Guilt pride is something of a modern construction. Unlike Walsers, who experienced his guilt (because he served in WW2 under the Nazis), most Germans haven't experienced WW2. Guilt pride is thus an attempt to build a new collective identity for Germany, devoid of any authenticity (instead hinges more on profilicity).

https://www.youtube.com/watch?v=Vy2ju_qPtuM&t=68s by [[Hans-Georg Moeller]] on [[Carefree Wandering]]

Sacrifice of what? Does he truly believe what he is doing is right so that Desdemona does not cheat on other men? Is this really his righteousness at play?

Or is he sacrificing a part of him, his heart?

He actually admits to his pride not being something that kills him, he can put up with all but the pain of his heart, that is his true motivation. So it is Desdemona's love and adoration that focuses on him that keeps him going.

Even the way he wants to kill her comes down to pride, justice, and his tightly held "Venetian morality" that comes from Iago's advice, all because he cannot trust his own morality and create his own convictions

Pride, again

Central theme, all is nothing but reputation and pride. These foolish constructs!

Othello is subjective about his "universal" morals based on the ranking, standing and pride (manliness) of who Cassio hurts. If it be a beggar, it would have been no problem?

Again, he is like the little devil on the shoulder, a little counsel that stirs up existing insecurity

Cassio quite literally proclaims how his reputation and pride are the things connecting him to heaven, to divinity, to humanity, but which are void of life and actually destroy him. One without reputation and pride is nothing but a beast, what Othello fears he will be as a Moor.

To. be a man is to maintain dignity

Pride has to do with morality of the Church. What aids their downfall is morality. This has ties to Blake, how religion is a restriction of freedom and true innocence.

Othello describes this chaos as Turks, as the foreign, as the other, as the out-group. This means he prizes his in-group due to their civility and restraint -- in other words their ability to maintain composure for the sake of pride. The rejection of the inner demon only creates more destruction (Inferior Function)

Vulnerability is seen as the vice in this case. The absence of pride and ego. And yet that is what would prevent Iago's manipulative plot, the understanding and the released grip of pride and ego, and the acceptance of less noble intentions

He will eventually turn on Cassio, so he will see his evils, but he not until the end will see Iago's evils, because perhaps Iago is a part of each, and pride is what covers them from accepting and admitting their inner evils.

Iago is directly stating, or singing, while all are under his curse, that it is pride that pulls each down -- and he is merely showing its effects. Kind of 4th wall

Again, as a possession -- he sees his wife as a possession and is not jealous because it is her who has been stolen away, but because Othello is looking down on Iago and his ego is hurt.

Willing to leverage, but also highlights another side to Othello -- he is a prideful man who has the need to prove things, to win in chivalry -- not so much her love, but the fact he has her love.

People of the last days will be abound:

1) Selfish - Symptom: Increase in Divorce Rates

2) Enjoy pleasure > God - Sin has an addictive & deceptive nature, it gives pleasure. (think of porn)

3) Lukewarmness (have a form of godliness but deny the power thereof)

They will not be caught up with the Lord during the rapture.

Be ready for the rapture at all times because it will come like a thief in the night.

"Despair is the too-little of responsibility. Pride is the too-much." -- Wendell Berry

In addition to "critical thinking, resourcefulness, creativity, attention to detail, and academic pride and humility", the ability to use a note card-based research system like Umberto Eco's is the key to overcoming information overload.

This recalls Maria Lucas meeting Lady Catherine in Pride and Prejudice

In academia, the act of not taking notes can act as an external signal of superiority or even indifference.

It's unclear if Captain Wentworth honestly thinks women require more care and better accommodations or whether he is avoiding women in general because of Anne. This line of Mrs Croft's is beautiful. There is a modern web series adaptation called Rational Creatures. I think this is an echo of Mary Wollstonecraft, Austen uses the term again when Elizabeth Bennet is rejecting Mr Collins proposal (P&P chapter 19)

There are few happy couples in Austen, another example is the Gardiners in Pride and Prejudice.

The same distance of Netherfield from Longbourn in Pride and Prejudice but for some reason Uppercross feels much further from Kellynch Hall.

