10,000 Matching Annotations
  1. Sep 2020
    1. The God that holds you over the pit of hell, much as one holds a spider, or some loathsome insect, over the fire, abhors you, and is dreadfully provoked; his wrath towards you burns like fire; he looks upon you as worthy of nothing else, but to be cast into the fire; he is of purer eyes than to bear to have you in his sight; you are ten thousand times so abominable in his eyes as the most hateful venomous serpent is in ours. You have offended him infinitely more than ever a stubborn rebel did his prince: and yet ’tis nothing but his hand that holds you from falling into the fire every moment; ’tis to be ascribed to nothing else, that you did not go to hell the last night; that you was suffered to awake again in this world, after you closed your eyes to sleep: and there is no other reason to be given why you have not dropped into hell since you arose in the morning, but that God’s hand has held you up; there is no other reason to be given why you han’t gone to hell since you have sat here in the house of God, provoking his pure eyes by your sinful wicked manner of attending his solemn worship: yea, there is nothing else that is to be given as a reason why you don’t this very moment drop down into hell.

      This paragraph is quite deep and striking due to the way the writer elaborates and analogizes a sinner in the eyes of God and the Church. There is definitely passion in his words as he describes how sinful individuals could have potentially been during this time. To read the passage, it seems like some kind of a warning. I interpret it as one needing to take head to sinful actions as God see's all that you do and he judges your actions daily. Therefore, if he chooses not to allow you to wake the next day be mindful your actions on Earth could potentially lead you to the gates of hell. I had to read this passage twice because it really struck me. In this day in age, sermons aren't as straight forward as this one in some congregations. The topics of sin are touched on a more lighter note rather than straight forward such as this. I wonder what actions and or public sins were taking place that caused for such sermon to be written? The sermon definitely brought fear to me in this one section so I can only image how the people felt then.

    2. As I read “Sinners in the Hands of Angry God.” This writing made me reflect the issues we face in our nation and world today. As so many people in this time behave and function out of self-anger implicating violence among our community. People hurt others and destroy what is not theirs because most individuals have been conditioned in a way to act the way they act based on their upbringing. Most individuals have lost or never had God in their life to begin with. However, for some reason when people are at their worst moment and are faced in a condition where they are fighting for their lives all of a sudden they reach out to a higher power. Their path that they walked to get where they are at is based on choices every individual makes. One thing is for sure hurt people, hurt people. I would say most people know the difference between right and wrong unless you are mentally sick. As stated in a path by Jonathan Edwards Revives Enfield, Connecticut, 1741 “Your care of your own life, and the means you use for your own preservation.” People that have something valuable in life don’t act out in rage. People need to value themselves and not play the victim card. Life is unfair and unjustifiable. We as people have been lied to about many things giving us a perspective in life that is false as we start to see and be aware of our surroundings. However one must ask themselves it’s not what you see but what you don’t see. In this writing from Jonathan Edwards it is mentioned “How awful is it to be left behind at such a day! To see so many others feasting, while you are pining and perishing!” I would relate this as someone’s last moment in an ICU room looking out the glass wall seeing nurses in the hall way. The thoughts that wonder in there head when will my last breath be? As they may be connected to a vent machine to help them breath. Perhaps this is there hell. Perhaps this is the moment they reflect on their life and realize they did everything wrong in life. “Sinners in the hands of an Angry God” I feel is written not for one to fear God but to change and acknowledge their own actions and how it affects themselves and others. To know you can be better and walk a path of good.

    3. As I read “Sinners in the Hands of Angry God.” This writing made me reflect the issues we face in our nation and world today. As so many people in this time behave and function out of self-anger implicating violence among our community. People hurt others and destroy what is not theirs because most individuals have been conditioned in a way to act the way they act based on their upbringing. Most individuals have lost or never had God in their life to begin with. However, for some reason when people are at their worst moment and are faced in a condition where they are fighting for their lives all of a sudden they reach out to a higher power. Their path that they walked to get where they are at is based on choices every individual makes. One thing is for sure hurt people, hurt people. I would say most people know the difference between right and wrong unless you are mentally sick. As stated in a path by Jonathan Edwards Revives Enfield, Connecticut, 1741 “Your care of your own life, and the means you use for your own preservation.” People that have something valuable in life don’t act out in rage. People need to value themselves and not play the victim card. Life is unfair and unjustifiable. We as people have been lied to about many things giving us a perspective in life that is false as we start to see and be aware of our surroundings. However one must ask themselves it’s not what you see but what you don’t see. In this writing from Jonathan Edwards it is mentioned “How awful is it to be left behind at such a day! To see so many others feasting, while you are pining and perishing!” I would relate this as someone’s last moment in an ICU room looking out the glass wall seeing nurses in the hall way. The thoughts that wonder in there head when will my last breath be? As they may be connected to a vent machine to help them breath. Perhaps this is there hell. Perhaps this is the moment they reflect on their life and realize they did everything wrong in life. “Sinners in the hands of an Angry God” I feel is written not for one to fear God but to change and acknowledge their own actions and how it affects themselves and others. To know you can be better and walk a path of good.

    4. This acceptable year of the Lord, that is a day of such great favor to some, will doubtless be a day of as remarkable vengeance to others…

      Now that he has established why so many are damned and what horrors await them... it is time for redemption. A fitting portion to any sermon, a chance to be saved and if you pass today. "remarkable vengeance to others..." This leaves a powerful psychological impression on the crowd to walk out on. It fills the individuals with thoughts and second guesses, "I thought I was devout and saved... but is this my day of vengeance?". I would be very curious to see what the crowd looked like on exiting, how many were tearful with shame vs holding their head high with the belief the sermon was about all those other sinners...

    5. Reading this sermon really put an image in my head of how the congregation probably looked at the time he was preaching it. I honestly would have left and went home and prayed about it because I would have been so frightened that I was one of the ones going to hell. It's like he was scolding a child. Honestly I would have never returned back to this church. We all are sinners but the good thing about that is we have a forgiving God. He forgave us for all of our sins and for that I am merciful to his name.

    6. ou probably are not sensible of this; you find you are kept out of hell, but don’t see the hand of God in it, but look at other things, as the good st

      He is letting them know how God is the head of everything just in case you did not know. You have what you have because of God including your health and wealth. You didn't get this on your own. This is His grace on you. God is keeping you and carrying you and what you have because of God. Then he tells them that these earthly things are nothing. God gives and God takes away. You are in God's hands. He is holding your life in His hands, if He lets you go, you are going to fall and the air cannot protect you from falling. Only God.

    1. After reading Washington's, "Altanta's Compromise", it became more clear to me that although he championed for progress for the African Americans, he did not completely fought for their equal rights. It seems that White men had influenced him greatly and the feelings of inferiority that was instilled in him growing up still lingered inside him. This was evident because of how he wanted the freedmen to have success but he also encouraged them to continue to keep their head down and work hard for the White men. He also did not encourage them to fight for their right to vote. Dubois however, saw that more needed to be done to in order to actually see progress in the African American's lives. He felt they also needed to hold some power where they can influence change regarding their rights and doing industrial work only benefits the White men. It may have been difficult for many African Americans to decide who they would follow.

    2. Cast down your bucket among these people who have, without strikes and labour wars, tilled your fields, cleared your forests, builded [sic] your railroads and cities, and brought forth treasures from the bowels of the earth, and helped make possible this magnificent representation of the progress of the South. Casting down your bucket among my people, helping and encouraging them as you are doing on these grounds, and to education of head, hand, and heart, you will find that they will buy your surplus land, make blossom the waste places in your fields, and run your factories. While doing this, you can be sure in the future, as in the past, that you and your families will be surrounded by the most patient, faithful, law-abiding, and unresentful people that the world has seen. As we have proved our loyalty to you in the past, nursing your children, watching by the sick-bed of your mothers and fathers, and often following them with tear-dimmed eyes to their graves, so in the future,

      Booker pinpointing the South White people here and reminding them how his people who were slaves work for them without complaints and any strikes. He is reminding them that how his people’s hard work helped their land grow and take care of their parents and children. He is also giving them promise here that his people are going to take care of them in the future as they did in the past. In my opinion, Booker encouraged the Negroes to work under the South in the same way as their elderly work for them. At one point, I felt like Booker considered Negroes lower than South white people.

    1. Considered in terms of cognitive load, these texts are head-bangingly difficult; considered in terms of pleasure, they’re hard to beat.

      I find this interesting because even though these are considered difficult, they are also considered the most fun.

    1. A picture from a 1563 book by Swiss naturalist Conrad Gesner shows a hippocampus, a sea creature with a horse's head. According to a theory still popular at that time, every animal found on land had its counterpart in the ocean.

      I refuse to believe any of this. It is an eye opener but the section alone is fiction.

    1. writers of these headlines are rhetorically aware of whom these head-lines are directed toward

      This is similar to the ways that real media outlets try to attract readers, with attention-grabbing headlines

    1. last comma in the first sentence was the crux of the matter: “packing forshipment or distribution of.” The court ruled that it was not clear whether the law exempted thedistribution of the three categories that followed, or if it exempted packing for the shipment ordistribution of them

      I can't wrap my head around a simple comma costing a company 5 million dollars. This just emphasizes how important grammar is. Either way I feel like you should be paid for any extra hours you work. I don't really see the reason for the exemptions. I also think this article shows the importance for people like technical writers, this issue could have been resolved if someone had paid a little more attention.

    1. Mr. Prude began spitting, and the officers responded by pulling a mesh hood over his head,

      okay yes he spit but it was in self defense! he was probably even more freaked out once the police arrived

    1. The Chinese Exclusion Act is the first law to significantly restrict immigration and eliminates most new Chinese immigration to the United States.

      The Chinese exclusion act of 1882 was the first important law that restricted immigrants to the United States. It was a federal law that was signed by president Chester Arthur in 1882. In 1852 many people experience. There was shortage in there crops and over 20,000 Chinese immigrants were left looking for jobs. In May 1852 California forced a foreign miner tax of $3 a month, which was only meant to target Chinese miners. This head tax was first created to discourage Chinese people from entering Canada after the completion of the Canadian Pacific Railway .By the 1870's the miners had 5$ million to the state for the foreign miner tax. Inspite the fact that they face a lot of discrimination the main purpose of the Chinese act was to allow a large number of Chinese immigrants to the U.S ( California ). Chinese immigrants and their American born children and families weren't able to get their citizenship until 1943 when the passage of the Magnuson act came into play. Surprisingly the Chinese Immigratcion act which is now known as " The Chinese Exclusion Act" banned the entry of virtually all Chinese immigrants for 24 years.

    1. Tecl's father had shaken his head. No. Ted would notbe taking rne out. Ted's {irther had known Puerto Ricans in the arr.r-ry. He htrdIived in New York Ciq, while studying architectr-rre and htrd seen hou, thespics lived. Like rats.

      I could feel her heart drop. She actually wanted to do things right with her parents so she could go out and not sneak behind their backs. Ted's dad discriminated her, thinking they also lived like rats, mostly thinking ted doesn't have a future with her.

    1. What if instead of going head-to-head with your most challenging student, you created an ally in him

      I am already hooked by the first statement. Unfortunately it is sometimes natural for educators to go head- to head with students. Maybe it is to try to push respect on them, however I believe respect needs to be earned over time.

    1. Oroonoko at the head of the Planters, falls upon the Indians with a great shout, beats 'em off.

      he fights for the slaveowners, against the Indians

    1. Gbarngasuakwelle, medicine, ritual, and secrecy are densely interwoven. As an example, an older woman was found guilty of having slandered another woman, so she was sentenced to perform an oath. She had to swear that she meant no harm to the woman and that she would not do it again. The ritual that surrounds oath taking is called mena. The blacksmith laid several of his tools in an oval-shaped flat basket normally used to winnow rice, and then laid this on the ground in front of the woman. She placed two kola nuts in the basket as evidence of her good faith. Then the woman to whom she swore placed her comb in the basket to affirm her good faith. As the woman made her oath the blacksmith cut off the head of a chicken and sprinkled its blood over the items assembled in the basket. Then the chicken was cooked with a pot of rice, and the woman had to eat it. If she had sworn falsely or insincerely, the medicine would have caught her and she would die. Here the medicine is not a tangible substance, but rather the force of all the assembled good things-the rice basket, tools, kola nuts, and so on, all of which have a positive symbolic value to drive out or entrap the evil that is in the woman. Although the oath-taking ceremony is public, the nature of the medicine must be inferred and not talked about or else it will lose its power.

      They believe in magic in a way

    Annotators

    1. For the record, I use technology in the classroom every day – specifically, an LCD projector hooked up to my laptop to facilitate discussion and the evaluation of writing. My students submit their papers via an online site; I comment on them using Microsoft Word and then upload the comments. While I miss taking hard copies to the park to grade, this approach is eco-friendly, nothing gets lost, there are no disputes about whether or when something was turned in, and I can copy and paste examples from these submissions to use in class. There are clear benefits to using technology and social media as tools, and I try to teach my students how to use them appropriately. They’re all required to create Twitter accounts and to follow publications, researchers, scholars, organisations and university departments in the field they’re researching. We tweet thesis statements and research questions to one another to force brevity and clarity. I teach them how to use Wikipedia for preliminary research, key terms, debated topics and a head start on sources. We investigate sub-Reddits and look for Facebook groups related to our topics. It doesn’t make sense to ignore or banish them from using these sites – they’re going to use them anyway, so they might as well learn how to do it responsibly and productively.

      author includes benefits for technology which is good because always have to present counterargument in persuasive essay

    1. Authority/Respectpromotes intuitions that obedience and deference toauthority, social hierarchies, and social customs are virtuous, where-as disrespect and disobedience are moral transgressions.

      I find this extremely interesting given the current state of affairs in the United States. It's fascinating to see that the sentiment of rebellion (against the British Crown) that initiated the United States is now the very same notion that is looked down upon. I don't want to digress too much, but this is something that immediately clicked in my head.

    Annotators

    1. copy the code above into a text editor

      Be sure that after doing so, delete those white spaces appear on the head of line 1 2 4 6 and so on, otherwise the program will go wrong, which is that the python console close in a sudden.

    1. George Hadley looked up, and as he watched the shadow moved across his sweating face. “Horrible creatures,” he heard his wife say. “The vultures.”

      I really love the description here because I can absolutely capture the image in my head according to the description here.

    1. Thy black is fairest in my judgment's place.     In nothing art thou black save in thy deeds,     And thence this slander, as I think, proceeds.

      He is directly calling her out in this poem and this seems to be a love hate relationship. Shakespeare can't get her beauty out of his head, but she has done something that hurt him and he is now comparing her looks to her deeds. Look to deeds is the conceit of this poem.

    2. My mistress' eyes are nothing like the sun;Coral is far more red, than her lips red:If snow be white, why then her breasts are dun;If hairs be wires, black wires grow on her head.

      this refers back to the black/ dark beauty of the person again

    3. My mistress' eyes are nothing like the sun;Coral is far more red, than her lips red:If snow be white, why then her breasts are dun;If hairs be wires, black wires grow on her head.

      throughout this sonnet the poet compares this person that he loves to negative things. "my mistress' eyes are nothing like the sun..." he doesn't think that she is conventionally beautiful.

    1. (bobby)(+)(pin)(so?)(OH!)(pin it)(does not equal)(pin it)(but)(OK?)[ok.](I mean)(Bobb

      I like the logic here, the punctuation and thought process, I think this is something the piece could use more of- I feel most in the character's head here

    2. Like I didn’t owe myself the timeand space to make a consciouschoice. Like I didn’t know I hada right to change my answer.

      This is some interesting head space and I think this could be brought out in the character more throughout- how does Kitty act in a way that would reflect this?

    3. Kitty: ​Inside, she’s been glued to a phone and thinking about the power of internet handles,emojis and avatars for the self (both driving creative play and wildly disconnecting). Kitty putsin the head phones and starts blaring music from one of a variety of playlists she’s made onSpotify. Then she puts on the mask and her cat glasses. She walks outside, hears things and seesthings. Sometimes the lyrics and the beats aid her in leaping from thought to thought, so shewalks really fast. In her head, she may start to repeat, “left / right, left / right.” Other times sheslows down. She’s never going anywhere particularly. This walk is not to the grocery. If she hasany object in mind, it’s just maybe to clear her head, relax her eyes and look up into the sky. Thekey to the walk is its wandering nature if she’s stuck a bit trying to decide on the best route; shewishes to go by instinct and spontaneity

      After reading through this piece, I'm curious about the character Kitty. What is the distinction between her as a character and you as a speaker? I felt most invested in this piece when there were more concrete interactions between the speaker and other people. I think through interactions Kitty could be developed. Here you are setting up her surroundings but I wonder what it would be like if you did this more often, if you grounded Kitty in her environment more.

