- Jul 2023
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www.reddit.com www.reddit.com
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I tried Amazon too. Try search for Badge holder tray or Badge organiser and probably you can find something similar.
Amazon has badge holder trays/organizers that can be used similarly to index card bleachers.
Try: https://www.amazon.com/s?k=Badge+holder+organizer&crid=10DA7CASQVMB4&sprefix=badge+holder+organizer
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item.taobao.com item.taobao.com
- Jun 2023
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comedycenter.org comedycenter.org
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via Joan Rivers: A Piece of Work.(Break Thru Films/IFC, 2010)
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National Comedy Center Becomes Home to Joan Rivers’ Career Archive<br /> by National Comedy Center
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comedycenter.org comedycenter.org
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564 jokes are filed under PARENTS HATED ME (see: NOT WANTED) and over 300 within the STEWARDESSES category.
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a file cabinet containing over 65,000 original jokes spanning from the start of her career in the 1950s to 2014 when she passed away.
The NY Times blew her obituary date of 2014 when they published material based on this press release.
Joan Rivers card index of jokes comprised 65,000 cards spanning the start of her career in the 1950s to 2014, when she passed away.
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www.imdb.com www.imdb.com
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https://www.imdb.com/title/tt1568150/
Based on having watched the documentary Joan Rivers: A Piece of Work and the depictions of Rivers' card index in the film and using her hands and a lateral file for scale, her cards seem to have been 3 x 5" index cards.
cross reference: https://hypothes.is/a/RvLTZjCQEe2uuaNwpTBNuA
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www.nytimes.com www.nytimes.com
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Zinoman, Jason. “A ‘Crown Jewel of Comedy’: The Joan Rivers Card Catalog of Jokes Finds a Home.” The New York Times, June 8, 2023, sec. Arts. https://www.nytimes.com/2023/06/08/arts/television/joan-rivers-archive.html.
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“And yeah, it goes on, and on, and on. And one day, we’re going to get a little intern who thinks they’re in show business and is going to sit and put each and every one of these cards onto a computer so that when I’m in England and I need a joke about doctors, I can just go into my computer and come up with a — oh, this is a tramp. This tramp donated all her organs for transplants, which should make the recipients happy because her body has never rejected anything. [LAUGHS]: So. But it just goes on, and on, and on. These are just jokes over the years, years, and years, and years of jokes. And when I die, I can sell this to some lucky, lucky comedian who will then, if they’re smart, have enough to keep them going for their whole life.”
standing in front of her card index for comedy, built into a wall of other files.
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In a scene from the documentary “Joan Rivers: A Piece of Work,” the comedian explains how she kept a record of her jokes and cross-indexed them.CreditCredit...Break Thru Films/IFC
In the documentary Joan Rivers: A Piece of Work, she explains how she kept and filed records of her jokes.
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Example typewritten jokes from Joan Rivers' card index of comedy:
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Rivers, who wrote gags at all hours, paid close attention to setups and punchlines, typing them up and cross-referencing them by categories like “Parents hated me” or “Las Vegas” or “No sex appeal.” The largest subject area is “Tramp,” which includes 1,756 jokes.
Joan Rivers card index of jokes is categorized by topical headings like "Parents hated me", "Las Vegas", and "No sex appeal". The largest subject category in her collection was "Tramp" with 1,756 jokes.
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In Carlin’s archives, by contrast, the jokes were “mainly scraps of paper organized into Ziploc baggies then put into a folder by topic.”
quote by Journey Gunderson, the executive director of the National Comedy Center
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When it comes to the Joan Rivers joke collection, “I don’t know that another exists that is nearly as vast,” Gunderson said.
Ignoring Bob Hope's collection or possibly that by Sid Caesar.
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Joan Rivers’s card catalog of jokes and include material covering a vast swath of comedy history, from the 1950s to 2015.
Joan Rivers card index of jokes spans material covering the 1950s to 2015.
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Instead, Rivers is donating the extensive collection to the National Comedy Center, the high-tech museum in Jamestown, N.Y., joining the archives of A-list comics like George Carlin and Carl Reiner. The fact that the jokes will be accessible is only one of the reasons for Melissa Rivers’s decision.
To avoid the Raiders of the Lost Ark problem, Melissa Rivers donated her mother's joke collection to the National Comedy Center so it would be on display and accessible. The New York-based museum is also home to the archives of George Carlin and Carl Reiner.
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Take a look at some of the artifacts from her archive, which includes 65,000 cross-referenced gags and is headed to the National Comedy Center.
Joan Rivers' card catalog of ~65,000 cross referenced jokes will be housed at the National Comedy Center, a museum in Jamestown, NY.
Tags
- documentaries
- topical headings
- no sex appeal
- read
- Bob Hope
- sex
- Ziploc bags
- Carl Reiner
- Melissa Rivers
- quotes
- Sid Caesar
- old age
- joke collections
- Joan Rivers
- George Carlin's zettelkasten
- Journey Gunderson
- fashion
- Raiders of the Lost Ark
- Raiders of the Lost Ark problem
- National Comedy Center
- Jamestown NY
- card index for comedy
- George Carlin
- XX
- jokes
- career
- personal papers
Annotators
URL
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press.princeton.edu press.princeton.edu
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On October 14, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions he found in An Experiment with Time by the British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that, paradoxically, a later event may generate an earlier dream. The result—published here for the first time—is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, which afford a rare glimpse of the artist at his most private.
Vladimir Nabokov recorded sixty-four dreams on 118 index cards beginning on October 14, 1964 as an experiment. He was following the instructions of John Dunne, a British philosopher, in An Experiment with Time. The results were published by Princeton University Press in Insomniac Dreams: Experiments with Time by Vladimir Nabokov which was edited by Gennady Barabtarlo.
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www.youtube.com www.youtube.com
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Zettelkasten Lesson Plan Intro
Not much here beyond his longer article, though it does have a sample format for zettel which can be useful for those starting out.
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- May 2023
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www.nicksantalucia.com www.nicksantalucia.com
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Santalucia, Nick. “The Zettelkasten in the Secondary Classroom.” Blog, July 6, 2021. https://www.nicksantalucia.com/blog/the-zettelkasten-in-the-secondary-classroom-k12.
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Hyper-zettelkastenStudents stick all of their zettels on the walls with sticky tack or tape (be sure students initial or mark their zettels before doing this).Then, students walk around the room and search for connections and create original ideas using those connections.Students physically attach those zettels with string (like a conspiracy theorist would) and stick a zettel on the string explaining the connection.
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Local file Local file
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Card Grip. (Right and Left). Hold cards firmly against the platen.
p 5
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ObsidianI am an academic, so a critic might say that intellectual masturbation is kind of my job description. That said, yes, I am using my ZK all the time to create stuff. Oftentimes, "stuff" may be less tangible things like inspiration for a discussion with my team or with students. But my ZK also helps me tremendously for writing papers and grant proposals because now a lot of my thinking can happen before I start writing. More precisely, of course I had done a lot of thinking even before I ever used a ZK, but now I can record, retrieve, and elaborate these thoughts easily so that they accumulate over time to something bigger. Now, writing a paper or grant proposal often comes down to concatenating a bunch of notes. Ok, maybe that's a bit exaggerated, it still does take some extra editing, but you catch my drift.It took me some experimenting but now I can't imagine going back to my pre-Zettelkasten way of working.
reply to u/enabeh at https://www.reddit.com/r/Zettelkasten/comments/13s6dsg/comment/jluovm9/?utm_source=reddit&utm_medium=web2x&context=3
If you're curious, I've been collecting examples of teachers/professors who used their zettelkasten for teaching: https://hypothes.is/users/chrisaldrich?q=tag%3A%27card+index+for+teaching%27 Examples include Mario Bunge, Frederic L. Paxson, Gotthard Deutsch, Roland Barthes, and Joachim Jungius. In more recent contexts, I've seen Dan Allosso (aka u/danallosso), Mark Robertson (aka calhistorian u/calhistorian), and Sean Graham (https://electricarchaeology.ca/) using zettelkasten or linked notes using Obsidian, Roam, etc. for teaching. Perhaps we should get the group together to trade stories? Ping me with an email if you're interested.
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framework for making claims with evidence. The simplest of which, which is what I use, is Claim-Evidence-Reasoning (CER). Students are taught to state their claim (The theme of the story is X), support it with evidence (Readers can infer this through the story's plot, particularly...), and explain their reasoning (Because the character's action result in X, ...) Another great framework is The Writing Revolution/The Hochman Method's "single paragraph outline". Students need to be taught that these are the units of thought -- the most basic forms of an argument. And, even before this, they need to know that a sentence is the form of an idea.
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www.youtube.com www.youtube.com
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https://www.youtube.com/watch?v=dU7efgGEOgk
I wish he'd gotten into more of the detail of the research and index card making here as that's where most of the work lies. He does show some of his process of laying out and organizing the cards into some sort of sections using 1/3 cut tabbed cards. This is where his system diverges wildly from Luhmann's. He's now got to go through all the cards and do some additional re-reading and organizational work to put them into some sort of order. Luhmann did this as he went linking ideas and organizing them up front. This upfront work makes the back side of laying things out and writing/editing so much easier. It likely also makes one more creative as one is regularly revisiting ideas, juxtaposing them, and potentially generating new ones along the way rather than waiting until the organization stage to have some of this new material "fall out".
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www.levenger.com www.levenger.com
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Levenger sells a line of various "pocket briefcases" which include space for 3 x 5" index card "ticklers" which are similar in form to the old Memindex.
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www.levenger.com www.levenger.com
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- Set of 52 weekly 3 x 5 accordion tri-folded cards - Undated planner with ruled lines and shaded blank areas for writing appointments, notes or lists on each day of the week - Thick and substantial 250-gsm card stock - Friendly to all types of ink - Unfolded, 9W x 5H
A 9 x 5" card that folds in three to make a 3 x 5" card for planning out one's entire week.
This is quite clever with respect the space of cards like Analog and 3x5 Life.
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I get by when I work by accumulating notes—a bit about everything, ideas cap-tured on the fly, summaries of what I have read, references, quotations . . . Andwhen I want to start a project, I pull a packet of notes out of their pigeonhole anddeal them out like a deck of cards. This kind of operation, where chance plays arole, helps me revive my failing memory.16
via: Didier Eribon, Conversations with Claude Lévi-Strauss (Chicago: University of Chicago Press, 1991), vii–viii; Claude Lévi-Strauss, Structural Anthropology (New York: Basic Books, 1963), 129f.
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In a note, he dryly remarks: “Appearanceof the card index and constitution of the human sciences: another invention the historianshave celebrated little”.7
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Discussing the documentary system of surveillance, Foucault points toa “partly official, partly secret hierarchy” in Paris that had been using a card index to managedata on suspects and criminals at least since 1833.
source apparently from: “Apparition de la fiche et constitution des sciences humaines: encore une invention que les historiens célèbrent peu.” Michel Foucault, Surveillir et punir. Naissance de la prison (Paris: Gallimard, 1975), 287, referring to A. Bonneville, De la recidive (Paris, 1844), 92–93.
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British historian of science, StaffanMueller-Wille at the Centre for Medical History at the University of Exeter, recently claimedthat Swedish natural scientist Carl Linnaeus (1707–1778), the father of modern taxonomy,had “invented” the card index to manage his information storage and retrieval.
How can Linnaeus (1707-1778) be said to have invented the card index or the index card when there are systems that predate him including Vincent Placcius and Leibnitz?
Linnaeus' version were all of a standard size at least. Would this have been a shift in the definition or did others have and recommend "cards of equal size" before this?
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CD-ROM interactive content and games like Myst (1993)
The 1993 game Myst, available on CD-ROM, had a card index like format.
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PAPER SLIPSThe Long Reign of theIndex Card and Card CatalogPeter Krapp
Krapp, Peter. “Paper Slips: The Long Reign of the Index Card and Card Catalog.” In The Routledge Companion to Media Technology and Obsolescence, edited by Mark J. P. Wolf. Routledge, 2019.
