67 Matching Annotations
  1. Oct 2022
    1. @1:10:20

      With HTML you have, broadly speaking, an experience and you have content and CSS and a browser and a server and it all comes together at a particular moment in time, and the end user sitting at a desktop or holding their phone they get to see something. That includes dynamic content, or an ad was served, or whatever it is—it's an experience. PDF on the otherhand is a record. It persists, and I can share it with you. I can deliver it to you [...]

      NB: I agree with the distinction being made here, but I disagree that the former description is inherent to HTML. It's not inherent to anything, really, so much as it is emergent—the result of people acting as if they're dealing in live systems when they shouldn't.

  2. Aug 2022
  3. Jul 2022
    1. 前 The Verge 编辑 Casey Newton 的 Ev Williams Gives Up,他批评 Medium 的主要观点有两个:

      Medium 虽然从大约 70 万名付费订阅用户那里获取了每年数千万美元的收入,但这些收入在很大程度上是由搜索引擎上表现良好的因素决定的——这与 2000 年代后期低质量内容农场的商业逻辑相同。确切地说,这并不是一个糟糕的生意。但这不是 Williams 打算建立的业务。 Medium 曾经多次转变商业模式,最重要的一次是 2017 年砍掉了广告业务,完全转向付费订阅。在这次转型中,Williams 做了大幅裁员的决定,并关掉了专栏功能。后来,Substack 崛起,吸引了大量专栏作家开设付费专栏,吃掉了 Medium 的午餐。

    1. At the same time, like Harold, I’ve realised that it is important to do things, to keep blogging and writing in this space. Not because of its sheer brilliance, but because most of it will be crap, and brilliance will only occur once in a while. You need to produce lots of stuff to increase the likelihood of hitting on something worthwile. Of course that very much feeds the imposter cycle, but it’s the only way. Getting back into a more intensive blogging habit 18 months ago, has helped me explore more and better. Because most of what I blog here isn’t very meaningful, but needs to be gotten out of the way, or helps build towards, scaffolding towards something with more meaning.

      Many people treat their blogging practice as an experimental thought space. They try out new ideas, explore a small space, attempt to come to understanding, connect new ideas to their existing ideas.


      Ton Zylstra coins/uses the phrase "metablogging" to think about his blogging practice as an evolving thought space.


      How can we better distill down these sorts of longer ideas and use them to create more collisions between ideas to create new an innovative ideas? What forms might this take?

      The personal zettelkasten is a more concentrated form of this and blogging is certainly within the space as are the somewhat more nascent digital gardens. What would some intermediary "idea crucible" between these forms look like in public that has a simple but compelling interface. How much storytelling and contextualization is needed or not needed to make such points?

      Is there a better space for progressive summarization here so that an idea can be more fully laid out and explored? Then once the actual structure is built, the scaffolding can be pulled down and only the idea remains.

      Reminiscences of scaffolding can be helpful for creating context.

      Consider the pyramids of Giza and the need to reverse engineer how they were built. Once the scaffolding has been taken down and history forgets the methods, it's not always obvious what the original context for objects were, how they were made, what they were used for. Progressive summarization may potentially fall prey to these effects as well.

      How might we create a "contextual medium" which is more permanently attached to ideas or objects to help prevent context collapse?

      How would this be applied in reverse to better understand sites like Stonehenge or the hundreds of other stone circles, wood circles, and standing stones we see throughout history.

    1. I recently started building a website that lives at wesleyac.com, and one of the things that made me procrastinate for years on putting it up was not being sure if I was ready to commit to it. I solved that conundrum with a page outlining my thoughts on its stability and permanence:

      It's worth introspecting on why any given person might hesitate to feel that they can commit. This is almost always comes down to "maintainability"—websites are, like many computer-based endeavors, thought of as projects that have to be maintained. This is a failure of the native Web formats to appreciably make inroads as a viable alternative to traditional document formats like PDF and Word's .doc/.docx (or even the ODF black sheep). Many people involved with Web tech have difficulty themselves conceptualizing Web documents in these terms, which is unfortunate.

      If you can be confident that you can, today, bang out something in LibreOffice, optionally export to PDF, and then dump the result at a stable URL, then you should feel similarly confident about HTML. Too many people have mental guardrails preventing them from grappling with the relevant tech in this way.

