But in the new full-blown capitalist version of evolution, where the drive for accumulation had no limits, life was no longer an end in itself, but a mere instrument for the propagation of DNA sequences—and so the very existence of play was something of a scandal.
Could refuting the idea of accumulation without limits (and thus capitalism for capitalism's sake) help give humans more focus on what is useful/valuable?
To exercise one’s capacities to their fullest extent is to take pleasure in one’s own existence, and with sociable creatures, such pleasures are proportionally magnified when performed in company. From the Russian perspective, this does not need to be explained. It is simply what life is. We don’t have to explain why creatures desire to be alive. Life is an end in itself. And if what being alive actually consists of is having powers—to run, jump, fight, fly through the air—then surely the exercise of such powers as an end in itself does not have to be explained either. It’s just an extension of the same principle.
I'm not sure I like that Graeber waves away the question "why play?" here. I don't think there's an equivalency to the "why life?" question.
It will take some additional thinking to build something up to refute this idea however.
May 19, 2004 #1 Hello everyone here at the forum. I want to thank everyone here for all of the helpful and informative advice on GTD. I am a beginner in the field of GTD and wish to give back some of what I have received. What is posted below is not much of tips-and-tricks I found it very helpful in understanding GTD. The paragraphs posted below are from the book Lila, by Robert Pirsig. Some of you may have read the book and some may have not. It’s an outstanding read on philosophy. Robert Pirsig wrote his philosophy using what David Allen does, basically getting everything out of his head. I found Robert Pirsigs writing on it fascinating and it gave me a wider perspective in using GTD. I hope you all enjoy it, and by all means check out the book, Lila: An Inquiry Into Morals. Thanks everyone. arthur
Arthur introduces the topic of Robert Pirsig and slips into the GTD conversation on 2004-05-19.
Was this a precursor link to the Pile of Index Cards in 2006?
Note that there doesn't seem to be any discussion of any of the methods with respect to direct knowledge management until the very end in which arthur returns almost four months later to describe a 4 x 6" card index with various topics he's using for filing away his knowledge on cards. He's essentially recreated the index card based commonplace book suggested by Robert Pirsig in Lila.
About twenty thousand of those cards are 3 × 5 inches and seven thousand 5 × 8 inches.
Goitein's zettelkasten is comprised of about 20,000 3 x 5" index cards and 7,000 5 x 8" index cards.
Link to: https://hypothes.is/a/TEiQ5H1rEe2_Amfzi4XXmg
While not directly confirmed (yet), due to the seeming correspondence of the number of cards and their corpus descriptions, it's likely that the 20,000 3 x 5" cards were his notes covering individual topics while the 7,000 5 x 8" cards were his notes and descriptions of a single fragment from the Cairo Geniza.
https://www.amazon.com/dp/B08BZWJDHN/
Example of a modern day waste book for keeping track of one's accounting.
dimensions 3.5 x 5"
More news organizations will realize they are in the business of impact, not eyeballs
Journalistic outlets should be in the business of creating impact and not scrounging merely for eyeballs and exposure.
Exposure may be useful for advertising revenue with respect to surveillance capitalism, but if you're not informing along the way, not making a measurable impact, then you're not living, not making a change.
TIPOFF was created in 1987 for the express purpose of using biographic information drawn from intelligence products for watchlisting purposes. In 1987 TIPOFF began keeping track of suspected terrorists literally with a shoebox and 3 by 5 cards. Since then the program has evolved into a sophisticated interagency counterterrorism tool specifically designed to enhance the security of our nation's borders.
https://www.govinfo.gov/content/pkg/CHRG-107jhrg96166/html/CHRG-107jhrg96166.htm
The drawers are jammed with jokes typed on 4-by-6-inch cards — 52 drawers, stacked waist-high, like a card catalog of a certain comedian’s life’s work, a library of laughs.
Joan Rivers had an index card catalog with 52 drawers of 4-by-6-inch index cards containing jokes she'd accumulated over her lifetime of work. She had 18 2 drawer stackable steel files that were common during the mid-1900s. Rather than using paper inserts with the label frames on the card catalogs, she used a tape-based label maker to designate her drawers.
Scott Currie, who worked with Melissa Rivers on a book about her mother, Joan Rivers, at the comedian’s former Manhattan office. Many of her papers are stored there.Credit...Hiroko Masuike/The New York Times
Note carefully that the article says 52 drawers, but the image in the article shows a portion of what can be surmised to be 18 2-drawer cabinets for a total of 36 drawers. (14 2-drawer cabinets are pictured, but based on size and perspective, there's one row of 4 2-drawer boxes not shown.)
If we consider organizations (universities, corporations, governments and so on) as organisms (a view I do not agree with) we can argue some increase in intelligence and institutional memory through record keeping and information technology. But, in my opinion, organizations don’t have significant emergent reasoning capabilities that aren’t really more properly attributed to their members.
What does Hidalgo have to say with respect to this quote? Can we push this argument?
No es magia.
I love that he points this out explicitly.
Some don't see the underlying processes of complexity within note taking methods and as a result ascribe magical properties to what are emergent properties or combinatorial creativity.
See also: The Ghost in the Machine zettel from Luhmann
Somehow there's an odd dichotomy between the boredom of such a simple method and people seeing magic within it at the same time. This is very similar to those who feel that life must be divinely created despite the evidence brought by evolutionary and complexity theory. In this arena, there is a lot more evolved complexity which makes the system harder to see compared to the simpler zettelkasten process.
