https://wildland.io/2021/06/11/introducing-client-v0.1.html
This looks intriguing... A client for abstracting data stores for use anywhere.
https://wildland.io/2021/06/11/introducing-client-v0.1.html
This looks intriguing... A client for abstracting data stores for use anywhere.
I tried very hard in that book, when it came to social media, to be platform agnostic, to emphasize that social media sites come and go, and to always invest first and foremost in your own media. (Website, blog, mailing list, etc.)
I like how Dr. Pacheco-Vega outlines some of his research process here.
Sharing it on Twitter is great, and so is storing a copy on his website. I do worry that it looks like the tweets are embedded via a simple URL method and not done individually, which means that if Twitter goes down or disappears, so does all of his work. Better would be to do a full blockquote embed method, so that if Twitter disappears he's got the text at least. Images would also need to be saved separately.
It's the feedback that's motivating A-list bloggers like Digg founder Kevin Rose to shut down their blogs and redirect traffic to their Google+ profiles. I have found the same to be true.
This didn't work out too well for them did it?
GWG, Some random thoughts:
Your challenge question is tough, not just for the mere discovery portion, but for the multiple other functions involved, particularly a "submit/reply" portion and a separate "I want to subscribe to something for future updates".
I can't think of any sites that do both of these functionalities at the same time. They're almost always a two step process, and quite often, after the submission part, few people ever revisit the original challenge to see further updates and follow along. The lack of an easy subscribe function is the downfall of the second part. A system that allowed one to do both a cross-site submit/subscribe simultaneously would be ideal UI, but that seems a harder problem, especially as subscribe isn't well implemented in IndieWeb spaces with a one click and done set up.
Silo based spaces where you're subscribed to the people who might also participate might drip feed you some responses, but I don't think that even micro.blog has something that you could use to follow the daily photo challenges by does it?
Other examples: https://daily.ds106.us/ is a good example of a sort of /planet that does regular challenges and has a back end that aggregates responses (usually from Twitter). I imagine that people are subscribed to the main feed of the daily challenges, but I don't imagine that many are subscribed to the comments feed (is there even one?)
Maxwell's Sith Lord Challenge is one of the few I've seen in the personal site space that has aggregated responses at https://www.maxwelljoslyn.com/sithlordchallenge. I don't think it has an easy way to subscribe to the responses though an h-feed of responses on the page might work in a reader? Maybe he's got some thoughts about how this worked out.
Ongoing challenges, like a 30 day photography challenge for example, are even harder because they're an ongoing one that either requires a central repository to collect, curate, and display them (indieweb.xyz, or a similar planet) or require something that can collect one or more of a variety of submitted feeds and then display them or allow a feed(s) of them. I've seen something like this before with http://connectedcourses.net/ in the education space using RSS, but it took some time to not only set it up but to get people's sites to work with it. (It was manual and it definitely hurt as I recall.)
I don't think of it as a challenge, but I often submit to the IndieWeb sub on indieweb.xyz and I'm also subscribed to its output as well. In this case it works as an example since this is one of its primary functions. It's not framed as a challenge, though it certainly could be. Here one could suggest that participants tag their posts with a particular hashtag for tracking, but in IndieWeb space they'd be "tagging" their posts with the planet's particular post URL and either manually or automatically pinging the Webmention endpoint.
Another option that could help implement some fun in the system is to salmention all the prior submissions on each submission as an update mechanism, but one would need to have a way to unsubscribe to this as it could be(come) a spam vector.
Owned by https://twitter.com/person72443, found via IndieWeb chat this month.
Villar-Onrubia, Daniel, and Victoria I. Marín. “Independently-Hosted Web Publishing.” Internet Policy Review 11, no. 2 (April 26, 2022). https://doi.org/10.14763/2022.2.1665.
https://policyreview.info/glossary/independently-hosted-web-publishing
Fun to see the IndieWeb wiki cited in academic literature.
The term independent is considered more appropriate than self, as in self-hosted, considering the latter can give the wrong impression that it only refers to situations where the owners of a website decided to physically host it on hardware that is physically controlled and managed by them.
This idea of independently hosted versus self-hosted comes up frequently in IndieWeb chat. The IndieWeb doesn't generally participate in the "purity test" of requiring full self-hosting as a result.
Projects like the Open Journal System, Manifold or Scalar are based on a distributed model that allow anyone to download and deploy the software (Maxwell et al., 2019), offering an alternative to the commercial entities that dominate the scholarly communication ecosystem.
Might Hypothes.is also be included with this list? Though it could go a bit further toward packaging and making it more easily available to self-hosters.
For example, Campbell talks about personal cyberinfrastructures when he suggests providing students with hosting space and their own domain as soon as they start their studies: Suppose that when students matriculate, they are assigned their own web servers […] As part of the first-year orientation, each student would pick a domain name […] students would build out their digital presences in an environment made of the medium of the web itself. […] In short, students would build a personal cyberinfrastructure— one they would continue to modify and extend throughout their college career—and beyond. (Campbell, 2013, p. 101–102)
Giving a student their own cyberinfrastructures, a set of digital tools, is not too dissimilar from encouraging them to bring tools like notebooks, paper, index cards, pens, and paper in the early 20th century or slate and chalk generations earlier.
Having the best tools for the job and showing them how to use them is paramount in education. Too often we take our tools for thought for granted in the education space. Students aren't actively taught to use their pens and paper, their voices, their memories, or their digital technologies in the ways that they had been in the past. In the past decade we've focused more on digital technologies, in part, because the teachers were learning to use them in tandem with their students, but this isn't the case with note taking methods like commonplacing, card indexes (or zettelkasten). Some of these methods have been taken for granted to such an extent that some of them are no longer commonplace within education.