  4. Jun 2022
    1. das internet verdienen eigentlich gar nicht mehr so meine these medium 00:11:52 genannt zu werden weil das internet vermittelt nicht primär wie es zum beispiel ein telefonbuch oder ein anderes medium eine zeitung oder so die 00:12:04 zwischen einem sender und einem empfänger irgendeine information getauscht sondern das internet selbst ist gewissermaßen eine neue ebene die 00:12:16 sender und empfänger auf derselben ebene miteinander in beziehung setzt und eben diese unterscheidung dadurch auf hebt das internet ist nicht nur ein medium es ist ein virtueller handlungsraum auf dem 00:12:31 natürlich wieder neuen medien entstehen können das sei unbestrittenes geht internet zeitschrift und ganz klar die dann wieder diesem sender boten modell entsprechen aber das internet selbst 00:12:43 scheint mir nicht mehr im rahmen eines mediums medienbetriebs adäquat erfassen zu sein das heißt die neuen medien verändern nicht nur unsere weise der wahl gewählt was sich sicherlich tun sind sie schaffen auch neue realität 00:12:56 nämlich virtuelle realität das internet wird schon sagt ist nicht nur ein medium ist es auch im medium aber ich glaube nicht vor allem soll jetzt ein virtueller handlungsraum
    1. We still imagine the web as a series of paper documents with text and images presented on them.

      I don't know if this is true for anyone. It certainly seems like most people who are digital natives (or immigrants) rarely make the connection and end up missing out on some lessons from print that would actually be helpful.

  5. May 2022
    1. Why is the title of the book “The medium is the massage” and not “The medium is the message”? Actually, the title was a mistake. When the book came back from the typesetter’s, it had on the cover “Massage” as it still does. The title was supposed to have read “The Medium is the Message” but the typesetter had made an error. When Marshall saw the typo he exclaimed, “Leave it alone! It’s great, and right on target!” Now there are four possible readings for the last word of the title, all of them accurate: “Message” and “Mess Age,” “Massage” and “Mass Age.”

      Quote from the Commonly Asked Questions (and Answers) on https://marshallmcluhan.com/common-questions/ with answers written by Dr. Eric McLuhan, Marshall McLuhan's eldest son.

    1. the skills to tweak an app or website into what they need

      Does "what they need" here implicitly mean "a design that no one really benefits from but you can bill a client for $40+/hr for"? Because that's how Glitch comes off to me—more vocational (and even less academic) than a bootcamp without the structure.

      What was that part about home-cooked meals?

    2. Building and sharing an app should be as easy as creating and sharing a video.

      This is where I think Glitch goes wrong. Why such a focus on apps (and esp. pushing the same practices and overcomplicated architecture as people on GitHub trying to emulate the trendiest devops shovelware)?

      "Web" is a red herring here. Make the Web more accessible for app creation, sure, but what about making it more accessible (and therefore simpler) for sharing simple stuff (like documents comprising the written word), too? Glitch doesn't do well at this at all. It feels less like a place for the uninitiated and more like a place for the cool kids who are already slinging/pushing Modern Best Practices hang out—not unlike societal elites who feign to tether themself to the mast of helping the downtrodden but really use the whole charade as machine for converting attention into prestige and personal wealth. Their prices, for example, reflect that. Where's the "give us, like 20 bucks a year and we'll give you better alternative to emailing Microsoft Office documents around (that isn't Google Sheets)" plan?

    1. it’s hard to look at recent subscription newsletter darling, Substack, without thinking about the increasingly unpredictable paywalls of yesteryear’s blogging darling, Medium. In theory you can simply replatform every five or six years, but cool URIs don’t change and replatforming significantly harms content discovery and distribution.
  6. Apr 2022
    1. This appeal would have a greater effect if it weren't itself published in a format that exhibits so much of what was less desirable of the pre-modern Web—fixed layouts that show no concern for how I'm viewing this page and causes horizontal scrollbars, overly stylized MySpace-ish presentation, and a general imposition of the author's preferences and affinity for kitsch above all else—all things that we don't want.

      I say this as someone who is not a fan of the trends in the modern Web. Responsive layouts and legible typography are not casualties of the modern Web, however. Rather, they exhibit the best parts of its maturation. If we can move the Web out of adolescence and get rid of the troublesome aspects, we'd be doing pretty good.

    1. There's way too much excuse-making in this post.

      They're books. If there's any defensible* reason for making the technical decision to go with "inert" media, then a bunch of books has to be it.

