missing citation here

Is nu supposed to be \(\mu\) ?

for - quote - constructing Cosmo local as a counter power to the current dominating power of trans-national finance

quote - (see below) - faced with the potential hostility of nation-states that are under the influence of extractive forces of trans-national finance, the local is no longer just the local, but a local that is also cosmo-local, and can mobilize counter-power.

for - key insight - leverage point of the 99% - our numbers - from Substack article - The Cosmo-Local Plan for our Next Civilization - Michel Bauwens - 2024, Dec 20 - key insight - 6 levels of individual / collective gestalt - from Substack article - The Cosmo-Local Plan for our Next Civilization - Michel Bauwens - 2024, Dec 20

key insight - 6 embedded levels of individual / collective gestalt, - first level is from individual quanta to collective atoms - second level is from individual atom to collective molecules - third is from individual molecule too collective living cells - fourth is from individual living cells too collective multicellular living organism - fifth is from individual multi-cellular organism to collective culture at local level - sixth is from individual local culture to to collective trans-national alliances - At each level except the first, a perspective shift occursc in which the collective is seen from a different lens as an individual

key insight - leverage point of the 99% - our numbers - The trans-national companies power is in their capital - The trans-national alliances leverage point is our large numbers of people - Through our strength in numbers, we can mobilize trans-alliance resources such as human innovation resources, which most local actors are lacking in

for - QUESTION - somewheres, nowheres, everywheres - how do the somewheres fit into this strategy? - from Substack article - The Cosmo-Local Plan for our Next Civilization - Michel Bauwens - 2024, Dec 20

for - progress trap - blockchain - one unintended consequence is that it is very energy inefficient - from Substack article - The Cosmo-Local Plan for our Next Civilization - Michel Bauwens - 2024, Dec 20

all objections waived no foundation needed police found in lounge trash

preadmitted police found in cabin 3

police found in cabin 3

police found in cabin 3

police found in cabin 1

hearsay waived police found in cabin 1

police found in cabin 1

police found in cabin 1

hearsay waived police found in cabin 1

preadmitted police found in cabin 1

police found in cabin 1

pre admitted police found in cabin 1

preadmitted if no kirby

preadmitted if no kirby

preadmitted if no kirby

preadmitted if no kirby

all objections waived no foundation needed if connel testifies

all objections waived no foundation needed if Connel testifies

Created 4:57 am

hearsay waived

hearsay waived

preadmitted

preadmitted

preadmitted

preadmitted

preadmitted

preadmitted

preadmitted

Only DooLittle's declaration falls under "no recanting" rule

for - similar to - - Daniel Kahnaman's system 1 fast, instinctive, emotional and system 2 slow, deliberative, logical is similar to - Ian McGilhirist's left brain, right brain

Here's what ChatGPT shown me as summary of their Privacy policy: Analytics and Third-Party Services They use third-party analytics tools (e.g., Google Analytics) to understand how users interact with their services. These tools may collect anonymized or aggregated data, such as IP addresses or browsing behavior, but not personally identifiable information unless you've explicitly consented. Cookies and Tracking: Their cookies track usage patterns on their platform, which could include data about visited pages, clicks, or time spent on the site. However, this data is anonymized unless tied to your account or explicitly authorized.

^^ let's just trust em, right? or no? Ping me if that ended up being a no-no as I decide to continue using the app.

I find this part of the text to be enlightening because, to me, it makes sense that the body and mind would not be able to differ between pleasures if they were to be prolonged. Now if we decrease the length of effect pleasures have on us and include hardships, our body and mind are able to differentiate pleasures and put them on a scale of being okay to amazing.

I find this section of the text confusing because it seems to say that pleasure is always good. To me I disagree that pleasure is always good, I feel that moderations should be implied with pleasures or else they will turn into (for a lack of better terms) bad habits. I only say this because if a person is constantly seeking pleasure, it means that they are always chasing for it. This chase for pleasure, in some cases, may turn into a negative loop especially if they are not succeeding in finding pleasure. This failure to achieve pleasure can create a build-up of anxiety, which is opposite to goal they were trying to achieve. So, this part of the text is confusing for me to fully understand.

This section of the text is very interesting to me because now-a-days Injustice and inequality in themselves are always seen as not right (aka evil). In this section injustice is defined as being somewhat normal. The evil part of injustice comes in when a person that had not done any wrongdoing is now facing punishment that does not align with the actions they have done. This creates a sense of fear within the person's mind. So, it's not the injustice that creates the fear, it's the punishment that does.