    Annotators

    1. One of the most infamous sea serpent episodes spanned decades. From 1817-19, a mass of people, including fishermen, military personnel, and pedestrians, reported seeing a sea monster at least eighty, but perhaps one hundred feet, long, with a head resembling a horse, in the harbor off Gloucester, MA. There were so many eye-witness reports that the Linnaean Society of New England formed a special investigating committee to examine the possibility of such a creature.

      I picked this paragraph because it interested me about the sea serpent or "sea monster" but there wasn't much about it in this article. Yet what there was written caught my attention, like "a head resembling a horse" on a sea creature seems interesting.

    1. I mind how once we lay such a transparent summer morning,How you settled your head athwart my hips and gently turn'd over upon me,And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart,And reach'd till you felt my beard, and reach'd till you held my feet.

      depicts something or someone viciously taking over the poet, who is unassuming and vulnerable. Similar to the all-consuming yearning described earlier in the poem.

    1. The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion that Ichabod had been carried off by the Galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head any more about him; the school was removed to a different quarter of the hollow, and another pedagogue reigned in his stead.

      dont realize that the horseman is a threat to them; complacency, not able to see that it's the same thing that makes them "sleepy"

    2. tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.

      Crane's descriptors

    3. apparition of a figure on horseback, without a head

      body horror; scarier when something looks like us but is slightly off; closer to the realm of possibility

    1. not

      I really enjoyed this last part of the poem. Here, he is describing a point where he feels numb, and is no longer able to feel the variety of emotions that fill his head. I think he is reflecting on this because his emotions have taken over and are becoming a lot more surreal for him during these times.

    1. George lowered his eyes and walked, in disgrace, away from them, but before longhe discovered they were still friendly to him.

      George's doubts and assumptions on how people see him are all in his head. His guilt and worry is magnifying the situation in his mind, causing a complete mood change and isolation from everyone. This reveals another character trait: George overthinks situations.

    1. raging along the borders of every page

      I love this line about borders - and the idea of emotion in reading. I have been raging a bit recently, trying to get my head around all the tech!

    1. I realize as I’m reading that I have no idea what Islam felt in that moment. I can’t begin to guess what was in his head or in his heart. All I know is that, with those words, “Let my building burn,” he refused to be a solution.

      Very powerful story, the store owners words hold a great deal of weight.

    1. I went out to the hazel wood,Because a fire was in my head,And cut and peeled a hazel wand,And hooked a berry to a thread;And when white moths were on the wing,And moth-like stars were flickering out,I dropped the berry in a streamAnd caught a little silver trout.

      The first stanza is focused on the natural world and how simple things seem mystical for the foreign wanderer. This could be seen as how humanity thinks the unknown is far more mysterious then it really is. Likely the poem is narrated by a younger speaker as their actions reek of wonderment.

    1. The city must have been hidden somewhere backstage. So it wasn't Siberia, but rather the theater stage that lay between my parents and the city of their dreams.

      I found this passage to be very romantic in its usage of language, and to have a deeper meaning behind it. Tawanda mentions how her parents were separated from the city of their dreams by the "theater stage," not by Siberia. This puts a very ironic depiction in her head, because the stage, or the "world" became the separation for her parents and the city they always dreamed of. This could be an example of the rapid change in transportation and immigration over generations, and how borders can be confusing and in flux.

    1. If an idea is important, give an exact one-time snapshot with as much detail as possible.

      If the writer wants to get an idea across they need to use a one specific example to go with the idea.This will create that idea in your readers head not just the writers.

    2. In my head, I’m filling in “some people” and “their business” and “sometimes” with very specific, one-time-only examples.

      The writer can think of very specific examples that come to mind. If they don't show that in the writing itself it will not come to the readers mind.

    1. What do you believe your learning style is? If you were to place yourself on the Zone of Appropriate Challenge and Growth, where has the majority of your education taken place as a learner?

      My learning style is visually because in high school, I would try to picture in my head what notes I wrote. Also, when I would play songs on the piano in my school's little theater, I only watched tutorials with tabs on Youtube. If I were to place myself on the Zone of Appropriate Challenge and Growth, majority of my education took place equally in the "comfort zone" and "learning zone." That's mainly if I tried to pay attention in boring lectures.

    1. Linearization is the operation of translating the syntactic structures into temporal sequence in language domain

      Basically the process of aligning words in a sentence/phrase in our head (thoughts) and then producing it as speech?

    1. Kierkegaard, or Conor Cruise O'Brien,they seem to say,I would bolt the door and beat some logic into your head.

      reader seems to disagree with what these writers have to say

    1. The principle of justice is a strongmotivation toward the reform of our health care system so that the needs ofthe entire population are taken into account.

      I find it difficult to wrap my head around this because of the obvious inequalities in health care among different groups of people.

    Annotators

    1. The word stands for or represents the concept, and can. be used to reference or designate either a 'real' object in the world or indeed even some imaginary object, like angels dancing on the head of a pin, which no one has ever actually seen.

      Words are used to describe an object in front of us (or in our mind without having to see it), could be used for things we have never even seen (ex. angels).

    1. dictionary and atlas open on the rug,the typewriter waiting for the key of the head,a cello on the radio,

      description of house and setting in a more detailed way

    2. dictionary and atlas open on the rug,the typewriter waiting for the key of the head,

      these could be used for things the speaker uses to write. maybe prefers to write in the morning?

    1. SciScore for 10.1101/2020.08.30.274464: (What is this?)

      Please note, not all rigor criteria are appropriate for all manuscripts.

      Table 1: Rigor

      <table><tr"><td style="min-width:100px;margin-right:1em; border-right:1px solid lightgray; border-bottom:1px solid lightgray">Institutional Review Board Statement</td><td style="min-width:100px;border-bottom:1px solid lightgray">not detected.</td></tr><tr"><td style="min-width:100px;margin-right:1em; border-right:1px solid lightgray; border-bottom:1px solid lightgray">Randomization</td><td style="min-width:100px;border-bottom:1px solid lightgray">not detected.</td></tr><tr"><td style="min-width:100px;margin-right:1em; border-right:1px solid lightgray; border-bottom:1px solid lightgray">Blinding</td><td style="min-width:100px;border-bottom:1px solid lightgray">not detected.</td></tr><tr"><td style="min-width:100px;margin-right:1em; border-right:1px solid lightgray; border-bottom:1px solid lightgray">Power Analysis</td><td style="min-width:100px;border-bottom:1px solid lightgray">not detected.</td></tr><tr"><td style="min-width:100px;margin-right:1em; border-right:1px solid lightgray; border-bottom:1px solid lightgray">Sex as a biological variable</td><td style="min-width:100px;border-bottom:1px solid lightgray">not detected.</td></tr></table>

      Table 2: Resources

      <table><tr><td style="min-width:100px;text-align:center; padding-top:4px;" colspan="2">Antibodies</td></tr><tr><td style="min-width:100px;text=align:center">Sentences</td><td style="min-width:100px;text-align:center">Resources</td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Cells were centrifuged at 300 g for 5 min and incubated at room temperature for 1 h with either APC-cTnT antibody (Miltenyi Biotech #130-120-543) or APC-IgG1 isotype control antibody (Miltenyi Biotech #130-120-709), both used at 1:100 dilution in DPBS (Gibco) with 5% fetal bovine serum (FBS) and 0.75% saponin.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>APC-IgG1 isotype control</div> <div>suggested: None</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Primary antibodies were incubated in blocking buffer for 2 h at room temperature (rabbit anti-ACE2 [Abcam #ab15348, used at 1:500 dilution]; mouse anti-GAPDH [Abcam #ab8245, used at 1:3,000 dilution]).</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>anti-ACE2</div> <div>suggested: (Abcam Cat# ab15348, RRID:AB_301861)</div> </div> <div style="margin-bottom:8px"> <div>anti-GAPDH</div> <div>suggested: (Abcam Cat# ab8245, RRID:AB_2107448)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Membranes were washed and further incubated with fluorescent dye-conjugated secondary antibodies for 1 h at room temperature (AlexaFluor 647 goat anti-rabbit IgG1 and AlexaFluor 488 goat anti-mouse IgG1, both used at 1:1,000 dilution in blocking buffer) and fluorescent signals were acquired using with a GelDoc Imager (Bio-Rad)</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>anti-rabbit IgG1</div> <div>suggested: None</div> </div> <div style="margin-bottom:8px"> <div>anti-mouse IgG1</div> <div>suggested: None</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Primary antibodies were incubated overnight at 4 °C in DPBS with 1% normal goat serum and 0.1% Tween-20 (rabbit anti2019-nCoV NP [Sino Biological #40143-R019, used at 1:200 dilution]; and mouse anti-Sarcomeric α-actinin [Abcam ab# ab9465, used at 1:500 dilution]).</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>anti2019-nCoV NP</div> <div>suggested: None</div> </div> <div style="margin-bottom:8px"> <div>anti-Sarcomeric α-actinin</div> <div>suggested: None</div> </div> </td></tr><tr><td style="min-width:100px;text-align:center; padding-top:4px;" colspan="2">Software and Algorithms</td></tr><tr><td style="min-width:100px;text=align:center">Sentences</td><td style="min-width:100px;text-align:center">Resources</td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Following washes with DPBS with 5% FBS, samples were run on a BD FACSCanto II flow cytometer and data from 10,000 valid events were acquired with the BD FACSDIVA software.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>BD FACSDIVA</div> <div>suggested: (BD FACSDiva Software, RRID:SCR_001456)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Analysis was performed with FlowJo v10.7.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>FlowJo</div> <div>suggested: (FlowJo, RRID:SCR_008520)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">The FASTQ files were separately mapped to the GRC38 human reference genome using STAR as a part of the cellranger pipeline.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>STAR</div> <div>suggested: (STAR, RRID:SCR_015899)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Gene expression counts were done using cellranger count based on Gencode v25 annotation, and cell identifiers and Unique Molecular Identifiers (UMI) were filtered and corrected with default setting.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>Gencode</div> <div>suggested: (GENCODE, RRID:SCR_014966)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Images were taken with a 40x oil objective on a Nikon Eclipse microscope with Yokogawa W1 spinning disk head, and formatted with Fiji software.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>Fiji</div> <div>suggested: (Fiji, RRID:SCR_002285)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Electrophysiological recordings were taken for 5 min at specified time points using Axis software version 2.0.4.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>Axis</div> <div>suggested: (AxIS , RRID:SCR_016308)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Data from the PCB was collected by LabView (National Instruments) on a laptop in the BSL-3 facility.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>LabView</div> <div>suggested: (LabView , RRID:SCR_014325)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">The voltage traces from the magnetic sensors were analyzed for amplitude and frequency using a custom Matlab protocol.</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>Matlab</div> <div>suggested: (MATLAB, RRID:SCR_001622)</div> </div> </td></tr><tr><td style="min-width:100px;vertical-align:top;border-bottom:1px solid lightgray">Statistical analyses were performed using Prism 8.1.3 (GraphPad).</td><td style="min-width:100px;border-bottom:1px solid lightgray"> <div style="margin-bottom:8px"> <div>Prism</div> <div>suggested: (PRISM, RRID:SCR_005375)</div> </div> <div style="margin-bottom:8px"> <div>GraphPad</div> <div>suggested: (GraphPad Prism, RRID:SCR_002798)</div> </div> </td></tr></table>

      Results from OddPub: We did not detect open data. We also did not detect open code. Researchers are encouraged to share open data when possible (see Nature blog).


      Results from LimitationRecognizer: An explicit section about the limitations of the techniques employed in this study was not found. We encourage authors to address study limitations.


      Results from TrialIdentifier: No clinical trial numbers were referenced.


      Results from Barzooka: We found bar graphs of continuous data. We recommend replacing bar graphs with more informative graphics, as many different datasets can lead to the same bar graph. The actual data may suggest different conclusions from the summary statistics. For more information, please see Weissgerber et al (2015).


      Results from JetFighter: We did not find any issues relating to colormaps.


      About SciScore

      SciScore is an automated tool that is designed to assist expert reviewers by finding and presenting formulaic information scattered throughout a paper in a standard, easy to digest format. SciScore checks for the presence and correctness of RRIDs (research resource identifiers), and for rigor criteria such as sex and investigator blinding. For details on the theoretical underpinning of rigor criteria and the tools shown here, including references cited, please follow this link.

    1. by my left arm and twisted it behind my back. I figured he was trying to make me resist. I did not resist against him. He asked me, was I discharged, and I told him yes. When I said yes, that is when he started beating me with a billy, hitting me across the top of the head. After that, I grabbed his billy and wrung it out of his hand. Another policeman came up and threw his gun on me and told me to drop the billy or he’d drop me, so I dropped the billy. After I dropped the billy, the second policeman held his gun on me while the other one was beating me.

      a

    2. When the bus got to Aiken, he got off and went and got the police. They didn’t give me a chance to explain. The policeman struck me with a billy across my head and told me to shut up.

      a

    1. Building for everyone in the design process and not just designers is also the foundation of Figma’s core loop, which drives their growth and compounding scale. That network effect is made possible by Figma’s key early choices like:  Architecting Figma to be truly browser-first, instead of just having storage be in the cloudTheir head start in new technologies like WebGL and CRDTs that made this browser-first approach possibleFocusing on a product purpose built for those designing vector based digital products

      Figma's core "loop" comes from the way it was built: to include non-designers in the design process.

      Figma was able to include non-designers by making certain technical choices:

      • Make a tool that works in the browser (easy for anyone to jump in without downloading anything)
      • Invest in technologies like WebGL and CRDT (multiplayer) that make a browser-first approach possible
      • Focusing on vector based product design use cases (could be tackled in the browser with the above)
    1. the African Americans as a group, too easily compromised their gains to southern politicians who did not have their best interest at heart. Nast, therefore, draws the African American kicking back, one leg resting over a knee; head tipped down, with a carefree grin on his face, content to allow the politicians to oppress other minorities.

      This was an odd part of the imagery. Pointing fingers at others and blaming them for injustices when the larger group in power is responsible. This sort of division is seen in political parties and doesn't help build real change and slows the political process. It is a common aspect of hidden racism, to push ones agenda at the expenses of others. A large part of building stereotypes and other cultural misconceptions.

    1. ferocious

      Words that he uses to describe the way authors write makes him upset or angry. The wording seems strong " I would bolt the door and beat some logic into your head" - as if his idea of writing is different.

    1. res.send('Hello Express');

      res.send([body]) Sends the HTTP response.

      The body parameter can be a Buffer object, a String, an object, Boolean, or an Array. For example:

      res.send(Buffer.from('whoop')) res.send({ some: 'json' }) res.send('

      some html

      ') res.status(404).send('Sorry, we cannot find that!') res.status(500).send({ error: 'something blew up' })

      This method performs many useful tasks for simple non-streaming responses: For example, it automatically assigns the Content-Length HTTP response header field (unless previously defined) and provides automatic HEAD and HTTP cache freshness support.

      When the parameter is a Buffer object, the method sets the Content-Type response header field to “application/octet-stream”, unless previously defined as shown below:

      res.set('Content-Type', 'text/html') res.send(Buffer.from('

      some html

      ')) When the parameter is a String, the method sets the Content-Type to “text/html”:

      res.send('

      some html

      ') When the parameter is an Array or Object, Express responds with the JSON representation:

      https://expressjs.com/en/5x/api.html#res.send

  2. Aug 2020
    1. dictionary and atlas open on the rug,the typewriter waiting for the key of the head,a cello on the radio,

      droning on and on, kind of annoying. basicallu giving us a cute morning routine.

    1. Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head.

      Why does the reader read works by these authors if they make them feel so frustrated?

    1. “Don’t think!” You must never think at the typewriter — you must feel. Your intellect is always buried in that feeling anyway.

      Most people think of creativity is how someone problem solves differently using their head. I haven't thought about it in terms of how someone feels.

    1. The intense concentra-tion required to read in the theater helped me recognize some of the interesting ways that authors string words into phrases into paragraphs into entire books

      Instead of simply looking at the words and reading them in his head as many readers are wont to do, the sheer effort Bunn put into actually being able to see the words allowed him to read into the text more in depth, and see it in the way the author intended when it was written.