      * Even this framing is wrong. There's a clear and obvious impedance mismatch between the Web platform as designed and the junk that people squirt down the tubes at people. If there's anyone who should be coming up with excuses to justify what they're doing, that burden should rest upon the people perverting the vision of the Web and treating it unlike the way it's supposed to be used—not folks like acabal and amitp who are doing the right thing...

  7. Mar 2022
    1. medium is the message also das medium ist die botschaft es ist nicht die überbringerin der botschaft zumindest 00:32:30 selbst bedeutsam strukturiert ich würde noch einen schritt weiter gehen das medium selbst hat auch unter logische funktion es selbst verändert unsere wirklichkeit wie wir zum beispiel in handels internet sehen was die ich 00:32:44 glaube gar nicht zutreffend als medium beschrieben werden kann da auch in der neue begriffe ich würde vorschlägen schlagen als ein handlungsraum

      medium is the message Noller: Aber Internet ist eher Handlungsraum als Medium

    2. erstmal schnittblumen und gerhard an gut

      Gutenberg Galaxie

      *Marshall McLuhan und der hat ein Buch geschrieben

    1. the department knew it was happening and almost certainly has a master calendar somewhere that features months worth of programming for every facility under its control. So a couple questions:Why so stingy with that data?Why not publish it in a format that people will actually use?This information is not very useful on some random, deep-linked webpage
    1. writing instead of formatting

      A substantial subset of the personal homepage contingency associated with blogging advocacy "movement" doesn't understand this.

  8. Feb 2022
    1. and keep your site consistent

      But maybe you don't need to do that. Maybe it would be instructive to take lessons from the traditional (pre-digital) publishing industry and consider how things like "print runs" and "reissues" factored in.

      If you write a blog post in 2017 and the page is acceptable*, and then five years later you're publishing a new post today in 2022 under new design norms and trying to retrofit that design onto your content from 2017, then that sounds a lot like a reprint. If that makes sense and you want to go ahead and do that, then fair enough, but perhaps first consider whether it does make sense. Again, that's what you're doing—every time you go for a visual refresh, it's akin to doing a new run for your entire corpus. In the print industry (even the glossy ones where striking a chord visually was and is something considered to merit a lot of attention), publishers didn't run around snapping up old copies and replacing them with new ones. "The Web is different", you might say, but is it? Perhaps the friction experienced here—involved with the purported need to pick up a static site generator and set your content consistently with templates—is actually the result of fighting against the natural state of even the digital medium?

      * ... and if you wrote a blog post in 2017 and the page is not acceptable now in 2022, maybe it's worth considering whether it was ever really acceptable—and whether the design decisions you're making in 2022 will prove to be similarly unacceptable in time (and whether you should just figure out the thing where that wouldn't be the case, and instead start doing that immediately).

    1. I used Publii for my blog, but it was very constraining in terms of its styling

      This is a common enough feeling (not about Publii, specifically; just the general concern for flexibility and control in static site generators), but when you pull back and think in terms of normalcy and import, it's another example of how most of what you read on the internet is written by insane people.

      Almost no one submitting a paper for an assignment or to a conference cares about styling the way that the users of static site generators (or other web content publishing pipelines) do. Almost no one sending an email worries about that sort of thing, either. (The people sending emails who do care a lot about it are usually doing email campaigns, and not normal people carrying out normal correspondence.) No one publishing a comment in the thread here—or a comment or post to Reddit—cares about these things like this, nor does anyone care as much when they're posting on Facebook.

      Somehow, though, when it comes to personal Web sites, including blogs, it's MySpace all over again. Visual accoutrement gets pushed to the foreground, with emphasis on the form of expression itself, often with little relative care for the actual content (e.g. whether they're actually expressing anything interesting, or whether they're being held back from expressing something worthwhile by these meta-concerns that wouldn't even register if happening over a different medium).

      When it comes to the Web, most instances of concern for the visual aesthetic of one's own work are distractions. It might even be prudent to consider those concerns to be a trap.

    1. keeping your website's look 'up to date' requires changes

      Yeah, but...

      Keeping your website's look 'up to date' requires changes, but keeping your website up does not require "keeping its look 'up to date'".

  9. Aug 2021
    1. Funnily enough, I've been on an intellectual bent in the other direction: that we've poisoned our thinking in terms of systems, for the worse. This shows up when trying to communicate about the Web, for example.