Tags
- playing cards
- invention of the index card
- references
- cards of equal size
- intellectual history
- card catalogs
- Carl Linnaeus
- games
- Claude Lévi-Strauss
- Michel Foucault
- Gottfried Wilhelm von Leibniz
- CD-ROM
- card index for gaming
- quotes
- card index
- index cards
- card index for crime
- card index as database
- combinatorial creativity
- Staffan Mueller-Wille
- card index as memory
- 1833
- Myst (game)
- Vincentius Placcius
- open questions
- obsolescence
- note taking affordances
Annotators
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www.3x5life.com www.3x5life.com
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What's included in the 3x5 Life System: 6 months of Daily cards **Schedule version** (186 cards) Monthly/Year Goal Cards (1 year of cards) Habit Tracker Cards (1 year of cards) Weekly Review Cards (1 year of cards) Storage Box with 3x5 logo on lid Monthly dividers to keep your storage box organized Mobile Phone Sleeve Stainless Steel Stand MINI COURSE: Outlining how best to utilize the system
via: https://www.3x5life.com/collections/frontpage/products/3x5-life-system-with-mini-course
They apparently offer a mini course outlining the system.
One wonders how much "why" they offer?
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www.3x5life.com www.3x5life.com
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Compare with other products in this category: - Analog (Jeff Sheldon productivity system) - Memindex - Bullet Journal - Frictionless Capture Cards - Pile of Index Cards
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aboard.com aboard.com
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One click to turn any web page into a card. Organize your passions.
In beta May 2023, via:
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>All right. @Aboard is in Beta. @richziade and I are to blame, and everyone else deserves true credit. Here's an animated GIF that explains the entire product. Check out https://t.co/i9RXiJLvyA, sign up, and we're waving in tons of folks every day. pic.twitter.com/7WS1OPgsHV
— Paul Ford (@ftrain) May 17, 2023
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www.reddit.com www.reddit.com
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I've been using index cards for tracking reading notes (lit or bib notes now) and I want to change this topic of index cards over to the Z system. In the past, the main section was "writing" and two subsections, "nonfiction" and "fiction". They are all how-to. I have some main notes but most are from every writing book published which I've read in the last 10 years (yep, shelves full). Approx. 3000 index cards, maybe more, with lots of sub-subsection, etc. I've been teaching writing for the last 10+ years and would love to connect the dots easier now than I have in the past. On the list, I couldn't find the recommended category to place these under. Maybe productivity is in there somewhere. I'm working on a mind map structure now. Any thoughts or advice on this? Anyone else done this?
Has your prior system not been working for you? What do you want to gain from making the change? What list are you looking at that you don't see a category? Isn't the category "writing", "fiction writing", "nonfiction writing", etc.?
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ugmonk.com ugmonk.comAnalog1
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Following a pattern seen in many modern wooden recipe card boxes to hold the current recipe one is working on, Jeff Sheldon has cut a long thin slot into his card holder to allow one to stand up today's card in the front as a means of displaying and featuring what needs to get done.
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www.kickstarter.com www.kickstarter.com
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https://www.kickstarter.com/projects/ugmonk/analog-the-simplest-productivity-system
Jeff Sheldon's Analog productivity system is a physical product consisting of a wooden tray, metal divider, 3 x 5" custom printed index cards (and refills), a felt carrier, and other accessories which functions as a minimalistic version of the old Memindex.
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howaboutthis.substack.com howaboutthis.substack.com
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I take a lot of notes during my day job. More like a huge amount of notes. On paper. As an experiment I started using several Dingbats* notebooks during the day job to see how they would work4 for me. After about 9 weeks of trials, I learned that I could fill up a 180 page notebook in about 3 weeks, plus or minus a few days. Unfortunately, when you factor in the cost of these notebooks, that’s like spending $1 - $2 per day on notebooks. Dingbats* are lovely, durable notebooks. But my work notes are not going to be enshrined in a museum for the ages5 and until I finally get that sponsorship from Dingbats* or Leuchtuurm19176, I probably need a different solution.
Mark Dykeman indicates that at regular work, he fills up a 180 page notebook and at the relatively steep cost of notebooks, he's paying $1-2 a day for paper.
This naturally brings up the idea of what it might cost per day in index cards for some zettlers' practices. I've already got some notes on price of storage...
As a rough calculation, despite most of my note taking being done digitally, I'm going through a pack of 500 Oxford cards at $12.87 every 5 months at my current pace. This is $0.02574 per card and 5 months is roughly 150 days. My current card cost per day is: $0.02574/card * 500 cards / (150 days) = $12.78/150 days = $0.0858 per day which is far better than $2/day.
Though if I had an all-physical card habit, I would be using quite a bit more.
On July 3, 2022 I was at 10,099 annotations and today May 11, 2023 I'm at 15,259 annotations. At one annotation per card that's 5,160 cards in the span of 312 days giving me a cost of $0.02574/card * 5,160 cards / 312 days = $0.421 per day or an average of $153.75 per year averaging 6,036 cards per year.
(Note that this doesn't also include the average of three physical cards a day I'm using in addition, so the total would be slightly higher.)
Index cards are thus, quite a bit cheaper a habit than fine stationery notebooks.
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forum.eastgate.com forum.eastgate.com
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Tinderbox Meetup - Sunday, May 7, 2023 Video: Connect with Sönke Ahrens live, the author of How to Take Smart Notes
reply for Fidel at https://forum.eastgate.com/t/tinderbox-meetup-sunday-may-7-2023-video-connect-with-sonke-ahrens-live-the-author-of-how-to-take-smart-notes/6659
@fidel (I'm presuming you're the same one from the meetup on Sunday, if not perhaps someone might tag the appropriate person?), I was thinking a bit more on your question of using physical index cards for writing fiction. You might find the examples of both Vladimir Nabokov and Dustin Lance Black, a screenwriter, useful as they both use index card-based workflows.
Vladimir Nabokov died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura . Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments . Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't. Taking a look at this might give you some ideas of how Nabokov worked and how you might adapt the style for yourself. Another interesting resource is this article with some photos/links about his method with respect to writing Lolita: https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html
You might also find some useful tidbits on his writing process (Bristol cards/Exacompta anyone?) in: Gold, Herbert. “Vladimir Nabokov, The Art of Fiction No. 40.” The Paris Review, 1967. https://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov.
Carl Mydans photographed Nabokov while writing in September 1958 and some of those may be interesting to you as well.
Dustin Lance Black outlines his index card process in this video on YouTube: https://www.youtube.com/watch?v=vrvawtrRxsw
If you dig around you'll also find Michael Ende and a variety of other German fiction writers who used index cards on the Zettelkasten page on Wikipedia, but I suspect most of the material on their processes are written in German.
Index cards for fiction writing may allow some writers some useful affordances/benefits. By using small atomic pieces on note cards, one can be far more focused on the idea and words immediately at hand. It's also far easier in a creative and editorial process to move pieces around experimentally.
Similarly, when facing Hemmingway's "White Bull", the size and space of an index card is fall smaller. This may have the effect that Twitter's short status updates have for writers who aren't faced with the seemingly insurmountable burden of writing a long blog post or essay in other software. They can write 280 characters and stop. Of if they feel motivated, they can continue on by adding to the prior parts of a growing thread.
However, if you can, try to use a card catalog drawer with a rod so that you don't spill all of your well-ordered cards the way the character in Robert M. Pirsig's novel Lila (1991) did.
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www.reddit.com www.reddit.com
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Note taking can also be done to create a database (a la Beatrice Webb's scientific note taking).
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www.napkin.one www.napkin.one
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Circling back around to this after a mention by Tim Bushell at Dan Allosso's Book Club this morning. Nicole van der Hoeven has been using it for a while now and has several videos.
Though called Napkin, which conjures the idea of (wastebook) notes scribbled on a napkin, is a card-based UI which has both manual and AI generated tags in a constellation-like UI. It allows creating "stacks" of notes which are savable and archivable in an outline-esque form (though the outline doesn't appear collapsible) as a means of composition.
It's got a lot of web clipper tooling for saving and some dovetails for bringing in material from Readwise, but doesn't have great data export (JSON, CSV) at the moment. (Not great here means that one probably needs to do some reasonably heavy lifting to do the back and forth with other tools and may require programming skills.)
At present, it looks like just another tool in the space but could be richer with better data dovetailing with other services.
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micro.blog micro.blog
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For $1,900.00 ?
reply to rogerscrafford at tk
Fine furniture comes at a fine price. 🗃️🤩 I suspect that it won't sell for quite a while and one could potentially make an offer at a fraction of that to take it off their hands. It might bear considering that if one had a practice large enough to fill half or more, then that price probably wouldn't seem too steep for the long term security and value of the contents.
On a price per card of storage for some of the cheaper cardboard or metal boxes you're going to pay about $0.02-0.03 per card, but you'd need about 14 of those to equal this and those aren't always easy to stack and access regularly. With this, even at the full $1,900, you're looking at storage costs of $0.10/card, but you've got a lot more ease of use which will save you a lot of time and headache as more than adequate compensation, particularly if you're regularly using the approximately 20,400 index cards it would hold. Not everyone has the same esthetic, but I suspect that most would find that this will look a lot nicer in your office than 14 cheap cardboard boxes. That many index cards even at discount rates are going to cost you about $825 just in cards much less beautiful, convenient, and highly usable storage.
Even for some of the more prolific zettelkasten users, this sort of storage is about 20 years of use and if you compare it with $96/year for Notion or $130/year for Evernote, you're probably on par for cost either way, but at least with the wooden option, you don't have to worry about your note storage provider going out of business a few years down the line. Even if you go the "free" Obsidian route, with computers/storage/backups over time, you're probably not going to come out ahead in the long run. It's not all apples to apples comparison and there are differences in some of the affordances, but on balance and put into some perspective, it's probably not the steep investment it may seem.
And as an added bonus, while you're slowly filling up drawers, as a writer you might appreciate the slowly decreasing wine/whiskey bottle storage over time? A 5 x 8 drawer ought to fit three bottles of wine or as many fifths of Scotch. It'll definitely accommodate a couple of magnums of Jack Daniels. 🥃🍸🍷My experience also tells me that an old fashioned glass can make a convenient following block in card index boxes.
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- Apr 2023
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en.wikipedia.org en.wikipedia.org
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Catalog cards were 2 by 5 inches (5 cm × 13 cm); the Harvard College size.
Early library card catalogs used cards that were 2 x 5" cards, the Harvard College size, before the standardization of 3 x 5" index cards.
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Memindex Phondex Office Phone Number Organizer Styrene NOS
Memindex, Inc. of Rochester, NY manufactured a plastic "Phonedex" in the mid-20th century. It was made of Dow Chemical Styrene and sat underneath a standard rotary dial telephone and contained index cards with one's lists of phone numbers on them.
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www.kanopy.com www.kanopy.com
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44:19 - [Claudia] The classification is anything but indifferent.44:24 The manner of shelving the books44:26 is meant to impart certain suggestions to the reader,44:30 who, looking on the shelves for one book,44:33 is attracted by the kindred ones next to it,44:36 glances at the sections above and below,44:39 and finds himself involved in a new trend of thought44:43 which may lend to additional interests44:46 to the one he was pursuing.
The classification is anything but indifferent. The manner of shelving the books is meant to impart certain suggestions to the reader, who, looking on the shelves for one book, is attracted by the kindred ones next to it, glances at the sections above and below, and finds himself involved in a new trend of thought which may lend to additional interests to the one he was pursuing.<br /> —Claudia Wedepohl on the design of Warburg's library, [00:44:19] in Aby Warburg: Metamorphosis and Memory
Provides a similar sort of description of the push towards serendipity and discovery found in one's zettelkasten as well as that in Melvil Dewey's library classification and arrangements.
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www.youtube.com www.youtube.com
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Also I really want to see the someone using their zettlekasten for managing knowledge about stuff not zettlekasten related. Mine mainly revolves about artistic appretiation, creativity and art fundamentals. I've been wanting to make a video series about it, just havent find the time. Your videos serve much as inspiration and as example of how may I go about it.
reply to Sara Martínez at https://www.youtube.com/watch?v=wQPvrcksjUA&lc=UgzbdJ1cdxkjnN0DBOl4AaABAg
Sara, here are some creative/art-related examples that might help:<br /> Dancer/Choreographer Twyla Tharp used a slightly modified slip box method that included much more than notes on cards for her dance-related work. She describes the process well in chapter 6 of her book "The Creative Habit: Learn It and Use It for Life".
