an X post today receives less than 3% of the views a single tweet delivered seven years ago.
令人惊讶的是:如今在X上的帖子获得的浏览量不到七年前单条推文浏览量的3%。这种急剧下降不仅反映了平台算法的变化,也揭示了社交媒体平台内容分发机制的根本性转变,以及用户行为和平台优先级的巨大变化。
an X post today receives less than 3% of the views a single tweet delivered seven years ago.
令人惊讶的是:如今在X上的帖子获得的浏览量不到七年前单条推文浏览量的3%。这种急剧下降不仅反映了平台算法的变化,也揭示了社交媒体平台内容分发机制的根本性转变,以及用户行为和平台优先级的巨大变化。
We posted to Twitter (now known as X) five to ten times a day in 2018. Those tweets garnered somewhere between 50 and 100 million impressions per month.
令人惊讶的是:EFF在2018年每天发布5-10条推文,每月能获得5000万到1亿次曝光,而到了2024年,2500条帖子每月仅获得200万次曝光。这种急剧下降反映了社交媒体平台算法变化和用户注意力转移的惊人速度。
People on X are the first to know.
令人惊讶的是:这条推文暗示X平台上的用户比其他社交媒体平台的用户更早获取信息,这可能反映了平台的信息传播机制或用户群体的特殊性,但这并没有提供具体证据或数据支持这一说法。
Untangling Threads by Erin Kissane
Untangling Threads by Erin Kissane on 2023-12-21
This immediately brings up the questions of how the following - founder effects and being overwhelmed by the scale of an eternal September - communism of community interactions being subverted bent for the purposes of (surveillance) capitalism (see @Graeber2011, Debt)
We applied two scenarios to compare how these regular agents behave in the Twitter network, with and without malicious agents, to study how much influence malicious agents have on the general susceptibility of the regular users. To achieve this, we implemented a belief value system to measure how impressionable an agent is when encountering misinformation and how its behavior gets affected. The results indicated similar outcomes in the two scenarios as the affected belief value changed for these regular agents, exhibiting belief in the misinformation. Although the change in belief value occurred slowly, it had a profound effect when the malicious agents were present, as many more regular agents started believing in misinformation.
We analyzed and visualized Twitter data during the prevalence of the Wuhan lab leak theory and discovered that 29% of the accounts participating in the discussion were social bots. We found evidence that social bots play an essential mediating role in communication networks. Although human accounts have a more direct influence on the information diffusion network, social bots have a more indirect influence. Unverified social bot accounts retweet more, and through multiple levels of diffusion, humans are vulnerable to messages manipulated by bots, driving the spread of unverified messages across social media. These findings show that limiting the use of social bots might be an effective method to minimize the spread of conspiracy theories and hate speech online.
11/30 Youth Collaborative
I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.
Just a few similar initiatives that you might want to check out:
Storycorps - people can record their stories via an app
Project Voice - spoken word poetry
Living Library - sharing one's story
Freedom Writers - book and curriculum based on real-life stories
Navlakha, M. (2022, January 24). On Substack, COVID misinformation is allowed to flourish. Mashable. https://mashable.com/article/substack-covid-misinformation
Defeat The Mandates: Green Our Vaccines reconstituted for COVID-19. (2022, January 21). RESPECTFUL INSOLENCE. https://respectfulinsolence.com/2022/01/21/defeat-the-mandates-green-our-vaccines-reconstituted-for-covid-19/
The online information environment | Royal Society. (n.d.). Retrieved January 21, 2022, from https://royalsociety.org/topics-policy/projects/online-information-environment/
In an effort to mitigate these issues, some book contracts now specify the number of posts required before and after a book is published.
Perhaps better would be stipulations in the contract that incentivize authors to leverage their platforms in the form of bonuses while removing the advance money in lieu. Make the author part of the promotion, which has been part of the movement in publishing for the last decade.