      It's surprisingly difficult to get anyone to conceive of the Web as a medium suited for anything except the "live" behavior exhibited by the systems typically encountered today. (Essentially, thin clients in the form of single-page apps that are useless without a host on the other end for servicing data and computation requests.) The belief/expectation that content providers should be given a pass for producing brittle collections of content that should be considered merely transitory in nature just leads to even more abuse of the medium.

      Even actual programs get put into a ruddy state by this sort of thinking. Often, I don't even care about the program itself, so much as I care about the process it's applying, but maintainers make this effectively inextricable from the implementation details of the program itself (what OS version by which vendor does it target, etc.)

  10. Jul 2021
    1. ask yourself which tangential questions it brings up. What were you curious about as you wrote it? What aspects of your piece deserve further exploration? Is there a wider issue to look at? Or one single element that could merit a couple of thousand words of its own? For every piece, find at least three new ideas that could be explored as articles. These may be in the form of questions, and only further research will reveal whether or not they can become pieces of their own.

      Keep this in mind as a good practice.

    1. “But how can I automate updates to my site’s look and feel?!”

      Perversely, the author starts off getting this part wrong!

      The correct answer here is to adopt the same mindset used for print, which is to say, "just don't worry about it; the value of doing so is oversold". If a print org changed their layout sometime between 1995 and 2005, did they issue a recall for all extant copies and then run around trying to replace them with ones consistent with the new "visual refresh"? If an error is noticed in print, it's handled by correcting it and issuing another edition.

      As Tschichold says of the form of the book (in The Form of the Book):

      The work of a book designer differs essentially from that of a graphic artist. While the latter is constantly searching for new means of expression, driven at the very least by his desire for a "personal style", a book designer has to be the loyal and tactful servant of the written word. It is his job to create a manner of presentation whose form neither overshadows nor patronizes the content [... whereas] work of the graphic artist must correspond to the needs of the day

      The fact that people publishing to the web regularly do otherwise—and are expected to do otherwise—is a social problem that has nothing to do with the Web standards themselves. In fact, it has been widely lamented for a long time that with the figurative death of HTML frames, you can no longer update something in one place and have it spread to the entire experience using plain ol' HTML without resorting to a templating engine. It's only recently (with Web Components, etc.) that this has begun to change. (You can update the style and achieve consistency on a static site without the use of a static site generator—where every asset can be handcrafted, without a templating engine.) But it shouldn't need to change; the fixity is a strength.

      As Tschichold goes on to say of the "perfect" design of the book, "methods and rules upon which it is impossible to improve have been developed over centuries". Creators publishing on the web would do well to observe, understand, and work similarly.

  11. Jun 2021
    1. Some of the best customers of such a service will be academics.

      Indeed. Web literacy among the masses is pitifully low. Browsermakers are certainly to blame for being poor stewards. Hot Valley startups are responsible as well. (See https://quoteinvestigator.com/2017/11/30/salary/.)

  12. May 2021
    1. I miss the thriving blogging culture of circa 1999-2012. People blogged before and after those dates, but that was a period where blogging really had an outsized voice in shaping political and cultural conversation.

      Maybe it's the fact that there's more thoughts, ideas, and actual conversation in longer form media? Too much has moved to social media which really immediately implies small, bite-sized bits of information---a short note, a photo, a star or a heart.

    1. What I’m studying is something dynamic. So the representation should be dynamic.”

      Related to Victor's Dynamicland project, as well as his thoughts on a "dynamic medium. A note about “The Humane Representation of Thought.” Worrydream. http://worrydream.com/TheHumaneRepresentationOfThought/note.html )".

  13. Apr 2021
  14. Mar 2021
  15. Feb 2021
    1. Glad to have you back Ben!

      Interesting to hear the results of the experiment. Knowing that it only made you $10 on their platform is an interesting data point.

      I can't wait to see what you come up with on the community front. Healthier competitors to Facebook's pages/communities is a problem we need more work on.