If you're into art and image-based work, Aby Warburg had a zettelkasten with images. Search for details on his "Mnemosyne Atlas" at The Warburg Institute at the School of Advanced Study University of London which has some material you may appreciate.
Product designer khimtan has a visual zettelkasten practice you can find examples of on Reddit in the "Antinet" sub.
A variety of comedians like Phyllis Diller, Joan Rivers, Bob Hope, and George Carlin had zettelkasten practices for their comedy work.
Eminem has a fantastic, but tremendously simple zettelkasten for songwriting. Taylor Swift has a somewhat similar digital version which she has talked about using, though she doesn't use the word zettelkasten to describe it.
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www.youtube.com www.youtube.com
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https://youtu.be/UTtDb73NkNM?t=49
CBS has a card index with an index card indicating that Morley Safer brought an Olivetti typewriter to the office.
Whose card index was this? What other purpose did it serve?
Tags
Annotators
URL
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zettelkasten.de zettelkasten.de
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You should only write on the front side of the paper slips, so it is possible to read the note during searches without the need to take it out.
Luhmann mentions that he only wrote on one side so that he didn't need to physically remove notes from the box when searching it. There is a level of lost productivity if one needs to physically remove a card to read it and then replace it; this lost productivity is magnified if one uses their slip box regularly over the span of many years.
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There are two ways for a communication system to maintain its integrity over long periods of time: you need to decide for either highly technical specialisation, or for a setup that incorporates coincidence and ad hoc generated information. Translated to note collections: you can choose a setup categorized by topics, or an open one. We chose the latter and, after 26 successful years with only occasionally difficult teamwork, we can report that this way is successful – or at least possible.
Luhmann indicates that there are different methods for keeping note collections and specifically mentions categorizing things by topics first. It's only after this that he mentions his own "open" system as being a possible or successful one.
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www.3m.co.uk www.3m.co.uk
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"The Scrum method" described here, similar to the Kanban method, the Memindex method, tickler systems, or other card index as productivity systems, seems to be a productized name for selling Post-it Notes.
Scrum method consists of a project broken down into "story" rows with "to do" items in columns which progress along to "in process", "to verify", and finally "done".
Other productized names (particular to the note taking space): Antinet zettelkasten, Linking Your Thinking, Second Brain, etc.
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www.insidehighered.com www.insidehighered.com
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In the fall of 2015, she assigned students to write chapter introductions and translate some texts into modern English.
Perhaps of interest here, would not be a specific OER text, but an OER zettelkasten or card index that indexes a variety of potential public domain or open resources, articles, pieces, primary documents, or other short readings which could then be aggregated and tagged to allow for a teacher or student to create their own personalized OER text for a particular area of work.
If done well, a professor might then pick and choose from a wide variety of resources to build their own reader to highlight or supplement the material they're teaching. This could allow a wider variety of thinking and interlinking of ideas. With such a regiment, teachers are less likely to become bored with their material and might help to actively create new ideas and research lines as they teach.
Students could then be tasked with and guided to creating a level of cohesiveness to their readings as they progress rather than being served up a pre-prepared meal with a layer of preconceived notions and frameworks imposed upon the text by a single voice.
This could encourage students to develop their own voices as well as to look at materials more critically as they proceed rather than being spoon fed calcified ideas.
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www.youtube.com www.youtube.com
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Basic statistics regarding the TLL: - ancient Latin vocabulary words: ca. 55,000 words - 10,000,000 slips - ca. 6,500 boxes - ca. 1,500 slips per box - library 32,000 volumes - contributors: 375 scholars from 20 different countries - 12 Indo-European specalists - 8 Romance specialists - 100 proof-readers - ca. 44,000 words published - published content: 70% of the entire vocabulary - print run: 1,350 - Publisher: consortium of 35 academies from 27 countries on 5 continents
Longest remaining words: - non / 37 boxes of ca 55,500 slips - qui, quae, quod / 65 boxes of ca. 96,000 slips - sum, esse, fui / 54.5 boxes of ca. 81,750 slips - ut / 35 boxes of ca 52,500 slips
Note that some of these words have individual zettelkasten for themselves approaching the size of some of the largest personal collections we know about!
[18:51]
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tllpod.podbean.com tllpod.podbean.com
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Based on the history and usage of horreum here in this first episode of the Thesaurus Linguae Latinae podcast, a project featuring a 10+ million slip zettelkasten at its core, I can't help but think that not only is the word ever so apropos for an introduction, but it does quite make an excellent word for translating the idea of card index in English or Zettelkasten from German into Latin.
My horreum is a storehouse for my thoughts and ideas which nourishes my desire to discover and build upon my knowledge.
This seems to be just the sort of thing that Jeremy Cherfas might appreciate on multiple levels.
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thesaurus.badw.de thesaurus.badw.de
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Project: Thesaurus linguae Latinae<br /> from Bayerische Akademie der Wissenschaften
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scienceblog.com scienceblog.com
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The advent of computer technology facilitated the assembly of the Demotic Dictionary, which unlike its older sister, the Chicago Assyrian Dictionary, could be organized electronically rather than on index cards.
The Chicago Demotic Dictionary compiled by the Oriental Institute at the University of Chicago was facilitated by computers compared with the Chicago Assyrian Dictionary which relied on index cards.
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en.wikipedia.org en.wikipedia.org
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The Wörterbuch der ägyptischen Sprache was an international collaborative zettelkasten project begun in 1897 and finally published as five volumes in 1926.
https://en.wikipedia.org/wiki/W%C3%B6rterbuch_der_%C3%A4gyptischen_Sprache
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web.archive.org web.archive.org
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Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.
Google translation:
The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.
While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?
Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.
One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?
What are the second and third order effects of this phenomenon?
An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.
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Die so angelegten Zettel wurden lithographisch jeweils 40mal kopiert. Sodann wurde für jedes auf dem Zettel verzeichnete ägyptische Wort eine solche Kopie herangezogen, das jeweilige Wort in der Textabschrift rot unterstrichen, und die Lautfolge des Wortes, wie man sie damals zu kennen glaubte, in der gebräuchlichen ägyptologischen Umschrift in der rechten oberen Ecke des Zettels notiert. Die so vorbereiteten Zettel wurden dann alphabetisch und unter Trennung der Homonyme nach Wörtern in eigens für das Wör terbuch angefertigte Zettelkästen einsortiert. Dabei wurden von vornherein bestimmte Sondergruppen, die für das Wörterbuch selbst nur von begrenztem Interesse waren, neben dem lexikalischen Hauptalphabet separat gestellt, so vor allem die Namen von Personen, Königen, Göttern und Orten. Aus diesen Nebenprodukten der Verzettelung entstand z.B. Hermann Rankes maßgebliches Lexikon der ägyptischen Personennamen.
Once made, the initial note excerpts were copied 40 times using a lithography process. Then each word in the original slip was underlined in red on respective copies to be filed away alphabetically. At the top right corner of each slip was written down the phonetic sound of the rubricated word's Egyptian transcription. Within the collection certain special words were also separated for the names of people, kings, gods, and places to allow for additional study.
Talk about a problem of multiple storage!!
Tags
- card index for dictionaries
- Wörterbuch der ägyptischen Sprache
- zettelkasten complexity
- local vs. global
- multiple storage
- thinking outside of the box
- thinking inside of the box
- rhetoric
- insight
- small local wastes in exchange for greater global efficiencies
- linear narratives
- Lie theory
- complex narratives
- dumping out one's zettelkasten
- alphabetical order
- Lie groups
- card index as autobiography
- dictionaries
- media studies
- open questions
- XX
- network theory
Annotators
URL
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www.reddit.com www.reddit.com
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At present I am using index cards as to index the books (and documents saved on the computer).
u/zleonska in discussing their paper notebook commonplace practice reports that finding their material within multiple notebooks isn't difficult but that, like W. Ross Ashby, they use index cards to index their commonplaces.
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Stroebe, Lilian L. “Die Stellung Des Mittelhochdeutschen Im College-Lehrplan.” Monatshefte Für Deutsche Sprache Und Pädagogik, 1924, 27–36. https://www.jstor.org/stable/44327729
The place of Middle High German in the college curriculum<br /> Lilian L. Stroebe<br /> Monthly magazines for German language and pedagogy (1924), pp. 27-36
... of course to the reading material. Especially in the field of etymology it is easy to stimulate the pupils' independence. For years I have had each of my students create an etymological card dictionary with good success, and I see that at the end of the course they have this card box ...
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Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.
Original .pdf converted with docdrop.org for OCR annotation on 2023-03-24.
annotation target: urn:x-pdf:3c1f14d64c91cf4b513efa16df4ed90d
Annotations: https://hypothes.is/users/chrisaldrich?q=url%3Aurn%3Ax-pdf%3A3c1f14d64c91cf4b513efa16df4ed90d
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archive.org archive.org
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Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.
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archive.org archive.org
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Shaw-Walker. Flexowriter File-Desks. Accessed March 24, 2023. http://archive.org/details/TNM_Flexowriter_File-Desks_-_Shaw-Walker_20171021_0001.
An interesting in-desk filing system for punched cards. Interesting I've not seen anything like this prior for a mini card index maintained in an office desk drawer.
Perhaps such a system wouldn't have been as easily accessible for use on a daily basis versus potentially more portable small systems that could have been transferred from desk to desk (person to person).
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niklas-luhmann-archiv.de niklas-luhmann-archiv.de
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9/8b2 "Multiple storage" als Notwendigkeit derSpeicherung von komplexen (komplex auszu-wertenden) Informationen.
Seems like from a historical perspective hierarchical databases were more prevalent in the 1960s and relational databases didn't exist until the 1970s. (check references for this historically)
Of course one must consider that within a card index or zettelkasten the ideas of both could have co-existed in essence even if they weren't named as such. Some of the business use cases as early as 1903 (earlier?) would have shown the idea of multiple storage and relational database usage. Beatrice Webb's usage of her notes in a database-like way may have indicated this as well.
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niklas-luhmann-archiv.de niklas-luhmann-archiv.de
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Die vermutlich zwischen 1952 und Anfang 1997 entstandenen Aufzeichnungen, mithilfe derer Luhmann die Ergebnisse seiner exzessiven und interdisziplinär breit angelegten Lektüre systematisch organisiert hat, dokumentieren die Theorieentwicklung auf eine einzigartige Weise, so dass man die Sammlung auch als eine intellektuelle Autobiographie verstehen kann.
The researchers at the Niklas Luhmann-Archive studying Niklas Luhmann's Zettelkasten consider that "the collection can be understood as an intellectual autobiography" (translation mine) even though his slips were generally undated.
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twitter.com twitter.com
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I also “thread” index cards, particularly when they’re all associated with the same journal article or book chapter (or book). Note that I number my index cards “1/“, “2/“, until I know the total number of cards I will use. To store them, I collate them with a paper clip.
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www.pikeschool.org www.pikeschool.org
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https://www.pikeschool.org/uploaded/Library/Files/takingnotesusingnotecards.pdf
found via:
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Here are a few links to resources (in PDF format) to different models, strategies and techniques to take notes in index cards: https://t.co/tIVaeRA5nS and https://t.co/1CLkiyekzq
— Dr Raul Pacheco-Vega (@raulpacheco) November 26, 2018
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www.raulpacheco.org www.raulpacheco.org
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How do you store and classify index cards? I usually have boxes that fit my index cards, and add a plastic tab with the reference in Author (Date) format. Other people use different classification systems (by keyword, by topic, by author). I just recommend that the process be consistent across.
Pacheco-Vega stores his card with plastic tabs labeled by the references rather than by keyword or topic.
He does recommend consistency in filing though.
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Hawk Sugano has shared his Pile of Index Cards (PoIC) method as well.
Interesting to see a passing mention of Hawk Sugano's Pile of Index Cards here in a note taking context rather than a productivity one.
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I will share my processes to take notes using different methods. The very first method I use is the Index Cards Method.
Professor Raul Pacheco-Vega calls his note taking process the "Index Cards Method" and only subtly differentiates it from Niklas Luhmann's zettelkasten method.
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www.jowr.org www.jowr.org
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Since Luhmann’s system of the slip box is well-known, Ahrens’ valuable contribution lies less in providing an innovative technique of note-taking and the organization of academic writing, but more in reflecting critically on the very nature of writing as a medium of knowledge generation.