“It’s become more and more important as the years went on,” said Marc Resnick, executive editor at St. Martin’s Press. “We learned some hard lessons along the way, which is that a tweet or a post is not necessarily going to sell any books, if it’s not the right person with the right book and the right followers at the right time.”
This seems like common sense to me, why hasn't the industry grokked it?
Recommended Reading: Amazon’s algorithms, conspiracy theories and extremist literature. (n.d.). ISD. Retrieved November 8, 2021, from https://www.isdglobal.org/isd-publications/recommended-reading-amazons-algorithms-conspiracy-theories-and-extremist-literature/
How to Create a Social Media Platform: Technologies, Features, and Cost
Hosseinmardi, H., Ghasemian, A., Clauset, A., Mobius, M., Rothschild, D. M., & Watts, D. J. (2021). Examining the consumption of radical content on YouTube. Proceedings of the National Academy of Sciences, 118(32), e2101967118. https://doi.org/10.1073/pnas.2101967118
Schmitt, C. E., November 7, & 2020. (n.d.). ‘Be the Twitter that you want to see in the world’. Harvard Law Today. Retrieved 1 March 2021, from https://today.law.harvard.edu/be-the-twitter-that-you-want-to-see-in-the-world/
Misinformation “superspreaders”: Covid vaccine falsehoods still thriving on Facebook and Instagram. (2021, January 6). The Guardian. http://www.theguardian.com/world/2021/jan/06/facebook-instagram-urged-fight-deluge-anti-covid-vaccine-falsehoods
Yang, K.-C., Pierri, F., Hui, P.-M., Axelrod, D., Torres-Lugo, C., Bryden, J., & Menczer, F. (2020). The COVID-19 Infodemic: Twitter versus Facebook. ArXiv:2012.09353 [Cs]. http://arxiv.org/abs/2012.09353
Fukuyama, Barak Richman and Francis. “How to Quiet the Megaphones of Facebook, Google and Twitter.” Wall Street Journal, February 12, 2021, sec. Life. https://www.wsj.com/articles/how-to-quiet-the-megaphones-of-facebook-google-and-twitter-11613068856.
Newport is an academic — he makes his primary living teaching computer science at a university, so he already has a built-in network and a self-contained world with clear moves towards achievement.
This is one of the key reasons people look to social media--for the connections and the network they don't have via non-digital means. Most of the people I've seen with large blogs or well-traveled websites have simply done a much better job of connecting and interacting with their audience and personal networks. To a great extent this is because they've built up a large email list to send people content directly. Those people then read their material and comment on their blogs.
This is something the IndieWeb can help people work toward in a better fashion, particularly with better independent functioning feed readers.
Newman, N. (n.d.). Reuters Institute Digital News Report 2020. 112.
Velásquez, N., Leahy, R., Restrepo, N. J., Lupu, Y., Sear, R., Gabriel, N., Jha, O., Goldberg, B., & Johnson, N. F. (2020). Hate multiverse spreads malicious COVID-19 content online beyond individual platform control. ArXiv:2004.00673 [Nlin, Physics:Physics]. http://arxiv.org/abs/2004.00673
[An aside about exogenous social capital: you might complain that your tweets are more interesting and grammatical than those of, say, Donald Trump (you're probably right!). Or that your photos are better composed and more interesting at a deep level of photographic craft than those of Kim Kardashian. The difference is, they bring a massive supply of exogenous pre-existing social capital from another status game, the fame game, to every table, and some forms of social capital transfer quite well across platforms. Generalized fame is one of them. More specific forms of fame or talent might not retain their value as easily: you might follow Paul Krugman on Twitter, for example, but not have any interest in his Instagram account. I don't know if he has one, but I probably wouldn't follow it if he did, sorry Paul, it’s nothing personal.]
In publishing circles, this has long been known as platform or author platform--ie that thing that made you famous in the first place that gives you the space to attempt to try to use that fame to sell books.