I'll quickly note that they don't seem to have a reference to Campbell in their list. (oops!) Presumably they're referencing Gardner Campbell, though his concept here seems to date to 2009 and was mentioned heavily in the ds106 community.
emancipatory communication seeks “to circumvent the politics of enclosure and control enacted by states, regulators, and corporations” (Milan, 2019 , p. 1)
We propose ‘independently-hosted web publishing’ as a term that can appropriately describe “affirmative disruption” (Hall, 2016) in relation to practices enabling a diverse range of individuals, collectives and initiatives to adopt alternatives to centralised modes of sharing content online.
Is there a need for a word to describe this? Does indieweb have baggage to warrant using 'independently-hosted web publishing'?
I like the idea of affirmative disruption--it's got a positive connotation and takes back the idea of disruption which has been co-opted by "big social".
https://x28newblog.wordpress.com/2022/05/08/curating-my-blog-archive/
I like the overall look and effect done here to create a table of contents in WordPress, but it seems like some quirky gymnastics to pull it off. How might this be done in a more straightforward way? Are there any plugins for WordPress that could create a page that keeps the categories and the descriptions? And particularly a page that primarily only shows articles and not other content types?
Link this to my work on my own index at https://boffosocko.com/about/index/
It's a little hard to tell if "IndieWeb" is in practice just its own community of people who like to talk about #indieweb things. (That's what gets surfaced when I try to learn more, but of course it is.) I like the idea more than most "fediverse" incarnations, though.
Where is the IndieWeb?
One might consider the IndieWeb's indieweb.org wiki-based website and chat the "logos" of IndieWeb. There is a small group of about a hundred actove tp very active participants who hang out in these spaces on a regular basis, but there are also many who dip in and out over time as they tinker and build, ask advice, get some help, or just to show up and say hello. Because there are concrete places online as well as off (events) for them to congregate, meet, and interact, it's the most obvious place to find these ideas and people.
Beyond this there is an even larger group of people online who represent the "ethos" of IndieWeb. Some may have heard the word before, some have a passing knowledge of it, but an even larger number have not. They all act and operate in a way that either seemed natural to them because they grew up in the period of the open web, or because they never felt accepted by the thundering herds in the corporate social enclosures. Many are not necessarily easily found or discovered because they're not surfaced or highlighted by the sinister algorithms of corporate social media, but through slow and steady work (much like the in person social space) they find each other and interact in various traditional web spaces. Many of them can be found in spaces like Tilde Club or NeoCities, or through movements like A Domain of One's Own, some can be found through a variety of webrings, via blogrolls, or just following someone's website and slowly seeing the community of people who stop by and comment. Yes, these discovery methods may involve a little more work, but shouldn't health human interactions require work and care?
The final group of people, and likely the largest within the community, are those that represent the "pathos" of IndieWeb. The word IndieWeb has not registered with any of them and they suffer with grief in the long shadow of corporate social media wishing they had better user interfaces, better features, different interaction, more meaningful interaction, healthier and kinder interaction. Some may have even been so steeped in big social for so long that they don't realize that there is another way of being or knowing.
These people may be found searching for the IndieWeb promised land on silo platforms like Blogger, Tumblr or Medium where they have the shadow on the wall of a home on the web where they can place their identities and thoughts. Here they're a bit more safe from the acceleration of algorithmically fed content and ills of mainstream social. Others are trapped within massive content farms run by multi-billion dollar extractive companies who quietly but steadily exploit their interactions with friends and family.
All three of these parts of the IndieWeb, the logos, the ethos, and the pathos comprise the community of humanity. They are the sum of the real conversation online.
Venture capital backed corporate social media has cleverly inserted themselves between us and our interactions with each other. They privilege some voices not only over others, but often at the expense of others and only to their benefit. We have been developing a new vocabulary for these actions with phrases like "surveillance capitalism", "data mining", and analogizing human data as the new "oil" of the 21st century. The IndieWeb is attempting to remove these barriers, many of them complicated, but not insurmountable, technical ones, so that we can have a healthier set of direct interactions with one another that more closely mirrors our in person interactions. By having choice and the ability to move between a larger number of service providers there is an increasing pressure to provide service rather than the growing levels of continued abuse and monopoly we've become accustomed to.
None of these subdivisions---logos, ethos, or pathos---is better or worse than the others, they just are. There is no hierarchy between or among them just as there should be no hierarchy between fellow humans. But by existing, I think one could argue that through their humanity they are all slowly, but surely making the web a healthier, happier, fun, and more humanized and humanizing place to be.
Old'aVista, a play on the old Altavista search engine.
And when you publish HTML to a server that you control; that's fucking powerful.
-Justin Jackson
We’ve updated the default Tumblr Official blog theme to be compatible with Microformats 2, which allows blogs using the Official theme to be parsed more easily as part of the IndieWeb. Follow the ongoing work on this here!
Huzzah! Kevin Marks for the win!
https://indieweb.org/this-week/2022-05-06.html
Lots of new folks joining recently. :)
https://socialhome.network/
A Fediverse project that does both articles, notes, and photos.
Link to https://twitter.com/ChrisAldrich/status/1522267857169653761
using rome as a almost a tool to convey information to your future self
One's note taking is not only a conversation with the text or even the original author, it is also a conversation you're having with your future self. This feature is accelerated when one cross links ideas within their note box with each other and revisits them at regular intervals.
Example of someone who uses Roam Research and talks about the prevalence of using it as a "conversation with your future self."