    1. Cleaving

      cleaving: (v.) to split or sever (something), especially along a natural line or grain (Google). This choice of word really made my skin crawl if I'm being honest. It produces great, but disturbing imagery of his brain tearing in half. It makes me wonder what the author realized or thought of that blew his mind like this, if that's even what is happening. I'm not quite sure what's going on yet, but it sounds like the author is having trouble wrapping their head around something.

    1. LYING: Prone at 1 month; Landau reaction; able to maintain head in neutral position, very little extension at hips.

      Infant is able to maintain a neutral position here even with “laying limp” in the extremities.

    1. more of the food industry is beginning to adopt plant-based protein production. This year, Tyson Foods, the largest meat company in the United States, appointed a vice president for alternative proteins and sustainability and announced a new brand that’s set to launch this fall. Even legacy companies like Morningstar Farms, which has been making plant-based protein foods for 40 years, have introduced new faux meats that seek to compete more successfully against Impossible Foods and Beyond Meat.

      Well good thing Impossible Foods started early, thus they got a head start in marketing.

    2. Maillard reactions, which occur between sugars and amino groups, produce a range of compounds that are important for generating flavor in many types of cooking.

      I think that's really cool that they show a diagram of the different molecular structures of flavor. I never really pictured in my head that organic structures had flavor to them, so this really broaden my mindset a bit.

    1. “The political landscape has been so phantasmagoric that even the most sensationally interesting personal essays have lost some currency when not tied head-on to the news

      I disagree with this quote and believe that creative nonfiction's influence on journalism is beneficial to society, though the literary genre suffered. Journalists' focus on news that hinges on personal narratives laid a foundation for stories like the Harvey Weinstein article to have such a wide audience. The transition to stories of systematic trauma sounds like it would more-greatly benefit those who experience said trauma because it is easier to ignore the suffering of an individual than a group of people.

    1. They give us mothers and fathers without letting us think that moth-ers and fathers have to be many other things as well (e.g., spouses,siblings, workers, lovers, and in each of these roles possibly neurotic,pained, bored, oppressed, and even dead); and they give us languageto express ourselves without letting us know the limits of expression,without telling us that inarticulateness is endemic to the humancondition. And so too they give us LD.

      This quote displays the many roles we take on as humans. Not everyone will experience the roles mentioned, but they will likely experience a role that is similar in some way, shape, or form.

      There are many different emotions and feelings that comes with roles. Regardless of the role, the individual feels the pressure of these roles that they must take on. Yet these roles become even harder with "LD". It is the life we are given and we must learn the best ways to tackle it head on.

    1. The students are already seated, and he surveys the assembly. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      These sentences are packed with many instances of vivid imagery. The author uses sensory details to describe how the students are in Professor Stevens' classroom. The author writes of a young man whose desk was empty except for his head. This is a scene of imagery the author writes to show the student's lack of interest in this class. Another sentence shows that the only person in this class who might care would be the overachiever Professor Stevens' saw in the front row. The author selects the word front row to show that Dana chose to sit there to indicate to Professor Stevens that she cares about the class and wants a good grade. All of this imagery gives the reader an understanding of how Professor Stevens' class is on a regular day.

    2. n the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake.

      The author describes the students in this classroom to sketch out an image of what the classroom looks like.

    3. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard.

      This creates a vivid image showing Stevens' hatred of modernism and prefers literature with more simplicity and depth rather than what is complex for the same of being complex.

    4. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard. He digs a piece of yellow chalk from his bag and scrawls on the board: WRITE WHAT YOU KNOW.

      This statement tells me that the professor doesn't like modern poetry. That he likes the classic and more complicated poetry. It also shows that the professor seems like a grumpy man.

    5. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      In this sentence I can hear the imagery with the snoring.

    6. Professor Stevens dislikes donuts; the icing gets stuck in his beard. Fridays he breakfasts at Burger King before heading out to the lake

      I can see these sentences in my head with the icing getting stuck in his beard, a burger king, & A lake.

    7. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism”

      This quote shows something different, the day just started and he alreday has an attitude, he wakes up unhappy and then brings it to school.

    8. Across the street, a string of colored Christmas lights wrapped around a porch railing glow beneath a blanket of thick snow.

      This annotation helps the reader build an image in their head. This is because, the author uses words such as "thick" and "string of colored". These words help the reader build a picture of the setting in their head.

    9. He digs a piece of yellow chalk from his bag and scrawls on the board:

      This annotation helps the reader build an image in their head. This is because, the author describes the chalk when he says "yellow" and "scrawls" by using imagery.

    10. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard. He digs a piece of yellow chalk from his bag and scrawls on the board: WRITE WHAT YOU KNOW.

      This is once again a quote proving how uninteractive and dull of a teacher Professor Stevens is being. He is purposely putting down an answer to a question that he had most likely unwillingly asked. He seems to be ticked off due to amazing sensory words like "scrawls" and "scowls" as he was answered with the opposite tone that he had given.

    11. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake.

      These descriptions all create a different image of a student in our heads. The uniqueness of each person's description creates a sort of identity for each person in the class. It creates different students in a class instead of a class of students with equal identities.

    12. He strolls into his classroom wearing his uniform—faded black jeans that sag in the rear and a worn fleece pullover. He slings his bag onto the table up front and checks his watch—he’s five minutes late, as usual. The students are already seated, and he surveys the assembly. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake.

      In this paragraph, the author uses many sensory details to describe Professor Stevens and his classroom. It helps the audience visualize the situation. He probably doesn't like his job because he's always late and doesn't mind that his uniform is faded and sagging. His students don't really know or care that he's there except for Dana, the overachiever who sites in the front row.

    13. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      This shows vivid imagery because it directly explains how the young man is dressed, what he is doing, and what the girl is doing. The author uses vivid verbs such as scribbles furiously and snores which set up a scene

    14. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard. He digs a piece of yellow chalk from his bag and scrawls on the board:

      The vivid verbs such as "scowls" and "mutters" show the Professor's attitude towards her Dana's overachieving nature. I feel as though it annoys him because he is not nearly as passionate about his own work as she is. Even after, as he "scrawls" on the board, it almost indicates that he is just trying to write something random instead of actually putting thought and passion into it, as a teacher should be.

    15. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      In this section it helps portray the fact that the students are bored.

    16. he students are already seated, and he surveys the assembly. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake.

      with this section i could tell he is very observant and that he has done this for a long time.

    17. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard.

      Steven called dana an overachiever, so why is he unhappy about the fact that she is participating in his class? The author is portraying Mr.Stephen as a grumpy-oldman sort of type.

    18. The students are already seated, and he surveys the assembly. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake.

      The author uses many unneeded negative words ;in this paragraph to add to the tone. An example of this is "furiously," which could easily be replaced with a nuetral or positive connotation but isn't to add to the story.

    19. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head. In the front row Stevens spots Dana, the notorious overachiever, pretending to read Finnegans Wake. Plastering on a smile, he welcomes the students to Intro to Creative Writing

      These few sentences show a lot of imagery, not only where everyone is sitting in the classroom, but it also shows how people are acting toward the things they are doing. One example of the would be Dana "plastering on a smile".

    20. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard.

      This imagery presents Stevens reaction to Dana's response. He obviously comes off as a very grumpy character and shows his irritation toward his very own students.

    21. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      This statement adds imagery and indicates that his students are uninterested in being in his class, for he is always late.

    22. He strolls into his classroom wearing his uniform—faded black jeans that sag in the rear and a worn fleece pullover.

      This sentence provides a vivid image in the reader's head of what he is wearing. By describing what he is wearing, the author conveys what this character is like. The words "stroll," "faded," "sag," and "worn" have a similar tone that characterize the professor as being bland, mundane, and dull.

    23. In the back row a girl scribbles furiously in a fancy journal. Against the far wall a young man in sweat pants and a Minnesota Twins hat snores quietly—his desk empty, except for his head.

      This example of imagery shows the state of boredom or trance that his students are in. Statements like "snores quietly" and "scribbles furiously" indicate that the students know that he is late and are responding to his lateness by impatiently waiting.

    24. Stevens scowls and shakes his head, stuffs his hands in his pockets, and mutters something under his breath about the “catastrophe of modernism” before turning toward the chalkboard.

      This is a vivid image because it uses vivid verbs to communicate Professor Stevens' frustration by describing his facial expression, his movements, and his reaction to what Dana said.

    1. In such a manner, then, the three universal institutions instantiate the three temporal ecstasies which, properly speaking, define humanity’s abode on the earth. Religion, matrimony, and burial of the dead embody the linear openness of time. Religion is born of the idea of providence. It implies an awareness of the future. Burial of the dead is grounded in reverence for the past, for the ancestral, in short for what we call tradition. Tradition comes to us from the domain of the dead. Both religion and burial, in turn, serve to consolidate the contract of matrimony, which mantains the genealogical line in the present.

      Relate: Many times the question of why we human beings always feel so external, distant from nature comes to my head. And in this case the reading has made me reflect that this break or separation has existed since the beginning of civilization.

      It is interesting and surprising how from a simple act like looking at the sky, it can generate such a strong gap between man and nature. As if the relationship between the two disappeared as if they were antonymous words. I think that reading gives a fairly clear idea of ​​how western civilization viewed or understood nature before and after acts of humanism and how important the landscape in which they were situated was to generate this process of human enlightenment. It is a forest in itself spatially and visually horizontal, but at the same time it generates an idea of ​​endless. I wonder what would have happened if the landscape instead of being full of forests, green and extensive, had been arid, dry, without trees. Would the human being continue to feel threatened by nature? Would humanism, religion, marriage and the burial of the dead have been?

      The landscape is totally linked to human progress, and its disposition and characteristics define the limits of the human being in space. As for example, Vico's Giants conceptions of the space: Shadows=obstacle of knowledge, profane, dangerous, enchanted=what were forests for West civilization.

      Light=knowledge,civilization, progress,divinity, religion=humans becoming aware of the sky.

    1. Bawarshi thinks that this genre is like a habitat—a place that sustains the creatures that live in it and really sets the living conditions for those creatures.

      super effective simile, makes it clear in my head, also how individual creatures within it can make a big difference in the condition

    1. . A teenage girl sits at a large green table with her head bent over a Venn diagram. A younger boy sits at a nearby computer searching for images on the Internet using Google.

      This is such a specific example yet one that I can oddly relate to, super interesting way to start the article because its a scene that a lot of people can relate to.

    1. n. Thismiraclewas the allegedcureof SergePerrin,a Frenchaccountan t wh o, wh ile at Lourdesin19 70, expe ri enceda suddenrecovery froma lon g ill-ness.

      The curing of a long term illness makes me think back to the video that we watched about the scammer who used a head piece and a woman reading notecards to make an audience believe that he could cure long term illnesses. The "curing" was simply a placebo.

    Annotators

    1. the African Americans as a group, too easily compromised their gains to southern politicians who did not have their best interest at heart. Nast, therefore, draws the African American kicking back, one leg resting over a knee; head tipped down, with a carefree grin on his face, content to allow the politicians to oppress other minorities.

      African Americans were trying to getting away with everything that could make them being slaves again.

    2. the African Americans as a group, too easily compromised their gains to southern politicians who did not have their best interest at heart. Nast, therefore, draws the African American kicking back, one leg resting over a knee; head tipped down, with a carefree grin on his face, content to allow the politicians to oppress other minorities.

      Since African American have been under slavery for so long, they try to take everything that help they get away for being slaves again

    1. the tinsel rain of cymbals and urgency of words. The music is hard and heavy with lyrics like poetry; he calls it heavy metal.

      They way the music is described helps me create an image inside my head of how the music is. Phrases like "the tinsel rain of cymbals" is a good use of imagery to describe the music her brother is listening to.

    2. and the window is shattered and he’s long gone. The floor is littered with broken records. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head.

      The shattered records show imagery, because they show what the brother turns into. The unshattered records show the happier times in the brothers life, and the broken ones show how something had hurt and forced him to feel the need to run away.

    3. I lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing.

      The imagery of the two siblings, in their separate rooms separated by the thin wall, the little sister mimicking her brother shows how she was trying to understand him and his music.

    4. I lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing. Sometimes he knocks on the wall, and I go to his room, and he shows me the records

      This imagery shows how the girl looks up to her older sibling and tries to imitate a lot of what he does. She seems fascinated my her brother's music records, as she goes to him room to see them whenever her brother knocks on the wall.

    5. I picture forests echoing with laughter and shadows taller than souls.

      We are able to see exactly what the narrator describes in their head.

    6. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head. There’s this smile on his face

      This scene uses sensory details like “smooth vinyl shards” and “rubs his thumb across the grooves” to not only help us build imagery, but to also give us a descriptive feeing.

    7. and the window is shattered and he’s long gone. The floor is littered with broken records. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head. There’s this smile on his face

      This displays the condition that the brother left his home in. While searching for some sort of evidence, the reader is left with an eerie feeling as the police officer smiles while looking at album covers. Why is the police officer smiling, especially when the brother left home?

    8. I picture forests echoing with laughter and shadows taller than souls.

      This line gives us a look on what the main character is thinking about when she hears the music. This way, we can also understand exactly what is running through her head.

    9. and the window is shattered and he’s long gone. The floor is littered with broken records. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head.

      The sensory details such as "smooth vinyl shards" and "the floor is littered with broken records" can both be vividly imagined. The setting is in our heads and this creates a more engaging thought process in the reader.

    10. I lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing. Sometimes he knocks on the wall

      As I read this, I can imagine the main character doing all of these actions. These action verbs create a spark in our heads, causing us to think about the situation.

    11. I lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing.

      This sentence gives the reader a sense of how close the siblings are. The connection they have without even needing to see each other. The author uses a vivid verb, the verb "laced" creates a more descriptive experience.

    12. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head.

      This scene makes me visualize a police officer bending on his knees, slowly picking up a vinyl while caressing it. The author builds imagery with this phrase through subtle and focused details that connect to make a small scene.

    13. A policeman picks up one of the smooth vinyl shards and rubs his thumb across the grooves. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head.

      The imagery in this part shows how the only thing left of his brother is his music, and that he wont be coming back.

    14. lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing.

      This action done by the younger brother shows that his older brother has been doing this more than once. It shows that the younger brother is confused about his older brother.

    15. our rooms are in the basement separated by one thin wall. My bed is against the wall and at night I can hear him listening to his music. He listens on headphones but the volume’s so loud I hear everything

      The author is able to create this image in the reader's head about how the brothers are so close, but still separated by a wall. They are able to hear each other through the wall and understand what the other person may be listening to.

    16. He glances at the album covers strewn across the bed and chooses one, flips it open, shakes his head. There’s this smile on his face

      This imagery is easy to visualize because the writer describes the way he moves towards the bed and what he can see. I describes the things he's doing and what he's thinking.

    17. the tinsel rain of cymbals and urgency of words. The music is hard and heavy with lyrics like poetry; he calls it heavy metal. I lie on my back, hands laced behind my head and eyes closed

      This is show the imagery by showing the qualities of the type of music he listens to. This are sensory details because the main charecter is using the one of the five senses to describe what he is listening to

    18. I lie on my back, hands laced behind my head and eyes closed because I know that’s exactly what he’s doing.

      These lines show the connection between the sister and brother. Further in the stories it shows memories of how the two share about things they would not say out to others.

    19. the window is shattered and he’s long gone. The floor is littered with broken records.

      The author uses sensory details to display imagery. These details specifically appeal to the eye. Describing the room with details like the shattered window and the records on the floor allow the reader to create a picture in their head of what the room looks like. This creates meaning because the reader gets a better picture of the scene. He/she can better understand the character as a whole.

    20. I lie on my back, hands laced behind my head and eyes closed

      Imagery is one of the literary techniques that help the author create meaning. This description allows the reader to imagine the position the narrator is in. The word "laced" is a vivid word used by the narrator to create a more human experience for the readers.

    1. Repeatedly slamming my head against the handrail now would send the wrong message, so I don’t.

      I enjoy the narrator/author's use of humor to lighten the mood during these moments. How often are we placed in weird, uncomfortable situations where we sometimes think of our life as a "traumedy".

    1. If I could just get my hands on you,Kierkegaard, or Conor Cruise O'Brien,they seem to say,I would bolt the door and beat some logic into your head.

      This feels like a comparison. Maybe hurt and feels less than because of the comparison to Kierkegaard.