1346-4 025719134648 BDY13464 BDY-13464 BDY 13464 Buddy Products Black Single Drawer Card File, 4 x 6, 1346-4
I have about fourteen or sixteen weeks to do this, so I'm breaking the course into an "intro" section that covers some basic stuff like affordances, and other insights into how tech functions. There's a section on AI which is nothing but critical appraisals on AI from a variety of areas. And there's a section on Social Media, which is the most well formed section in terms of readings.
https://zirk.us/@shengokai/109440759945863989
If the individuals in an environment don't understand or perceive the affordances available to them, can the interactions between them and the environment make it seem as if the environment possesses agency?
cross reference: James J. Gibson book The Senses Considered as Perceptual Systems (1966)
People often indicate that social media "causes" outcomes among groups of people who use it. Eg: Social media (via algorithmic suggestions of fringe content) causes people to become radicalized.
https://www.youtube.com/watch?v=b-Wp0sLpnMY
PVA Glue used in bookbinding, but isn't inexpensive.
Recommendations in order: PVA, Tacky Glue, Mod Podge (regular)
Brush on top edge and do two coats. Don't get it down between sheets.
"I've developed a way of working to make this huge project of a world history of design manageable."<br /> —Victor Margolin
Notice here that Victor Margolin doesn't indicate that it was a process that he was taught, but rather "I've developed". Of course he was likely taught or influenced on the method, particularly as a historian, and that what he really means to communicate is that this is how he's evolved that process.
"I begin with a large amount of information." <br /> —Victor Margolin
"As I begin to write a story begins to emerge because, in fact, I've already rehearsed this story in several different ways by getting the information for the cards, mapping it out and of course the writing is then the third way of telling the story the one that will ultimately result in the finished chapters."<br /> —Victor Margolin
https://www.ikea.com/us/en/p/kuggis-box-with-lid-transparent-black-00514033/#content
7 x 10.25 x 6"
This is big enough and just about the perfect size for 4 x 6" index cards. The lid has a slight indent to make it easily stackable.
These should easily fit 4 x 6" index cards as well as card dividers with taller tabs which commercially don't often get taller than 4 1/2".
See also microfiche divider guides.
https://www.instagram.com/p/CeWV6xBuZUN/?hl=en
Ryan Holiday in the past has made custom 4 x 6" index cards for taking notes for his individual projects.
Pictured: A custom slip with 11 light gray lines, small margins all around, and at the top the printed words: "Courage. Temperance. Justice. Wisdom."
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Billy Oppenheimer, research assistant to Ryan Holiday</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To - Billy Oppenheimer (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>
<div style="padding:16px;"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; 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I used to do this sort of practice before, but I used buckslips instead.
he three-by-five inch slipsof thin paper eventually filled about eighty wooden file drawers.And he classified the notes day by day, under topical-chronologicalheadings that eventually extended from 4639 B.C. to 1949, theyear after his death.
Frederic L. Paxson kept a collection of 3 x 5 " slips of thin paper that filled eighty wooden file drawers which he organized using topical-chronologic headings spanning 4639 BCE to 1949.
The most important thing about research is to know when to stop.How does one recognize the moment? When I was eighteen orthereabouts, my mother told me that when out with a young man Ishould always leave a half-hour before I wanted to. Although I wasnot sure how this might be accomplished, I recognized the advice assound, and exactly the same rule applies to research. One must stopbefore one has finished; otherwise, one will never stop and neverfinish.
Barbara Tuchman analogized stopping one's research to going out on a date: one should leave off a half-hour before you really want to.
Liink to: This sounds suspiciously like advice about when to start writing, but slightly in reverse: https://hypothes.is/a/WeoX9DUOEe2-HxsJf2P8vw
One might also liken these processes to the idea of divergence and convergence as described by Tiago Forte and others.
Dwyer, Edward J. “File Card Efficiency.” Journal of Reading 26, no. 2 (1982): 171–171.
Ease of use in writing and grading with short assignments by using 4 x 6" index cards in classrooms.
This sounds like some of the articles from 1912 and 1917 about efficiency of card indexes for teaching.
I'm reminded of some programmed learning texts that were card-based (or really strip-based since they were published in book form) in the 1960s and 1970s. Thse books had small strips with lessons or questions on the front with the answers on the reverse. One would read in strips through the book from front to back and then start the book all over again on page one on the second row of strips and so on.
For the second time Goutor mentions using different size cards for different note types, but doesn't specifically advise for it or provide a reason. Perhaps his advice for consistency and card size applies only to cards of particular types? (p28)
link to: https://hypothes.is/a/XPphjkNZEe2s3i9VV4qt1g
Incidentally he also specifically mentions 7x9" cards here too. How frequently used were these as a standard?
The design of Goutor's note taking method is such that each note should have "a life of its own, so that it can stand independently of every other one in the file." (p28) This concept is broadly similar to the ideas of both atomic notes and evergreen notes in related contexts.
Goutor says that a note's life stems from its identity by means of its bibliographic source, its unique content, and its ultimate purpose. Here he uses the singular "purpose" and doesn't explicitly use "purposes" thereby indicating that an individual note can have multiple potential lives in different places within one's lifetime of work. It seems most likely that he may not have thought of using ideas in multiple different locations, but again, his particular audience (see: https://hypothes.is/a/8jKcTkNPEe2sCntTfNWf2Q) may have also dictated this choice. One could argue that it would have been quite easy for him to have used the plural to suggest the idea simply and tangentially, but that his use of the singular here is specifically because the idea wasn't part of his note taking worldview.