This is very similar to the same patterns that can be seen in the commonplace book tradition, and even in the blogosphere (Cory Doctorow comes to mind), or IndieWeb which often recommends writing on your own website to document how you did things for your future self.
https://cagrimmett.com/thoughts/2022/04/26/why-blog/
A great essay on why bog!
But amid our slender repertoire of agency are the labels we choose for our labors of love — the works of thought and tenderness we make with the whole of who we are.
—Maria Popova, on choosing a new name for her website.
three steps required to solve the all-importantcorrespondence problem. Step one, according to Shenkar: specify one’s ownproblem and identify an analogous problem that has been solved successfully.Step two: rigorously analyze why the solution is successful. Jobs and hisengineers at Apple’s headquarters in Cupertino, California, immediately got towork deconstructing the marvels they’d seen at the Xerox facility. Soon theywere on to the third and most challenging step: identify how one’s owncircumstances differ, then figure out how to adapt the original solution to thenew setting.
Oded Shenkar's three step process for effective problem solving using imitation: - Step 1. Specify your problem and identify an analogous problem that has been successfully solved. - Step 2. Analyze why the solution was successful. - Step 3. Identify how your problem and circumstances differ from the example problem and figure out how to best and most appropriately adapt the original solution to the new context.
The last step may be the most difficult.
The IndieWeb broadly uses the idea of imitation to work on and solve a variety of different web design problems. By focusing on imitation they dramatically decrease the work and effort involved in building a website. The work involved in creating new innovative solutions even in their space has been much harder, but there, they imitate others in breaking the problems down into the smallest constituent parts and getting things working there.
Link this to the idea of "leading by example".
Link to "reinventing the wheel" -- the difficulty of innovation can be more clearly seen in the process of people reinventing the wheel for themselves when they might have simply imitated a more refined idea. Searching the state space of potential solutions can be an arduous task.
Link to "paving cow paths", which is a part of formalizing or crystalizing pre-tested solutions.
Tools like Hypothes.is are designed as silos to ensure that its social features work.
As open source as Hypothes.is is, I do wish that it had some additional open IndieWeb building blocks to keep it from being a silo.
Sadly, I've never had the time, nor the technical expertise and facility with their code to implement the pieces, but I have outlined a bit of what might be done to make the platform a bit less silo-like: https://boffosocko.com/2019/04/08/ideas-for-indieweb-ifying-hypothes-is/
Fortunately it is open enough for me in other respects that I can bend portions of it to my will and needs beyond what it offers a la carte.
Gall’s Law, which states that a complex system that works is invariably found to have evolved from a simple system that worked. Contrast this with a complex system designed from scratch, which never works and cannot be patched up to make it work.
Gall's Law: Working complex systems invariably evolve from simple systems which actually worked.
It is rare to find working complex systems designed from scratch. They rarely work and are incredibly difficult to patch to make them work.
https://movement-ontology.brandazzle.net/docs/introduction/#how-do-i-use-it
Built using Markdown text files and PDFs using Obsidian, versioned through GitHub, and connected to a website through Netlify and Peter Yuen's Zola site project.
Open source software for podcasting.
I need to #indieweb my photos though
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>A real shame for what it’s now become, I’ve stopped uploading a while ago and stopped paying when they doubled the price - I wasn’t getting any value out of it. I need to #indieweb my photos though
— Serdar Kiliç (@serdar) March 18, 2022
Use of IndieWeb as a verb in the wild.
The only older use I can think of is "indiewebify" stemming from the website https://indiewebify.me.
Anything’s a CMS if you indieweb it hard enough!
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Anything’s a CMS if you indieweb it hard enough!<br><br>This is super cool.
— MWDelaney (@MichaelWDelaney) March 19, 2022
Use of IndieWeb as a verb in the wild.
A search engine for IndieWeb sites.
https://www.youtube.com/watch?v=rTSEr0cRJY8
Starts out with four and a half minutes of anti-crypto and Web3 material. Presumably most of her audience is in the web3 space.
http://youvegotkat.neocities.org
Neocities: http://neocities.org
The Yesterweb: http://yesterweb.org
Marginalia Search: https://search.marginalia.nu/explore/random
It [the IndieWeb] is so so queer. Like it's super gay, super trans, super good.
The indie web also questions tech solutionism which often attempts to solve human problems by removing the human element. But easily the most remarkable and powerful thing about the internet is the ability it has to connect us with one another.
https://web3.14159.site/
A key issue is the role of empathic communications in forming trusting relationships (Pr eece, 1998).
It's depressing to see that this fundamental problem of the early web seemingly has seen almost no progress in almost a quarter of a century.
Genex: A generator of excellence The four foundational beliefs lead to a model of creativity with four phases and therefore four categories of tools. I hope this framework (Table 1) aids designers in building genexes that will enable creative individuals in many domains to: - collect information from an existing domain of knowledge, - create innovations using advanced tools, - consult with peers or mentors in the field, and then - disseminate the results widely.
Given these criteria for requisite tools of a genex, I can certain create a case that the IndieWeb community is doing most of these fairly well with respect to their domain of interest.
https://www.amitgawande.com/2018/07/18/223800.html
Details for adding date/time microformats to Blot.im.
https://www.amitgawande.com/2018/07/17/195200.html
Amit Gawande outlines some of his work to IndieWebify his Blot.im website.
https://github.com/am1t/blotpub
Blotpub, a self-hosteable Micropub and media endpoint for blot.im and Dropbox.
https://www.amitgawande.com/2018/08/02/164900.html
Overview of thinking about beginning to IndieWebify a Blot website.
https://kiriska.com/blog/2022/your-website-is-useless/
Some general discussion about the value of having a portfolio on your own website in a social media driven world. Touches on the ease of use and user interface problems that are out there.
https://brainbaking.com/post/2021/10/are-digital-gardens-blogs/
We definitely need better definitions of digital gardens (public or otherwise) to delineate them from blogs, zettelkasten, wikis, social media, and other forms of information exchange.