  16. Nov 2020
    1. Substack, viewed as a blogging platform, is a lot like Medium — a would-be walled garden, though run by less unscrupulous folks than own the big social-media platforms. I’m temperamentally suspicious of them, as I am of any platform that is, ultimately, subject to the whim of a proprietor. So although I use both Medium and Substack, everything I write therein is also published verbatim on my ‘live’ blog, which is completely under my control, and for whose hosting I pay with my own money. For me, Substack provided merely a convenient and reliable way of sending out the email version of what really matters — the live blog on the open Web. Both Substack and Medium have fairly honourable business models and have facilities whereby writers can get paid, if they wish to be. (I don’t.) And that’s a good thing (though it leads to the power-law outcome that Greer mentions). But it also has the downside in terms of the public sphere that, ultimately, their writing exists mainly inside a walled, members-only, garden. A genteel garden, but still a private garden. That’s why I’ve always followed Dave Winer’s lead: write wherever you like, but always make sure your stuff is also published on the Web.
  17. Oct 2020
    1. Boiled down, Medium is sim­ply mar­ket­ing in the ser­vice of more mar­ket­ing. It is not a “place for ideas.” It is a place for ad­ver­tis­ers. It is, there­fore, ut­terly superfluous.
  18. Aug 2020
    1. This is twitter. What is its purpose? It is a general-purpose electronic communication medium on the Internet, accessible via web and apps, comprising a high-volume global stream of written thoughts of people, attached with pics, gifs, links and audio- & video-embeds.

  19. Jul 2020
    1. While we believe that the Medium platform and network provide incredible advantages for writers, we also believe that our platform should inherit the power and creativity of the open web, not be walled off from it.

      They haven't generally taken this stance before. They've spent a lot of time and effort to specifically wall themselves away from the rest of the web. They've even taken away the ability to bring your own domain to the product. This seems like just too much lip service.

    2. We know how important it is for creators to be able to not just make a space on the internet for their work, but to make their own space, to create context and a sense of place, and to establish their personal brands.

      How many years has it taken them to realize this?

  20. Dec 2019
  • Aug 2019
    1. Our everyday media - and our proclivity for relationship as mediated by retweets, likes, reactions, and snaps - is all the more social because of annotated commentary.

      Perhaps deeper than you want to go, but I'm curious about your thoughts on Medium's UI that allows in line commentary/comments/reactions (which are also given their own separate URL's which don't include all of their context) versus other platforms that would simply include those as comments at the bottom.

  • Apr 2019
    1. Medium’s ultimate underlying problem:Medium thinks it’s a brand.
  • Mar 2019
    1. Spinning up a simple web app used to require months of development, a team of people, and tons of capital for (physical!) servers. Today a single person can build more than a team of ten in a weekend. We see it every day on Product Hunt.

      Medium article.

  • Sep 2018
    1. The modern medium voltage power cables are capable of handling loads ranging from 3.8 kV to 45 kV and power transmissions at levels up to 132 kV (high voltage power cables). Since the sky is the limit in this industry, extensive advanced Research & Development processed are carried out to pursue and strive for better, more efficient, and cheaper power transfer solutions - so that clients are always a step ahead of their competitors owing to cutting edge technology and superior infrastructure.

  • Mar 2018
    1. Sterlite Power manufactures India's most superior quality electric power cables from its state of the art manufacturing facility. We use best raw materials to manufacture power cables and are approved by major approving bodies and leading consultants. They have been fully type tested as per applicable IS and IEC standards.

    1. Pescovitz and his collaborators called Sony about them, and an archivist eventually found the tapes sitting in an underground, climate-controlled warehouse in western Pennsylvania.

      This relates to what we have been doing in class and using research and the help of archivists to find materials. This was also mentioned in the linguistic metadata in the subtitle of the page and provides more information. The original tapes were not touched for over 40 years and sat in a warehouse. Seems to be a little selfish to me.

    2. CD-ROM in 1992, and about two years ago NASA uploaded the nature sounds and greetings on SoundCloud, without the music. The lack of a vinyl version, even in the days of digital, seemed like a missed opportunity.

      This passage shows an example of multiple mediums of aural communication. This record was actually already released on CD and then partially released onto a website and app called Soundcloud 2 years ago. It is just now being released onto vinyl. These are 3 different mediums of aural communication that are targeted for different audiences. Vinyls are more for the baby boomer generation and modern hipsters like me, Soundcloud is for the millennials and CD-ROM are for the generation before them. This would mean that each generation wanted to hear this record and the producers wanted everyone to hear it as well.

  • Sep 2017
    1. That future is not given, but depends on the medium the group is imagining. It thus depends on the properties of the medium that the group is exploring, selecting, and practicing. On the one hand, technology enables a new medium, which is imagined as shaping the future, on the other hand the future is imagined as shaping the new medium, which then should drive technology.