I find this section of the text disturbing and misinforming due to the recent data that scientist of Michigan have discovered. The study from, Michigan Center for Consciousness Science has revealed that parts of the brain actually are active for a short time after death, unless these parts of the brain are damaged. Therefor we actually do experience sensations during the process of death. So, with this new knowledge, is death really nothing to us? Or is death a person's last experience involving sensation?

Ok, good. Interesting subject with much potential. I wonder if the attempt to cover all of these major works by Nietzsche is too broad a subject for such a short treatment. Also, it seems that there is a bit of a struggle to correlate place with philosophical ideas...the locations seem to be related to individuals and where they lived...I wonder if certain areas or art centers might have been a stronger connection, in other words can one trace the influence of Nietzsche narrowly to individuals or might this influence be better seen in loci of art movements? The introduction of Die Brucke and the expressionists..seems to suggest this. Then there are other movements that may be relevant such as the fururists, dadaists, and surrealists. The StoryMap platform should afford ways to nail down these locations very definitely, it is hard to know what the relationship to place is in your StoryMap ( just points on a map with little explanation). In any case, a narrower focus and a deeper dive into the literature related to the art elements would be warranted. BTW, you don't cite "The Birth of Tragedy"...isn't thatb where Nietzche develps the ides about the Apollonian and Dionysian forces in art?

SPELLING

Excellent! A real thesis!

OK, good. Very interesting subject and a compelling artist to consider. Klimt's attention to pre-classical Greek art, Egyptian art, and medieval mosaics is quite interesting in relationship to his own mature style which is highly decorative, borrowing many of the characteristic forms of these periods. This opposition to the academic norms is interesting...and Klimt's specific response to classicism, academicism is unique...so, the StoryMap is on the right track and could be very rewarding research with further study and interpretation.

CLARIFICATION Nietzsche was considering Aeschylus, Sophocles, and Euripides in this context, no?...these are classical dramatists are they not? The archaic and pre=classical elements of Greek art may have appealed to his interest in decorative ornamentation?

THESIS?

Ok good. The scope of the StoryMap is quite broad and thus the quality of the interpretation of the material tends to gravitate toward generalities and well known and well worn ideas. Short of becoming a Leonardo specialist, a dubious claim in itself, it is very hard to find material that is particularly innovative. At the least I think there might have been a better connection between actual works: paintings, drawings, etc. (images) and the locations, instead there was a fair amount of repetition and generality. The last three sections could be edited down significantly. I am not sure that Leonardo ever actually visited Paris....

DOCUMENT

Ok, very good subject. I think the format could have been better employed....the images of the paintings as links with text along the points of the maps made a lot of sense in terms of concept, but in practice one might look to other StoryMap tool options to make the images and texts fell less like footnotes. The writing could use revision in many places...not a difficult fix

Bierstadt put the "expanse" in the Westward Expansion

Is this an exaggeration, or are there cliffs of this scale in mid-Nebraska?

CLARIFICATION Did Bierstadt himself name this mountain after the Colonel?

Foreground is strong contrast of value....middle and background is subtle color harmony, so Bierstadt is expertly conveying space, near space, and deep space with both value and color....

DICTION "impending"? Impending suggests an action ...mountains usual stay put

HYPERBOLE "This is a painting no other artist would make, except for Bierstadt"

ID

What/where is this image, Hudson river Valley...West?

THESIS An well conceived thesis statement should be inserted here, right at the beginning.

OK, good.. This is a very interesting topic. The StoryMap does a good job detailing , through letters and other primary sources, the preoccupations of Van Gogh's experience in Holland and Belgium, especially underscoring his lifelong struggle with loneliness and social awkwardness ( Precise cites including publication info , page numbers, edition etc. is neccessary). The Antwerp portraits are particularly interesting I think since they appear to be almost a transitional style which appears to be a bridge between the Hague school like early work and the well known "post-impressionist" work of his mature style...which commences with a move to France. More in depth treatment of the paintings and drawings ( excellent selection BTW) themselves and a strong connection with a better formed thesis would be an improvement and quite a bit of revision in the writing would further improve the StoryMap.

THESIS: " This StoryMap will outline these places and attempt to demonstrate X, Y, and/or Z...."?

for - potential BEing journey - Dzogchen - alternating between 2 related sense fields - from Medium article - Heart Sutra and the nyams of Dzogchen - Aleander Vezhnevets - 2022, Sept 7

for - Buddhism - TIbetan - Dzogchen practice - Lhatong - arising forms are seen as empty and relational, alive, not isolated - from Medium article - Heart Sutra and the nyams of Dzogchen - Aleander Vezhnevets - 2022, Sept 7

also saturated with logics of advertising — thats where you get the corporate pop

tag is violence, but more about control — need to distinguish between the 2.

again, "rhetorics of maximum visibility"

nostalgia for the world that produced images, semantic embeddings like these?