I think that by saying "Luhmann's system of the slip box is well-known", Stephanie Schiller is not talking about his specific box or his specific method, but the broader rhetorical method of the ars excerpendi and note taking in general. There isn't a whole lot of evidence to indicate that, except for a small segment of sociologists who may have know his work, that Luhmann's slip box was specifically well known at all up to the point of Ahrens' book.
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www.ebay.com www.ebay.com
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https://www.ebay.com/itm/115727768658
The Shaw=Walker Card Systems catalogue from circa 1899.
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www.oldhatrecords.com www.oldhatrecords.com
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I love the fact that the image for "Research & History" here is a six drawer card index!
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radiolab.org radiolab.org
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Listened to on 2023-03-11
Much like Richard Feynman kept a list of his 12 favorite problems, Maurice Hilleman kept a running list of diseases for which he was working on developing vaccines to remedy.
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www.google.com www.google.com
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Seen in a Hoskins business equipment advertisement in Business magazine (1903) for card index:
YOUR BUSINESS AT YOUR FINGER ENDS
Close to the phrase "at your finger tips". Would it have appeared before or after this?
Business: The Magazine for Office, Store and Factory. Vol. 16. Business Man’s Publishing Company, 1903. https://www.google.com/books/edition/Business/QKaxezfHjL0C?hl=en&gbpv=0.
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www.google.com www.google.com
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General instructions for using a Memindex
HOW IT IS USED <br /> Things to be done today, jot on face card. Things to be done tomorrow or next Friday, jot on card for that day. Things to keep before you until done, jot on opposite front card. A matter for January 10th jot on a short card put under the band till you return to your desk, then file next to card for January 10th when it will come out and refresh your memory.
Things to be done when in New York or Chicago jot on card "N" or "C." The new address of Mr. Jones, under "J." Ideas on advertising jot on card tabbed "adv." Things for your clerk to do, on his card , etc., etc. Retire today's card tonight, carrying forward things not completed and put next card in the file in has proved that almost back of pocket case. The alphabet enables one to index all jottings for instant reference. This system is very comprehensive yet perfectly simple. You soon the learn to depend on it every hour of every day.
Within the general instructions in a 1904 Memindex advertisement (next to an ad for "Genuine Edison Incandescent Lamps") we see the general ideas of indexing things into the future and carrying undone tasks forward, just as is done in the bullet journal method.
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books.googleusercontent.com books.googleusercontent.comcontent1
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mindex.THIS is the name Howard L. Wilson, of Rochester, N.Y.,hasgivenhisvestpocket cardsystem.Itisa
Geyers Stationer. “Memindex Advertisement.” Geyer’s Stationer: Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades, September 15, 1904. https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0
Howard L. Wilson of Rochester, NY named his vest pocket card index system the Memindex.
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www.ebay.com www.ebay.com
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Poem from the inside back cover of a 1913 Memindex Catalog:
JUST JOT IT DOWN.
If you’re going to meet a man<br /> Jot it down<br /> If you’ve got a little plan<br /> Jot it down<br /> If you never can remember<br /> Your requirements for September<br /> ’Till October or November<br /> Jot ’em down.
If you’ve got a note to pay<br /> Jot it down<br /> If its due the first of May<br /> Jot it down<br /> If collections are so slow<br /> That to meet the note you know<br /> You must dun old Richard Roe<br /> Jot it down
If you have a happy thought<br /> Jot it down<br /> If there’s something to be bought<br /> Jot it down<br /> Whether duty calls or pleasure<br /> If you’re busy or at leisure<br /> It will help you beyond measure<br /> Jot it down
If there’re facts that you’d retain<br /> Jot ’em down<br /> If you’ve got to meet a train<br /> Jot it down<br /> If at work or only play<br /> If at home or far away<br /> In the night or in the day<br /> Jot it down
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c.1913 Wilson Memindex Desk Organzier Catalog Price List Booklet Rolodex Prequel
In a 1913 catalog for the Wilson Memindex, the company suggested putting to do items and one's schedule on one side of the card and potentially keeping one's accounts or a diary on the reverse side.
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Local file Local file
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TheGlobeWernicke Vertical FilingCabinets aremadeformosteverysizeofcommercialpapermanufacturedandin-cludeBill,Letter,Cap,Report,Document,and Card Indexfiles.
Noticing that while other filing companies have smaller half or quarter page ads in System, Globe-Wernicke Co. has a full page add for their filing cabinets.
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STANDARD INDEX CARD CO.
Fascinating to see the 8 various types of hole punches different card index systems may have used on their index card filing cabinets.
Advertisement from System, December 1906:
CARD INDEX SYSTEM <br /> If you are using Card Systems, as manufacturers we are in a position to save money for you on these supplies. We make suggestions to anyone desiring to install labor-saving-money- making Card Systems.<br /> Cards supplied for all makes of cabinets.<br /> Write for prices and estimates.<br /> STANDARD INDEX CARD CO.,<br /> 707-09 Arch St., Phila., Pa.
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he Automatic File & Index Co.
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TheCalculagraph
Beyond having people make direct copies of cards by hand or using carbon paper, The Calculagraph Company manufactured a copying machine for duplicating data.
There is an accompanying picture (which I haven't copied here). Advertisement from 1906 System Magazine:
The Calculagraph<br /> Makes individual records of actual<br /> working time on separate cards<br /> which may be used interchangeably<br /> for Cost Accounting, for Pay-rolls and<br /> for a number of other purposes with-<br /> out copying or transcribing a single<br /> figure, by simply assorting the cards<br /> and adding the records directly from<br /> their faces.<br /> A card containing all the work<br /> records of one man for a week may<br /> be useful for pay-roll purposes, but it<br /> is utterly worthless for learning the<br /> cost of products, until all the items<br /> have been copied or transcribed for<br /> classification.<br /> The Calculagraph requires a large<br /> number of cards in a factory employ-<br /> ing several hundred persons, but it<br /> Saves Clerical Labor. (In one<br /> factory it saves $150.00 per week).<br /> Cards Are Cheaper Than Labor<br /> The Calculagraph Makes No<br /> Clerical Errors.<br /> Let us send you our printed matter.<br /> CALCULAGRAPH COMPANY<br /> 1414 JEWELERS BUILDING, NEW YORK CITY
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ARDS CAN BE USEDINSOMEBRANCH OF YOUR BUSINESS
INDEX CARDS CAN BE USED IN SOME BRANCH OF YOUR BUSINESS<br /> We have eight very useful forms. You can use one or more to good advantage and profit. Let us send you the Samples?<br /> UNITED STATES CARD INDEX CO.<br /> Office and Factory: 112 Liberty Street, NEW YORK<br /> Also send for our Priced Sample Set 'E' which includes all rulings, grades and weights of Index Cards and Guides.'
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Federal Steel FixtureCompany
Federal Steel Fixture Company manufactured a variety of steel office furniture including desks, cabinets, lockers, filing cabinets, shelving, and card cabinets.
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TheSateliteCombinationCard IndexCabinetandTelephoneStand
A fascinating combination of office furniture types in 1906!
The Adjustable Table Company of Grand Rapids, Michigan manufactured a combination table for both telephones and index cards. It was designed as an accessory to be stood next to one's desk to accommodate a telephone at the beginning of the telephone era and also served as storage for one's card index.
Given the broad business-based use of the card index at the time and the newness of the telephone, this piece of furniture likely was not designed as an early proto-rolodex, though it certainly could have been (and very well may have likely been) used as such in practice.
I totally want one of these as a side table for my couch/reading chair for both storing index cards and as a temporary writing surface while reading!
This could also be an early precursor to Twitter!
Folks have certainly mentioned other incarnations: - annotations in books (person to self), - postcards (person to person), - the telegraph (person to person and possibly to others by personal communication or newspaper distribution)
but this is the first version of short note user interface for both creation, storage, and distribution by means of electrical transmission (via telephone) with a bigger network (still person to person, but with potential for easy/cheap distribution to more than a single person)
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Memindex
Let YOUR MIND GO FREE Do not tax your brain trying to re- member. Get the MEMINDEX HABIT and you can FORGET WITH IMPUNITY. An ideal reminder and handy system for keeping all memoranda where they will appear at the right time. Saves time, money, opportunity. A brain saver. No other device answers its purpose. A Great Help for Busy Men, Used and recommended by Bankers, Man- ufacturers, Salesmen, Lawyers, Doctors, Merchants, Insurance Men, Architects, Ed- ucators, Contractors, Railway Managers Engineers, Ministers, etc., all over the world. Order now and get ready to Begin the New Year Right. Rest of '06 free with each outfit. Express prepaid on receipt of price. Personal checks accepted
Also a valuable card index for desk use. Dated cards from tray are carried in the handy pocket case, 2 to 4 weeks at a time. To-day's card always at the front. No leaves to turn. Helps you to PLAN YOUR WORK WORK YOUR PLAN ACCOMPLISH MORE You need it. Three years' sales show that most all business and professional men need it. GET IT NOW. WILSON MEMINDEX CO. 93 Mills St., Rochester, N. Y.
Interesting that the use of the portmanteau memindex (as memory + index) for a card index being used to supplement one's memory. It can't go unnoticed that the Wilson Memindex Co. was manufacturing and selling these as early as 1906, several decades before Vannevar Bush's use of the word Memex which seems derivative and removes more of the traces of index from the root.
Note the use of card sizes 2 3/4 x 4 1/2" and 3 x 5 1/2" for this system.
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AndMr.H. BeebeofChicago,using butonedrawer,says:"IthasmademekeepappointmentsandlayoutmyworktoincreasethethingsIcandoinaday."
And Mr. H. Beebe of Chicago, using but one drawer, says: "It has made me keep appointments and lay out my work to increase the things I can do in a day. "
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W.K.Kellogg,President ofthe ToastedCornFlakeCompanyandalliedBattleCreekinterestsusing 640 drawers,says:"Ourbusiness involvesthehandling ofavastamountofdetail.Thedaily mailsometimescontainsthousandsofletters.IdonotknowhowallthesedetailscouldpossiblyhavebeenhandledwithoutShaw-WalkerSystems.
In the December 1906 issue of System, a magazine which would eventually become Bloomberg Business Week), W. K. Kellogg, the President of the Toasted Corn Flake Company is quoted touting the invaluable nature of the Shaw-Walker filing system at a time when his company was using 640 drawers of their system.
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Also saves balf the time in filing correspondence , enabling one girlto do the work of two. This saving alone will quickly pay installationexpense.
Example of sales touting productivity in a filing system.
Note also the specific gendering of the clerk here in 1906.
Tags
- telegraph
- Green bay Wisconsin
- card index filing cabinets
- Globe-Wernicke Co.
- intellectual history
- card index for business
- satelite stands
- technology
- United States Card Index Co.
- Shaw-Walker
- office furniture
- Philadelphia Pennsylvania
- card index as productivity system
- Standard Index Card Co.
- Cincinnati Ohio
- Wilson Memindex Co.
- 1906
- evolution of technology
- Memex
- Memindex
- productivity
- annotations
- Grand Rapids Michigan
- economics
- filing cabinets
- The Automatic File & Index Co.
- Calculagraph
- accounting influence on note taking
- W. K. Kellogg
- postcards
- card index
- Adjustable Table Company
- copying
- index cards
- telephones
- audience
- Vannevar Bush
- advertising
- user interface
- clerical errors
- card index as memory
- accounting
- Federal Steel Fixture Company
- Corn Flakes
- copyists
- zettelkasten boxes
- gender relations
- rolodexes
Annotators
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www.ebay.com www.ebay.com
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Antique Calculagraph Machine Time Clock Card Recorder Old Factory Punch Vintage
https://www.ebay.com/itm/293124175605
For advertisement from 1906, see: https://hypothes.is/a/OGREvL98Ee2mYVO2Fqim6Q
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www.ebay.com www.ebay.com
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1930s Wilson Memindex Co Index Card Organizer Pre Rolodex Ad Price List Brochure
archived page: https://web.archive.org/web/20230310010450/https://www.ebay.com/itm/165910049390
Includes price lists
List of cards includes: - Dated tab cards for a year from any desired. - Blank tab cards for jottings arranged by subject. - These were sold in 1/2 or 1/3 cut formats - Pocket Alphabets for jottings arranged by letter. - Cash Account Cards [without tabs]. - Extra Record Cards for permanent memoranda. - Monthly Guides for quick reference to future dates. - Blank Guides for filing records by subject.. - Alphabet Guides for filing alphabetically.