      This relationship between imagined futures and how they mold the medium, leave out the bridged with the present. If history with Kay's group repeats, what fills the gap between the prototypes of the present and the imagined future, is a form of dystopia.

      Esta relación entre los futuros imaginados y cómo moldean el medio deja por fuera los puentes con el presente. Si la historia con el grupo de Kay se repite, lo que llena la brecha entre el presente de los prototipos y el futuro imaginado es una forma de distopia.

    2. Computing is to take the role of an infrastructure: much as books need light, but are not modeled after the light’s logic, the medium might draw, where necessary, on the computing possibilities provided by the OS in the background, but it should not be driven by them. Instead, the dynamic spatial medium should be driven by properties of the medium itself, and as such, it should drive technology.

      Esta relación entre frente y fondo, entre infraestructura y medio es importante sin embargo. ¿Cómo se pasa de la una a la otra? Grafoscopio, es una infraestructura para un medio escritural, pero esa transcición entre fondo y frente ayuda a cambiar la forma en que se escribe.

  • Jul 2017
    1. If I have a number of ways of expressing and shaping my message, then the questions that confront me are: which mode is best, most apt, for the content / meaning I wish to communicate? Which mode most appeals to the audience whom I intend to address? Which mode most corresponds to my own interest at this point in shaping the message for communication? Which medium is preferred by my audience? Or by me? How am I positioning myself if I choose this medium or this mode rather than those others
  • May 2017
  • May 2016
    1. Thus was born Your human personality, and since its birth have I impelled You to nourish,support and strengthen it, by filling You with longings, hopes, ambitions, and aspirations, withall the various manifestations of Desire; which are but the human phases of My Will, operatingin the preparation and development of a medium capable of expressing perfectly My Attributeson Earth

      The human journey has been one of being strengthened by longings, hopes, ambitions, aspirations and manifestations so as to develop a vehicle capable of expressing God here on Earth.

    2. This, then, was the first condition into which You awakened when You entered into Earthexpression, and is what is called the Edenic state or dwelling in the Garden of Eden.This Edenic state represents the Celestial phase of Impersonal Consciousness, or that state inwhich You were still consciously One with Me, though now confined in a mortal medium ofexpression

      In the beginning even though in body mind, the human expression was still consciously solely guided by God.

    3. Thus were now manifest all the various mediums for the Earth expression of My Idea; and You,being one of My Attributes, naturally had dominion over all of these mediums, or possessed thepower of utilizing any or all of them, if necessary, for the full and complete expression of Your --My Attributes -- powers and possibilities.In this manner and for this reason alone did You and Your Brothers and Sisters come into humanexpression. While in human form yet Your expression was so entirely Impersonal, that, thoughself-conscious, you still looked wholly to Me within for inspiration and guidance
    4. So it was then that the first tendency to think yourself as separate from Me was born. Thecomplete consciousness of separation did not become established until long after.In the beginning, when You thus first entered into Earth expression, obeying the impulse I hadsent forth through My concentrated Thought, You, one of My Attributes, surrounded or clothedYour Self with My Idea of My Self in expression as the particular Attribute You represented.You being the animating Force of that Idea.In other words, My Idea of My Self expressing that particular Attribute then became the Soul ofYour particular expression. But that Idea or Soul is not You, remember, for You are really a partof Me, being My Self in expression through the medium of that particular Attribute.Having clothed Your Self with My Idea, this Idea then, through the necessity of Its be-ing,immediately began to attract to Itself the necessary Thought Substance requisite for theexpression of that particular Attribute, and to build and shape it into My Image and Likeness. Itthus became a Holy Temple, filled with My living Presence, because inhabited by You, one ofMy Divine Attributes

      First there was a tendency to think as being separate, however the consciousness of separation did not occur until later.... First entered the realm of Earth, one of Gods attributes.... Then became a particular expression and this attracted to itself "the necessary Thought Substance requisite for the expression of that particular Attribute, and to build and shape it into My Image and Likeness. It thus became a Holy Temple, filled with My living Presence, because inhabited by You, one of My Divine Attribute."