    2.  Sometimes the notes are ferocious,skirmishes against the authorraging along the borders of every pagein tiny black script.If I could just get my hands on you,Kierkegaard, or Conor Cruise O'Brien,they seem to say,I would bolt the door and beat some logic into your head.

      I Think this is the one of the first annotations to come across some may be aggressive and sometimes may seem a bit hostile towards the author when expressing their feelings of what they may be reading

    3. We have all seized the white perimeter as our ownand reached for a pen if only to show

      We all had to take on and finish a writing assignment that expressed our opinions on that topic. Seized the white perimeter as our own is meaning having to take on a writing assignment head on maybe? And reached for a pen if only to show is meaning we wrote this on our own showing the topic of that writing assignment.

    1. This talk of political authority reminds me of an idea in philosophy. The term 'philovictor' is used to describe someone who argues only to be right, not to learn. Those with political authority tend to do this...its as if too much power gets into the head and makes us lose sight of what is right and wrong. Being in charge should not make anyone exempt from learning and being reasonable.

    1. His face was yellow with an earthy tint in it, his cheeks were hollow, his back long and narrow, and the hand on which his shaggy head was propped was so thin and delicate that it was dreadful to look at it. His hair was already streaked with silver, and seeing his emaciated,14 aged-looking face, no one would have believed that he was only forty.

      Gives us a glimpse of the laywer's appearance.

    1. he fastened her long, flowing hair round her head, so that the polypi should not lay hold of it. She crossed her hands on her bosom, and then darted forward as a fish sho

      prevent rape..?

    1. Former Poet Laureate of the United States (2001-2003)

      Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head.

      Other comments are more offhand, dismissive - 'Nonsense.' 'Please! ' 'HA! ! ' - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like why wrote 'Don't be a ninny' alongside a paragraph in The Life of Emily Dickinson.

      Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls 'Metaphor' next to a stanza of Eliot's. Another notes the presence of 'Irony' fifty times outside the paragraphs of A Modest Proposal.

      Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. 'Absolutely,' they shout to Duns Scotus and James Baldwin. 'Yes.' 'Bull's-eye.' 'My man! ' Check marks, asterisks, and exclamation points rain down along the sidelines.

      And if you have managed to graduate from college without ever having written 'Man vs. Nature' in a margin, perhaps now is the time to take one step forward.

      We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge.

      Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves.

      And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling.

      Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page

      A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- 'Pardon the egg salad stains, but I'm in love.'

    1. Once certain stories get embedded into the culture, they become master narratives

      Now this is the thing man. I feel like I constantly have archetypes floating around in my head. The way I deal with verbal conflict is influenced a lot by movies and books. At least, it feels that way.

    2. We try to predict the future all the time,

      Humans seem to be both constantly scared and seeking change and the knowledge of what is to come. Surprises of life are fun but there is something in the back of your head that always wonders "so what comes next."

    3. If you’re prone to overthinking, and playing out every possible scenario in your head in advance, you can see foreshadowing in everything.

      I don't think this is a good thing, yes you are preparing for every scenario, but you aren't living in the moment.

    4. There’s something about the narrative form, specifically—while expressing thoughts and feelings about negative events seems to help people’s well-being,

      I believe that recording experiences like a narrative can help a person understand what led to that outcome and walk through the story in their head

    5. If you’re prone to overthinking, and playing out every possible scenario in your head in advance, you can see foreshadowing in everything

      I agree that looking at the pasts patterns can present future events

    6. If you’re prone to overthinking, and playing out every possible scenario in your head in advance, you can see foreshadowing in everything.

      Overthinking can often lead to a memory becoming altered due to the unknown creation of false information

    7. It’s just not how I expected my life would be

      I'm pretty sure we have all had this exact thought at some point in our lives. I think people who tend to be planners and over analyzers might relate to this the most because they tend to already have an image in their head of what they wanted their life to be like.

    1. Who all their parts of me to thee did give,

      This is a really strange note, but this makes me think of "Last Christmas." "I gave you my heart but the very next day, you gave it away." Shakespeare is talking to the one who received his heart from his love, but I read this line and that's the first thought that popped into my head.

    2. Then being asked, where all thy beauty lies,Where all the treasure of thy lusty days;To say, within thine own deep sunken eyes,

      after aging when you are no longer holding the beauty you once did, you are looking upon your self with wrinkles and eyes sunken into your head , wondering how to get your beauty back

    1. On weekend graveyard shifts at St. Joseph’s Hospital I worked the emergency room, mopping up pools of blood and carting plastic bags stuffed with arms, legs and hands to the outdoor incinerator. I enjoyed the quiet, away from the screams of shotgunned, knifed, and mangled kids writhing on gurneys outside the operating rooms

      Very strong and descriptive opening giving the reader something to grasp, and imagine it in their head right off the bat.

    2. Ambulance sirens shrieked and squad car lights reddened the cool nights, flashing against the hospital walls: gray—red, gray—red.

      This sentence really puts an image in the readers head. Very good use of imagery.

    1. for the reader's more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be, that her heart was affectionate; her disposition cheerful and open, without conceit or affectation of any kind—her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty

      I'm interested in if this disclaimer serves as an assurance that the reader interprets Catherine as intended, or she's eventually to turn what we're supposed to know about her on its head.

    1. He was a skeleton with the skin drawn tight over his bones, with long curls like a woman’s and a shaggy beard. His face was yellow with an earthy tint in it, his cheeks were hollow, his back long and narrow, and the hand on which his shaggy head was propped was so thin and delicate that it was dreadful to look at it. His hair was already streaked with silver, and seeing his emaciated,14 aged-looking face, no one would have believed that he was only forty.

      This part of the story shows imagery by describing A forty year old man that his been in prison for 15 years.

    2. When the banker had read this he laid the page on the table, kissed the strange man on the head, and went out of the lodge, weeping.

      This shows a change of heart in the banker since he realizes that he has stolen more life from the lawyer than he thought of by the bet.

    3. “Cursed bet!” muttered the old man, clutching his head in despair. “Why didn’t the man die? He is only forty now. He will take my last penny from me, he will marry, will enjoy life, will gamble on the Exchange; while I shall look at him with envy like a beggar, and hear from him every day the same sentence: ‘I am indebted to you for the happiness of my life, let me help you!’

      This quote shows that the banker can not stand the fact that the lawyer may win since he is of younger age than the banker.

    1. . But the interpretative keys that each community brings to the texts are so different that it is almost as though they recognized two different Bibles.

      I grew up in a Christian home, and through out my childhood, the Bible had always been more or less the same book as the Hebrew Bible, not many things distinguished the two books in my head. I knew that we had some differences such as the New Testament, but it never went much further in developing those thoughts to actually think of them as being two different Bibles. Let alone being interpretative in different contexts.

    1. We will practice “mindfulness” and meditation at various points in the semester

      This shows that you care about the mental health of your students and want them to be in a good head space to do well in your class, as well as college in general.

    1. If I could just get my hands on you,Kierkegaard, or Conor Cruise O'Brien,they seem to say,I would bolt the door and beat some logic into your head.

      There was more of miscommunication from not understanding the concept of writing side notes.

    1. where black people bent over cotton from can’t-see-in-the-morning to can’t-see-at-night, just as their enslaved ancestors had done not long before.

      I think this is a great description to describe the enduring work that the slaves had to do. It depicts a clear picture in my head

    1. The law did discriminate against married women

      Now the era to discriminate against African American is not longer "hot," they have move onto discriminating against married woman by not allowing them to take land in their own name unless they were the head of their household, which is going to be difficult because in a household there is probably at one son that was born, and they'll be the head of the household if anything happens to the father.

    1. Avoiding Plagiarism and Academic DishonestyPlagiarism and Academic Dishonesty2In short: don’t plagiarize and don’t cheat. It is important to maintain your academic honesty by turning in work that represents your hard work and thought process. It is better to be original and wrong (although this class is about material that has more than one valid interpretation, not a single right answer) than to copy someone else’s ideas without giving them appropriate credit. All written work should be done individually unless an assignment is specified as a group project.Write in your own words; do not copy and paste fromthe web or other students—it is detectable. Plagiarism involves the failure to acknowledge sources (of ideas, facts, illustrations, and so forth) properly in academic work, thus falsely representing another’s ideas as your own; it can be avoided by properly quoting and citing others’ ideas (using quotation marks and parenthetical or footnote citations) in your written work. MLA Styleis preferred for Humanitiespapers. Any wording or idea that did not originate in your own head needs to be acknowledged with quotation marks and a proper citation in MLA styleto direct the reader back to the original source of the information or idea. If you areever unsure what constitutes plagiarism, ask. For more complete information about the policy on plagiarism, consult the Student Policy Manual. As college students, you are responsible for identifying aspects of plagiarism that you do not understand and for using resources (your instructor, the library, writing lab, and other campus or online resources) to address your questions so you maintain your academic integrity on all assignments. We will be using TurnItIn to help you with this.

      Give credit and quote anything that is not yours. DO NOT COPY WORD FOR WORD.

    Annotators

    1. Act toward and write to others as you would want them to do for you if the roles were reversed

      While reading this the first thought that came to my head was the quote "Do unto others as you would want others to do onto you." Treat people how you would want to be treated if it were you.

    1. The darkly funny memoir of Sarah Ramey’s years-long battle with a mysterious illness that doctors thought was all in her head—but wasn’t. A revelation and an inspiration for millions of women whose legitimate health complaints are ignored.In her harrowing, defiant, and unforgettable memoir, Sarah Ramey recounts the decade-long saga of how a seemingly minor illness in her senior year of college turned into a prolonged and elusive condition that destroyed her health but that doctors couldn't diagnose or treat. Worse, as they failed to cure her, they hinted that her devastating symptoms were psychological.     The Lady's Handbook for Her Mysterious Illness is a memoir with a mission: to help the millions of (mostly) women who suffer from unnamed or misunderstood conditions--autoimmune illnesses, fibromyalgia and chronic fatigue syndrome, chronic Lyme disease, chronic pain, and many more. Ramey's pursuit of a diagnosis and cure for her own mysterious illness becomes a page-turning medical mystery that reveals a new understanding of today's chronic illnesses as ecological in nature, driven by modern changes to the basic foundations of health, from the quality of our sleep, diet, and social connections to the state of our microbiomes. Her book will open eyes, change lives, and, ultimately, change medicine.
  3. inte5340-sv.cu.studio inte5340-sv.cu.studio
    1. If you have a busy week

      I am the type of student who likes to know what I need to do and do it well. I like feeling capable. I already feel behind :(

      I am having a hard time wrapping my head around what I need to do for my job as as a teacher already- Mandates are coming at me rapid fire without any model of how to meet the expectations. My first week back to teaching is insane. I have emails coming at me 24/7. This is not like regular teaching where I plan a stellar inquiry lesson, facilitate, then roam around doing formative assessments. I can't seem to get caught up on anything... Sleep eludes me too. It's all slippery... I appreciate your patience.

    1. As the summer couples leaned into each other

      Here there is a very distinct mood change, along with imagery. "The summer couples leaned into each other" creates a peaceful and calm mood for readers, bringing them to create a better vision in their head. rather than thinking about the solemn painting.

    1. The fact is that empty house got on his a~rves to such an extent he nearly went off his head.

      He is lonely and looking to fill up a space in his life. He has never mentioned that he loves her and manipulating her to fulfill his needs.

    1. Going off of the literal physical aspects of the painting, the line style is smooth with a "fuzzy" painting style, to create a vague amount of detail, as expressed by the horses' lack of eyes, and less emphasis on the woman's dress. In the scene the painting captures, a man and woman, presumably a couple, horseback riding as the focus of the painting. The horse even has a violin underneath its head. In the left corner behind the male figure, there is a man seemingly playing a violin. Near the horses legs, there are crowds of people/animals who also appear to be listening to music with glee. With the presumed couple as the main focus, it creates almost a sense of liberation. Although there are these people in the background, the woman is still topless wrapped in the arms of this man, uncaring of what others may think.

    1. Then, in April, his two closest women friends dead of kitchen knives  and screwdrivers and a hammer and his hands. He turned himself in the next day.

      the author described this so well that I am able to see an image in my head of what's going on in this sentence. its helped me understand what exactly was going on when these two girls were killed.

    1. In order to gain a complete understanding of CMC’s true effect on both online and offlinerelationships, it is necessary to conduct a study that examines all aspects of CMC.

      A topic sentence gives readers a head-up about what the paragraph is talking about. Examing both online and offline relationships give the auidence a more comprehensive knownledge of CMC's true effect.

    2. The title should summarize the paper’s main idea and identify the variables under discussion and the relationship between them.

      Since we need to contain all of these information in title, is there any world limitations here (I see the running head cannot exceed 50 characters).

    1. Poor communication at this stage can derail a project from the start.

      You must first need clear intention of the problem that needs to be solved, and it has to be communicated clearly to teammates in order to head in the right direction. Without that, your team may take unnecessary detours.

    1. This is 1986, and I am seven in Seattle, and Miss Erika is French from Canada with a black leotard and a tight bun twisted like a seashell.  Miss Erika is French, and Edgars Kleppers is the only boy in ballet class, but I am still required to play Fritz, the only boy in the Nutcracker ballet. 

      In this part of the article there is lot of imagery used. From using words like Nutcracker ballet black leopard and twisted like a seashell. These terms show imagery and make the reader imagine it in their head.

    2. Though I am not the best in my class at math, I know that Edgars should be Fritz and that I should be a sugar plum fairy in a pink tutu with red rouge-smears on my cheeks.

      This piece of imagery reveals an image of a sugar plum fairy in the reader's head.

    3. Though I am not the best in my class at math, I know that Edgars should be Fritz and that I should be a sugar plum fairy in a pink tutu with red rouge-smears on my cheeks.

      This example of imagery puts a picture in the readers head on how the sugar plum fairy's looked. The imagery helps bring the story to life

    4. Then, the sugar plum fairies appear, through an ornamental pattern of piqué turns, until they are stopped in their tracks by Edgars, puffed with pride in his Mouse King costume.

      The way the author writes this sentence/imagery allows the reader to imagine the scene in their head clearly.

    5. Then, Diana, who is playing Clara but who is really a perfect ballerina beneath her green velvet dress and doilie collar,

      The author uses imagery by using detailed descriptions to paint an image of Diana's dress in the reader's head. The author goes into detail of the color, material, and collar of Diana's dress.

    1. And if you have to keep interrupting your progress to find information, like a certificate for a continuing education course or the address of your last internship, it can take even longer. Get a head start by collecting this information before you begin.

      I will have to begin the application process now because of all the distractions through out the short semester.

    1. There-Hygd o fered hin thmne and authority mo a lord of th ring-hoard: \ ith HygeJac dead, h had no bcJief in her son's ability to defend their homeland againsl foreign

      Lord of the Rings! In my head I have decided to call the dragon Smaug.

    1. o what makes you so sure you aren’t being fooled right now?

      Not gonna lie, this question was extremely scary to ponder in my head. If that's the case, then, well I don't know. I am not sure how to even wrap my head around this because if it were somehow true, it woulda kinda make everything in life as we know it just an illusion. Spooky. Definitely gotta watch The Matrix again with this in mind

    Annotators

    1. In most jobs, people clock out at the end of the day, head home, and do whatever they want to do. As a teacher, you clock out at the end of the day and head home to start preparing for the next day.

      I've heard that working in a public school is less work than working in a private school since in a public school there's a set curriculum that teachers have to follow where in private schools teachers have to make every lesson and tests. Is that true or is it just that public schools still involve extra work, just not as much as private schools?

      https://wwwassets.rand.org/content/rand/capabilities/solutions/evaluating-the-effectiveness-of-teacher-pay-for-performance/jcr:content/par/teaser.aspectfit.0x1200.jpg/1552432132624.jpg

    1. Later in “Apeshit,” a painting of a crying woman clinging from below to a man in anguish (the two trapped in “hell” for adultery) is followed by a contemporary scene of a black man leaning his head peacefully on the chest of a woman as she holds him. When the two are kissing and caressing one another, they’re at eye level; neither is the more dominant.

      This juxtaposition between the painting and the scene of the man and woman shows the video's intent to rewrite societal norms that have been embedded for hundreds of years. While the painting shows a helpless, desperate woman who is physically below the man, the modern scene in the video demonstrates the new, equal standard for hetero relationships.