Wouter Groeneveld describes some of his thoughts here.
Link to notes from https://collect.readwriterespond.com/are-digital-gardens-blogs/
The mere fact that there’s still a community with values that are just about sharing, learning, and getting to know each other, who want something like this, should be a happy sign for everyone involved.
I recently attended an IndieWeb pop-up session on distributed libraries.It was thoroughly refreshing.
😍
The thing about IndieWeb is that it’s still a place where people and ideas matter.
Gerben and Brendan Howell created PenPub which connects with a Moleskine/Neo smartpen via bluetooth, turns the lines into an SVG file, uploads that to a static web server, and thereby creates a ‘paper website’ that is a live reflection of your notebook (with a few seconds delay)
You can’t take your audience with you.
Nonfiction Techniques Spring 2022
Caveat emptor. A lot of these "influencer" methods are leaving 30% or far more of their value with the platforms they're using for distribution. A better path is to build and promote your own platform and have a direct relationship with one's readers (in newsletter spaces, it's about "owning"/having your reader's email address). Some other newsletter options can be found here: https://indieweb.org/newsletter as well as methods for building and owning your own technology stack across its site. If nothing else, consider having a website where you can have a portfolio/archive of your work.
Careful watchers of the newsletter space will notice that almost all of the highlight examples on these services are established big names with pre-existing platforms and audience. Where are the stories of the other 99.9% and how well they're doing? Who is actually making a full time living doing this without a significant leg up to start? As examples, look for major writers leaving the New York Times to set up newsletters, or people like Steve Hayes and Jonah Goldberg leaving The National Review to set up The Dispatch (as a newsletter platform)—it's a good bet that they're getting a better deal from Substack than the average person. The NiemanLab has some relatively good coverage of some of this space. (Their annual predictions series also has solid forward looking coverage of the journalism/technology space: https://www.niemanlab.org/collection/predictions-2022/.)
(Apologies for lurking... 😅, but happy to chat technology/publishing with anyone interested.)
Introductory Articles
Better search.
Needed.
Even major corporations such as Qantas Airlines, Red Bull, and the Los Angeles Clippers have started putting a Linktree in their Instagram and TikTok bios, Anthony Zaccaria, Linktree’s co-founder and chief commercial officer, told me. These companies all have expensive websites, but he said that link-in-bios have come to represent a space in between social media and websites: a regularly updated page where artists can plug their new music, airlines can promote their new flight routes, and even non-influencers can list out the TV shows they’re currently watching. While a traditional website might remain relatively static over time—an airline like Qantas, for instance, is always going to want its flight-booking tool to be front and center—a link-in-bio is a sort of ever-shifting homepage, the ideal spot for brands and influencers to house updates or tout new products.
Who says the link in bio needs to go to a company's homepage? Why couldn't it be a custom landing page geared toward the social media site the link is placed on?
The reasoning here is completely false.
https://github.com/tegon/traktflix
Code for making a Trakt.tv scrobbler for Netflix.
https://webmention.io/api/mentions.jf2?target=https://indieweb.org
Link for mentions of the IndieWeb wiki. Ought to dump this into into Fluffy's webmention.js (https://github.com/PlaidWeb/webmention.js/) to provide a better experience.
https://johannesklingebiel.de/2021/03/10/new-website.html
I know that Johannes has a digital garden, but I didn't expect his post to take the turn it did! What a lovely little piece.
To learn—A rather obvious one, but I wanted to challenge myself again.
I love that Johannes Klingbiel highlights having his own place on the Internet as a means to learn. While I suspect that part of the idea here is to learn about the web and programming, it's also important to have a place you can more easily look over and review as well as build out on as one learns. This dovetails in part with his third reason to have his own website: "to build". It's much harder to build out a learning space on platforms like Medium and Twitter. It's not as easy to revisit those articles and notes as those platforms aren't custom built for those sorts of learning affordances.
Building your own website for learning makes it by definition a learning management system. The difference between my idea of a learning management system here and the more corporate LMSes (Canvas, Blackboard, Moodle, etc.) is that you can change and modify the playground as you go. While your own personal LMS may also be a container for holding knowledge, it is a container for building and expanding knowledge. Corporate LMSes aren't good at these last two things, but are built toward making it easier for a course facilitator to grade material.
We definitely need more small personal learning management systems. (pLMS, anyone? I like the idea of the small "p" to highlight the value of these being small.) Even better if they have social components like some of the IndieWeb building blocks that make it easier for one to build a personal learning network and interact with others' LMSes on the web. I see some of this happening in the Digital Gardens space and with people learning and sharing in public.
[[Flancian]]'s Anagora.org is a good example of this type of public learning space that is taking the individual efforts of public learners and active thinkers and knitting their efforts together to facilitate a whole that is bigger than the sum of it's pieces.
What an awesome little site. Sadly no RSS to make it easy to follow, so bookmarking here.
I like that she's titled her posts feed as a "notebook": https://telepathics.xyz/notebook. There's not enough content here (yet) to make a determination that they're using it as a commonplace book though.