Memindex sales brochures recommended the 3 x 5" cards (which had apparently been standardized by 1930 compared to the 5 1/2" width from earlier versions around 1906) because they could be used with other 3 x 5" index card systems.
In the 1930s Wilson Memindex Company sold more of their vest pocket sized 2 1/4 x 4 1/2" systems than 3 x 5" systems.
Some of the difference between the vest sized and regular sized systems choice was based on the size of the particular user's handwriting. It was recommended that those with larger handwriting use the larger cards.
By the 1930's at least the Memindex tag line "An Automatic Memory" was being used, which also gave an indication of the ubiquity of automatization of industrialized life.
The Memindex has proved its success in more than one hundred kinds of business. Highly recommended by men in executive positions, merchants, manufacturers, managers, .... etc.
Notice the gendering of users specifically as men here.
Features: - Sunday cards were sold separately and by my reading were full length tabs rather than 1/6 tabs like the other six days of the week - Lids were custom fit to the bases and needed to be ordered together - The Memindex Jr. held 400 cards versus the larger 9 inch standard trays which had space for 800 cards and block (presumably a block to hold them up or at an angle when partially empty).
The Memindex Jr., according to a price sheet in the 1930s, was used "extensively as an advertising gift".
The Memindex system had cards available in bundles of 100 that were labeled with the heading "Things to Keep in Sight".
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www.ebay.com www.ebay.com
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Vintage Memindex Wilson Wood Box 1937-38 Diary Planner Date Keeper Ephemera
Includes particularly good image of the individual day cards:
Notice that the tabs are done as 1/6th as most of these systems were manufactured/sold with out including Sunday.
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www.flickr.com www.flickr.com
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Getting Things Done with Index Cards<br /> by Jazz DiMauro
referenced in Lifehacker article as early as 2005
Note the use of envelopes for separation. Did this predate the Noguchi Filing System, inspired by it or wholly separate?
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lifehacker.com lifehacker.com
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The Hipster PDA<br /> by Gina Trapani
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www.ebay.com www.ebay.com
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Vintage 1900 Macey Card Business System Fred Macey Company Original Ad 1021 A2<br />
https://www.ebay.com/itm/275147213477
Copy in notes folder as backup
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www.ebay.com www.ebay.com
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sharegpt.com sharegpt.com
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How does a zettelkasten differ from a card index?A zettelkasten is a type of note-taking system that originated in Germany and is typically used for knowledge management and creative writing. While a card index is a similar system, there are some key differences between the two.Structure: A zettelkasten is a hierarchical system of notes, where each note is linked to other notes through a system of cross-referencing. This means that each note can be linked to multiple other notes in a non-linear way. A card index, on the other hand, is typically organized in a linear fashion, with each card representing a discrete piece of information.Contextual linking: In a zettelkasten, notes are linked to other notes based on their context and relevance, rather than by a predetermined system of organization. This allows for more creative and flexible connections between ideas, and can help to generate new insights and connections. A card index, on the other hand, is typically organized based on a pre-defined system of categories or tags.Purpose: While both systems can be used for a variety of purposes, a zettelkasten is often used specifically for knowledge management, research, and creative writing. It is designed to help users capture and organize their ideas, and to facilitate the development of new insights and connections. A card index, on the other hand, can be used for a wider range of purposes, including contact management, recipe organization, and more.Overall, a zettelkasten and a card index are both useful note-taking systems, but they differ in terms of structure, contextual linking, and purpose. A zettelkasten is typically more flexible and creative, while a card index is more structured and organized.
https://sharegpt.com/c/0mrnsgg
Not a half bad answer...
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sharegpt.com sharegpt.com
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Can I use a card index for note taking?Yes, you can certainly use a card index for note-taking. Card indexes have been a popular method of note-taking for many years and can be very effective. Here are a few tips to get you started:Choose the right size of card index: Card indexes come in various sizes, so choose one that is comfortable for you to handle and store.Use cards of the same size: Using cards of the same size ensures that they will fit into your index box or file and that they will be easy to handle.Choose a system for organizing your cards: You can organize your cards alphabetically, by subject, by date, or any other system that works for you.Use one card per idea or topic: To keep your notes organized and easy to find, use one card per idea or topic.Keep your notes brief and to the point: Use brief notes that summarize the key points of your topic. This will make it easier to review your notes and find the information you need.Review your notes regularly: Review your notes regularly to keep the information fresh in your mind and to make sure you haven't missed anything important.Overall, a card index can be a very effective method of note-taking, as long as you develop a system that works for you and use it consistently.
Q: Can I use a card index for note taking?
Compare with: https://hypothes.is/a/HTqQPrksEe2XdQcSVvzXLQ
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chat.openai.com chat.openai.comChatGPT1
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Yes, you can definitely use a card index for note-taking. In fact, many people find card indexes to be a useful and convenient tool for organizing and storing notes. Here are some tips for using a card index for note-taking:Choose a system: Decide on a system for organizing your cards. You could organize them alphabetically, by topic, by date, or by any other method that works for you.Choose the size of cards: Choose the size of cards that works best for your needs. Common sizes include 3" x 5", 4" x 6", and 5" x 8".Use one card per idea: Write one idea or piece of information on each card. This will help keep your notes organized and easy to reference.Include keywords: Include keywords on each card to make it easier to find relevant information later.Use dividers: Use dividers to separate different topics or sections in your card index. This will help keep your notes organized and easy to navigate.Carry it with you: A card index is a portable tool, so you can take it with you wherever you go. This makes it easy to take notes on the go and to refer to your notes when you need them.Overall, a card index can be a useful and efficient tool for note-taking, especially if you prefer a physical, tangible way of organizing and storing information.
Q: Can I use a card index for note taking?
ChatGPT does a reasonable bit of advice on how one would use a card index for note taking.
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www.youtube.com www.youtube.com
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In der aktuellen Folge „research_tv“ der Universität Bielefeld erklären Professor Dr. André Kieserling, Johannes Schmidt und Martin Löning, wie sie sich der so genannten „intellektuellen Autobiographie“ Luhmanns annähern.
Translation:
In the current episode "research_tv" of Bielefeld University, Professor Dr. André Kieserling, Johannes Schmidt and Martin Löning how they approach Luhmann's so-called “intellectual autobiography”.
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- Feb 2023
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www.youtube.com www.youtube.com
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What screenwriting books recommend note cards for drafting/outlining? Do any go beyond the general outlining advice?
What is the overlap of this sort of writing practice with comedians who had a practice of writing jokes on index cards? (Ronald Reagan, Phyllis Diller, etc.?
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https://www.youtube.com/watch?v=mwKjuBvNi40
Ben Rowland uses index cards to outline the plot of his screenplays. This is a common practice among screenwriters. Interestingly he only uses it for plot outlining and not for actual writing the way other writers like Vladimir Nabokov may have. Both Benjamin Rowland and Duston Lance Black use cards for outlining but not at the actual writing stage.
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www.youtube.com www.youtube.com
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<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Billy Oppenheimer</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>
Nothing stupendous here. Mostly notes on cards and then laid out to outline. Most of the writing sounds like it happens at the transfer stage rather than the card and outline stage.
This process seems more akin to that of Victor Margolin than Vladimir Nabokov.
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NOW I SAY, "OKAY, THIS IS DONE." I READ IT. IT FEELS LIKE A MOVIE. AND I'M GONNA PUT IT IN THE BOX. AND I'M GONNA PUT IT IN THE BOX IN THIS ORDER, AND THIS IS THE ORDER THAT I'M GONNA WRITE IT IN IN MY FIRST DRAFT. OVER THE NEXT NUMBER OF WEEKS, I START WRITING. WHAT I'VE BEEN DOING, I'VE BEEN SEEING THE SCENES IN MY HEAD FOR SO LONG AT THIS POINT THAT IT'S ALMOST LIKE JUST REGURGITATION. LIKE, I'M JUST GETTING OUT. AND I CALL IT MY VOMIT DRAFT. #
Dustin Lance Black's "vomit draft" is similar to Mozart's peeing his music out like a cow. His method is also similar to Victor Margolin who's gone over the material several times by the time he's finally writing out his draft.
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www.youtube.com www.youtube.comYouTube1
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Example of someone who says most of their best flashes of thought or creativity come when they're out walking or doing something else #
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www.reddit.com www.reddit.com
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If you want one final piece of (unsolicited) advice: if you bulk-import those Kindle highlights, please do not try to create literature Zettels out of everything. I did it and I DO NOT RECOMMEND. It was just too much work to rehash stuff that I had already (kind of) assimilated. Reserve that energy to write permanent notes (you probably know much more than you give yourself credit for) and just use the search function (or [^^]) to search for relevant quotes or notes. Only key and new papers/chapters you could (and should, I think) take literature notes on. Keep it fun!
Most veteran note takers will advise against importing old notes into a new digital space for the extra amount of administrative overhead and refactoring it can create.
Often old notes may be: - well assimilated into your memory already - poorly sourced or require lots of work and refactoring to use or reuse them - become a time suck trying to make them "perfect"
Better advice is potentially pull them into your system in a different spot so they're searchable and potentially linkable/usable as you need them. If this seems like excessive work, and it very well may be, then just pull in individual notes as you need or remember them.
With any luck the old notes are easily searchable/findable in whichever old system they happen to be in, so they're still accessible.
I'll note here the conflicting definitions of multiple storage in my tags to mean: - storing a single note under multiple subject headings or index terms - storing notes in various different (uncentralized locations), so having multiple different zettelkasten at home/office, storing some notes in social media locations, in various notebooks, etc. This means you have to search across multiple different interfaces to find the thing you're looking at.
I should create a new term to distinguish these two, but for now they're reasonably different within their own contexts that it's not a big problem unless one or the other scales.
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I find it very tiring haha. As I said in another comment, processing a single chapter can take me a full day or two. However, I keep reminding myself that I would rather spend a day processing a chapter well, and have literature notes to serve me a lifetime (potentially, at least), rather than reading a chapter in two hours and not remember a single thing the next day. When I REALLY need a reminder of this, I just look at my "Backlog" folder which contains old "notes" that are now pretty much useless: I didn't use a reference manager consistently during my first two years of PhD so there are a lot of citations which are unreliable; I didn't really summarise texts, I only read them and highlighted; I didn't use the cloud for a long time, so I lost a lot of notes; and I didn't have Obsidian, so a lot of my notes are just contained within the context of the place I read them, rather than being connected. Seeing three years worth of useless materials, and knowing that I read a couple hundred of articles/chapters but I have nothing to show for it, that makes me more patient when writing my literature notes now. However I also find it very exciting that I can future-proof some of my notes. I feel like I'm working for my future self.
A partial answer to note taking why.
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spectator.org spectator.org
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Reagan’s Note Card Treasures<br /> by John H. Fund <br /> at August 10, 2011, 12:00 AM<br /> (accessed:: 2023-02-23 12:25:06)
archived copy: https://web.archive.org/web/20151017020314/http://spectator.org/articles/37399/reagans-note-card-treasures
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WHILE REAGAN was governor, I will never forget his taking time out of his schedule after a television taping to show me—a 15-year-old high school student—how he could instantly arrange his packs of anecdote-filled index cards into a speech tailor-made for almost any audience. I still use a variation of Reagan’s system to construct my own speeches.
John H. Fund wrote that while he was a a 15-year old high school student, Reagan taught him how he arranged his index card-based notes to tailor-make a speech for almost any audience. In 2011, Fund said he still used a variation of Reagan's system for his own speeches.
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Indeed, Martin Anderson, Reagan’s former domestic policy adviser, says that Reagan’s system did wonders for his ability to give speeches. Reagan was able to approach a lectern with no sign anywhere of a prepared speech. Only those seated on the stage behind him could see his left hand drop into his suitcoat pocket and pull out a neat, small packet of cards and slip off the elastic band with his right hand as he set the cards down. And as for helping him in preparing the speech material, “his system was unrivaled,” Anderson remembers. “Before the speech Reagan would pore over the packs of cards, then pluck a few cards from one pack, a few from another, and combine them. In a matter of minutes, he would create an entirely new speech. The system was as flexible as a smooth gold chain.”