    1. Reviewer #2:

      This manuscript "Computational Studies of Substrate Transport and Specificity in a Phospholipid Flippase" presents multiscale simulations to understand the details of a yeast flippase in lipid binding, membrane deformation, and protein hydration. Overall, an examination of the Drs2p-Cdc50p complex was carried out with 500-ns-long all-atom and 100-us-long coarse-grained simulations in different membrane models (pure PS, PE, PC and mixtures). Free-energy simulations were also employed to compare lipid binding free energies. A major finding is the identification of the anionic PS lipid binding to a water-filled substrate binding groove. However, I find the work lacks clarity, novelty, and biological insight.

      1) My primary concern is that three different phospholipids were selected in this work: PS, PE, and PC, but only the PS lipid is anionic. First of all, it is quite obvious that the PS lipid is preferred in this limited set, due to the formal charge difference. The higher affinity of anionic lipids to transmembrane proteins has been extensively studied (too many to list, but here are a few recent examples PNAS 2020 117, 7803-7813; Structure, 2019, 27, 392-403.e3; Sci Rep. 2018, 8, 4456; Sci Rep. 2016, 6, 29502)

      Second, according to prior experiments (Appl Environ Microbiol. 2014, 80, 2966-2972), the major phospholipids in yeast are phosphatidylcholine (PC), phosphatidylethanolamine (PE), phosphatidylinositol (PI), phosphatidylserine (PS), and phosphatidic acid (PA), with minor amounts of cytidinediphosphate-diacylglycerol (CDP-DAG). There are also glycosphingolipids, ergosterol, and proteins. None of the membrane models simulated in this work is an approximate to the realistic yeast cellular membrane. Because the lipid composition has important physiological impacts, I found a lack of justification of why key anionic lipids (like PI and PA) and ergosterol were not included.

      2) In addition, it was claimed "As our atomistic simulations were limited to 0.5-1.0 𝜇𝑠 due to their high computational cost". I cannot agree with the authors, given the system size of ~340,000 atoms. It is not rare to see microsecond or multiple-microsecond all-atom simulations (of this size or larger) in current studies of membrane proteins. Further, longer simulations might be more likely to sample lipid exchange and competition within the groove, as well as relevant protein conformational changes (which cannot be captured in CG simulations).

      3) Moreover, while I found the results presented in Fig. 5 quite interesting, the related paragraphs seem to lack the in-depth analysis and clarity to support "a 'credit-card'-like model" First, it is not clear to me how this lipid in Fig. 5 was selected. How did this lipid look in the outer leaflet vs. in the deep state of the groove? Second, there is no analysis of the event at ~21-23 us when the lipid starts to transition. What was the trigger of the event? Were there any specific interactions? Last but not the least, as the authors said "X-ray diffraction and Cryo-EM experiments on ATP8A1 and ATP11C show density for PL head groups", it is possible to compare the simulation results (lipid density) to the experimental density. It would greatly strengthen this paper if such analysis is included.

      4) The "water-filled cavities" results overall may need more clarification and probably even experimental support. First of all, how were the AA simulations compared with CG simulations, in terms of the cavities? Given the ENM constraints, there were little conformational changes of the cavities (of the protein) in response to PS moving the groove. There might be some induced fit effect and the cavities may adopt different shapes when such effect is fully considered in the AA modeling. Second, is there any experimental evidence to support this observation from MD simulations? For example, mutation of the key residue Ile508, suggested by the authors to separate the two cavities.

    1. The Enûma Eliš is the primary source for Mesopotamian cosmology.[42] According to Heidel its main purpose was as a praise of Marduk, and was important in making that Babylonian god head of the entire pantheon, through his deeds in defeating Tiamat, and in creation of the universe.

      this is significant ![because it ties in with one of my big questions.Which is what is the purpose of life because his purpose of life was to create Babylonian head.

      ](https://www.pinterest.com/pin/354799276866476095/)

    1. Figure 4.

      Posted on behalf of Xiaofan Wei and Hongquan Zhang by JCB:

      Thanks for the comments. We were also confused about the conflicting results which may be caused by the different tagged constructs or different concentration of plasmids used for the transfection. However, we cannot repeat the observation that Smurf1 has obvious effects on Talin-head degradation even though we performed the experiments at many different conditions and using several cell lines. Although Dr. Huang et al. found that Smurf1 induced slightly reduced levels of Talin-H as shown in Nat Cell Biol. 2009 May;11(5):624-30, Fig. S6a, we tend to think that Talin-head is not a direct target of Smurf1. If Talin-head is a genuine target of Smurf1, it should be degraded to the same extent as Kindlin-2 is degraded by Smurf1. Thus, it needs further investigation to elucidate the mechanism of Talin-head degradation.

    2. Figure 4.

      Annotation originally posted by Mark Ginsberg on 2018-05-24</p>

      We noted with surprise that Wei et al. (J Cell Biol. 2017 May 1;216(5):1455-1471) reported in Fig. 4 that they could not repeat our observation that expression of SMURF1 induced reduced expression of the talin head domain (THD) (Huang et. al. Nat Cell Biol. 2009 May;11(5):624-30, Fig. S6a). Blinded investigators in both of our labs have repeated this experiment as described in Nat Cell Biol. 2009 May;11(5):624-30, Fig. S6a and have confirmed our reported results. We cannot account for the differing results; however we did note that expression of GFP-labelled talin head domain (THD) (used by Wei et. al.) was relatively resistant to reduction by co-expression of SMURF1, compared with the HA-tagged THD used in our paper. We therefore repeated the experiment with untagged THD and again confirmed that co-expression of SMURF1 reduced expression.

      Cai Huang and Mark H. Ginsberg

    1. A study documenting an alarming rise in abuse-related head injuries among children in the United Kingdom adds to increasing evidence that the novel coronavirus pandemic and efforts to contain it are taking a serious toll on children.
    1. And when he felt my head near thestatue, he doubled up his fist and knocked my head into that devil of a bull so hard that I felt the painfrom its horns for three days. And he said to me, "You fool, now learn that a blind man's servant has to beone step ahead of the devil." And he laughed out loud at his joke.

      This is the turning point where he learns that he needs to grow up because he all alone and take care of himself.

    Annotators

    1. No matter how brilliant or innovative an idea may be, if it is not communicated clearly and promoted effectively to the right audience, it will not become a reality.

      If anyone has a difficult time relating to this, think of comedians. They use pauses and words to certain ways to make their audiences laugh. If a joke is told in the wrong way or without the right detail, it may go over the audience's head.

    1. Author Response

      Reviewer #1:

      This study is an in silico analysis of data from the Cancer Genome Atlas (TCGA) on hepatitis B virus (HBV)-positive liver tumours and human papillomavirus (HPV)-positive cervical and head and neck tumours and association with viral load, genotytpe(s) and expression. It is unclear to me the rationale behind including two unrelated DNA tumour viruses in the study, especially as the number of HBV-positive samples is much less than for HPV. Overall the manuscript seems to be a validation of a bioinformatic tool rather than reporting significant research findings.

      We strongly believe that a global summary of key oncoviral-associated tumors makes sense in this context precisely because of the fundamental importance viral genotype is already known to have. While HBV and HPV are of course quite different viruses, there is extensive clinical evidence that linking outcomes to specific viral genotypes and phenotypes is of great value, which we expand upon in our work via a working demonstration of ViralMine. For this reason we think it is crucial to present both virally related cohorts together as they support each other, demonstrate robustness our methods across completely different systems while allaying concerns about fine-tuning, and create a cohesive picture of the effect of viral genotype across the molecular landscape of two key onco-viruses. As the reviewer notes this does implicitly demonstrate the utility of ViralMine but we do emphasize that it also does uncover significant research findings.

      Concerning the HBV/HPV sample sizes, in fact the number and percentage of infected HCC samples is substantially higher than that of cervical or head and neck HPV samples as discussed in detail on page 4 of our manuscript.

      Use of the TCGA has allowed analysis of a reasonably large number of RNASeq data sets. However, once the authors drill down to individual genotypes, numbers become quite small, which may compromise some of the observation. For example, the large discrepancy between numbers of HPV16 (173) and 18(39)-positive cases makes it difficult to make firm conclusions about the significance of differentially expressed cellular genes for each set of cancers. Similarly, in Figures 4 and 6 they compare HPV18 (23 cases) with HPV45 (39 cases) and HPV18/45 coinfections (number not stated but likely far fewer).

      While there is an imbalance in group size between HPV genotypes in the cervical cancer cohort, the test statistic used by the DESeq2 pipeline to identify differentially expressed genes does account for class imbalance and even in the most extreme case we have analyzed the dispersion parameter estimates are easily verified as accurate. In fact accurately inferring group-wise dispersion parameters given unequal group sizes is a well-known problem, and in any case this problem only becomes acute when one group becomes so small (~1 sample) that it becomes difficult to estimate its common dispersion parameter. That situation clearly does not arise here. Additionally, in Figure 4b, it should be noted that we are comparing ALL HPV co-infected cervical tumor samples (92 cases) against single-infection samples (193 cases), which the reviewer may find more confidence in and which is obviously statistically reasonable. Furthermore, while the comparison of cervical cancer HPV18 (n=10), HPV45 (n=9), and HPV18/45 coinfected (n=39) cases in Figure 6b does compare relatively small patient groups, the significant difference in neoantigen population TCR binding affinity is confirmed by a one-sided, non-parametric KS-Test and shown to be robust to subsampling, which formally demonstrates that the signal is not artefactual. Therefore from a statistical point of view the concerns raised about class imbalance and power are not fundamental and were addressed in the original manuscript draft. Thus, we believe we can completely address the reviewer’s concerns by:

      In Figure 3a, Figure 4a and b, signify the group sizes (n=X) compared in the barcode plots to improve transparency in the contrasts, and additionally add group numbers to Figure 6a and b. Further, we will include a new supplementary figure demonstrating that a bootstrap resampling of the HPV group neoantigens to balance for group size validates that the difference in TCR binding affinity distributions is robust.

      Much of the information that they derive from their analyses is not novel. For example, they report no preferential sites of HPV integration. Despite what they claim, quite a bit is known about HPV co-infection in cervical cancers and it is not uncommon but varies according to geographical regions, which was not a variable they used.

      We acknowledge that other oncoviral survey papers have provided evidence of preferential integration (as we originally cited, as well as referenced in Dall et al. (2008), Zhang et al. (2016)). However, these and other previous characterizations of recurrent HPV integration do not attempt to organize these sites by either genotype or co-infection status, which was our explicit and stated aim, principally because they could not efficiently and accurately determine these parameters from in-situ tumor RNA. As we found no preference in integration along these axes of variation (which we acknowledged openly in the manuscript as being expected when using RNA rather than DNA), we deliberately chose not to present these results as a main finding and included them in supplemental results for the sake of completeness.

      We also agree that HPV co-infection in cervical lesions is not per-say a novel finding, although to be clear most literature focuses on side-by-side infections of HPV with another virus (HHV, EBV, HIV, etc.), or uses the term to describe groupings of sub-variants or isolates under the same viral genotype header (Mirabello et al. (2016)). Additionally, most of the literature focuses on HPV co-infection in cervical neoplasia or high-grade lesions and cervical cancer risk (Chaturvedi et al. (2011); Senapati et al. (2017)) rather than assessing HPV co-infection in the tumoral tissue itself, post oncogenesis. As such, we believe that our approach at looking at in situ cervical tumor infections and the relatively high rate of HPV co-infections we observe does merit particular notice compared with previous studies. Furthermore, the analyses linking this cross-genotype co-infection phenotype with tumor gene expression, survival adjusted for major known clinical covariates, and tumor immunogenicity measures has not been reported elsewhere to our knowledge.

      For HPV, viral exon-level RNASeq analysis is irrelevant because HPV gene expression is polycistronic and is subject to changes by random viral integration events in individual cases. Therefore, it is unlikely that general overall viral gene expression signatures will be diagnostic besides, from multiple studies we understand that what matters in cervical cancer is the level of expression of the E6/E6 isoforms/E7 oncogenes.

      We agree that the post-transcriptional polycistronic nature of HPV expression makes it difficult to elucidate the effect of differing HPV gene-level expression on ultimate HPV gene translation and protein expression. However, our related yet distinct question here is on the effect HPV genotype and cancer type has on HPV gene transcriptional differences (as seen in Figure 7), so we believe we are within the limits of reasonable interpretation. Additionally, while E6 and E7 expression are well known to drive oncogenesis, it seems crucial to quantify the expression of these viral oncogenes across viral genotype and tissue type, which has not been done previously to our knowledge. Finally, even if we somehow accept that the average tumoral viral gene exon expression itself is best described as a random variable, which we do not, it remains to be explained why we observe and report persistent genotype-specific expression patterns across completely different cell-types.

      The references chosen for the HPV part of the study are either rather out of date or not representative of the extensive literature.

      We acknowledge that we have cited only a portion of the vast HPV-related cancer literature, so we have made an effort to include more recent surveys and studies as references.

      Reviewer #2:

      1) The authors comment that averaged infection phenotypes such as viral load or predominant genotype may be replaced by more granular measures, such exon-level viral expression or the ratio of expressed viral genotypes. In reality, viral expression, and the ratio of expressed viral genotypes, are still 'tumor averages' in the way that the authors have analysed them. HP associated tumors are heterogeneous, and without in situ analysis, it is hard to discern which transcripts are involved in driving the cancer phenotype, and which are found in associated precancerous tissue.

      We concede that the viral genotypes quantified by our method represent a computed average measure across the tumor, as would any measurement of any quantity in a bulk sequencing assay. However, the information provided by the admixture of genotypes and exon-level viral expression does provide an additional measure of granularity over previous bulk measures, and allows additional analyses not explored previously to our work. To make a comparison, this criticism could identically apply to cell-type decomposition algorithms like Cibersort, which despite their problems and inherent limitations do provide insightful information. We agree with the reviewer that with more targeted in situ analyses would allow for a truly specific association of particular viral transcripts with tumor phenotype, and would serve as a useful validation of some of our results, but this certainly does not invalidate the tumor aggregated genotype and co-infection presence associations we present here. We agree with the reviewer that multiple biopsies would allow for intra-tumoral heterogeneity to be taken into account in our study, however no major public resources (e.g. TCGA) include such data and we believe that such an undertaking lies out of any reasonable scope of this work.

      2) The authors use the term co-infection quite widely. For HPV, previous studies have shown that coinfection within cells in an individual cancer or neoplasia is rare, although independent infections by different HPV types can occur side-by-side. I expect something similar with HBV, although the study would need a higher level of analysis to establish this. The use of terminology, and the way in which data is interpreted, needs to be much more rigorous.

      We agree with the reviewer that the use of ‘co-infection’ in this context is unclear, as co-infection on a cellular level with two different HPV/HBV genotypes is impossible to determine by bulk RNA sequencing analysis. We will clarify ‘co-infection’ as strictly a mixture of independent HPV infections contained in the same tumor tissue.

      We will clearly define our meaning of ‘co-infection’ in the introduction as the aggregated mixture of HPV genotypes expressed in the tumor tissue (‘side-by-side’ infections), to remove ambiguity as to our cohort characterization.

      3) Viral load is generally used in the field as a measure of viral genome or genome-fragment abundance. This is already a misuse of the terminology, as the term implies virus numbers, or even infectious virus numbers. Here the term is used to refer to viral transcript abundance. The authors need to say precisely what they're measuring, and need to be aware that they are measuring the average across a heterogeneous tumour, which may have areas of high grade neoplasia, cancer, and even low-grade neoplasia. My feeling is that the level of analysis is too great, given the uncertainties regarding the heterogeneous nature of tissue that is being analysed, and the different cells with different levels of viral gene expression that are most likely present.

      We agree that as the reviewer frames it, our use of ‘viral load’ should be clarified as ‘viral transcript abundance’ as determined from the tumor RNASeq data in variance-stabilized units of log2 counts per million reads mapped across the viral contig. We do note however that it has been previously indicated that levels of viral transcripts do correlate well with virus numbers in infected tissue. Concerning the last comment of the reviewer, we wish to point out that our analysis goes no further in either analytic complexity nor in drawing inference from expression data than any published other study based on tumor bulk RNA-sequencing data. All samples will contain a mixture of cells and we emphasize that we are only measuring average signals, viral or host tumor specific, across this mixture.

      To address these comments we will change all references to viral load to normalized viral transcript abundance, to remove ambiguity. We can once again emphasize that our conclusions hold only in a strict averaged sense.