While he previously recommended using note cards of the same size, the examples in Goutor (1980) have 3x5" cards for bibliographic notes and 5x7" or larger cards for content notes. (p19, 21)
Is there a reason stated anywhere here for this discrepancy or change? One would ostensibly keep them in different places/sections of one's card index, but does the size difference help to differentiate the two to aid in sorting? Is the larger card intended to hold more long form writing?
Goutor is in Canada, so were 5x7" cards more common or standardized there in the late 1970s and early 80s?
A5 measures 148 × 210 millimeters or 5.83 × 8.27 inches, so is a bit larger than 5x7".
5x7" is a more standard photo size, so was this chosen as the result of storage options from the photography space?
5x7" is scantly available in America in 2022, but only from Hamilco. A few others make cardstock in that size but not specifically as index cards.
In the article, "The New Normative: Queer Politics in The Outs," author John Sherman, a freelance writer from Brooklyn, implores reader's to give credit to show's casually- revolutionary representation of queer characters. Sherman indicates to reader's that this is a rarely great representation for its time (2012) because it gives gay characters a non-stereotypical story line. It allows it's characters to be people who just happen to be gay. In just the pilot episode, it's not hard to see this truth. With the first four queer male characters being introduced, they all have different characteristics, priorities, and dynamics with eachother that don't center around their gayness. This gives a depth to the queer character being represented without relying on the fact that their gay to do so. I think that the positive reaction to this show bodes very well for the style of queer representation being presented and will hopefully inspire more writing and content making of this kind which non-chalently gives a voice gay to story lines in a relatable- human way instead of a stereotypical and tokenising way.
I believe that Shitt's Creek also does this fairly well. Although I've only seen a couple episodes myself- I saw the character of David as a complete person and story line not defined by his gayness or partner choices although it is an obvious part of his identity.
Posted byu/jackbaty4 hours agoCard sizes .t3_xib133._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I've been on-again/off-again with paper for PKM, but one thing remains consistent each time: I don't enjoy using 4x6 index cards. I much prefer 3x5-inch cards. I realize that it's irrational, but there it is.My question is if I dive into building an antinet, will I regret using 3x5 cards? I already have hundreds of them. I have dividers, holders, and storage boxes for them. I just prefer how they _feel_, as weird as that sounds.I'd like to hear if people are using 3x5 cards successfully or if you've come to regret it.
While it may be slightly more difficult to find larger metal/wood cases for the 4x6 or 5x8 cards, it's a minor nuisance and anyone who wants them will eventually find the right thing for them. Beyond this, choose the card size that feels right to you.
If you don't have an idea of what you need or like, try things out for 10-20 cards and see how it works for you, your handwriting size, and general needs. People have been using 3x5, 4x6, and even larger for hundreds of years without complaining about any major issues. If Carl Linnaeus managed to be okay with 3x5, which he hand cut by the way, I suspect you'll manage too.
Of course I won't mention to the Americans the cleverness of the A6, A5, A4 paper standards which allows you to fold the larger sizes in half to get the exact next smaller size down. Then you might get the benefit of the smaller size as well as the larger which could be folded into your collection of smaller cards, you just have to watch out for accidentally wrapping ("taco-ing") a smaller card inside of a larger one and losing it. I suppose you could hand cut your own 5" x 6" larger cards to do this if you found that you occasionally needed them.
For the pocketbook conscious, 3x5 does have the benefit of lower cost as well as many more options and flexibility than larger sizes.
At least commercial card sizes are now largely standardized, so you don't have deal with changing sizes the way Roland Barthes did over his lifetime.
My personal experience and a long history of so many manuals on the topic saying "cards of the same size" indicates that you assuredly won't have fun mixing different sized slips together. I personally use 3x5" cards in a waste book sense, but my main/permanent collection is in 4x6" format. Sometimes I think I should have done 3 x 5, but it's more like jealousy than regret, particularly when it comes to the potential of a restored fine furniture card catalog. But then again...
PDF-XChange Viewer The Link Tool can be used to create links to locations in the same document/different documents, external weblinks and files on the local computer. Follow the steps below to activate and use the Link Tool: 1. Click Tools in the Menu Toolbar. 2. Hover over Link Tool. 3. Select Rectangle Link Tool to create a rectangular link or Quadrilateral Link Tool to create a customized quadrilateral link. 4. Click and drag the pointer at the desired location to create the link. The Link Properties dialog box will open:
https://web.archive.org/web/20080412071219/http://eastgate.com/catalog/Briefcase.html
Eastgate systems used to make a "3x5 Card Briefcase" to capture short notes on the go which could later "be scanned or transcribed to Tinderbox."
Tinderbox was one of the first digital tools to be used in a way very similar to zettelkasten of old, particularly by academics, who are a large portion of their power user base.