Someone in the IndieWeb chat pointed out an awesome implementation of "stories" she's got on her personal site: https://telepathics.xyz/notes/2020/new-york-city-friends-food-sights/
I particularly also like the layout and presentation of her Social Media Links page which has tags for the types of content as well as indicators for which are no longer active.
This makes me wonder if I could use tags on some of my links to provide CSS styling on them to do the same thing for inactive services?
https://y.yarn.co/d4aa882e-7143-4163-869b-458fa1519cbb_text.mp4
https://memes.yarn.co/yarn-clip/d4aa882e-7143-4163-869b-458fa1519cbb
IndieAuth: My Website is my passport. Verify Me.
status.cafe is a place to share your current status.
https://jon.bo/posts/can-blogging-be-simple/
Syndicated copy: https://twitter.com/jondotbo/status/1475581785874612234
Has some hint of the IndieWeb space here. My first thought is of micro.blog---for a reasonable subscription price it's relatively easy for folks to get started and allow customization and flexibility if they want/need it.
It also tries to meet users where they're at, so if you've already got a site you can still participate and it can provide services one may not want to self-host like a social reader, webmentions, micropub, etc.
To encourage people to write its UI starts out with short Twitter like notes, and if you keep writing, it provides you with a "title" field to turn a post into an article.
https://snarfed.org/2022-01-08_happy-10th-birthday-bridgy
Congratulations Ryan! Thanks so much for all your work on Brid.gy and for/on behalf of the bigger community. I'm sending my reply directly from my own website to underline some of your point, but I'm going to have send a like using Twitter with hopes that it feels some of the love as well. 😁
Thanks again!
So ultimately, I wound up not doing a lot with my stories… until I stumbled across a newsletter article on substack talking about how people were serializing their novels on newsletters, because the new newsletter-subscription models let them sell directly to fans without using Amazon or Wattpad or Patreon as a middleman.
People have begun serializing their novels using newsletters. This allows them to sell directly to fans without allowing middleman companies like Amazon, Patreon, or Wattpad to disintermediate them.
https://maya.land/responses/2021/09/17/altweb-indieweb-squabble.html
This week on soap operas in the small web....
https://hypertext.monster/2022/01/05/i-was-entertained.html
First Wordle post I've seen on a personal website instead of on Twitter.
https://www.manton.org/2022/01/05/ive-updated-microblogs.html
I've been waiting to see plugins appear for micro.blog!
https://jamesg.blog/2022/01/04/simple-taxonomies/
Keeping things simple is a useful thing, particularly when there aren't any consuming applications that use that sort of complexity. A simple note with some tags can be incredibly versatile.
Why is dystopian sci-fi seem more ubiquitous than optomistic sci-fi?
https://web.archive.org/web/20010805195949/http://www.uzine.net/article63.html
The indie web is a new type of link between people, it's a free and open space of shared knowledge where vanity has no place.
While this indie web manifesto rails against vanity, it would seem that so much of social media is about exactly vanity and creating some sort of mythical online identity for others.
I think this new identity should… build upon a diverse group of people and ideas remember, but not revere, past research and tradition welcome independent contributors, and view itself as a collective of people, not an industry of companies work in the open, and value building and testing ideas over spreading them.
From the jump, I can't help but think that it sounds like he's looking for a niche within the IndieWeb space.
http://boris.libra.re/library/ Made apparently using Calibre.
when I browse from someone’s blog over to their Substack it feels like going from a sweet little neighborhood into a staid corporate park. A little piece of joy dies in me when that happens because it’s another reminder of the corporatization of the web.
--Ray
https://david.shanske.com/2021/11/24/5364/
I've been thinking about how to best do photo uploads myself. I've got something quirky right now myself, but want something more solid with less after-the-fact work.
I find something very appealing about this user interface as a way to create a website: https://paperwebsite.com/.
A micropub client that could do this would be fascinating...
https://collect.readwriterespond.com/antennapod/
I feel your pain here Aaron.
Perhaps it helps, perhaps not, but I've been using AntennaPod for a few years now. In particular I love it on Android because I can use the share functionality to share to a custom email address which posts to reading.am for an account that aggregates everything I'm listening to. Then I port the RSS feed of that back into my site. It's a stupid amount of manual work, but it mostly works.
Alternately you could share material you listen to to Huffduffer and pull data out that way as well. My problem here is that Huffduffer is more of a bookmark service than a "listened to this" sort of service, though you could always add a "listened" tag to the things you've heard in the past.
The tougher part of all this is that podcasts have "canonical" links for the podcast episodes (sometimes) and an entirely different link for the audio file which has no meta data attached to it (presuming you can even find the URL for the audio file to begin with.)
AntennaPod allows you to pick and choose what you want to share, so usually I default to the audio file to get that in to the workflow and finding/adding the data for the particular episode is a bit easier.
I will say that this is one of the ugliest and most labor intensive workflows I've got for social posts, so I'm usually only doing it and posting publicly for things that I really think are worth the time that make for interesting notes/observations that go along with the post.
I'm curious to see what others come up with for this workflow.
https://news.ycombinator.com/item?id=29115696
Read through comments for the fun of it.
Nothing beyond the extraordinary here.
https://www.eventbrite.com/e/logging-off-facebook-what-comes-next-tickets-201128228947
Not attending, but an interesting list of people and related projects to watch.
I want a [[community]], not an [[audience]]. Audience is stuff like reach, personality/celebrity, spectacle, anxiety, alienation, competition. Community is more like voice, discussion, comradery.
I love this sentiment.