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www.cbsnews.com www.cbsnews.com
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Ronald Reagan's index cards of one-liners at 2014-07-20 <br /> (accessed:: 2023-02-23 11:41:42)
archived version: https://web.archive.org/web/20200305070906/https://www.cbsnews.com/pictures/ronald-reagans-index-cards-of-one-liners/12/
ᔥ Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)
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"You can talk to any number of President Reagan's speechwriters over the years, and when they might hand him a speech, the speeches would come back with a quote, or an expression or a joke that they hadn't seen before," John Heubusch, executive director of the Reagan Library, told CBS News' Mo Rocca.
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takingnotenow.blogspot.com takingnotenow.blogspot.com
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Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)
Kuehn felt that Ronald Regan's note taking "does not seem like a good system. In fact, it's hardly any system at all..."
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Lustig, Jason. “‘Mere Chips from His Workshop’: Gotthard Deutsch’s Monumental Card Index of Jewish History.” History of the Human Sciences, vol. 32, no. 3, July 2019, pp. 49–75. SAGE Journals, https://doi.org/10.1177/0952695119830900
Cross reference preliminary notes from https://journals.sagepub.com/doi/abs/10.1177/0952695119830900
Finished reading 2023-02-21 13:04:00
urn:x-pdf:6053dd751da0fa870cad9a71a28882ba
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As a graduate student, hemaintained a card index of his own. When Marcus’s friends wrote of his travels abroad,they declared that ‘When we think of that card index by now we shudder. What propor-tions it must have assumed’. 18
Example of a student who saw/learned/new a zettelkasten note taking method from a teacher.
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Simultaneously, it showcases how little actually has changed with therise of digital platforms, where some scholars have sought to build software edifices toemulate card index systems or speak of ‘paper-based tangible interfaces’ for research(Do ̈ring and Beckhaus, 2007; Lu ̈decke, 2015).
Döring, T. and Beckhaus, S. (2007) ‘The Card Box at Hand: Exploring the Potentials of a Paper-Based Tangible Interface for Education and Research in Art History’. Proceedings of the First International Conference on Tangible and Embedded Interaction, Baton Rouge, Louisiana, February 15-17, 2007. New York, ACM, pp. 87–90.
Did they have a working system the way Ludeke did?
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Card indexes were a tool to manage information overloadand enabled one to move and recombine letters, words and ideas – which led WalterBenjamin to describe the explosion of the book into its fundamental components,recorded on cards, so that they could be recombined (Benjamin, 2016[1986]: 43).
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Beyond the realm of historians, advocates called card indexes ‘the only portable,elastic, simple, orderly and self-indexing way of keeping records’, and the practice wascommon enough that Gustave Flaubert parodied the unending and ultimately futilepursuit of all knowledge in his 1881 satire Bouvard et Pe ́cuchet (Dickinson, 1894).
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Fred Morrow Flingwrote effusively of the ‘manifest advantages’ of the ‘card system of note taking’
from<br /> Fling, F. M. (1920) The Writing of History: An Introduction to Historical Method. New Haven: Yale University Press.
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20th-century enterprises like Herbert Field’s‘Concilium Bibliographicum’, a system of zoological research
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Deutsch’s close friendJoseph Stolz, writing of the Chicago rabbi Bernard Felsenthal (1822–1908) who hadpenned a history of that city’s Jews and was instrumental in the 1892 formation of theAmerican Jewish Historical Society, noted that Felsenthal ‘was not the systematic orga-nizer who worked with a stenographer and card-index’ (Stolz, 1922: 259).
Great example of a historian implying the benefit of not only a card index, but of potentially how commonplace it was to not only have one, but to have stenographers or secretaries to help manage them.
Link this to the reference in Heyde about historians and others who were pushed to employ stenographers or copyists to keep their card indexes in order.
Given the cost of employing secretaries to manage our information, one of the affordances that computers might focus on as tools for thought is lowering the barrier for management and maintenance. If they can't make this easier/simpler, then what are they really doing beyond their shininess? Search is obviously important in this context.
What was the reference to employing one person full time to manage every 11 or 12 filing cabinets' worth of documents? Perhaps Duguid in the paper piece?
Tags
- Tanja Döring
- references
- read
- personal knowledge management
- intellectual history
- note taking transmission
- examples
- Jacob Rader Marcus
- Daniel Lüdecke
- Jacob Rader Marcus' zettelkasten
- Fred M. Fling
- Gustave Flaubert
- pursuit of all knowledge
- zettelkasten
- historical method
- card index as database
- Walter Benjamin
- Herbert Field
- Concilium Bibliographicum
- office management
- Bouvard et Pécuchet
- 1881
- parody
- note taking affordances
- secretaries
- Steffi Beckhaus
- card index for writing
- Gotthard Deutsch's zettelkasten
- card index
- ars excerpendi
- Gotthard Deutsch
- card index for art
- want to read
- zoology
- card index for research
- Jewish history
- stenographers
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www.reddit.com www.reddit.com
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To cover my knowledge management process would distract you from what works for you. Your question needs more context to be actionable.TL;DR; Whichever knowledge management system gets you paid.I've got 13 notes with the term "knowledge management," 15 with "information gathering," and 7 with "strategic intelligence." Without finishing a MOC, here's off the top of my head:Have a purpose or reason for learning.Ask helpful questions that solve problems.Answer questions as stand-alone notes.Learn from primary sources. Even boring ones.Take notes for your intended audience.Serve a specific audience (get paid.)Write about what people care about.Become a subject matter expert in target areas.Deliver what you know as a service first.Build on your strengths. Knowledge is cheap.It's not a process. More like tips. If demand exists, I'll write a book on the topic in a few years. Might be a good podcast topic.“No man but a blockhead ever wrote, except for money.” -- Samuel Johnson, The Life of Samuel JohnsonRemember, there is no shortage of knowledge. Managing information is like masturbation; it feels good but doesn't do much. Focus on making information drive goal achievement.
Some useful and solid advice here.
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u/jwhco has ~5,000 index cards and 18,237 files (presumably mostly note-based text files, though some mentioned are papers, articles, etc.) over the span of 22 years.
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www.reddit.com www.reddit.com
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Nothing remarkable here other than a reference for someone who uses Zettlr for writing
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we have preserved Eco’s handwritten index cardresearch system in all its detail, precisely because it is the soulof How to Write a Thesis.
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he research skills that Eco teaches areperhaps even more relevant today. Eco’s system demandscritical thinking, resourcefulness, creativity, attention todetail, and academic pride and humility; these are preciselythe skills that aid students overwhelmed by the ever-grow-ing demands made on their time and resources, and confusedby the seemingly endless torrents of information availableto them.
In addition to "critical thinking, resourcefulness, creativity, attention to detail, and academic pride and humility", the ability to use a note card-based research system like Umberto Eco's is the key to overcoming information overload.
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wordcraft-writers-workshop.appspot.com wordcraft-writers-workshop.appspot.com
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“...it can be very useful for coming up with ideas out of thin air, essentially. All you need is a little bit of seed text, maybe some notes on a story you've been thinking about or random bits of inspiration and you can hit a button that gives you nearly infinite story ideas.”- Eugenia Triantafyllou
Eugenia Triantafyllou is talking about crutches for creativity and inspiration, but seems to miss the value of collecting interesting tidbits along the road of life that one can use later. Instead, the emphasis here becomes one of relying on an artificial intelligence doing it for you at the "hit of a button". If this is the case, then why not just let the artificial intelligence do all the work for you?
This is the area where the cultural loss of mnemonics used in orality or even the simple commonplace book will make us easier prey for (over-)reliance on technology.
Is serendipity really serendipity if it's programmed for you?
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Wordcraft shined the most as a brainstorming partner and source of inspiration. Writers found it particularly useful for coming up with novel ideas and elaborating on them. AI-powered creative tools seem particularly well suited to sparking creativity and addressing the dreaded writer's block.
Just as using a text for writing generative annotations (having a conversation with a text) is a useful exercise for writers and thinkers, creative writers can stand to have similar textual creativity prompts.
Compare Wordcraft affordances with tools like Nabokov's card index (zettelkasten) method, Twyla Tharp's boxes, MadLibs, cadavre exquis, et al.
The key is to have some sort of creativity catalyst so that one isn't working in a vacuum or facing the dreaded blank page.
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In addition to specific operations such as rewriting, there are also controls for elaboration and continutation. The user can even ask Wordcraft to perform arbitrary tasks, such as "describe the gold earring" or "tell me why the dog was trying to climb the tree", a control we call freeform prompting. And, because sometimes knowing what to ask is the hardest part, the user can ask Wordcraft to generate these freeform prompts and then use them to generate text. We've also integrated a chatbot feature into the app to enable unstructured conversation about the story being written. This way, Wordcraft becomes both an editor and creative partner for the writer, opening up new and exciting creative workflows.
The sense of writing partner here is similar to that mentioned by Niklas Luhmann in Communicating with Slip Boxes: An Empirical Account (1981), though in his case his writing partner was a carefully constructed database archive of his past notes.
see: Luhmann, Niklas. “Kommunikation mit Zettelkästen: Ein Erfahrungsbericht.” In Öffentliche Meinung und sozialer Wandel / Public Opinion and Social Change, edited by Horst Baier, Hans Mathias Kepplinger, and Kurt Reumann, 222–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1981. https://doi.org/10.1007/978-3-322-87749-9_19.<br /> translation at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm.
Tags
- Mad Libs
- Twyla Tharp
- writing process
- writing partners
- Vladimir Nabokov
- artificial intelligence for writing
- cadavre exquis
- card index for writing
- surprise
- brainstorming
- experimental fiction
- Niklas Luhmann
- blank page brainstorming
- quotes
- Eugenia Triantafyllou
- press of a button
- technophilia
- tools for thought
- card index for creativity
- blank page
- technophobia
- programmed creativity
- commonplace books
- digital amanuensis
- group creativity
- creative writing
- writer's block
- open questions
- Wordcraft
- serendipity
- creativity catalysts
- Eloi vs Morlocks
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www.verzetteln.de www.verzetteln.desynapsen1
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http://www.verzetteln.de/synapsen/<br /> Markus Krajewski's digital zettelkasten product.
ᔥ[[Frank Berzbach]] in Künstliche Intelligenz aus Holz - sciencegarden - Magazin für junge Forschung at 2001-06-30 (accessed:: 2023-02-10 06:53:55)
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docdrop.org docdrop.org
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“The Zettelkastenis much more effortand time consumingthan writing books.”Niklas Luhmann, Shortcuts, p.26
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www.srf.ch www.srf.ch
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Stettler, Lucia. “Geheime Gästekartei überlebt Hotelbrand – und birgt Zündstoff.” Schweizer Radio und Fernsehen (SRF), April 8, 2021, sec. Kultur. https://www.srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff.
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>ManuelRodriguez331</span> in Advantages of Analog note taking : Zettelkasten (<time class='dt-published'>02/07/2023 08:33:25</time>)</cite></small>
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Wie durch ein Wunder blieben vier Holzkisten mit hochbrisantem Inhalt verschont. Sie waren zum Zeitpunkt des Infernos in einem anderen Gebäude eingelagert. Sie enthielten 20'000 Gästekarten, die Concierges und Rezeptionisten zwischen 1920 und 1960 heimlich geführt hatten.
Google translate:
four wooden boxes with highly explosive contents were spared. They were stored in a different building at the time of the inferno. They contained 20,000 guest cards that concierges and receptionists had kept secretly between 1920 and 1960.
The Grandhotel Waldhaus burned down in 1989, but saved from the inferno were 20,000 guest cards with annotations about them that were compiled between 1920 and 1960.
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At the Grandhotel Waldhaus in Vulpera, Switzerland concierges and receptionists maintained a business-focused zettelkasten of cards. In addition to the typical business function these cards served denoting names, addresses, and rooms, the staff also made annotations commenting on the guests and their proclivities.
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Die Klientel bewegte sich unter ihresgleichen und hatte keine Ahnung, dass der höfliche Concierge an der Rezeption heimlich seinem Ärger Luft machte – mittels giftiger Kommentare: «Ganz grober Kerl; treibt es arg mit den Weibern», «Grosser Protz à la Neureich», «Rappenspalter», «blöde Ziege» oder «Beisszange».