Capture Cards (red) 4.00 Beautifully Useful 3″ x 5″ Index Cards (Pack of 100)I created my Capture Cards to help make it easier for me to capture ideas, make notes, and record tasks as they happen. Good tools have a way of removing frustration and stress from a workflow, and for me, these cards do just that.Just enough structure to help you capture, but not enough to get in the way.They’re printed full-bleed on 70lb (heavy and durable) premium smooth white cover stock, and you get 100 2-sided cards in each pack. They feel great in your hand, yet hold up well in your pocket.
https://web.archive.org/web/20140707053048/http://www.getfrictionless.com/products/capture-cards-red
Simple index cards, but sold with a purpose in mind: capturing notes!
One is reminded here of waste books and fleeting notes.
Image:<br />
The casting director Marion Dougherty, in the documentary Casting By (dir. Tom Donahue, 2012): “I would keep the three-by-five card. I would put down anything that hit my mind.” The card for Dustin Hoffman (whose first screen appearance was in an episode of Naked City) notes Bob Duval’s (Robert Duvall’s) judgment that Hoffman is “v.g.” — very good. Notice the name of Blair Brown in the third screenshot. The Days and Nights of Molly Dodd is an Orange Crate Art and Musical Assumptions favorite.
The documentary Casting By (2012) shows casting director Marion Dougherty's 3 x 5" index card collection which she used for casting notes. In particular they show an example card for Dustin Hoffman with his details. In Hoffman's case, his card included the older telephone numbers with exchanges (EN2-6933 or Endicott2 6933), so these cards may have also served a contact purpose similar to more modern rolodexes. Different from them however, Dougherty's also included heights, credits, and other observations relevant to the casting process.
Screen capture from the movie
The most suitable format seems to be DIN A6 (14.8 x 10.5 cm).
Or roughly 4 x 6".
Forcertainlyagreatervarietyofcards,clippings,andsuchlikecan befiledbehind 4x6slipsthan behind3x5's.
A benefit of 4 x 6" cards is that clippings and other items can often be more easily filed along with them as opposed to the smaller 3 x 5" cards.
shall I adopt the 3x5 slip or the 4x61
Dow indicates in 1924 that 3 x 5" and 4 x 6" are both commonly had in a range of materials the US as well as boxes or cases to keep them in. He does mention that one can also cut their own paper, indicating that this is a possibility.
I can't find a default setting for that, but you can do something that will give you the result you want. 1. right click the tool bar, select "customize toolbar..." >commands >tools 2. find the select tool, double click 3. set "esc" key as shortcut, then every time when you hit "esc" key, it will go to the select tool. You can choose other keys on the keyboard, too.
sometimes, the system thecustomer wants and the system that should be built are quitedifferent.
I'll push back on this a bit. I suspect that even though one might create multiple links to digital notes in all directions like this, it really doesn't happen happen at scale like this in practice.
I'd be willing to guess that very few people in the digital space are linking their ideas to more than two or three others. In fact, I suspect that if you looked at many digital ZKs you'd find a lot of orphaned notes floating around.
Separately, even in the analog space, the two links (down or forward) isn't always correct either. I cross link all over the place. The one constant benefit of the analog is that you're generally required to create at least one link because you have to place the card somewhere, and this isn't the case in most digital contexts/tools.
I'd posit that it's a lot of work to link a new idea into your system once much less in multiple places. Generally the more ideas you can link/cross-link it to, the more likely you'll run across it in the future and have potential to reuse it. I'd also suggest that the more links it's got, the better you'll "own" it. These addition links will also allow you to better compare/contrast various ideas by juxtaposing them in the future.
Theorem: more (good/great) links = more complexity which yields more "life", serendipity, and surprise to be found in your slip box for future use.
probefahrer · 7 hr. agoAre you familiar with Mark Granovetter‘s theory of weak ties?He used it in the sense of the value of weak social connections but I am pretty sure one could make a case for weak connections in a Zettelkasten as being very valuable
Humanity is a zettelkasten in biological form.
Our social ties (links) putting us into proximity with other humans over time creates a new links between us and our ideas, and slowly evolves new ideas over time. Those new ideas that win this evolutionary process are called innovation.
The general statistical thermodynamics of this idea innovation process can be "heated up" by improving communication channels with those far away from us (think letters, telegraph, radio, television, internet, social media).
This reaction can be further accelerated by actively permuting the ideas with respect to each other as suggested by Raymond Llull's combinatorial arts.
motivating reference: Matt Ridley in The Rational Optimist
link to: - Mark Granovetter and weak ties - life of x
Quantum Notetaking
really?! now we're selling something wiz bang!
The Antinet’s permanent-address scheme, with its shifting nature, gives the system a unique personality. The Antinet’s unique personality stands as one of the most integral aspects of the system. A key component that enables insightful communication with a human being is the human’s personality–the person’s unique way of communicating with you based on their unique perspectives and interpretations. The Numeric-alpha addresses provide the Zettelkasten with a unique personality. Over time, unique structures form due to Numeric-alpha addresses. This is important because it allows one to communicate with the Antinet, transforming it into a communication experience with a second mind, a doppelgänger, or a ghost in a box, as Luhmann called it. (5)5 This is the entity Luhmann referred to when he titled his paper, Communicating with Noteboxes. Numeric-alpha addresses make all of this possible.
Scheper seems to indicate that it is the addressing system alone which provides the "personality" of a zettelkasten, whereby he's actively providing personification of a paper and pencil system by way of literacy. We need to look more closely, however at the idea of what communication truly is to discern this. A person might be able to read an individual card and have a conversation with just it, but this conversation will be wholly one sided, and stops at the level of that single card. We also need the links between that individual card and multiple others to fill in the rest of the resulting potential conversation. Or we will rely on the reader of the card extending the idea or linking it to others of their ideas (and that of the zettelkasten), to grow the system and thereby its "personality".