It's an analogy that reminds me of a quote by Sir Arthur Stanley Eddington:
Suppose that we were asked to arrange the following in two categories– distance, mass, electric force, entropy, beauty, melody. I think there are the strongest grounds for placing entropy alongside beauty and melody and not with the first three.
https://penguinscreative.com/2019/09/18/13-reasons-why-i-love-using-a-hobonichi-techo/
How can we compare the Hobonichi community to the IndieWeb community in terms of practice, creativity, and growth?
What can IndieWeb gain from looking at some of the practices?
The IndieWeb is a movement to decentralize the social web.
Shared by Ru Singh in an article, “A new microblogging strategy.”
https://www.youtube.com/watch?v=qhh-AhI7rro
Social Media is NOT Your Portfolio!!
Tres IndieWeb!
# 21:30 @voxpelli ↩️ Better to name things for what they are rather than trying to make it into something else through deceptive names like "web 3.0". I mean, eg. the IndieWeb could also have called itself "web 3.0", I guess Mastodon could as well. There truly must be a better name? (twitter.com/_/status/1442601857105346560)
The conversation here makes me wonder about the idea of a more humanist web following onto the humanist movement in the 1400-1500s.
I think it’s valuable to add some initial thinking and reflection when I bookmark an article or finish reading a book, but haven’t yet figured out a process for revisiting recent notes to find connections and turn that into longer or more complex thought.
This is definitely the harder part of the practice, but daily, weekly, monthly, quarterly, and annual reviews can definitely help.
To start I primarily focused on 3-5 broader sub-topics of things I felt were most important to me and always did those first. This helps to begin aggregating things and making a bigger difference. The rest of my smaller "fleeting" notes I didn't worry so much about and left to either come back to later or just allow them to sit there.
I think Sonke Ahrens' book How to Take Smart Notes was fairly helpful in laying this out.
Incidentally the spaced repetition of review is also good for your memory of the things you find important.
I wasn’t expecting to facilitate a session
My work here is done! 😁
https://tracydurnell.com/2021/09/26/getting-more-women-involved-in-the-indieweb/
Some great questions here and it's a difficult problem.
My personal solution is to do my best to provide personal invitations to people I think would enjoy participating and then trying to provide some space and support for them once they've arrived.
I do remember a self-named DrupalChix group of women around 2008 who banded together and created their own space within the Drupal community. Their leadership from within certainly helped to dramatically move the needle within Southern California. (cross reference: https://groups.drupal.org/women-drupal)
Are women generally more interested in other social causes besides online surveillance and the negative cultural impacts of social media companies?
Most of the advanced researchers I seen on these topics are almost all women: Safiya Umoja Noble, Meredith Broussard, Ruha Benjamin, Cathy O'Neil, Shoshana Zuboff, Joan Donovan, danah boyd,Tressie McMillan Cottom, to name but a few.
The tougher part is that they are all fighting against problems created primarily by privileged, cis-gender, white men.
Alasdair Ekpenyong's Digital Garden
Alasdair is an academic in the area of library science.
https://jamesg.blog/2021/09/13/new-social-pages
Some awesome looking progress here.
Build pathways between communal and private work. Too often, we celebrate one or the other, but thinking actually works best when it has the opporunity to be done both in private and alongside other people. Proximity and ease of movement between the two modes matters. If a person can work on ideas alone and privately for a little while, then easily bring those ideas to a group, then move back to the private space, and continue this cycle as necessary, the thinking will be better.
This is a model that is tacitly being used by the IndieWeb in slowly developing better social media and communication on the web.
https://en.wikipedia.org/wiki/Confession_album
Interesting historical personal document type. This feels like it has some influence within the realm of the commonplace book tradition.
Is there a way to revive these in an internet age and nudge them along with webmentions?
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Kevin Marks </span> in #indieweb 2021-09-06 (<time class='dt-published'>09/06/2021 16:14:19</time>)</cite></small>
https://jamesg.blog/2021/09/02/micropub-social
A solid overview for folks interested in implementing Micropub on their own websites.
https://nicksimson.com/posts/2021-commonplace-books/
Introductory post about how Nick has found and begun looking at digital commonplace books.
https://indieweb.org/2012/Positive_Arguments
It would be fun to revisit this. I'm not sure how much we can expand on the why portions, but looking closer at and thinking about expanding the how would be useful.
https://kimberlyhirsh.com/2019/04/01/dissertating-in-the.html
A description of some of Kimiberly Hirsh's workflow in keeping a public research notebook (or commonplace book).
I'd be curious to know what type of readership and response she's gotten from this work in the past. For some it'll bet it's possibly too niche for a lot of direct feedback, but some pieces may be more interesting than others.
Did it help her organize her thoughts and reuse the material later on?
https://11ndieweb.netlify.app/
A cool looking 11thy starter site for joining the IndieWeb.
By the end of the decade, the printed and bound confession book had been introduced. The earliest currently known example with a printed publication date is Mental Photographs, an album published in New York in 1869, which contained place for a photograph as well as the set of questions (a combination already found in Jenny Marx's album).[9]
This seems like something that could be profitably published into children's school yearbooks for being filled out by friends. They've already got names and photographs, and usually are autographed with quotes or notes already.
These could be tied into personal websites as well.
An interesting directory of personal blogs on software and security.
While it aggregates from various sources and allows people to submit directly to it, it also calculates a quality score/metric by using a total number of Hacker News points earned by the raw URL
Apparently uses a query like: https://news.ycombinator.com/from?site=example.com to view all posts from HN.
As Berry says, “We arespeaking where we stand, and we shall stand afterwards in thepresence of what we have said.”
A great quote to be sure. Perhaps a definition of having a personal website for online communication?