Potential parallels to Mr Bennet's feelings for Mrs Bennett in Pride and Prejudice. Mr Bennet had been "captivated by youth and beauty, and that appearance of good-humour which youth and beauty generally give, [and] had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her." (P&P Chapter 42) Perhaps this also parallels Sir Thomas Bertram's feelings for Lady Bertram in Mansfield Park. It's never stated that Sir Thomas regrets his match but she "captivated" him (chapter 1 MP) and became a "woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children" (chapter 2 MP). It seems more fitting somehow that it was the men making choices led my their hormones more than the women (though you must consider Lydia Bennet). Austen points out constantly how women had few choices in life and marriage, they had to make good ones as they would be trapped, they did not have the same freedoms as men.

For a comparative analysis of Northanger Abbey's and Pride and Prejudice's depictions of the city in relation to contemporary ideas of the city "as moral pollution," see Celia Eason's essay, "Austen’s Urban Redemption: Rejecting Richardson’s View of the City." Easton shows us how characters like Isabella Thorpe and Mr. Bennet defy contemporary ideas that women were helpless in the city or that remaining ignorant of the city proved morally useful, respectively. As Catherine's character will prove, knowing how to navigate the city and its traps is essential for any young woman.

Citation: Easton, Celia. "Austen’s Urban Redemption: Rejecting Richardson’s View of the City." Persuasions, no. 26, 2004.

https://www.nytimes.com/2022/01/29/opinion/holocaust-poland-europe.html

I have been trying to avoid the word "money" in my annotations to avoid coming off as anti-capitalist as I really am, but yes: Corporations do not give a care about individuals or marginalized groups outside of how they can profit off of their oppression. Remember this June; this Pride Month; that any company selling you rainbow merchandise is not doing it out of legitimate care about LGBTQ+ rights but because it's profitable! Yes, even if they're giving 20% of proceeds to charity - where do you think the other 80% goes?

"Freak, fancy, whim"

• A Dictionary of the English Language Volume 1 By Samuel Johnson, John Walker, Robert S. Jameson

"A sudden and unaccountable change of mood or behavior" (OED).

Pride is one of the seven deadly sins in Christian Theology

This is around the same age as some of Austen's male love interests. Mr. Darcy was 28. Many of the male targets of Austen's marriage plots were older than their female counterparts.

Austen reiterates the idea of gossip that is mistaken and misconstrued, and it is both relatively innocuous and sometimes effective to the plot by introducing conflict. For example, in Pride and Prejudice with the gossip over Mr. Bingley and who would join his party, the story of Mr. Darcy's treatment of Mr. Wickham, and then the suggested engagement between Darcy and Lizzy Bennett.

This phrase is often used in Austen's works, referring to the particular society or selected families a person interacts with, and which usually indicates a level of social class. In Pride and Prejudice, Mrs. Gardener says she "moved in different circles" from the Darcys, and in Emma, Mrs. Elton hopes to install Miss Fairfax as a governess in a better circle than she might be able to procure on her own.

Links to common words/themes throughout the annotations

By comparing Pride and Prejudice's concerns of marriage to Emma and Mansfield Park, Moe improves her argument about Austen's comprehension of marriage by using relevant texts to apply to Charlotte and Elizabeth's respective situations.

Jane Austen use of they; also Thackeray

Antigone is portraying herself as a martyr. She intentionally disobeyed Creon, not only to stay true to her beliefs, but also because she knew she would be put to death. Thus, she would become immortalized as a symbol of rebellion and would expose the corruption and injustice behind Creon and his power. She also seemed to be driven by her own pride and inability to compromise her beliefs and therefore lost her life in return. Antigone then killed herself as another act of pride, so she would be able to be in control of her own demise, rather than be executed by the hands of another. Antigone's actions and motives demonstrate that she too was fighting for power in the situation, whether it be because of her pride or seeing herself as the role of martyr.

Woohoo!!

The human pride, synonymous with ego.

I like this word, not sure if meant to create a double meaning. Pride as in the feeling, but pride as in the group.

Is ignorance better than knowledge?

Appealing to patriotism, national identity, and authority figures