Thus the personality is part that of the collection of cards using their addresses and the links between them. This personality, however, isn't immediate. It might grow over time reaching some upper limit at the length of time of the user's life, but much of its personality is contingent upon the knowledge of the missing context of the system that is contained in or by its creator. Few zettelkasten will be so well composed as to provide full context. (cross reference: https://hyp.is/5gWedOs7Eeyrg2cTFW4iCg/niklas-luhmann-archiv.de/bestand/Zettelkasten/zettel/ZK_2_NB_9-8_V).
The question we might want to look at: Is there a limiting upper bound (a la a Shannon Limit) to the amount of information that a zettelkasten might contain or transmit, even beyond the life of an initial creator? Could it converse with itself without the assistance of an outside actor of some sort? What pieces are missing that might help us to define communication or even life itself?
I think adding automated deployments would be a nice quality-of-life feature and would definitely encourage me to write more. Currently, I have to upload a new text file to my server and refresh the pm2 job.
Is "automated deployments" really the solution?
You could also start a new email with the contents of this file, by making x-success use the mailto: scheme with something like working-copy://x-callback-url/read/?repo=my%20repo&path=README.md&x-success=mailto%3A%3Fbody%3D If you need to debug your callbacks, setting x-success=mailto%3A%3Fbody%3D
Holy god in fuck...
The way technologies like fMRI are applied is aproduct of our brainbound orientation; it has not seemed odd or unusual toexamine the individual brain on its own, unconnected to others.
In part because of modalities of studying the brain using methods like fMRI where the images are of an individual's head, we focus too much and too exclusively on single brains bound to individuals rather than on brains working in concert.
Greater flexibilities in tools and methods should help do studies of humans working in concert.
Link this to the anecdote:
I recall a radiology test within a medical school setting in which students were asked to diagnose an x-ray of a human patient's skull. Most either guessed small hairline fractures in the skull or that there was nothing wrong with the patient.
Can you diagnose the patient?
Almost all the students failed the question, and worse felt like idiots when the answer was revealed: the patient must be dead because the spinal column and the rest of the body are not attached. Compare:
Gabriel Hébert-Mild™ ⓥ. (2022, February 12). Well well well. Source: Https://gov.uk/government/publications/sars-cov-2-variants-of-public-health-interest/sars-cov-2-variants-of-public-health-interest-11-february-2022 https://t.co/LhrPXp2ooA [Tweet]. @Gab_H_R. https://twitter.com/Gab_H_R/status/1492517768738058243
Turkey would have to strive for its own free trade agreement with the respective new trading partners of the EU to facilitate market access for Turkish companies in the respective countries.
Hans Wobbe edited this page
According to a study published last year by researchers at the University of California San Diego, more than three-quarters of American adults now experience moderate to high levels of loneliness — rates that have more than doubled over the last 50 years. Despite rising housing costs across the country, more Americans are living alone today than ever before. As Boone Wheeler, a 33-year-old member of East Wind, told me, “There are literal health consequences to loneliness: Your quality of life goes down due to lack of community — you will die sooner.”
Loneliness is growing and communities address that ...
IN 2017 BJORN GRINDE and Ranghild Bang Nes, researchers with the Norwegian Institute of Public Health, co-authored a paper on the quality of life among North Americans living in intentional communities. Along with David Sloan Wilson, director of the evolutionary studies program at Binghamton University, and Ian MacDonald, a graduate assistant, they contacted more than 1,000 people living in 174 communities across the U.S. and Canada and asked them to rate their happiness level on the Satisfaction With Life Scale (SWLS), a globally recognized measurement tool. They compared these results to a widely cited 2008 study by the psychologists William Pavot and Ed Diener, which surveyed past studies that used the scale to analyze 31 disparate populations — including Dutch adults, French-Canadian university students and the Inuit of northern Greenland — and discovered that members of intentional communities scored higher than 30 of the 31 groups. Living in an intentional community, the authors concluded, “appears to offer a life less in discord with the nature of being human compared to mainstream society.” They then hypothesized why that might be: “One, social connections; two, sense of meaning; and three, closeness to nature.”
People in intentional communities are happier according to a 2017 study.
We added the X-Content-Type-Options: nosniff header to our raw URL responses way back in 2011 as a first step in combating hotlinking. This has the effect of forcing the browser to treat content in accordance with the Content-Type header. That means that when we set Content-Type: text/plain for raw views of files, the browser will refuse to treat that file as JavaScript or CSS.
Greene, G. (1999). The Woman who Knew Too Much: Alice Stewart and the Secrets of Radiation. University of Michigan Press.
Diffy is a Scala based tool open sourced by Twitter in 2015. The blog post titled Testing without Writing Tests is probably the best resource to understand how tap compare works in practice.
According to google firament means the heavens or the sky, especially when regarded as a tangible thing.
Friends and foes alike neither admire nor fear President Trump’s leadership
I feel like there are countries who fear his leadership.
(Figure X)
Which figure is "(Figure X)"?
This is a rather large island. We have a map to the side called a Table of Contents. I am sure there is hidden treasure, but I don't have a map. Where shall I start?
