.

Lady Denham obviously favored her second husband over her first, even though Mr. Hollis left her with an inheritance, which is much more useful than a title.

The idea of the "sublime" was a major concept in Romanticism (and was also associated with grandeur). It was defined by many essayists as "an expression of great spirit," something that "excites the ideas of pain and spirit." Christian Hirshfield (1742-1792) identified it as "physical grandeur transformed into spiritual grandeur." Source).

The Romantic literary movement was obsessed with cottages: see William Wordsworth's poem "The Ruined Cottage" as an example.

http://www.jasna.org/persuasions/on-line/vol28no1/hall.htm

This chapter has notably been full of references to health and anxiety. Austen notably presents these key issues of the novel in the first chapter, so this is not unexpected.

I predict that this character will be relevant to the marriage plot. The idea of a young person in this kind of circumstance reminds us of the Crawfords or Catherine Moreland. Single individuals living with relatives have, in other Austen novels, been very relevant in the marriage plots.

Links to common words/themes throughout the annotations

Dipping in the sea was said to have healing properties.

"Jane Austen’s Sanditon, Doctors, and the Rise of Seabathing" http://jasna.org/publications/persuasions-online/volume-38-no-2/darcy/

Structure- traditional 9 stanza quatrains Mood- sullen, solemn Tone- encouraging, pensive Theme- true love transcends time and space

Scyld's origins as "feasceaft," destitute, contrast with his rich conquests later in life: the "meodosetla" he takes (5) and the "gomban" ("tribute," 11) he receives. The opening lines thus establish reversal of fortune as a theme while showing Scyld as a powerful warrior and successful war leader. Edward B. Irving describes how appropriate "the Scyld proem" (as he calls it, 44) is for the rest of the poem in foreshadowing what Beowulf will do and experience, A Reading of Beowulf, 2nd ed. (Provo, UT: The Chaucer Studio, 1999), 44–5. Francis Leneghan argues for the originality of the Scyld episode in “Reshaping Tradition" and argues that Scyld's status as a foundling in a ship and his climb to rule parallels Moses.

God's role in the reversal of fortune is explicit here: God sends Scyld as a comfort to the Danes for previous bad fortune (perhaps the rule of Heremod, which appears later in the poem, at 1709–24). The poet suggests that God protects even those who are not Christian, for we will see that the Danes are not, and some are even said to offer sacrifices to demons after Grendel's attack (175–88). On reversal of fortune as a structural device in the opening of the poem, see Irving, A Reading of Beowulf, 32.

Youth is contrasted with age ("ylde") two lines later: men must behave in certain ways in their youth to affect their later fortune. Fortune is not completely outside one's control.

Scyld came on a ship as an infant, and now his body will leave on a ship. The reversal of fortune motif comes full circle in a sense, for he leaves as he came. Yet a little after this passage, we do read of a difference: his arrival with nothing contrasts explicitly with his rich send-off (43–6).

"frofre" reappears just seven lines after its first appearance. Scyld had his comfort, but he also was comfort to the people. Again, reversal of fortune appears at the very start of the text.

I think The Dead is a summary of Dubliners, because it contains so many themes that occur before The Dead . These sentences are a typical example. Their conversation shows their standard stereotype about nationality, which is similar to the theme of After the Race.

Although Jammy is happy that he is allowed to play with the rich, he cannot afford their expenses. What's worse, he loses a lot of money through gambling. Jammy feel unconfident and inferior due to his nationality. I guess that the writer wants to reveal the facts that the inequality in the international world will cause inequality between people from different country.

Although Jimmy is happy with being is allowed to play with the rich. He cannot afford their expenses. What's worse, he loses a lot of money in gambling. I think the story reflects the real frustration of the lower class. The inequality in international society will cause the inequality among people from different country.

A lot of Katherine Mansfield's stories seem to discuss the conflict between maturity and youthfulness of women, whether it's juxtaposing the delight and pain of a girl growing up or the male characters fantasizing women as young girls.

Janie's self-reflection and searching beneath the veneer she had erected and maintained for so many years that has unearthed (recall she viewed herself as earth that absorbed urine and perfume with equal heedlessness) a precious commodity.

As Ciarán Ó Con Cheanainn writes in Leabhar Mór na nAmhrán, the oldest written version of this song dates to 1814, and is found in MS Egerton 117 in the British Library. Oral lore in Conneamara has it that Máire Ní Mhongáin’s three sons joined the British Army, and that Peadar deserted soon after joining, and emigrated to America. It seems probable that their involvement was in the French Revolutionary Wars or the Napoleonic Wars, the major conflicts fought by the British Army in the final decade of the eighteenth century and the first decade of the nineteenth respectively.

Máire Ní Mhongáin seems to have resonated among Irish emigrant communities in the United States. My evidence for this is that Micheál Ó Gallchobhair of Erris, County Mayo, collected songs from Erris emigrants living in Chicago in the 1930s, over a century after the occasion of ‘Amhrán Mháire Ní Mhongáin’s’ composition. It features in his collection, which you access via the following link: http://www.jstor.org.ucc.idm.oclc.org/stable/20642542?seq=2#page_scan_tab_contents

The virulent cursing of departed sons by the mother, named Máre, produces the effect of striking g contrasts with John Millington Synge’s bereaves mother, Old Maurya, in Riders to the Sea.