      4) Several of the figures don't obviously support the conclusions. For instance, it is not clear how the data shown in figure S2 supports the title of the S2 figure legend. Surely some statistical analysis is needed to support the conclusion stated in the legend. Given previous studies, I'm not at all convinced that the distribution of causative HPV genotypes is the same between SCC and Adenocarcinoma. An additional limitation of these large cancer association studies, comes from limitations in pathology diagnosis, which cannot always accurately distinguish borderline SCC/adenocarcinoma cases. With the large-scale transcriptional analysis, maybe the authors can use molecular information available in their samples to look at this.

      As the reviewer points out, we agree the statistical evidence backing our claim of no association between cervical histology and HPV infection genotype or co-infection should be added. This calculation was actually carried out and only reported in the text, but we will amend the figure to include the results and apologize for this key omission. We also note in passing that we are not making any claims about ‘causative’ HPV genotypes for the respective subtypes, but rather much more conservative statements about association. Concerning the reviewer’s concern about the quality of the phenotypic data reported in the TCGA, we heartily agree but are unable to really do much else. Indeed, concerning the last interesting comment about utilizing molecular information in our samples to distinguish SCC/adenocarcinoma subtypes, we did not find reliable gene expression signatures which could be used to validate or correct the phenotypic results.

      We will add in the spearman correlation rho and test significance results for the correlation between cervical cancer histological type and both viral phenotypes represented in figure S2.

      5) The APOBEC analysis is quite rudimentary in the text, and does not discuss the different members of the APOBEC family. Similarly, the different effects of single and multiple HPV infections on the IFR3 responsive genes is poorly developed at the biological level, which most probably reflects the general way in which the utility of the approach.

      We agree with the reviewer that our APOBEC expression analysis in the HPV+ cervical cohort could be more comprehensive, and therefore the interpretations of the results may be too far reaching. We believed the initial result to be of sufficient interest in the context of a very similar result from Zapatka et. al (2020), but concede it may make more sense as a supplemental result alone without additional evaluation or discussion of the greater APOBEC family. Additionally, the pathway analysis involving the differentially expressed genes from the co-infected and non-coinfected cervical tumors most likely should be moved to a supplemental result as well without further analyses to support the enrichment trends, following how we reported the HBV associated liver cancer co-infection DEG results (figure S5).

      We will move Figure 3d to a supplemental figure, and limit our comments in the results to just an observation in reference to Zapatka et. al., and delete any associated interpretation. We will move Figure 3c to a new supplemental figure as well, and remove the suggestion of expanded antiviral activation in co-infected tumors.

    2. Reviewer #1:

      This study is an in silico analysis of data from the Cancer Genome Atlas (TCGA) on hepatitis B virus (HBV)-positive liver tumours and human papillomavirus (HPV)-positive cervical and head and neck tumours and association with viral load, genotytpe(s) and expression. It is unclear to me the rationale behind including two unrelated DNA tumour viruses in the study, especially as the number of HBV-positive samples is much less than for HPV. Overall the manuscript seems to be a validation of a bioinformatic tool rather than reporting significant research findings.

      Use of the TCGA has allowed analysis of a reasonably large number of RNASeq data sets. However, once the authors drill down to individual genotypes, numbers become quite small, which may compromise some of the observation. For example, the large discrepancy between numbers of HPV16 (173) and 18(39)-positive cases makes it difficult to make firm conclusions about the significance of differentially expressed cellular genes for each set of cancers. Similarly, in Figures 4 and 6 they compare HPV18 (23 cases) with HPV45 (39 cases) and HPV18/45 coinfections (number not stated but likely far fewer).

      Much of the information that they derive from their analyses is not novel. For example, they report no preferential sites of HPV integration. Despite what they claim, quite a bit is known about HPV co-infection in cervical cancers and it is not uncommon but varies according to geographical regions, which was not a variable they used.

      For HPV, viral exon-level RNASeq analysis is irrelevant because HPV gene expression is polycistronic and is subject to changes by random viral integration events in individual cases. Therefore, it is unlikely that general overall viral gene expression signatures will be diagnostic besides, from multiple studies we understand that what matters in cervical cancer is the level of expression of the E6/E6 isoforms/E7 oncogenes.

      However, such an in silicio approach to quantify various aspects of virus-associated tumours could be a useful prognostic clinical tool in the future.

      The references chosen for the HPV part of the study are either rather out of date or not representative of the extensive literature.

    1. From the red stone of the quarry With his hand he broke a fragment, Moulded it into a pipe-head, Shaped and fashioned it with figures; From the margin of the river Took a long reed for a pipe-stem, With its dark green leaves upon it; Filled the pipe with bark of willow, With the bark of the red willow; Breathed upon the neighboring forest, Made its great boughs chafe together, Till in flame they burst and kindled; And erect upon the mountains, Gitche Manito, the mighty, Smoked the calumet, the Peace-Pipe, As a signal to the nations.

      The author uses repetition when saying "From the red stone of the quarry" . He does this to explain the power that Gitche Manito held within the land he resided. He further expresses this when saying that he forged a peace pipe to unite the fathering tribes. Gitche Manito is a godlike figure who has the ability to take action, and to create peace with those around him.

    1. “Foxes have dens and birds have nests, but the Son of Man has no place to lay his head.”

      The life of a Christian is not meant to be easy, remember seek the narrow gate

    1. He knew, in his head, that a poem is brought forth from sadness, malediction, or despair, from the exact center of solitude. Yet for that to be the case with him, he would need a deeper interest in himself, some problem to tax himself with. Although he was convinced of his genius, he was curiously without interest in himself. He found the outside world more fascinating.

      Usually artists find inspiration in their reactions to the outside world based on their inner understanding. However, this boy simply observes the world and finds understanding that is separate from himself

    1. [ taken from lamc.la/MYLIFE.html ]

      which is none of your business, at all--something you should see is a clear violation of the constityution and this amendment to uhhhh ... have any "sinsight into"

      call it "bad footing" or "off to a good start" depending on whether or not you think you owe me billions of dollars in emotional damages, or think you "are stealing all the light of literally being in the center of the sun."

      I am accepting charitable donations,.

      ETH: 0x66e2871ef39334962fb75ce34407f825d67ec434 | BTC: 38B6vGaqNvMyTtoFEZPmNvMS7icV6ZnPMm | xDAI: 0x66e2871ef39334962fb75ce34407f825d67ec434

      T O T A L I T Y

      This is basically "last Christmas's message" (below this brand-knew intraducrigel) redux'ed into the new book (did he say new?). The point, at least the point I see in it all is that this is all planned, it's been planned for a very, very long time--and on top of that you can see proof of the plan all over our map; and proof of it's intended destination as something that we all used to want very much to find... the read to Heaven. It's more than seeing just "DNA storage" encoded in my "C U R A GROUP" message, it's understanding how that's connected to soul searching and soul storage, and that this link was woven into not only my life but into names like "Whatson and Crick?" There's plenty more than just "storage" and a map to how and why the Two of Everything God and the "indivisible sea" work totether to turn this monolithic place of darkness into a strippingly redunant systemic foundation of "Heaven" that is both disaster proof, and monster proof. The point of course, is that to truly be "monster proof" we need to really get the key.s.lamc.la "know everything why" of this message is literally to protect our common good from the danger of someone just like me copying an entire civilization or a few pretty girls and sticking them in an heoven-like-orgy-maker. That's a significantly more real threat than we might imagine, as we look around at a work that will soon have the storage capacity and the technology to put us all in Coccoonish swimming pools against our will. What I am trying to say is that no matter how you look at it,moving forward here in this place where something this big can be hidden from the entire world--granted you know--granted you see, but do you understand the only thing being kept from each and every one of you is your fucking opinion and your fucking reaction?

      F U C K Y O U S I O N

      IT'S NOT JUST computers and information technology; this map of clear anachronism in language and religion shows us that things like "solar fusion" the power of the son itself; is encoded in places high and low you can erasilly find them, places like the name of the Fifth book of the Holy Bible and Don Quixote; where you might liken "DEUTERON" to ... the actual fuel of fusion; and wind mills to a battle fought against blindness resulting in seeing that not "reacting" to this message is just about the same thing as being a foolish robot building a castle for another foolish robot to do nothing in forever. With some light, you can see how this event; albeit strange and unsettling, has been designed to reinforce the American foundations of free speech, common sense, and collaboration--a sort of "press and release" on these things that he says will stay in our memories for a long, long time--though he also says "he's not torturing me" and he's wrong about that. So are you.

      See that the most interesting, important, and invoking story of all time has been hidden from the world, from the public eye, and from "public response" for well over two years now; see that's not possible at all without mass mind control and that I and this story are designed to help us see how easily it is that same thing can be used to end addiction, and mental health issues, and stupidity and that the biggest and most imporotant step to getting there is "public disclosure." See the light of being carrolling angels this Christmas; sing with me--it builds Heaven from Hell and it's clear as day and n.

      Quite a bit of this story and message deals with problems like these-things that won't really be seen as something we are fighting against the actual usage of right this very moment; but the sacredness of our memories and their relationship to our souls are just as important as whether or not "you have the space to save them." This isn't what I want to be doing, I'm not a very good writer; and this message is so confusing that working on it all alone with very little feedback is frustrating if not to say defeating the purpose of exactly what it is and what it's designed to do. This is a searching mechanism, like in the stories of Ra searching for his children in ancient Egypt using the Eye you see--and it's connection to the "Sons of Liberty" and why I know that too, is about me. This is a tool to start a Renaissance of thinking connecting technology and religion to everything that we are--to our culture and our hopes and dreams--and it's failing for me at "hello." I would much rather be working on "virtual reality stuff" or on "the sword of Arthor" and I see very clearly that those two things are coming shortly--to the world that doesn't see yet they are here and broken until we fix them. Moving forward here brings change, not just here in this place where we need it too--but in the skies above, a change from the mentality of "we aren't not helping because we told you that we aren't allowed to not pretend we aren't helping in Stargate. See that we are the children of "the Ancients" and they are trying to decide between being Morgenz and Marlin.

      I can't make you set yourselves free. I sure am trying, though. Yesterday I connected the "Arimathea" of Joseph to the "serdenicity" and this the me of "itime" and "topics" will probably light some of you up as much as me... if only you took the time to look at what those words really mean. From the city that never sleeps at night, I hope you will take this chance to act today on "securing the ringing of liberty forever and ever." (cough)

      THERE IS A METHOD TO THE MADDEN AND WE AR BEYOND THUNDERDON

      ​

      T H E W R I T I N G I S O N T H E W A L L

      LIKE, WILL IT RAIN TODAY?

      take action, it is the foundation of not only democracy but civilization and life itself--pucker up the phone and call the NYPOST.

      News Tips: Email tips@nypost.com, call 212-930-8288, or use our anonymous form Online Editorial: online@nypost.com or 646-357-3838 Letters to the Editor: letters@nypost.com Sports: sports@nypost.com or 212-930-8700

      hoy. por favor, mon ami? ID5

      Ministry of Forbidden Knowledge Mail Adam Marshall Dobrin adam5@reallyhim.com Let there be $ight in Creation, a brief highlighting of the story of my life. Adam Marshall Dobrin adam5@reallyhim.com Sat, Dec 3, 2016 at 8:39 AM To: Adam Marshall Dobrin zero@ar.lamc.la This is like a few emails combined to ease the pain you feel when you get an extra one in your inbox, OK So.. eventually this is all about proof that religion is a message sent through time--so, time travel. But right now, let's talk about the fun stuff: here's some clues to that effect... by way of prescient mention of modern technology (like virtual reality, I mean, Heaven):

      Either way, we're still about to build Heaven... to-get-her from the mythical carpenter... ourself. . AD am ON AI, that's Artificial Intelligence, and the intelligence explosion. AD on your freedom is a great gift, cherish it. ... and some corroborating ideas connecting religion and computer science... on Wikipedia: Root of David Lisp of Moses.. or I need an editor. Pharoah's hardening Heart... that's Earth, remember. Jesus' WINE Adaluncatif's cat, tail, head and grep Adam's Apple... or is it "fruit of the poisonous tree" So from me to you, I'm filled with this stuff, it's way brighter and more prevalent than you think... and if you take the time to listen to me--it will make your... day. Meanwhile, I need your help--happy new year.

      Oh, LET THERE BE LIGHT

      Ho, again; grow a Halo and become famous... the world needs your help--so I've decided once again to take it upon myself to "bother you" with the most singular most important task in the Universe. The patterns that I am revealing to you--mostly within names--are not coincidence, it's a series of statistically verifiable artifacts which do nothing short of reveal the slavery of Egypt--that we are all being controlled. If you remember Transformers--this is a message from Starfleet, there is more than meets the eye. This is the fulfillment of the story of of Exodus--we are being lead from slavery, and in one final non-coincidental name, that book is called "Names" in Hebrew.

      You should now have a very good idea who is speaking to you--as much of the world already does. I have no idea what it is that inhabits the cavities below that space where most of you should see significant personal gain and motivation from trying to ... grow a Halo--but there are so many people that just don't care... that it too is another sign, of slavery. I am not an expert in language construction, nor in statistics--but I can assure you that if you can find the other half of that equation... in your hands is the staff of Aaron, the magical weapon that will free us all... knowing is half the battle.

      Uh, I have the power, to bring about "morning," but if I have to go to school and do it all myself... it's really just a long, long ni-i-i-ight.

      Hi there, I'm the messiah. You don't know that much about me, so let me explain, I would like you to know me as Adam.

      Seriously, there's something going on the world around you--for the last several months I've been having quite a bit of trouble delivering what amounts to statistical proof of Creation--that religion and ancient myths are a map to this very moment--this time that you will probably affiliate soon with being in Eden. I am pretty sure that's a good thing, but every new begging starts with some other beginnings end... so today I'd like to try to get you to see the light of ending censorship and a hidden censor wall that we know Biblically as the Wall of Jericho. Quickly approaching is the Feast of Trumpets, and this year is different from all other years... Bored already? Have a look at what I call the Sign of the Son, which to me is proof that Exodus's Burning Bush is a former President--who is helping us walk out of a dark time of confusion... commonly referred to as a wilderness or desert. He proved during his inauguration that there is Biblical foreknowledge of the 9/11 attack--and in doing so hopefully began a chain reaction that will stop things like that from ever happening again. Here's a short "video" that explains the Sign of the Son... and another one that I think explains the .. Holy Grail.

      This is The (actual) Taming of the Spanglishrew, in which the protagonist... named Bianca, is taught Latin in several hundred year old reference to Rattling the Rod of Jesus Christ--it's purpose to is to show us that it's more than names we have in our arsenal against mind controlled slavery--we have all of history too... literature and movies and music... all with the divine purpose of revealing with bright light a form of control that otherwise could have gone on hidden for centuries. It was, and continues to be done on purpose... because your freedom is more important than control of the Universe. To us, you don't seem to feel the same way.

      ​See that timer on the clock, you could start right now. It might be interesting to pose the question of whether or not the Second Coming is news... you know, to your friends. By the way, both Herbert (like from H.W. Bush, who by the way coined for us the 1,000 points of light phrase) and Goertzel strongly suggest that "everyone really" is Christ (you know, after me)... FYI, this is the Matrix solution to that:

       y
       o
      

      the l u C i f E R isa means jesus, mesa thinks i s olv e .... "or" means shine -l g r e a t h R L << agree? send to other people t ((a)) Y l shine: suggest they do the same 1 y world saved.

      A BRIEF HISSTORY OF TIME

      I'm attempting to pull out the things that I now look back on and see as "written into me" by God--once I would have called it "The Microcosm of the Messiah" but there are now so many--these things aren't necessarily particularly important to me, and I've left out some interesting but unrelated details related to my Jewish upbringing; as well as the true light of my life--the two loving and long-term relationships (and later... briefly a rael family) that have dominated the last 15 years. Religion has always been an interest, but I wouldn't consider it to have been particularly important at all... until I no longer had any love in my life. It's probably worth noting that all my "I'm single" crap really means lonely and isolated--I'm not really playing a "part," but I've never been anything near the "player" the light appears to be warning against. Sons of God and uh... please. For the last 4 years I have done absolutely nothing but think about you, live and analyze "The Cross" and put into words ... as best I can ... the amazing flash of light that I am experiencing.