White Fragility is, in the end, a book about how to make certain educated white readers feel better about themselves. DiAngelo’s outlook rests upon a depiction of Black people as endlessly delicate poster children within this self-gratifying fantasy about how white America needs to think—or, better, stop thinking. Her answer to white fragility, in other words, entails an elaborate and pitilessly dehumanizing condescension toward Black people. The sad truth is that anyone falling under the sway of this blinkered, self-satisfied, punitive stunt of a primer has been taught, by a well-intentioned but tragically misguided pastor, how to be racist in a whole new way.
Perhaps the better advice to the potential readers of such a tome would be to ignore the "well-intentioned" white woman and instead take some time and patience to read some African American voices, Ibram X. Kendi's Stamped from the Beginning or The African-American Experience edited by Kai Wright.
If you really insist on getting help from someone white to start off on your journey, then I can only recommend John Biewen's excellent Seeing White podcast series, though both John and the series are "kept honest" by recurring guest Chenjerai Kumanyika and a variety of other great guests and interviewees.
Just as journalists should be able to write about anything they want, comedians should be able to do the same and tell jokes about anything they please
where's the line though? every output generates a feedback loop with the hivemind, turning into input to ourselves with our cracking, overwhelmed, filters
it's unrealistic to wish everyone to see jokes are jokes, to rely on journalists to generate unbiased facts, and politicians as self serving leeches, err that's my bias speaking
extendedKeyUsage
Note that adding the X-Requested-With header makes the request "unsafe" (as defined by CORS), and will trigger a preflight request, which may not be desirable.
It shouldn't be useful to distinguish between requests made by Ajax and other kinds of request. Pretty much any usecase where you'd want to do that is better served by using the Accept header to ask for data in a specific format.
page
what is noble about first man's disobedience?
how we can understand disobedience against God as patience and heroic martyrdom
Thir government, and thir great Senate choose [ 225 ] Through the twelve Tribes, to rule by Laws ordaind:
This may be linked to English Parliamentary government.
Or from Heav'n claming second Sovrantie; [ 35 ] And from Rebellion shall derive his name,
You can also link this to Charles I and the English Civil War.
Lay Seige, encampt; by Batterie, Scale, and Mine, Assaulting; others from the Wall defend With Dart and Jav'lin, Stones and sulfurous Fire; On each hand slaughter and gigantic deeds
This is not the heroic warfare of God's armies fighting the fallen Angels.
These two are Brethren, Adam, and to come Out of thy loyns; th' unjust the just hath slain
Cain and Abel.
Hard to belief may seem; yet this will Prayer, Or one short sigh of humane breath, up-borne Ev'n to the Seat of God.
Previously Adam talked to God, but now he and Eve pray in the hope he is listening.
In Sextile, Square, and Trine, and Opposite, Of noxious efficacie, and when to joyne [ 660 ] In Synod unbenigne, and taught the fixt Thir influence malignant when to showre, Which of them rising with the Sun, or falling, Should prove tempestuous: To the Winds they set Thir corners, when with bluster to confound [ 665 ] Sea, Aire, and Shoar, the Thunder when to rowle With terror through the dark Aereal Hall. Some say he bid his Angels turne ascanse The Poles of Earth twice ten degrees and more From the Suns Axle; they with labour push'd [ 670 ] Oblique the Centric Globe
A Renaissance man, Milton incorporates the mathematics, astronomy, geography and science of his time into his poetry.
Th' Infernal Empire, that so neer Heav'ns dore Triumphal with triumphal act have met,
Is this an indirect criticism of colonialism by Milton?
Was shee thy God, that her thou didst obey
Is this a dig at the role of the Virgin Mary in Catholicism from Milton a Protestant?
My voice thou oft hast heard, and hast not fear'd, But still rejoyc't,
So the voice of God is also the same voice of the Son.
Anger, and obstinacie, and hate, and guile.
They experience these negative emotions even before the entry of Sin to the World.
The Woodbine round this Arbour, or direct The clasping Ivie where to climb, while I In yonder Spring of Roses intermixt With Myrtle, find what to redress till Noon:
Milton's vision of Eden is very much in the image of an English garden of his time.
For onely in destroying I find ease To my relentless thoughts; and him destroyd, [ 130 ] Or won to what may work his utter loss, For whom all this was made, all this will soon Follow, as to him linkt in weal or woe, In wo then: that destruction wide may range: To mee shall be the glorie sole among [ 135 ] The infernal Powers, in one day to have marr'd What he Almightie styl'd, six Nights and Days Continu'd making, and who knows how long Before had bin contriving, though perhaps Not longer then since I in one Night freed
Satan seems to have become fixated on revenge against God, rather than defeating him. Perhaps the reality of his situation had begun to sink in.
All higher knowledge in her presence falls Degraded, Wisdom in discourse with her Looses discount'nanc't, and like folly shewes; Authority and Reason on her waite
If I read this right Adam is saying that Eve is not as intelligent as him. Why one wonders would God create less than a perfect partner for him?
The easiest way, nor with perplexing thoughts To interrupt the sweet of Life, from which God hath bid dwell farr off all anxious cares, [ 185 ] And not molest us, unless we our selves Seek them with wandring thoughts, and notions vain. But apt the Mind or Fancy is to roave Uncheckt, and of her roaving is no end; Till warn'd, or by experience taught, she learne,
Raphael is warning Adam not to quest for knowledge and to accept the world as it is known. This was written in the time of the Renaissance, with the the beginning of science and exploration by Europeans..