Notice MET

Ok, interesting subject. This may be too broad a subject to adequately contend with in such a short treatment.One wonders if the cause and effect of the events described are quite as clear cut as it might appear in your StoryMap. An example of an issue in this StoryMap is the big jump between images like "The Triumph of Death, c.1350 (fresco) Fig 7." and Botticelli's "Birth of Venus"...perhaps a better approach would have been to focus on images directly affected by the events of the Black Death....

ID

ID

ID: What is the image on the right?

MESSINA?

GRAMMAR

THESIS?

THESIS?

What is the biggest problem that we should solve right now?

The biggest and insurmountable problem with this StoryMap is that it is too broad in scope and lacks a thesis and reads as a mere listing of facts and basic info. It lacks a workable thesis and if the thesis is something like " this StoryMap will outline the evolution of Neoclassicism in the history of art" then it will be less a research paper than an "outline" which is not the intention of the research project. Maybe you could have covered Winckelmann's travels, what influenced him and how he influenced the development of a neoclassical style?

cf Rob Kitchin on big data: capture everything anyway

cf. swarm gaze and spectacle

Ok, there is a lot to unpack here...overall this reads as more of a listing of Dürer's movements and journeys, which in itself is a valuable list. But, perhaps given the reputation and range of works by Durer and their relevance in the art history, it might have been a better strategy to focus on a few of his movements rather than attempting a comprehensive account. A narrower approach could have been an opportunity to A.) come up with a workable thesis and B.) focussed your research and resources.

instead replaced by fetishized notion of "essence of the thing" (referent) as nth dimensional data analytics?

FMGA; convenient direct binaries, no critical thinking or personal judgment formed, good feelings +++

cf hypercasual FMGA

purpose of a system is what it does David Graeber on bureaucracy?

cf Adam Greenfield via DIOT?

AI Slop as negative image?

https://www.derstandard.at/story/3000000250340/fridays-for-future-geht-ins-verflixte-siebte-jahr

Ok, this is a good subject, but also a very widely covered subject. Perhaps a narrower focus on one aspect of VG's travels might have been warranted. The bibliography is verty basic and limiting....perhaps deeper reading into the subject might have uncovered clues to a more insightful StoryMap.

Is this where his style changes in magor ways?

PIPE/CIGARETTE

PIPE/CIGARETTE

TITLE

TITLE

NOTE: All images must be labelled fully and in-line: artist, title, medium, dimensions, date, repository etc.

DICTION Drew/painted

ID Does "uncle Mauve" have a full name?

THESIS This is a general introductory account of VG's debt to travel, but lacks an incisive thesis.

Könnten Sie das ausführen?

= voorkeur geven aan eigen groep

OK, Good: Very interesting subject, these works are sui generis in the history of art. Perhaps there could be more development of the ideas surrounding somatic depression and how this was ascribed as a condition afflicting the artist. Format: I wonder if the timeline component could have been better used inline...throughout the StoryMap, the map is fixed on "Calle del Desengano" for the entire timeline. The individual Black Paintings were well integrated with the map elements, but it is a little unclear what the locations the maps id, i.e. are these"points" supposed to id where the paintings are now located, or something else? Is no. 4 the locus of the "Meadow of San Isidro" the place, or the painitng...and how does this relate to no.3 the black version of the subject? Some of the writing could use revision and further editing should this be presented in a more formal vehicle/medium.

سيشغل العنصر العرض المحدد، وسيتم تقسيم المساحة المتبقية بالتساوي بين ال margins

سيؤدي ضبط عرض عنصر على مستوى الكتلة إلى منعه من الامتداد إلى حواف الحاوية الخاصة به

ist es 28%?

ما رح يعطي تأثير بانه موجود كانو انحدف عكس visibility:hidden; رح تعطي تأثير ورح يتم اخفاء العنصر وليس حدفه

يعيد الخاصية إلى قيمتها الافتراضية.

يجعل العنصر يختفي كحاوية، ويعامل أبناءه كما لو كانوا أبناء العنصر الأعلى.

يعتمد عرضه (block أو inline) على السياق.

يجعل العنصر يتصرف كعنصر