Google translate:
The clientele moved among their own kind and had no idea the polite concierge at the front desk was secretly venting his anger with venomous comments: 'Very rude fellow; does it badly with the women", "Big Protz à la Neureich", "Rappensplitter", "Stupid Goat" or "Tongs".
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- Jan 2023
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www.connectedtext.com www.connectedtext.com
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This was not at all unusual during the 1970s. Many people and organizations that had to keep track of a large amount of data used primarily index cards to keep things organized.
Manfred Kuehn indicates that keeping track of information on note cards was "not unusual during the 1970s".
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Browsing through Walten’s notes also helped Jagersma to get to know the pamphleteer better, even though he is been dead for three hundred years. “The Memoriaelen say a lot about him. I could read how Walten did his research, follow his fascinations, and see the ideas for pieces he was not able to work out anymore. In a way, these two notebooks are a kind of self-portrait.”
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In the process, her notes become very personal. “The more personal, the more valuable,” says Fraza. “The way in which you link your ideas is what makes your knowledge base unique.”
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Local file Local file
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He saw that her suitcase had shoved all his trays of slips over to one side of the pilot berth.They were for a book he was working on and one of the four long card-catalog-type trays wasby an edge where it could fall off. That's all he needed, he thought, about three thousand four-by-six slips of note pad paper all over the floor.He got up and adjusted the sliding rest inside each tray so that it was tight against the slipsand they couldn't fall out. Then he carefully pushed the trays back into a safer place in therear of the berth. Then he went back and sat down again.It would actually be easier to lose the boat than it would be to lose those slips. There wereabout eleven thousand of them. They'd grown out of almost four years of organizing andreorganizing and reorganizing so many times he'd become dizzy trying to fit them all together.He'd just about given up.
Worry about dropping a tray of slips and needing to reorganize them.
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forum.zettelkasten.de forum.zettelkasten.de
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Around 1956: "My next task was to prepare my course. Since none of the textbooks known to me was satisfactory, I resorted to the maieutic method that Plato had attributed to Socrates. My lectures consisted essentially in questions that I distributed beforehand to the students, and an abstract of the research that they had prompted. I wrote each question on a 6 × 8 card. I had adopted this procedure a few years earlier for my own work, so I did not start from scratch. Eventually I filled several hundreds of such cards, classed them by subject, and placed them in boxes. When a box filled up, it was time to write an article or a book chapter. The boxes complemented my hanging-files cabinet, containing sketches of papers, some of them aborted, as well as some letters." (p. 129)
This sounds somewhat similar to Mark Robertson's method of "live Roaming" (using Roam Research during his history classes) as a teaching tool on top of other prior methods.
link to: Roland Barthes' card collection for teaching: https://hypothes.is/a/wELPGLhaEeywRnsyCfVmXQ
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forum.zettelkasten.de forum.zettelkasten.de
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Anybody using this approach to manage contacts? How?
reply to IvanFerrero at https://forum.zettelkasten.de/discussion/1740/anybody-using-this-approach-to-manage-contacts-how#latest
Many of the digital note taking tools that run off of text allow you to add metadata to your basic text files (as YAML headers, inline with a
key:: value
pair, or via #tags). Many of them have search functionality or use other programmatic means like query blocks, DataView, DataViewJS, etc. for doing queries on your files to get back lists, tables, charts, etc. of the data you're looking for.The DataView repository has some good examples of how this works with something like Obsidian. Fortunately if you're using simple text files you can usually put them into one or more platforms to get the data and affordances you want out of them individually.
As an example, I have a script block in my daily note in Obsidian for birthdays in my notes that fall on today's date:
```dataview LIST birthday FROM "Lists/People" WHERE birthday.day = date(2023-01-18).day ```
If I put the text
birthday:: 1927-12-08
into a note about Niklas Luhmann, his name and birthday would appear in my daily note on his birthday. One can use similar functionality to create tables of books they read with titles, authors, ratings, dates read, etc. or a variety of other data input which parses through your plaintext files. Services like Obsidian, Logseq, et al. are getting better about allowing these types of programmatic searches for users without backgrounds in programming and various communities usually provide help for pre-made little snippets like the one above that one can cut and paste into their notes to get the outputs that they need. Another Obsidian based example that uses text files for tracking academic journal articles can be found at https://nataliekraneiss.com/your-academic-reading-list-in-obsidian/; I'm sure there are similar versions for other text-based platforms.In pre-digital times, for a manual version of a rolodex like this in paper, one could use different color cards as pseudo-tags (doctors are on yellow cards, family members on blue cards, friends on green cards, etc.) or adding edge notches or even tabs to represent different types of metadata. See for example the edge colored cards in Hawkexpress' Pile of Index Cards: https://www.flickr.com/photos/hawkexpress/albums/72157594200490122
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www.reddit.com www.reddit.com
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How do you maintain the interdisciplinarity of your zettlekasten? .t3_10f9tnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }
As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.
If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.
If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.
The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.
Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.
If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.
It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)
In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!
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Local file Local file
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For some scholars, it is critical thatthis new Warburg obsessively kept tabs on antisemitic incidents on the Easternfront, scribbling down aphorisms and thoughts on scraps of paper and storingthem in Zettelkasten that are now searchable.
Apparently Aby Warburg "obsessively kept" notes on antisemitic incidents on the Eastern front in his zettelkasten.
This piece looks at Warburg's Jewish identity as supported or not by the contents of his zettelkasten, thus placing it in the use of zettelkasten or card index as autobiography.
Might one's notes reflect who they were as a means of creating both their identity while alive as well as revealing it once they've passed on? Might the use of historical method provide its own historical method to be taken up on a meta basis after one's death?
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forum.gettingthingsdone.com forum.gettingthingsdone.com
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May 19, 2004 #1 Hello everyone here at the forum. I want to thank everyone here for all of the helpful and informative advice on GTD. I am a beginner in the field of GTD and wish to give back some of what I have received. What is posted below is not much of tips-and-tricks I found it very helpful in understanding GTD. The paragraphs posted below are from the book Lila, by Robert Pirsig. Some of you may have read the book and some may have not. It’s an outstanding read on philosophy. Robert Pirsig wrote his philosophy using what David Allen does, basically getting everything out of his head. I found Robert Pirsigs writing on it fascinating and it gave me a wider perspective in using GTD. I hope you all enjoy it, and by all means check out the book, Lila: An Inquiry Into Morals. Thanks everyone. arthur
Arthur introduces the topic of Robert Pirsig and slips into the GTD conversation on 2004-05-19.
Was this a precursor link to the Pile of Index Cards in 2006?
Note that there doesn't seem to be any discussion of any of the methods with respect to direct knowledge management until the very end in which arthur returns almost four months later to describe a 4 x 6" card index with various topics he's using for filing away his knowledge on cards. He's essentially recreated the index card based commonplace book suggested by Robert Pirsig in Lila.
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www.levenger.com www.levenger.com
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userpage.fu-berlin.de userpage.fu-berlin.de
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After browsing through a variety of the cards in Gertrud Bauer's Zettelkasten Online it becomes obvious that the collection was created specifically as a paper-based database for search, retrieval, and research. The examples and data within it are much more narrowly circumscribed for a specific use than those of other researchers like Niklas Luhmann whose collection spanned a much broader variety of topics and areas of knowledge.
This particular use case makes the database nature of zettelkasten more apparent than some others, particularly in modern (post-2013 zettelkasten of a more personal nature).
I'm reminded here of the use case(s) described by Beatrice Webb in My Apprenticeship for scientific note taking, by which she more broadly meant database creation and use.
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www.geschkult.fu-berlin.de www.geschkult.fu-berlin.de
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Her work on borrowed function words was so far manifest in her Konkordanz der nichtflektierten griechischen Wörter im bohairischen Neuen Testament, Göttinger Orientforschungen VI/6, Wiesbaden: Harrassowitz 1975, the tip of the iceberg as we know now.
Gertrud Bauer used her zettelkasten on Coptic and Greek to write Konkordanz der nichtflektierten griechischen Wörter im bohairischen Neuen Testament, Göttinger Orientforschungen VI/6, Wiesbaden: Harrassowitz 1975, a work on borrowed function words.
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www.reddit.com www.reddit.com
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Index card carrying case
Try Kaitiaki or Rite in the Rain. If you search for "index card wallet" you'll likely find a variety of others, including some custom made versions on sites like Etsy. 3 x 5" are relatively common, but 4 x 6" are much harder to come by.
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www.riteintherain.com www.riteintherain.com
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forum.zettelkasten.de forum.zettelkasten.de
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Expansion is led by focus. By taking time to edit, carve up, and refactor our notes, we put focus on ideas. This starts the Great Wheel of Positive Feedback. All hail to the Great Wheel of Positive Feedback.
How can we better thing of card indexes as positive feedback mechanisms? Will describes it as the "Great Wheel of Positive Feedback" which reminds me a bit of flywheels for storing energy for later use.
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genizaprojects.princeton.edu genizaprojects.princeton.edu
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https://genizaprojects.princeton.edu/indexcards/index.php?a=themes
A digitized web-based version of S.D. Goitein's commonplace book using index cards.
Wowzers!
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Local file Local file
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Many of the topic cards served as the skeleton for Mediterranean Society and can be usedto study how Goitein constructed his magnum opus. To give just one example, in roll 26 wehave the index cards for Mediterranean Society, chap. 3, B, 1, “Friendship” and “InformalCooperation” (slides 375–99, drawer 24 [7D], 431–51), B, 2, “Partnership and Commenda”(slides 400–451, cards 452–83), and so forth.
Cards from the topically arranged index cards in Goitein's sub-collection of 20,000 served as the skeleton of his magnum opus Mediterranean Society.
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Goitein’s index cards can be divided into two general types: those thatfocus on a specific topic (children, clothing, family, food, weather, etc.) andthose that serve as research tools for the study of the Geniza. 48
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It is, however, important to keep in mind that, reflecting the trajectory ofGoitein’s study of the Geniza, there are often two sets of cards for a givensubject, one general and one related to the India Book.44
Goitein, “Involvement in Geniza Research,” 144.
Goitein's cards are segmented into two sets: one for subjects and one related to the India Book.
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Until the development of new digital tools, Goitein’s index cards providedthe most extensive database for the study of the documentary Geniza.
Goitein's index cards provided a database not only for his own work, but for those who studied documentary Geniza after him.
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archive.org archive.org
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https://archive.org/details/practicalbookkee00ellirich/page/6/mode/2up
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>u/stockwestfale</span> in Requesting antinet hivemind assistance: ANALOG ACCOUNTING/BUDGETING/BOOKKEEPING : antinet (<time class='dt-published'>01/08/2023 12:04:20</time>)</cite></small>
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- Dec 2022
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www.reddit.com www.reddit.com
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I’m a screenwriter. One of the reasons I use Obsidian is the ability to hashtag. It sounds so simple, but being able to tag notes with #theme or #sceneideas helps create linkages between notes that would not otherwise be linked. My ZK literally tells me what the movie is really about.
via u/The_Bee_Sneeze
Example of someone using Obsidian with a zettelkasten focus to write screenplays.
Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?
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www.reddit.com www.reddit.com
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For example I had a few notes on principles of modern cryptography that came in handy when I had to write a paper about a related topic for my studies. But these cases were rare at best, most of these notes were never looked at again.
The one shining moment in the whole essay and they don't seem to realize where the benefit or use actually was. They finally had a reason to have taken notes and the ideas shone here. But they've written off the tools because they didn't understand when to use them.
Hammers are cool, but unless you're a professional carpenter, you don't carry it around all the time and use it constantly to hammer things. The same is true of note taking as a tool. You might use it regularly if you're a writer or an academic perhaps, but for hourly use in your day-to-day? Almost definitely not.
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genizalab.princeton.edu genizalab.princeton.edu
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Goitein accumulated more than 27,000 index cards in his research work over the span of 35 years. (Approximately 2.1 cards per day.)
His collection can broadly be broken up into two broad categories: 1. Approximately 20,000 cards are notes covering individual topics generally making of the form of a commonplace book using index cards rather than books or notebooks. 2. Over 7,000 cards which contain descriptions of a single fragment from the Cairo Geniza.