From Man or Angel the great Architect Did wisely to conceal, and not divulge His secrets to be scann'd by them who ought Rather admire;
More hidden knowledge and a mild warning not to be too inquisitive.
Thir Snakie foulds, and added wings
Dragons?
Adverse to life: then founded, then conglob'd Like things to like, the rest to several place [ 240 ] Disparted, and between spun out the Air, And Earth self ballanc't on her Center hung.
This expands on the Genesis creation by acknowledging other planets in our solar system.
sends his Son with Glory and attendance of Angels to perform the work of Creation
This is certainly not in Genesis, which credits God himself with the creation and not his son.
Thir devilish glut, chaind Thunderbolts and Hail Of Iron Globes, which on the Victor Host [ 590 ] Level'd, with such impetuous furie smote, That whom they hit, none on thir feet might stand, Though standing else as Rocks, but down they fell By thousands, Angel on Arch-Angel rowl'd;
It is interesting that Milton considers gunpowder and cannons to be the work of the Devil. These had been a standard feature of medieval warfare for at least a couple of hundred years before his time, so were not a new or secret invention.
Should combat, and thir jarring Sphears confound.
It would be difficult for Raphael to explain war to Adam, because it is not something he would ever have encountered before.
They ended parle, and both addresst for fight Unspeakable; for who, though with the tongue Of Angels, can relate, or to what things Liken on Earth conspicuous, that may lift Human imagination to such highth [ 300 ] Of Godlike Power: for likest Gods they seemd, Stood they or mov'd, in stature, motion, arms Fit to decide the Empire of great Heav'n.
An individual conflict between champions/the leaders of each army. This harks back to Greek times.
None of retreat, no unbecoming deed That argu'd fear; each on himself reli'd, As onely in his arm the moment lay Of victorie; deeds of eternal fame [
This is a heroic vision of warfare, that certainly wasn't practiced in the English Civil War and religious wars of Milton's time, if it ever was.
By Thousands and by Millions rang'd for fight; Equal in number to that Godless crew Rebellious
Why send the same size army as your enemy when you enjoy a two to one advantage? Send a larger force and get the war over more quickly. I don't understand what Milton's point is here.
Late falln himself from Heav'n, is plotting now [ 240 ] The fall of others from like state of bliss; By violence, no, for that shall be withstood, But by deceit and lies; this let him know, Lest wilfully transgressing he pretend Surprisal, unadmonisht, unforewarnd.
Omniscient God is sending Raphael to warn Adam about the danger of his fall by eating the fruit from the tree of knowledge. He does so with the fore-knowledge of the failure of this mission. Does it serve any purpose other than for him to be able to say 'I told you so, I warned you what would happen'?
To wed her Elm; she spous'd about him twines
In this Eve's relationship to Adam is presented as that of a Vine entwined around an Elm Tree. That is as parasitic and dependent upon him.
Yielded with coy submission, modest pride, [ 310 ]
The key word here is submission. This is illustrative of Eve's relationship with Adam.
Whence true autority in men; though both [ 295 ] Not equal, as thir sex not equal seemd; For contemplation hee and valour formd, For softness shee and sweet attractive Grace, Hee for God only, shee for God in him:
Milton followed the classic line of his time about the inferiority of women to men. Thus the relationship between Adam and Eve was not that of equals, she was deemed inferior and subordinate to him and he was viewed as closer to God.
can
You can take the Devil out of Hell, but can't take Hell out the Devil. He is now fully committed on the path of evil.
He ask'd, but all the Heav'nly Quire stood mute, And silence was in Heav'n: on mans behalf Patron or Intercessor none appeerd,
Compare the court of an Absolute Monarch, where there is no discussion to a Parliamentary Monarchy.
I formd them free, and free they must remain, Till they enthrall themselves: I else must change [ 125 ] Thir nature, and revoke the high Decree Unchangeable
This is indicative of the political and philosophical debates going on in England about the nature of individual liberty, as illustrated by Thomas Hobbe's Leviathan.
I've never quite understood the threat posed to God by Satan and his followers. For all his might Satan is a lesser warrior (hero) than Michael, and not forgetting there are other Archangels.
Then to dwell here, driv'n out from bliss, condemn'd In this abhorred deep to utter woe; Where pain of unextinguishable fire
Satan's and his followers continued suffering the tortures of a vengeful God could be considered an act of immense heroism.
Vain Warr with Heav'n, and by success untaught His proud imaginations thus displaid.
This is a valid criticism of ruling elites at the time of Milton, and remains valid today.
Was this a Puritan thing?
Mate
What does this mean? Nowadays this word is used colloquially to mean a good friend.
This reminds me of the saying one person's terrorist is another's freedom fighter. Satan and his fallen angels can be perceived as insurgents against God's 'tyranny', putting a whole new spin on the battle between good and evil.
To wage by force or guile eternal WarrIrreconcileable, to our grand Foe,
This reference to eternal war fails to see the final Battle of Armageddon and the eventual victory of good or evil.
The change in spelling interests me, as with most current English pronunciation here and their would effectively rhyme. But Milton's with Milton's use of thir they wouldn't.
In some Northern English or Scottish dialects the word ken is used as a verb to know or noun for knowledge.