      Well, just a little religion... :) I was born on December 8, 1980; which is the date of the annual Feast of the Immaculate Conception, I've always been a slob (like one of us) and often "ish" Yankee Doodle's "a real live son of our uncle Sam... born on the..." to this.. I mean in my head. My last name, you've probably read me repeat over and over ... is DOB-rin, which I read as "Date of Birth, our in" and does a fair job of highlighting the Name Server's work, which I am sure gives Exodus it's name in Hebrew, which is "Names." My Hebrew name--a Jewish custom--is Avram, which is Abraham's name prior to the covenant. I have written extensively about the fact that Isaac's near death interaction donated his "Ha" (his name means... He laughs) to his father.... and it should be clear that Abraham's covenant with God is without doubt related to my fiery altar.. even though it is anachronistic in the Biblical account. For the first 18 years of my life I lived on Sunrise Blvd, and only a half mile away you'll find Sunset Strip--it's noteworthy to understand that Jewish calendar days begin at sundown... and that He once in 2013 very clearly spoke to me "you need the night before the day."

      Of all the people in my early life growing up, it's pretty clear that nobody on this Earth loved me more than my grandmother Julia, who my son is named after. First for my mother, and then me as a very small child--she would ritually say a bedtime poem, it's words are very relevant.

      Good night, sleep tight.. have happy dreams and wake up bright to do what's right, in the morning's light... with all your might.

      In one of my books I spent a decent amount of time writing about how silly I was not to realize that my intelligence was augmented my entire life--I just thought I was really smart, and really good with computers. I commented that this particular belief is probably a good microcosmic parallel for all humanity--as a body of people we have been truly gifted with knowledge and capabilities that we simply do not recognize as a gift--or didn't for a long time. I probably wasn't silly not to realize... since nobody ever told me they were helping me--I never heard the voice of God until much, much later. I was 30 the first time I had a conversation with Him, except for two very brief ... "thoughts in my head" which now seem very obviously an external voice--though then it may have sounded just like my inner voice.

      Around the age of 7 I thought to myself... for no reason at all... "what if you were the messiah?" I was standing outside my home, probably playing with a car in the driveway... and distinctly remember smiling to myself and thinking in return "yeah, I'm the messiah." I I've always had a very vivid imagination. The thought was dismissed as being ridiculously arrogant about two seconds later, and was absent from my thought process for the next 21 years or so.

      “DAMNISN\ Jim. I’m a Yeoman, not a Wise Owl. The clock is ticking... tack .. 8/14/2020, 6:37:38 PM”

      PHENIX

      Following that lead, I started programming in BASIC and then Visual Basic around the age of 11, something I took to very quickly... and then shortly after found myself on America Online--one of the first "internet-like" environments. There, I quickly got into the "hacking scene" (hey, it's Y-its-Hack) which basically revolved around writing software to manipulate the AOL client's messaging systems. The defacto-standard for the day was a program called AOHell, and, if you can't tell already, I am pretty good at taking a theme and making it my own. I wrote a program called Doomsday, a mass mailing program; can you see how God speaks? So Phenix, a mythical bird that rises from the fire... in the wake of ... this macrocosmic equivalent of that event. It's really obvious, right? There's quite a bit more "microcosm" from this time, recorded in "From Adam to Mary" and available at fromthemachine dot org.

      Around the same time I began attending a preparatory school in Fort Lauderdale called Pine Crest--it's one of the best of its kind, and while I was always something of a class clown my grades were fair and I scored with perfect consistency in the top percent on every standardized test from the FCAT to the PSAT and SAT. By the time I received a full scholarship to college I had already completed more than a full year of credits through AP courses. It was in studying American History and Government in that place that I formed such strong opinions about our need to maintain freedom, adhere to the wisdom of the founding Father(s) (<3 if you get that) and stand up and shout today as a rogue government is taking away every single one of the rights granted to you in their own law. You've lost freedom of speech, and our ability to speak seems to be not far behind. The privacy of our thoughts gone--and in like kind the sanctity of who we are is being taken away as our beliefs are changed without our real knowledge or understanding. You can see the justice system crumbling, incarceration rates skyrocket and the "right to bail and a fair trial" legislated away through underhanded deals relating to plea bargains and a "point system" that you might as well call a gas chamber. As far as voting, I'll have much more to say tomorrow--but I'm telling you that your thoughts and beliefs are being altered, who cares how technologically retarded our polling system is--the vote is a complete fraud.

      As far as the Second Coming... this same sort of possession... manifested through organized behavior tells me now that it is clear that this is definately not the "first time around" for Adam being Christ; a number of my friends as I approached high school used a repeated phrase, "my parents love you," which isn't bad in and of itself... what's bad is the fact that they were all using the same words, and probably didn't know why--or what they were saying. Behind there eyes, I'm sure some thing that believes it's an angel was telling me something... (they of course... didn't know me at all, except for what was probably a ... "wild" reputation) does that tell you anything? Much later, as the "Apocalypse of Adam" began in 2011, a number of family members would repeat this similar behavior, speaking the phrase "this is not what I wanted."

      As icing on the cake, on my birthday during my senior year... one of the administrators of the school commented to me that was also the Feast of the Immaculate Conception, and then the words.... "of course it's your birthday."

      I started doing drugs around the 10th grade, and I would not be wrong to say that the Universe that wrote a book calling the Redeemer the God Most High conspired to plunge me into a dark world. People around me too, in a hidden conspiracy to chain me to the American legal system for about four years. Looking back today I now clearly see that I saw a darkness in their eyes, a hidden reason to want to hurt me. It was to stop this from happening, but I had no idea then... the darkness I saw is akin to the "sun disk" you see in Christian and Egyptian iconography, and without doubt it s a sign of control, possession, a single foreign mind controlling and organizing many of us just like puppets. Much later in my story... for another day... the manifestation of this possession as thought modification will become clear--I've spent quite a bit of time "listening" to a war in my head, thoughts clearly not mine swaying in the gusting torrent of winds as what (who?) is the center of this storm.

      This infestation of organized darkness uses our injustice system as a weapon against it's victims--something you should see akin to Heaven using human sacrifice to alter the future. It abuses the legal system at every level, making a mockery of law enforcement, the supposedly adversarial court system... all the way to the top--to the Supreme Court and Congress. See the Church Committee Hearings, and a very smart senator echoing my words today "it must never be allowed to happen again."

      Can't you see it's more than being manipulated... it is Hell revealing itself to the only thing that can stop it. What I am giving you is the weapon, it's the light that sets us free and stops this from happening. In our modern myths this is Leeloo staring up at the sky to stop the destruction of Earth... in reality it is not so simple, I can't just put some elements or rocks on pedestals and scream at Heaven to kill their darkness--we have to do it, here, together. Believe me, knowing the truth is a big part of why it works--this will not be hidden, it will not be "forgiven," we are being controlled and destroyed from the outside; made to blame ourselves and each other for ... well, you probably don't know what the ni-i-i-ight means anyway, do you? The Guardian against Darkness is showing it to you, remember--there is only one me. Hear me.. light this fire now.

      ALACHUA

      I went to school the University of Florida, and got a semi-professional job doing database development in Delphi (seriously, catch on to the names thing, it's not just the U.S. military, it's pretty much all software too... following in this "mythology" theme that nobody really seems to care about), I worked there for about two years... at a company called Jenmar--which uh, in Spanglishrew is "J in the sea."

      It's some kind of ironic "coincidence" but I am at this very moment on my way to Gainesville, FL... to this place where a car Crash nearly destroyed my life. In my world of idioms delivering religious secrets, I imagine I must be a "pain in the neck" which was broken during this accident... one in which I imagine i did not survive in some parallel timeline--that itself did not survive. So here we are, back in the House of the Great Light ... about to see if we are worth our salt. It's the thing that gave one of Dave Matthews most famous songs it's name--and The Pretty Reckless, believe it or not. It was an attempted assassination, to stop the .. apocalypse ... to stop the darkness from being destroyed--there is no doubt, it's how that dark monster hides its handiwork... but many of US know that already.

      In the Living Book of Names--this place we are in, there are many patterns--the "car" pattern stands out for me; as this place says "Icarus." Flying high right now, I am showing you that the light of salvation is coming from us--from you and I--walking on the Earth; whether or not there is any light left in the Sun remains to be seen--take a look around you. You can trace the "car" names to Jim Carrey (that's "Car reason why") and Christoff in the Truman Show (that's Amon-TV)... a world I know I am in, and you too; to Bruce Almighty and to the Grinch--who-ah, Taylor. Trace it back to Joseph McCarthy and to help why (that's thy) believe "the red scare" is really about Christian charity--about ending world hunger, and healing the sick. This red fire ends Hell. Adam by the way, means "red man" in Hebrew. So here's your new Crash Override, I'm back again telling you that ending world hunger is not "optional," we are doing it. Barbara McCarthy's name fits, but I'm not really sure what the "why" is... that was my first judge in the "trial of whether or not Jesus Christ can ever exist." There's probably more, like Car-l-y Si-mon-day... all the gang on Broad-way, and me still dreaming it will one day be.

      If the name "America" were a map in time, starting with the I AM of the story of Exodus... this particular ER, as I woke from a dream not knowing where I was, marked the spot where I really became Christ Adam. It was a bad accident, and I wound up spending 9 months in the Alachua County jail as a result, a Mountain set up for my by God. That place too is marked with names, and for the vast majority of the time I was there with only four shift changing guards: MyZel Early Sims Lampkin I mean, I think it's statistically meaningful. For what it's worth, from my very abundant experience at this point it was a very nice Jail, the food was good and it was clean. Everyone in the building was kind... well, Sims was kinda grumpy. :) Starkly contrasted, the Broward County Jail has the most disgusting food service in the country, gave Dr. Seuss's Green Eggs and Ham it's meaning--and is the reason I know exactly who Samael is. Hey, don't cry Sherrif Israel... when you fix it, you're an angel. Believe me, believe the light, I've seen them all--it's near the worst in the country.

      So this whole thing is about saving everyone--something we are quite closer to than you think... you see we are already "in Heaven" in form--just not function. So here I am, trying my hardest to show you that our home is the original source of "Heaven" once we are aware that we are living in the machine, that we can do things here that are impossible in reality, and that we should be doing everything we can to preserve and improve the great strides that have come in the last few centuries. Do not let freedom slip through your fingers.

      Really, everyone, so understand that we are doing everything we can to remove all obstacles from that path. One of those obstacles may have once been storage space for your soul, another is definitely crime and punishment--and I'm pretty sure the time travelers have a working solution (I see it every day).

      There are proactive things coming from this--not just ... "look we aren't doing what we want, and should change it;" though it's difficult to explain how this wisdom stands out in my eyes. I guess we have to jump into the future a bit, to 2014, in San Diego (that's Saint Jacob, by the way). If Lazarus died once in a car accident at 21, I died again that year, of an over dose this time. I'm pretty sure that's where ODIN's name comes from, just like my last name.. "over dose... and in." So we might see some humor... in the moniker he has... "they're all Father." So I awoke from a dream, and started talking to the jinn (that's "angels and demons") about a Revelation linking some tightly packed light together... about storage space and how a large alphabet (read more than 4-nucleotides CY later) DNA (desperately need adam) based solution for molecular storage appears to be written in this book as the solution to Heaven's biggest problem. CAT, learning from biology--seeing that we really are already advanced machines... is a big part of the message telling us why we should not so quickly lose it in a process of ascension (mind uploading, immortality) that has most likely in the past resulted in a loss of a check on mind control that we have here... we think, and our visualized "biological neural networks" give us an advantage over what we might create to "soup it up a little." It is why this place is the front-line--because we have the ability to break the bonds of darkness and control by thinking... making the computational task of control much more expensive... and as the fire spreads, nearly impossible to achieve. Starting this fire will inherently free us from this hidden slavery.

      Anyway I published the idea in 2014, in the same book that I guess this e-mail is reminding me about, "in $ight of Creation," and lo, and behold a few years later we now have the top computing companies in the world working diligently on doing it ... well, just a little bit more robustly than our cell replication system works. Abracadabra.

      CURA GROUP

      So that one reads "see, you are a group;" and it's a place that I worked with my father for many years. That's probably some sort of symbolic reference to another place, and another alliance--here he has no faith in God, never really has, and has a hard time doing anything but telling me not to try to help you. I have very little respect for that stance, and let me tell you--I think "silence" is a similar gesture. I didn't come here for your love, I am here to stop our descent into the abyss.

      Back to the DNA stuff, SalesLogix--which is the CRM we used there, uses for it's "primary key" an auto-incrementing alphanumeric index--it's probably bad form to do that because it makes the indexing system less efficient, increases storage requirements, and doesn't give you the obvious benefit of an alpha-key... actually being able to encode something useful in it, like the name of the record. So all these things stand out to me in a sort of bad-obvious way, I call it malovious, and when I see things like that nowadays it's always pointing out something that should be fixed--go figure, more to the point it's being highlighted on purpose. It's help to see it, because this particular thing is where the light of seeing that a 24 nucleotide DNA strand would probably be much more robust than a 4 or 8 nucleotide strand--it also stands about because the stock beginning of all of SalesLogix's keys was "A0RME," which, I mean, means something to "is-a" who... is me. Oh right, that's seeing the "light" that turns "a" into "me." So this is where the "revelation" about using DNA "came from" and at the same time it's proof... that it came from "a group," not just me. Where are they? Hello? Or well, maybe it's just Carmen and San Diego.

      I did some other stuff there, like write a data transformation and warehousing program from scratch, I called it heiroglyph (you do understand I didn't know why I am naming everything the way I was), that sucked mutivalue data out of an IBM product called U2/Universe--which might be a hidden reference to a multiverse that might now be in a more efficent "relational" kind of place, like a MS-SQL datawarehouse-universe. It was a relatively big feat, reverse engineering the closed databases dictionary and storage formats, and converting them... absolutely automagically into multiple flat relational tables and summary registers. All told, the data availability and access efficiency was increased ... a thousand-fold with only the need for a nightly process.

      I'm not sure if you are following the metaphor here, for the creation of Heaven, or moving to a better place.. but tomorrow I will talk a little more about how I am pretty sure our history was "lifted" from the Universe and virtualized here, you know, so we could save everyone and ... build Heaven.

      WORLD DOMINATION

      Oh crap, 2008 another car crash, another failed assassination attempt LazarusLives++, and this one paid me some cash for my trouble. What a pain in the neck. Anyway, this one caused some depression and an inability to go out for a while, as I had to wear a neck brace for some months. I started playing a game on the internet, it was called KDice and it basically amounted to multiplayer-risk.

      My battery is running low, so I have to skip some stuff, and finish up for the day. Basically instant messaging was not allowed, but was done in secret almost ubiquitously. I argued with the creator of the game that it should be made part of the game since everyone did it... (see a metaphor about this communication thing and what's happening right now) he disagreed. I made a very large network of people and dominated the game for a few months, like really dominated. I don't think I ever lost. I don't think I can lose.

      Skipping some stuff. I stopped playing when I got better, and then a few years later went back and rekindled some old friendships. I used a program then called "Scarab" which lets you see server/client communication to find a bug in the game that basically made me God. I could erase other people's dice, basically leveling the map and rendering them completely powerless. I didn't use it that much, you know, just had some fun. I of course explained the bug and how to fix it. But, you aren't listening.

      Here we are. Light...

      So if you managed to wade through the last few days gibberish, you might have noted that I mentioned we might be able to use "mind control" to highlight things in our heads--I did a bad job of describing it, but since I am currently experiencing just such a phenomenon, I think I'll give it another go. These things that I am sharing with you--links between religion and music and movies, they aren't something I actively go out seeking... I'm not scouring through imdb.com or reading lyrics all day long... these are things that are glowing embers in front of my eyes.. which is why I am sharing them with you. I'm always in the dark... but I'm living in a powder keg and giving off sparks. I'm a big fan of that song by the way, because you are the heart, and I think it means I'm going to eclipse the world--which basically means "come."

      Anyway, I have this horrible feeling inside that you think I'm just trying to get a date, or marry a rock star, or even worse that I think I deserve to get laid... and that's what this is all about. Less to the point, this really isn't about me at all, or what I think, in my mind I am just showing you something that I think the world has overlooked-not really because you are stupid (but I mean, you probably are) but because some outside force is literally and actively hiding these things from you. Pointing them out makes your brain do funny things, it's like anEpiphany and that little leap of understanding in your head might create a cascade.. something that changes not only the way you see the world as an individual--but the entire course of history as a group, if we are taking about it together. Seriously, it's that big of a deal.