A large number of cards in the commonplace book section were used in the production of his magnum opus, a six volume series about aspects of Jewish life in the Middle Ages, which were published as A Mediterranean Society: The Jewish communities of the Arab World as Portrayed in the Documents of the Cairo Geniza (1967–1993).
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https://genizalab.princeton.edu/resources/goiteins-index-cards
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>u/Didactico</span> in Goitein's Index Cards : antinet (<time class='dt-published'>12/15/2022 23:12:33</time>)</cite></small>
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www.sanduskycabinets.com www.sanduskycabinets.comFlipbook2
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http://www.sanduskycabinets.com/flipbook/?page=2
According to Sandusky customer service, most of the Buddy Products line was discontinued in 2019 and remaining portions were sold to https://www.metalcabinetstore.com/ which may or may not have them.
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http://www.sanduskycabinets.com/flipbook/?page=2
Page 2 of the Sandusky Lee / Sandusky Buddy catalog indicates that page 52 has File Card Storage Boxes, but the page doesn't exist in this version of the 2020 catalog.
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www.metalcabinetstore.com www.metalcabinetstore.com
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https://www.metalcabinetstore.com/shopping/products/5157-card-and-multimedia-files-28-d/
MetalCabinetStore.com carries Tennsco card files, but doesn't seem to have any of the Buddy Products. Apparently they're just a distributor and likely just bought out remaining product from Sandusky rather than taking over manufacturing operations.
Alas...
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Local file Local file
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Zettelkasten, which in American English means notebox, and in Euro-pean English translates to slip box.
What really supports this distinction? The closest historical American English translation is probably "card index" from the early 1900s while the broader academic historical translation is "slip box".
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www.ebay.com www.ebay.com
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Features include: - follow block (to bunch cards to the front of the drawer and hold them upright without falling over - bail stop - a mechanism to keep the drawer from being accidentally pulled completely out of the case.
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Buddy Single Drawer Index Card File Holds 1600 Cards #1335 Catalog 16" New
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directlyyours.com directlyyours.com
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https://directlyyours.com/index.php?page=shop/flypage&product_id=1820
Buddy apparently manufactured a relatively wide range of card index files in 3 x 5", 4 x 6", 5 x 8", 6 x 9" formats, they now seem to be discontinued.
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www.amazon.com www.amazon.com
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https://www.amazon.com/JUNDUN-Holder-Collapsible-Fireproof-3x5-Inch/dp/B0B8TYQQW9/
Jundun manufactures an interesting looking fireproof, zippered, and lockable card index.
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edward-slingerland.medium.com edward-slingerland.medium.com
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https://edward-slingerland.medium.com/there-is-only-one-way-to-write-a-book-637535ef5bde
Example of someone's research, note taking, and writing process using index cards.
Broadly, this is very similar to the process used by Ryan Holiday, Robert Green, and Victor Margolin.
While he can't recall the name of the teacher, he credits his 7th grade English teacher (1980-1981) for teaching him the method.
Edward Slingerland is represented by Brockman Inc.
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That sounds challenging, of course, but I find that the writing, at this stage, is actually relatively easy: the card organization has already done most of the work. The cards tell the story, you now just need to (skillfully!) weave them together.
Anecdotal evidence that the final "writing" portion of a card index process is "relatively easy" as the majority of the work has already been done.
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This is the absolute hardest part of the writing process, in my mind. The most exciting, too, because you’re never quite sure where it’s going to end up.
Anecdotal evidence that categorizing and arranging index cards/ideas for a writing project for subsequent writing is one of the most difficult portions of the process.
Niklas Luhmann subverted portions of this by pre-linking his ideas together either in threads or an outline form as he went.
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I’ve also got a vague sense in my head of how they should be organized — that is, what the structure of the book is going to be. This is generally when I write the formal book proposal. I know enough about the topic, now, that I have a good idea of what my central arguments are going to be and how I am going to organize the chapters.
At what point in the process does one have a conceptualization for the overall outline of what they're writing?
In cases where it's earlier than others, then heavy linking and organization may not be as necessary.
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I continued to use this analog method right up through my Ph.D. dissertation and first monograph. After a scare in the early stages of researching my second monograph, when I thought all of my index cards had been lost in a flood, I switched to an electronic version: a Word doc containing a table with four cells that I can type or paste information into (and easily back up).
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I have a very specific method for organizing my research and thoughts whenever I’m writing anything longer than a short article. I learned this method from a teacher in middle school, and I cannot imagine how a human being could write a book any other way.
Example of someone who learned an index card based commonplace book method for note taking and writing.
Tags
- Niklas Luhmann's zettelkasten
- organization
- read
- Edward Slingerland
- writing process
- Robert Greene
- note taking transmission
- personal knowledge management
- note collection loss and damage
- Ryan Holiday
- card index for writing
- Victor Margolin
- floods
- Brockman Inc.
- card index
- note taking affordances
Annotators
URL
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www.youtube.com www.youtube.com
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https://www.youtube.com/watch?v=b-Wp0sLpnMY
PVA Glue used in bookbinding, but isn't inexpensive.
- Tacky glue - okay
- rubber cement - not great
- elmer's glue - not great, tears esp. for 2 layers
- Mod podge - pulls nicely and strong
- mod podge hard shell - cracks, not great
- PVA Glue - the best of the group
Recommendations in order: PVA, Tacky Glue, Mod Podge (regular)
Brush on top edge and do two coats. Don't get it down between sheets.
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- Nov 2022
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tvtropes.org tvtropes.org
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www.enoshop.co.uk www.enoshop.co.uk
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en.wikipedia.org en.wikipedia.org
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https://en.wikipedia.org/wiki/Oblique_Strategies
So much to unpack here.
Similar to experiments I've seen by Henry James Korn (esp. The Pontoon Manifesto), John Irwin, etc.
Similarities to means of forcing Llullan combinatorial creativity, but in alternate form.
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medium.com medium.com
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Fifty years ago, coinciding with the centennial of the release of Darwin’s manuscript, author Morse Peckham collected all six editions into a single “variorum” text. Peckham painstakingly created a reference system that denotes the modifications and changes between editions. The text was created by Peckham’s careful enumeration of every sentence from every edition, copied onto index cards; from these cards, he carefully assembled them into a final text.
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analogoffice.net analogoffice.net
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https://analogoffice.net/2022/10/28/a-life-in.html
@Guy Reminds me instantaneously of this collection of farm themed pocket notebooks which inspired Field Notes: https://fieldnotesbrand.com/from-seed 📓
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www.youtube.com www.youtube.com
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https://www.youtube.com/watch?v=2ueMHkGljK0
Robert Greene's method goes back to junior high school when he was practicing something similar. He doesn't say he invented it, and it may be likely that teachers modeled some of the system for him. He revised the system over time to make it work for himself.
- [x] Revisit this for some pull quotes and fine details of his method. (Done on 2022-11-08)
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Origin of Robert Greene's (May 14, 1959 - ) note taking system using index cards:<br /> Greene didn't recall a specific origin of his practices, but did mention that his mom found some index cards at his house from a junior high school class. (Presuming a 12 year old 7th grader, this would be roughly from 1971.) Ultimately when he wrote 48 Laws of Power, he was worried about being overwhelmed with his notes and ideas in notebooks. He naturally navigated to note cards as a solution.
Uses about 50 cards per chapter.
His method starts by annotating his books as he reads them. A few weeks later, he revisits these books and notes to transfer his ideas to index cards. He places a theme on the top of each card along with a page number of the original reference.
He has kept much the same system as he started with though it has changed a bit over time.
You're either a prisoner of your material or a master of your material.
This might not be the best system ever created, but it works for me.
When looking through a corpus of cards for a project, Robert Greene is able to make note of the need to potentially reuse a card within a particular work if necessary. The fact that index cards are inherently mobile within his projects make them easy to move and reuse.
I haven't heard in either Robert Greene or Ryan Holiday's practices evidence that they reuse notes or note cards from one specific project to the next. Based on all the evidence I've seen, they maintain individual collections for each book project for which they're developing.
[...] like a chameleon [the index card system is] constantly changing colors or [like] something that's able to change its shape at will. This whole system can change its shape as I direct it.
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Robert Greene: (pruriently) "You want to see my index cards?"<br /> Brian Rose: (curiously) Yeah. Can we?? ... This is epic! timestamp
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delong.typepad.com delong.typepad.com
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You should also be able to placethe book even more accurately than before in your mental cardcatalogue, for further reference if the occasion should everarise.
use of "mental card catalogue" as memory
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en.wikisource.org en.wikisource.org
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A commonplace book is what a provident poet cannot subsist without, for this proverbial, reason, that "great wits have short memories;" and whereas, on the other hand, poets, being liars by profession, ought to have good memories; to reconcile these, a book of this sort, is in the nature of a supplemental memory, or a record of what occurs remarkable in every day's reading or conversation. There you enter not only your own original thoughts, (which, a hundred to one, are few and insignificant) but such of other men, as you think fit to make your own, by entering them there. For, take this for a rule, when an author is in your books, you have the same demand upon him for his wit, as a merchant has for your money, when you are in his. By these few and easy prescriptions, (with the help of a good genius) it is possible you may, in a short time, arrive at the accomplishments of a poet, and shine in that character[3].
"Nullum numen abest si sit prudentia, is unquestionably true, with regard to every thing except poetry; and I am very sure that any man of common understanding may, by proper culture, care, attention, and labour, make himself whatever he pleases, except a good poet." Chesterfield, Letter lxxxi.
See also: https://en.m.wikisource.org/wiki/Page:The_Works_of_the_Rev._Jonathan_Swift,_Volume_5.djvu/261 as a source
Swift, Jonathan. The Works of the Rev. Jonathan Swift. Edited by Thomas Sheridan and John Nichols. Vol. 5. 19 vols. London: H. Baldwin and Son, 1801.
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www.bisley.sk www.bisley.sk
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www.amazon.com www.amazon.com
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www.vaultz.com www.vaultz.com
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https://www.vaultz.com/vaultz-vz01395-black-locking-4x6-index-card-cabinet-double-drawer
These are the type used by various people including Scott P. Scheper.
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www.nytimes.com www.nytimes.com
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From the beginning I found myself deeply challenged and stuck — freaked out by the blank page. So I started to use my skills as a filmmaker. I note-carded it. I had the notes above my computer, and I got to do a little “X” when I finished the draft of a chapter; it was this really satisfying moment.
Erin Lee Carr talks about using index cards to write a book about her father, but her practice sounds more like index cards with headings as a means of structuring a story and not actually writing the entire work out on cards.
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<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Billy Oppenheimer</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>
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billyoppenheimer.com billyoppenheimer.com
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Ronald Reagan notecard
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One of the big lies notetakers tell themselves is, “I will remember why I liked this quote/story/fact/etc.”
Take notes for your most imperfect, forgetful future self. You're assuredly not only not going to remember either the thing you are taking notes for in the first place, but you're highly unlikely to remember why you thought it was interesting or intriguing or that clever thing you initially thought of at the same time.
Capture all of this quickly in the moment, particularly the interesting links to other things in your repository of notes. These ideas will be incredibly difficult, if not impossible, for one to remember.
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He has a warehouse of notecards with ideas and stories and quotes and facts and bits of research, which get pulled and pieced together then proofread and revised and trimmed and inspected and packaged and then shipped.
While the ancients thought of the commonplace as a storehouse of value or a treasury, modern knowledge workers and content creators might analogize it to a factory where one stores up ideas in a warehouse space where they can be easily accessed, put into a production line where those ideas can be assembled, revised, proofread, and then package and distributed to consumers (readers).
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If you are like Lebron James or Paul Simon, if you were born with a gift for recall, you might not need a note-taking system.
I would suggest that this is wholly wrong as both of the memories described are honed for specific situations and not broadly applicable.
Even those with good natural memories as well as those with significant mnemonic practices can benefit from a structured note taking practice.
Tags
- index cards
- analogies
- content creators
- context
- note taking advice
- Ronald Reagan
- card index as memory
- future self
- writing as memory
- knowledge workers
- commonplace books
- one liners
- card index as factory space for ideas
- index card based commonplace books
- idea links
- note taking affordances
Annotators
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