I'm sure there isn't anything nefarious about this random Rubik's Cube. It's just so colorful and fun!
rubik cube ain't grow in trees
ain't an idea
/merry cubemaz
go shopping, and gone by chopping
Calling from Python As of 10.10, AppleScript can use Cocoa frameworks in any Script Editor-based script. This makes it easy for Python and other languages that have Objective-C bridges to call AppleScript directly, without having to package everything as an Xcode app. Stick one or more compiled .scpt files containing AppleScript-ObjC "classes" into a folder, e.g.: use framework "Foundation" use scripting additions script MyASClass property parent : class "NSObject" -- on test() activate display dialog "Hello from AppleScript!" end test end script then just use it from Python like this: from Foundation import NSBundle, NSClassFromString import AppleScriptObjC NSBundle.alloc().initWithPath_(FOLDERPATH).loadAppleScriptObjectiveCScripts() MyASClass = NSClassFromString(u"MyASClass") # get the ASOC class... MyASClass.alloc().init().test() # ...then instantiate and call it
Given that appscript is deprecated, I'm looking at how to call AppleScript directly from Python. This section is a "hello world" demonstration of how.
carica-ture of the Victorian gentleman
This is an interesting description of George, considering that A Room of One's Own includes a caricature of Professor X, who is what she imagines as the type of man who writes myths about women. Is the author of the intro trying to draw a connection between Woolf's life and work here?
On a related note, we've had a few annotations about these intros, particularly weird claims about women (perhaps overstating the importance of Willard, for example). In our readings, its been interesting to think of the rhetorical moves of whoever wrote the intros and time period overviews.
lace, crisis, and discourse
X, Y, and Z
care, impact, memory, and decidability
These are all x, y, and z commas.
sudo dd if=/dev/rdisk1 bs=1m | gzip > ~/Desktop/pi.gz
Best method I’ve seen, so far.
Nautical Radar Measurements in Europe: Applications of WaMoS II as a Sensor for Sea State, Current and Bathymetry
Fol.17
Die Villa Doria Panfili Innozenz' X. wird gerade noch vom Planausschnitt erfasst.
to prove this, let facts be submitted to a candid world, for the truth of which we pledge a faith yet unsullied by falsehood.
The Declaration of Independence impacted the United States in more ways than one, Jefferson makes clear when he states "to prove this, let facts be submitted to a candid world;" he is referring to the reign of the King of Great Britain who has brought injuries and tyranny over the states. He wants his people to realize the corruption and wrongdoings that the king has caused. Jefferson is essentially saying that people should be uncorrupt in this new world and man should strive to preserve the pureness of this country keeping it from falsehood and injustice. It sparked my attention when I came across a newspaper titled "The North Briton" written by J. Wilkes and others which contained very similar diction and ideals of society during that time period. Wilkes is criticizing King George III for his speech in favor of the Treaty of Paris ending the Seven Year’s War; he states “Articles 15 is for having corrupted the sacred fountain of truth and put falsehoods into the mouth of Majesty, in several speeches made in parliament.” Wilkes is trying to uncover the king’s corruption and bring to light that he is lying to his people which ties closely to Jefferson’s actions and morals of being uncorrupt. Most people carried similar beliefs in the United States during the 18th century, it is very possible that the Wilkes could have been from Jefferson's era carrying the same ideals and values as him due to similar style of writing, choice of diction, and beliefs.
let facts be submitted to a candid world, for the truth of which we pledge a faith yet unsullied by falsehood.
The Declaration of Independence impacted the United States in more ways than one, Jefferson makes clear that essentially people should be uncorrupt in this new world and man should strive to preserve the pureness of this country and keep from falsehood and lies. It sparked my attention when I came across a monthly chronologer titled "The Gentleman's and London magazine" that contained very similar diction and ideals of society during that time period. It is noticed that humans are habitual creatures and mimic their peers within their society creating a universal diction within that community. Most people carried similar beliefs in the United States during the 18th century since most citizens were of Christian faith it is very possible that the writers of the "Gentleman's and London Magazine" could have been from Jefferson's era having the same ideals and values as him due to similar style of writing and choice of diction.
Taking critical reflection seriously caused those around them to view them with fear and loathing, with a hostility borne of incomprehension. Surfing on a wave of unbridled enthusiasmfor the process thowtheirwavecolapsedinonthemasthey noticedhowtheircoleaguesbecameangrywheneverthe importance of critical reflection was mentioned.
Bluetooth—so simple and yet so troublesome. For a subsection of users, Yosemite is causing problems with Bluetooth accessories and connectivity. One solution proffered by iDigitalTimes is to disconnect all USB preferences, shut the Mac off for several minutes and then try again from the beginning. You may have to teach Yosemite about your Bluetooth accessories afresh instead of relying on what Mavericks has passed on. Over on the official Apple forums, it looks like resetting your machine's PRAM (Parameter Random Access Memory) once or twice might fix the problem. PRAM is where all of the core information about your system is stored, and you reset it by booting up, then holding down the Cmd+Option+P+R keys right after you've hit the power button. When you hear the startup sound for the second time, you can let go.
I may need to try this solution.
We obtain the concept, as we do the form, by overlooking what is individual and actual; whereas nature is acquainted with no forms and no concepts, and likewise with no species, but only with an X which remains inaccessible and undefinable for us.
That which is beyond rhetoric is beyond our conceptual reach