My Irish Studies blog features an in-depth account of typical features of the caoineadh genre to which Amhrán Mháire Ní Mhongáin belongs. You can access it via the following link: johnwoodssirishstudies.wordpress.com/2018/01/03/carraig-aonair-an-eighteenth-century-west-cork-poem/

‘Bean an tSeanduine’ features all of the conventions of the malmariée genre we have previously encountered in ‘An Seanduine Cam’. Also, it is a good example of the speaker blaming her parents for her plight, which is another regular feature of this song type.

As well as being one of the finest examples of the genre, it is perhaps the most well-known and commonly sung, owing in large part to the simplicity and catchiness of its monosyllable end-rhymes.

As well as Ó Tuama, Meidhbhín Ní Úrdail has written about the common features of the chanson de la malmariée. Her article ‘The Representation of the Feminine: Some evidence from Irish language sources’ in Eighteenth-Century Ireland/Iris an Dá Chultúr is a rich source of information on the topic. In ‘Bean an tSeanduine’, we have a fine example of what Ní Úrdail calls the description of ‘the plight of a beautiful young woman, trapped in an unhappy marriage to an impotent elderly spouse who is ignorant of her mental and physical frustration’. However, when we consider the particular humour of this song, we can identify how it serves to empower the female speaker.

‘Bean an tSeanduine’ differs from ‘An Seanduine Cam’ in that there is no third-person narrator. Like ‘An Seanduine Cam’, the humour of the song relies on a ridiculing of the old man, although here the young woman herself is his detractor. Each of his brags meet a witty riposte. When he claims wealth, she calls him a miser, and when he wonders what would become of his if he died during the night, she jokes that death is an immanent danger. When mockery of this kind is voiced by the female speaker, it serves to empower her, and inspire in the listener a sense of sympathy and respect.

The song’s first two verses are spoken by a third-person narrator. In its humorous exaggeration, the first verse caricatures recognized conventions of arranged marriage. This narrative consciously situates itself in a genre whose familiarity to the listener is a necessary part of the humour. It addresses the economic incentives which were the major precipitating factors of marriage arrangements in rural Ireland during the eighteenth century. It also invokes the misery which such marriages often visited upon young women.

In his essay ‘Love in Irish Folksong’, Seán Ó Tuama identifies among typical features of the malmariée genre that ‘a young woman speaks (in the first person) of her anguish,’ that ‘the description of the husband can be unbelievably grotesque and ribald: he is humped, crippled; he coughs, grunts, whines at night; most of all, he is cold as lead, important, and completely fails to satisfy her desires’, and that ‘she discloses that she is going to leave him for a young man’ (149). ‘An Seanduine Cam’ provides clear examples of all of these traits.

Moreover, because these tendencies find expression in a debate form, and are redoubled in response to the unfeeling man, the resistant character of the put-upon young woman is strongly emphasized.

Is the narrator suggesting that this whole fiasco is not really about a new political consciousness?

The detailed description conveys how deeply Rao is committed to the crossword puzzles. For his, it is an escapism from the reality of life. He seems to have abandoned both hope and responsibility.

Is it? Do you think it is the Doctor's word of hope that brought about his survival? The writer leaves hint at the beginning of this story. What is it that the Doctor does not understand about life and death?

In this story, identify the exposition, rising action, turning point and resolution.

Once you have identified the plot structure, can you put it all into a statement about life that has relevance universally? This statement should be specific, but not so narrow that it is only about the text.

• Taking A Stand?
• London to Ladysmith to-read

This shows how the colonists were taking a stand against the tyranny inflicted by the motherland, England.

I think this line refers to the poem itself. The poem is full of images as it moves, and often they feel disparate and negative, like "dead land" next to "breeding lilacs" in the opening two lines. The poem is a pile of fragments brought together. The fragments interact within the pile or the poem to create meaning.

The poem itself is a "heap of broken images." Hard to interpret but it seems as it's telling a story of from different perspectives. Maybe this means that in life we only experience these broken images in hope to interpret them.

This poem is all over the place and in this section it sets the tone, which will be reverberated with each book/stanza/line. Fragments, images, and phrases all scattered, leaving the reader with pieces to interpret and conclude.

Eliot pays homage to the past writers by using their stories of love and loss to highlight the relevance of human behavior and desire and the nature and state of the world. Also, the change of narratives, the different styles of verse and prose undoubtedly leaves the reader more distorted and confused than ever.

However, there is clarity between the lines of the dualities and complexities of the Waste Land.

A fourth grade student should be able to determine the theme or underlying message/moral of a story.

Theme

A good example of this would be the book the book Charlotte's Webb. This book would allow students to read carefully in order to pick out the underlying message the author is trying to portray as well as linking back to the third grade standard of being able to refer to certain parts of the text ("chapters" or "sections") in order to determine the theme and back it up with key details from the text.