Coding is a problem-solving skill, and few of theproblems that beset young people today, or are likely to in thefuture, can be solved by writing scripts or programs for computersto execute. I suggest a less ambitious enterprise with broaderapplications, and I’ll begin by listing the primary elements of thatenterprise. I think every young person who regularly uses acomputer should learn the following:
Alan Jacobs eschews the admonishment that everyone should learn to code and posits a more basic early literacy stepping-stone to coding: learning some basic preliminaries of self-hosting. This is likely much easier for most people and could build a better runway for those who would like to learn to code later on.
Earlier this year, a group of writers with popular tech and culture newsletters expanded upon this premise; they joined together to launch a Discord server called Sidechannel where all their subscribers could meet and chat. (“So it’s just people paying for internet friends?” asked one woman I know when this arrangement was described to her. Yes, and currently Sidechannel has some 5,000 members, several hundred of whom may be active at a given time.)
There's something a bit depressing about the idea of paying for online friends. Though creating, managing, and tummeling these sorts of community is definitely a form of social and creative "work".
How much work do these creators do on this front? How much is the writing and creating versus the management and community building? What else goes into it all?
Compare and contrast the work done by individuals in the IndieWeb community.
Early on, circa 2015, there was a while when every first-person writer who might once have written a Tumblr began writing a TinyLetter. At the time, the writer Lyz Lenz observed that newsletters seemed to create a new kind of safe space. A newsletter’s self-selecting audience was part of its appeal, especially for women writers who had experienced harassment elsewhere online.
What sort of spaces do newsletters create based upon their modes of delivery? What makes them "safer" for marginalized groups? Is there a mitigation of algorithmic speed and reach that helps? Is it a more tacit building of community and conversation? How can these benefits be built into an IndieWeb space?
How can a platform provide "reach" while simultaneously creating negative feedback for trolls and bad actors?
# 17:52 GWG Welcome to the Indieweb, where our dreams are limited by time
https://chat.indieweb.org/dev/2021-07-09
A great tagline for IndieWeb
doosboox's website
I guess my Pastor wanted to take today off. We didn't have church today, which is strange. OK interesting question that someone brought up on Twitter. Is it weird that you can't tweet from an RSS reader? I mean, someone said they don't use RSS for this reason.
@ladyhope It is weird. It's also something that the IndieWeb community has been working on fixing. There is a class of social feed readers (using Microsub, and including micro.blog) that allows one to subscribe and read, but also allows one to reply inline and post to their own websites (which could then also syndicate to social media sites). indieweb.org/social_re... has some examples, including several you could dovetail with your WordPress site.
Syndication: https://micro.blog/chrisaldrich/11655781
This is old school awesomeness!
A great overview of some of the various definitions of small web and what it might entail.
Another interpretation of the “Small Web” concept is that it refers to the use of alternative protocols to the dominant HTTP(S), lightweight ones like the older Gopher and newer Gemini. For example, the blog post Introduction to Gemini describes these collectively as “the Small Internet”.
Maybe the idea of a "personal internet" is what we're all really looking for? Something with some humanity? Something that's fun? Something that has some serendipity?
What a great about page. Reminds me in part of some of the underlying ethos of the IndieWeb.
It wasn't as straightforward as I thought it would be, so I've written this blog post for anyone who's trying to do the same with their NextJS blog.
I recall Monica Powell writing a bit about this with some video a while back.
Perhaps not as useful after-the-fact, but her post is hiding on in the see also section of https://indieweb.org/Webmention where I've archived a copy of your article as well. Maybe the IndieWeb wiki needs a NextJS page to make this a bit more findable?
Perhaps the similarities and differences in your approaches will help others in the future.
Fluffy's work here gives me such hope for the future. :)
I do wonder a bit about the potential misuse/abuse of sending tickets as notifications to people who don't want them.
Hopefully once the system is up and distributed it's relatively easy to ignore or block tickets from bad actors. Email spam is a similar model to this.
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>KevinMarks</span> in #indieweb 2021-06-25 (<time class='dt-published'>06/26/2021 01:52:39</time>)</cite></small>
IndieWeb + Welsh finally comes in handy! The Cwtch service Kevin Marks mentioned is the the Welsh word for "hug" or "cuddle" and cleverly has a heart shaped Celtic design for their logo. Kind of cute when you think about it. And speaking of opaque ids, if they're using a new protocol I hope they call it Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch....
I've run into Phil Jones in the digital gardens telegram group, but not looked very closely at [[Cardigan Bay]] before.
Based on the idea of teh [[Smallest Federated Wiki]], Cardigan Bay is a wiki engine in Clojure which can be found on GitHub at interstar/cardigan-bay.
Be sure to invite Jones to [[Gardens and Streams II]].
I totally want this!
Apps that allow one to own/control their own data. Many apps work with [[Fission]] and [[Solid]].
This may be one of the first places that I've seen multiple apps that appear to actually run Solid. Will have to dig further to see if it's not vaporware.
This is badass James!
Ward Cunningham may have been using a similar UI prior to it for other projects, but he unveiled the Smallest Federated Wiki at IndieWeb Camp 2011 in late June: https://indieweb.org/2011/Smallest_Federated_Wiki. I don't have a receipt to prove it, but I have to suspect that Andy's version was certainly influenced by Cunningham's work.
Mike Caulfield, subsequent author of the influential The Garden and the Stream: a Technopastoral, Iterated on the Smallest Federated Wiki and created a WordPress-based plugin shortly thereafter called Wikity that used some of the card-based UI that Obsidian comes with out of the box.