    5. But there yet remained the final and culminating medium of expression.Up to this point, while each perfectly expressed some phase of My Nature, yet all existingmediums and avenues were unconscious of Me, and were mediums of expression only as a wireis a medium for conducting heat, light and power.The conditions were ripe, however, for the creation of mediums through which My DivineAttributes could find conscious expression, conscious not only of their relationship to Me, but oftheir ability and power to express My Idea.It was at this moment in Time that You and Your Brothers and Sisters were born into existenceas human expressions, coming into manifestation as you did, similarly with all other mediums, inresponse to My concentrated Thought, in which I saw all the infinite variety of My Attributes inactual expression in entitized forms, each manifesting in predominance some particular phase ofMy Being, and each conscious of Me, Its Creator and Expressor

      Humanity was birthed so God could have mediums that can express God consciously...

    6. The next stage was the developing and preparing of avenues or mediums through which I couldexpress the manifold phases, possibilities and powers of My Idea.The outward evidence of this was what is known as the mineral, vegetable and animal kingdoms,which, each in turn, as it came into manifestation, gradually unfolded higher and more complexstates of consciousness that enabled Me more and more clearly to express the infinite phases andvariety of My Nature.It was at this stage that I looked upon My Creation, as stated in My other Revelation, and sawthat It was good

      The preparation of mediums to express God.......

    7. In the beginning, at the dawn of a new Cosmic Day, when the Word consciousness was justawakening and the stillness of Cosmic Night yet prevailed, I The THINKER, conceived MyIdea.This My Idea of My Self in manifestation in a new condition, called Earth expression, I sawcompletely pictured in the mirror of My Omniscient Mind. In this mirror I saw the real Earthshining forth brilliantly in the Cosmos, -- a perfect Sphere, where all the Infinite phases,attributes and powers of My Divine Nature were finding perfect expression through the mediumof Angels of Light, living Messengers of My Will, My Word in the Flesh, even as It is in theCelestial World of the Eternal.I saw My Self manifesting outwardly as Nature, and My Life as the vivifying and evolvingPrinciple back of all Manifestation. I saw Love, the Divine Creative Power, as the animating andvitalizing Force back of all Life, and My Desire to give perfect expression to that Love as thePotential and Real Cause and Reason of the birth of My Idea.All this I saw mirrored in My All-seeing and All-knowing Mind, which could see and reflectonly the Soul of things or their Reality. Therefore this that I saw pictured in My Mind was theReal Earth, in fact, its beginning, its conception into Cosmic being

      Gods inspiration .................

    8. Just so will I develop and unfold all My mediums of expression, which shall finally, unitedly andcompletely picture forth My Idea from out their souls, in all the glory of Its perfection.At present these mediums are of such nature that they require many languages of many types,from the simplest to the most complex, composed of almost an infinite number of Words, toexpress My Idea.But when I shall have completely thought out My Idea, or shall have perfected My manymediums of expression, then shall My Idea shine forth in every Word, each, in fact, being aperfect part or phase of My Idea, all so chosen and arranged that they will really be as one Word,radiating the sublime significance of My Meaning.Then shall all languages have melted, merged, into one language, and all words into One Word;for all mediums shall have become One flesh, the now perfected medium for the completeexpression in One Word of My Idea, -- My SELF.Then shall My SELF, now capable of being expressed by these perfected Words, shine throughIts medium of expression, -- through the personalities, their bodies, minds and intellects; and theWord shall have become flesh, or shall BE the flesh

      I am being fashioned, as is everyone else to be clear conduits for the expression of Substance,the expression of the inspirations of God..............

  • Jan 2016
    1. In my experience, email becomes a pit where ideas go off to die.

      Well...applies to blogs as well even when in a fishbowl. Readers are not codeswitching carefully and intentionally.

    2. The #WalkMyWorld Project is an open education, open publishing, and open research initiative. In it we develop and facilitate a mentored, open, online learning community in which educators and their students use social media (e.g. Twitter) to connect and share.

      walkmyworld defined

    3. A fishbowl discussion is a participatory form of dialogue that allows the entire group to participate in a conversation.

      fishbowl defined

    4. In this post I discuss the possibilities for using your personal blogs, and Medium to create a fishbowl discussion for use in project and research planning

      Purpose of post

  • Aug 2015
    1. If you go to http://via.hypothes.is/bavatuesdays.com/a-long-short-history-of-reclaim-hosting/, you'll see eight line-by-line comments to his post.

      This is cool, I may have somehow missed the fact that annotations on an entire page could be made public like that. This was really useful for showing me the power of Hypothesis in a way that made sense (the comparison to Medium is dead on and resonates given the similarities in the workflow).