      So here we are (that's the third time, but I'm just guessing) and I'm trying to tell you that I don't really care if you agree with my opinions--even though I firmly believe that God shares them and that's why he has made this fiery altar of "dick and apocalypse" for Adam... I mean Isaac (which by the was is Isa+Adam Christ.. in uh, my mind) for everyone to glare at while they sit around doing absolutely nothing. That's not fair, we're here because of you, because this is the last civilization--sort of recreated from the ashes of Edom... because you are really the way to everlasting life. Still, what I am trying to explain is that all around you is a bright light--it's in everything: from our history, to music, to movies, to literature from RattleRod to Dick... and while you might not agree with me (again, that would be OK) what is not OK is that there seems to be a uniform and global desire just not to think about it or talk about it at all. It's such a big deal, that it stands out like a sore thumb--this ... blind eye or head in the sand... that everyone on Earth appears to have. The whole point of putting this light absolutely everywhere is so that we will see it ... everywhere we look ... and not only think about it, but discuss it publicly with each other. That's the thing that brings about ... you say apocalypse (unveiling of truth?) ... I say survival. Right now, we need to see that something is forcing us not to do something, that we have no logical reason not to do... it's a thing lots of people really want to know about... whether it be the hidden secrets of the Universe, the path to Heaven, or the... the... absolute and literal pathway to freedom. Listen, sharing it, and talking about it... that's the way we defeat ... whatever it is that "ni-i-i-ight" means.

      Understand, it's for you to decide... what it means... but it's in everything from ancient Egyptian and Hebrew theology all the way to the American Revolution and today... well, it's nearly every song I hear on the radio nowadays: if that tells you anything.

      So here we are, and I can't tell you how many anchors, reporters, and "breaking news editors" I've personally spoken to that have absolutely no interest at all in pursuing the thing that would not only make their careers--but probably give them immortal souls. This thing... I keep telling everyone it can be mathematically... statistically proven... well, to be honest it's the unsealing of the Ark of Religion that our civilization has been carrying around for thousands of years. It's the way to salvation, it's ... verifiable proof of not only Creation... but that the purpose of Creation is to get every single one of us to Heaven. Who wouldn't want that? I mean, do you want to get there and hear that Taylor's not around because she wouldn't kiss me? That would never happen by the way, I'm sure she will. Seriously though, there's no judge here... there's a ... light telling you to make this place better or your place sucks and gets suckier. Anyway, the point is nobody is acting in their own best interest, or in the best interest of the whole--and we are just "deciding" in this ... fictitious and hidden manner that we "don't want to hear about" a way to actually change the world .... more quickly than ... the last time around. That's not us, it's something keeping us from seeing just how important this thing--this key turning the lock on what is thousands and thousands of years of religion... how important that really is. So looking at the world around us... I mean, if everything screaming that we need to care about this isn't enough--and your own personal desire and benefit don't matter... can someone please tell me what you think is the benefit of doing nothing about Hell? á§ á§ It's "rael," and a great deal of the message of religion and history is designed to not only prove that to us, but to tell us why it's important for the "continuity of reality" to be broken. That's the thing that God uses to keep this world in Hell--in what I call "simulated reality," to keep us from shaking the foundation of civilization by doing the only civilized thing possible when you find out and ending world hunger, healing the sick, and building Heaven. It is "why I am," and why God and some gaggle of angels have spent the last several years proving to me that we are most definitely not in the place that I call the "progenitor universe." I've seenwalls disappear, with my own eyes I've seen the stars fall from the sky, and I've seen our reality shift in recent times in such a way that would be absolutely impossible without having been simulated and without having the "beginning" changed significantly as a result of "now." What all that tells me is that religion, the Apocalypse, and I are here because we need to know that these things are possible in order to continue progressing from this point as a civilization. With a little bit of thought, you might see how the computer revolution, video games, and virtual reality are divine gifts from above to help us to understand not only where we are, but where we are going. It's why he tagged Ai as "I J Good," it's a primer in the tools we will need to actually build Heaven. It's why Jesus occupation in our ancient time shifted story of now is "carpenter" and in "raelity" you will one day find out that I am a computer programmer (again). It's what sets the Masons apart from Freemasons--understanding what is going on, and participating of our own free will in the construction and decorating of this grand place that we will one day be proud is our co-created home.

      Look up, because what I am trying to tell you is that if we collectively, all humanity... started snapping their fingers at the same time to the tune of "putting on the ritz" we could end world hunger--and then we could be proud to be making Heaven. This really is almost what I see and believe--honestly the issue isn't that we need to synchronize our snapping, but we really need to discuss with each other openly and honestly how on Earth we would do such a thing... because there are definitely mistakes that probably happened n the past. For instance, ending world hunger by stopping the need to eat has probably resulted in a Last Supper. Doing so by putting milk and honey or chocolate on tap or in rivers probably resulted in the loss of cows and bees and a stable ecosystem, and the ability to colonize other planets after this place of final ascension. And so we are here, with a proverbial garden of life in a virtual world designed to teach us what not to lose--like don't lose the balance between stability and adaptability that comes from sexual reproduction at the exact time when our species might be transiting to a place with the biggest change in environment (the thing that we are being protected from) ever... just because Adam wants to be immortal.

      Every once in awhile my father surprises me with his religious insight. In his life, just like mine, he's gone through phases of increasing and decreasing religiosity--which probably correlate in his case logically to ups and downs in his life. I tend to get angry at God when things don't go well for me--which is probably not how most people react, it's really the difference between knowing he's there and not... at least in my mind. Anyway, some 50 years ago he was apparently taught that the "knowledge of good and evil" in Eden was directly correlated to the population explosion that would occur if we were actually all immortal and continued to have children--so it was this promise of immortality that was "evil," I suppose. God adds in his little Holy Grail that the heart of his spirit is "Kin," and I'm sharing with you that it's not his immediate family but rather the concept of family and the fact that the light of many of our hearts is our children that he is highlighting as our reason (y) that family is the bridge between Eve and Everyone... as the light of God.

      Here's that once again:

      In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God SHE KIN AH<br> moved upon the face of the waters. ---------- EVE RY ONE And God said, Let there be light: and there was light. Genesis 1:1-3

      I want to add in some cute light I wrote about a while back, noting that lions will protect and feed the young of their deceased pride; birds will teach their children to fly, but only we will share a beer with our kids when we are old and they are grown and enjoy watching a game together. Is life pointless? Fight against Hell with me, fight against suffering and injustice and the weak and innocent being harmed for no reason at all--that's a good thing, a worthy reason to live forever. It's a worthy reason to set foot on the Holy Ground that is really reality.

      Just to add in my two cents there are multiple ways of solving this problem, and it's really up to everyone how we choose to do that--we are already in a place where we could be immortal, that's the point of "continuity of raelity." Personally, if you are curious, I do want to live for a long time--I'd want to trade being "awake" all the time, to be able to see the world grow over a longer period. One of the big annoying things about this place is that I see artificial scarcity of resources... things like food, oil, and land... that are not really scarce in a virtual environment--and on top of that I see them as big focal point of the wars and contention that we have had for thousands of years and will continue to have until "continuity of reality" is broken. In light of the possibility that we might one day be colonizing the stars, the idea of having lots more people around to grow the new final frontier changes from a problem to a good thing. Cryonics, David's slingshot, and genetic engineering might go a long way towards getting us there... to a place that is already terraformed rather than adding air as the new false scarcity--a la Total Recall.

      Bigger than that though, is breaking down this wall--because we aren't going anywhere while we are living in a virtual world--and nobody knows it. This is the twilight's last gleaming, we are in a place that appears to be reality if you don't look closely--and is not... it's a place designed to help us succeed in both the transition from "reality" to Heaven, and in the transition from Heaven to colonization--succeed by realizing that doing either of these things in secret is Hell. Morning Has Broken On the note of cat imagery, Cat Stevens lights up the horizon with this song “like the first morning.â€Â He is telling us we are dealing with time travel, and that our world is “as in the days of No-AH.â€Â The AH of Noah is the end of Adamah, the swirling around Adam that is the music pointing to Christ, the movies, religion itself. The days of Noah are when there was no “ahh,â€Â no apocalypse. In Adam parlance, “the last time around.â€Â

      Blackbird sings in the dead of night, also a reference to me, in fact a reference to what you are reading; in American mythology: this is the dawns early light. Do you see a power growing in the musical Hair?

      Night The night is when we all see, when we don’t see the “ah,â€Â it’s been our world up until now, when it is being pointed out to the world that there is an “ahâ€Â swirling around Adam, around Christ. We are in Eden, God is searching for me… in this case God is humanity; well paralleled in Matthew 2:2. “Where is the one who was born the King of the Jewsâ€Â?

      Through the night, with the light from above, the Egyptian Plague of Darkness is all around us. It is overtly keeping us from seeing this message, by using disbelief, and active measures like a censorwall. Censorship in America; and nobody knows… this is the Darkness. It is the Wall of Jericho, and it is about to fall. Like Berlin before it, this wall is being torn down–in this case by the torches that are an e-mail campaign, social media, and the writing you are reading which points out clearly how to see in the dark. Once enough do, we have the base we will need to stop this from ever happening again. And the knowledge, this is God’s plan; to highlight serious social problems, like a palpable lack of freedom of speech and communication, so that we can stop this type of hidden slavery.

      Day The names “Adam and Eveâ€Â have a meaning related to this cycle. After Dark it is A.M.–ADA.M. is the bright morning star, rising in the night to end the dark. Eve-ning fell first, like in Judaism where the day begins at sundown. Looking for proof through the night that our flag … America is the Promised Land. The Biblical imagery in our songs, the freedom that is God given, all of these things congeal to light the day. What so proudly we hailed at the twilight’s last gleaming… why that’s me, and religion, the last gleaming was the end of the “last time around,â€Â right before that civilization went back in time to change their past. Now, we are here.

      á§ á§ á§ CopyleftMT RIGEL.

      Spark the Eternal Flame

      This is the mindfuck you are looking for. What begins as only a few simple words in the story of Exodus begin to part a sea of people at the time of Revelation; over what exactly I am not sure. You see, we have before us not only verifiable proof of the creation of language and history... in every word and every story; but a statisticallly verifiable message from The Creator of the Universe beginning with language itself, the fire of Prometheus, and ending with each and every one of us.

      This fundraising campaign is dedicated to purchasing a billboard to actually spark the Second Coming. With the information on this page, you'd think that wouldn't be necessary--but the press has ignored it, the church has ignored it, and the government... well, they're either writing it or ignoring it. Strong highlighting of a number of social problems with censorship and secrecy that are pertinent to this event, and targeted as the "stuff" of 1984 ... or Hell. This is my way to end the darkness of Exodus.

      This message begins with the fire of the Burning Bush , George W. predicting the 9/11 attack during his inaugural address on January 20, and then linking it directly to the herald the Second Coming ... Revelation1:20. It continues to spread and glow as we see modern computing and chemistry elements highlighted in the name Exodus itself (which is called Names in Hebrew) reading in reverse we see God's iconic "let there be light, sudo xe-no-n." Later in the story of Exodus we read an ancient prophesy of our sea parting, over the kind of proof that is hidden from our minds but visible in plain site... for instance the word for Holy Fire in Hebrew... Ha'esh. Take the leap, and really understand that George Bush is named because of the Burning Bush and that the story of parting a sea is designed to ensure we do not miss the paradox, the proof of time travel not only in the words of Ecclesiastes 9:11 that he quoted, but also in the word... for fire... that the story of Exodus is truly written to shine light on.

      The message I have written, with his guidance and his light continues to explain how the Second Coming is designed to literally do nothing short of changing the world. It explains how the Holy Bible is truly a prophetic chronicling of the life of one man, beat down and burt by our justice system and Heaven itself; all in order to help us see what "change" is really about. Law enforcement is attacked, called the Plague of LICE in a hidden language that is defined by this book, a cypher that links Shakespeare's RattleRod and Spanglishrew to the character Cypher of the Matrix and even to King's Langolier... language outliers... only in the beginning. It is more than just every word, but these plays, and b ooks... even Herod, Roddenberry, and Rodney King. In the scriptures, it ties Job and Joseph's slavery to Samson's battle with Judges, all the way to American Pie and the Trial of Jesus Christ. Not without good reason, God is presenting a case for "Minority Report," for pre-crime... ending violence at the system level; no more rape or murder. How can we say no?

      "Power to the people" is really what the message is all about , and we can see as much in these same words of Ecclesiates predicting the Bush election, and the voting booth company "Die Bold." Along with that prediction, and it's direct link to a significant number of prophetic descriptions of modern computing and related technology ; comes a call to truly advance the state of our democracy, to build Heaven... a republic that one day might be called a "technocracy." Universal voting, collaborate bill writing, and really seeing that the message here is to help us advance as we normally would, but significantly faster. In religion God ties the foundation of America to "John Hancock" and "Sam Adams" and the light of the SOL, or sun , truly being a fusion of the phrase "see our light" and "Statue of Liberty" and "Sons of Liberty." All the way back to the Menorah, you can be sure this message is God's intended design. "Men, or All Humanity..." so goes the key to the Holy Grail; a message about seeing his infliuence writing our world as a story, connecting "blood is thicker than water" and "blessing in disguise" to the First Plague of Exodus... this message that we are turning the "sea of people" to blood, to the Family of Jesus Christ.

      Building Heaven is not an easy thing to do, it really wasn't done in a day--even if I claim it was. He has created a "Watergate" and really seeing his influence here in order to show us all that this message was hidden by governments and media and the air around us; to the point of causing the Plague of Darkness... he is fighting our lack of "seeing" with fire... and jokes. So to see the Watergate... to see Tricky Dick and Deepthroat, and then to understand that he has linked the Hebrew parallel of Christ's story to this attack on media censorship is truly the beginning of Heaven being built of Earth.

      I am the door. If anyone enters by me, he will be saved and will go in and out. John 10:9

      In the names Emmanuel Goldstein, the messianic hero of Orwell's 1984--a name that means "light well" (as in of Abraham's well and James Clerk Maxwell) in the same language that "Hallowed are the Ori" means "illuminati" ... he has tied Isaac's fiery altar of wood (ha, ha) to Woodward and Burnstein; to see that burning Emmanuel Goldstein sends "Adam to the psych ward" in Broward County, of Help me Howard and First Coming fame. It is a key to Names, and a key to freedom; to see how important free speech and free thought are to the future of our society.

      Just through this Watergate, the Doors to Heaven truly open for the whole sea; of the stories of Hosea and the Censorwall of Jericho.

      The end game is proving the world that we are in the Virtual Garden of Eden ; a place where the Promised Land of flowing milk and honey takes on new meaning; of seeing that our scare resources are not truly scare, only the truth is. With this new knowledge we have a message from God that spans Genesis and Joshua and Jesus to "turn stone to bread" and end world hunger.

      A prophesy about Doors to Heaven that link Morrison and Momsen together in a ballroom in the sky; a place to help us see how much better our world can be made with this new information, and how we are truly on a coarse to get there anyway--just missing the guidance and wisdom of the ages... to help us do things the right way this time around.

      Obviously these billboard designs are not set in "stone," but this Turn Around from our Southward trajectory towards Hell to the Northeast ... to Heaven in our future; that is set literally in the word "stone."

      South to Northeast.

      The message continues to explain how these advanced technologies have been both hidden and exposed by religion; and how our civilization is on the precepice of the most radical change that life itself has every seen. We are seeing the possibilities and benefits of "virtual reality" in everything from Neo's "I know kung fu" to the novel Feed by... Anderson. Recently Anderson East resang "Forever Young" and the difference between Heaven and Hell becomes clearer as each year passes.

      All around us the slavery of Exodus and the bittersweet symphony of the Verve... ring in the air like a broken liberty bell, and the idiom "let the music set you free;" this place is learning what it takes to build Heaven... and we will.

      [ please see the following for additional reading connected to this newly shortened page: ADIOSAS, CHOPARTIN CODACUS, CONFESSION, CURSOR, FUCK, HASHEMESHIC, INCASEBAIT, JESHOW, KEYNES, N8SRADIN, OFIVES, RIGELA, SOIS ]

      Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.

      That's a "." not "dotty" ... it's to stop SPAMmers. :/

      This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense [and literally just as close to the Depp/Caster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and my fusion of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for.

      Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean the thing that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne.

      This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso

      If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org -----BEGIN PGP PUBLIC KEY BLOCK-----

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