Both had some early influence on the UI-based research that the IndieWeb space has done since. For those interested, there's also a sub-group within it focusing on digital gardens, commonplace books, Zettelkasten, etc. that can be found here: https://indieweb.org/commonplace_book
I like the idea of this checklist.
If one replaced Ebooks on this list with "personal website" it would sound very IndieWeb in spirit.
syndicated copies:
This sounds cool. I sort of wish I could easily do this with my own WikiMedia install.
Keeping your garden on the open web also sets you up to take part in the future of gardening. At the moment our gardens are rather solo affairs. We haven't figure out how to make them multi-player. But there's an enthusiastic community of developers and designers trying to fix that. It's hard to say what kind of libraries, frameworks, and design patterns might emerge out of that effort, but it certainly isn't going to happen behind a Medium paywall.
There are a few of us using Webmention for this. Similarly there are some running open wikis or experiments like Flancian's agora.
In performance-blog-land you do that thinking and researching privately, then shove it out at the final moment. A grand flourish that hides the process.
This generally doesn't happen with IndieWeb-based sites where one often publishes all the smaller tidbits along the way and intersperses them with the longer articles.
Of course, not everyone here necessarily publishes everything publicly either.
They're less rigid, less performative, and less perfect than the personal websites we're used to seeing.
Is this also because they have inherently different audiences?
I have received a lot of positive feedback for noting my epistemic status and effort at the top of my posts. This is hilarious, because I originally started using these as a hack in order to publish half-baked ideas that I'd otherwise not feel comfortable sharing.
This is an interesting hack for getting one to hit the publish button.
I wonder if people have renamed the "publish" button in their CMS to make hitting it easier?
My own anecdotal evidence is that hitting it often can certainly make it seem trivial, particularly if one is posting their status updates to their site along with everything else.
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Maggie Appleton</span> in A Brief History & Ethos of the Digital Garden (<time class='dt-published'>05/28/2021 18:08:16</time>)</cite></small>
Ru does a retrospective about how much work and energy a static site can be to maintain a personal website.
Yet, every time I open up my Eleventy codebase, I want to puke (figuratively). Having gained distance and perspective from the codebase, it now looks less like a personal website and more like software. Even if a lot of it is well-engineered, it feels overblown for what it is supposed to do.
Even for a smart and experienced programmer, maintaining a static website generator site can be a lot of work.
Proof-of-concept forums, powered by the IndieWeb www.indieforums.net
go-jamming is a cool looking Webmention sender and receiver, particularly for SSGs. It can be used to service multiple websites as well.
Requires a bit of configuration and build into one's templates, but it looks pretty well documented.
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>KevinMarks</span> in #indieweb 2021-05-12 (<time class='dt-published'>05/18/2021 19:50:04</time>)</cite></small>
I am now definitely Team Maria!
A former FB executive and long-standing friend of Zuckerberg emailed him in 2012 (page 31) to say “The number one threat to Facebook is not another scaled social network, it is the fracturing of information / death by a thousand small vertical apps which are loosely integrated together.”
And this is almost exactly what the IndieWeb is.
This is a rather cool find and I can think of a few ways of using it.
Being able to add widgets easily to the dashboard can be a highly useful thing!
Also having the ability to easily add an admin page in the menu could be incredibly helpful in this setting.
Assuming I’m not reusing passwords all over the place, at least the worst thing you could do with my Neopets account is mistreat my virtual pet. Imagine, instead, that you’re a queer kid living in a small town in 1999, and you sign up for Livejournal and use it to find a supportive and loving queer community online. Then in 2007 Livejournal gets sold to a company based in Russia, which in 2013 criminalizes the distribution of pro-LGBTQ content to minors, and in 2017 Livejournal loses the account info of 26 million users. Was it your responsibility to monitor the shifting geopolitical context of your childhood diary for the next two decades?
With regard to these portions, being a member of the IndieWeb and maintaining your own data on your own website is useful as one doesn't need to worry about these sorts of corporate shifts, sell-off, changes, etc.
I cannot speak for the editor but I don’t see why Searchmysite would not also accept and crawl static HTML websites (ie. Retro or vintage HTML sites) so long as the site has some value and content that it can index, but they might not.
They certainly could. I've seen the author haunting the IndieWeb chat in the past and they've mentioned that crawling and saving data can tend to be a bit on the expensive side, so they're trying to do more targeted search/save when they can. Perhaps as the project matures, it will add these sorts of functionalities.
This has to be one of the baddest-ass things I've seen in months. I wish more people had public-facing commonplace books like this!
Bonus points that Whitney calls it a Whiki! :)
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>whitney trettien</span> on Twitter: "I'm excited to share a digital edition of Susanna Collet's 17th-century commonplace book, held at @morganlibrary. @zoe_braccia & I made it using @digitalmappa. It features a full transcription/facsimile & a searchable library of Collet's source texts. https://t.co/VSCMmBhMS6 https://t.co/fyrbwS9kk1" (<time class='dt-published'>04/09/2021 10:49:31</time>)</cite></small>
You can check out the new platform — which is essentially a short-form blog — by heading to www.DonaldJTrump.com/desk.
Apparently he's invented the idea of a microblog? And he's got a /desk page?
What comes next?
But let's be honest, he was posting these short status updates like this just a few days after he got kicked off of Twitter. He's just got a slightly better UI now.
Oh, FFS!
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>Donald Trump invents blogging.<br><br> https://t.co/Wl06PnekU7
— Theo Priestley (@tprstly) May 4, 2021
all active note-takers, life-hackers, and apparently also IndieWeb-enabled bloggers!
We really need to get around to scheduling the second session of Gardens and Streams.