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  1. Dec 2024
    1. VISIT OUR HUGE OFFICE FURNITURE WAREHOUSE! Take a virtual tour here: https://youtu.be/0Ez-eB-0u8w (copy and paste) Recycled Office Furnishings 10036 Freeman Avenue Santa Fe Springs, Ca. 90670 We accept Visa, MC, Amex, and debit cards! Mon - Fri: 9am to 5pm, Sat: 9am to 2pm Please call for Saturday hours on holiday weekends www.recycledofficefurnishings.com *alternate phone number: 562 777-2289*

      https://orangecounty.craigslist.org/fud/d/santa-fe-springs-index-filing-cabinet/7515311169.html

    1. https://old.reddit.com/r/typewriters/comments/1h4b3aw/is_there_a_source_that_exists_that_sells_or/

      If you need them for basic functionality, often you can find the manuals of the original manufacturers' models for rebrands (example: the Sears Tower machines which were really just rebrandings of the Smith-Corona 5 series).

      Additionally, after the 1930s there really wasn't a lot of new functionality, so almost any manual will help you to get you where you need to go, though there are some small differences in locations of things like carriage locks which can be helpful to know about and whose placement moved around on various machines.

      You might also notice that as typewriters were more ubiquitous in the 60s and 70s their manuals got thinner and thinner with less detail. If you do find a specific manual, you're unlikely to find very much in it.

      The Davis Brothers have some history on the Commodore line which was related to some of the Sears Chevron line. Polt does have two Commodore manuals which may be close to your machine: https://site.xavier.edu/polt/typewriters/tw-manuals.html

    1. On the value of typewriters

      As a hobbyist, you'll easily obtain several hundred dollars worth of potential diversion and satisfaction out of your alluring typewriter by cleaning, properly oiling, and adjusting it. Then you're guaranteed to both give and receive thousands of dollars worth of happiness out of it by typing letters to family and friends. With practice, you may reap millions by writing stories, plays, poems, screenplays, and books.

      Even if your scintillating typewriter sits on a shelf as home decor only to be viewed as a museum piece, you'll have gotten $50 of value for even that lowly function.

      You'll only have wasted your money if your wondorous typewriter sits lonely and forgotten in a dusty attic or dank basement to rust and rot away.

      Might you have gotten it for less? Perhaps, but you've saved yourself a huge amount of time and effort in such a hunt for a machine as desirous as this. You have it in front of you for writing right now.

      So get to typing at once my friend! For time is money, and every moment your fingers aren't caressing its keys, you are losing value.

      Congratulations on your stunning find.


      reply to u/readysalted344 at https://old.reddit.com/r/typewriters/comments/1h3jyyt/did_i_waste_my_money/

  2. Nov 2024
    1. I'm reminded of poor online friend Jack Baty who can never seem to settle on a PKM approach, oscillating between 5 or so over the years, including publishing platforms/blogs. It's easy to reply "Don't! There's no greener grass on any side." But that also misses the point, I believe, when in the end one just wants to explore and tinker. And not get stuff done all the time. All that being said, I believe there's hope in simplicity of a Zettelkasten, but maybe that's not what is being searched for 😅

      via [[Christian Tietze]] at https://forum.zettelkasten.de/discussion/comment/22076/#Comment_22076

      There's tremendous value in keeping a single zettelkasten store of knowledge. Spreading it out only dilutes things and can prevent building. Shiny object syndrome can be a problem as it's often splitting the stores of information and silo-ing them from each other. Unless the shiny object can do something radically different or has a dramatic affordance it's really only a distraction.

      But still, sometime the search for either simpler or better serves other needs...

    1. Busy week coding -- but there was one delightful article that led me down a small rabbit hole of Richard P Gabriel's writing about "worse is better" from 1989/90. The hub for this idea is here: Richard P. Gabriel: "Worse Is Better", https://www.dreamsongs.com/WorseIsBetter.html And I found it via: Christine Lemmer-Webber: "How decentralized is Bluesky really?", 2024-11-22, https://dustycloud.org/blog/how-decentralized-is-bluesky/ The idea of "worse is better" got connected to Gall's Law, and loosely relates to why idealistic, big software rewrites fail so often. And why things that are imperfect but provide value proliferate.

      via Christian Tietze at https://forum.zettelkasten.de/discussion/comment/22075/#Comment_22075

    1. The inner map that you develop through the Zettelkasten, on the other hand, is directly linked to the knowledge structures themselves.

      This sounds a lot like Peter Ramus in the late 1500s with respect to educational reform.

      He's sidelining the usefulness of mnemonic techniques in lieu of something he values more, potentially without having a full appreciation of the former.

    2. The difference between what you work out using the Zettelkasten and the memory palace technique is that the memory palace is a pure memory technique. It uses meaningless connections and the way the brain works to gain access to information. For example, if I mentally write the date Rome was founded with the mnemonic “BC 753 Rome came to be” as a number on an egg in the kitchen fridge, the only reason for this link between the egg in the kitchen fridge of my memory palace and the year Rome was founded is that I can remember this number. You make yourself aware of what the brain otherwise does unconsciously.

      The difference between what you work out using the Zettelkasten and the memory palace technique is that the memory palace is a pure memory technique. It uses meaningless connections [emphasis added] and the way the brain works to gain access to information. For example, if I mentally write the date Rome was founded with the mnemonic “BC 753 Rome came to be” as a number on an egg in the kitchen fridge, the only reason for this link between the egg in the kitchen fridge of my memory palace and the year Rome was founded is that I can remember this number.

      Certainly not an attack against him, but I feel as if Sascha is making an analogistic reference to areas of mnemonics he's heard about, but hasn't actively practiced. As a result, some may come away with a misunderstanding of these practices. Even worse, they may be dissuaded from combining a more specific set of mnemonic practices with their zettelkasten practice which can provide them with even stronger memories of the ideas hiding within their zettelkasten.

      There is a mistaken conflation of two different mnemonic techniques being described here. The memory palace portion associates information with well known locations which leverages our brains' ability to more easily remember places and things in them with relation to each other. There is nothing of meaningless connections here. The method works precisely because meaning is created and attributed to the association. It becomes a thing in a specific well known place to the user which provides the necessary association for our memory.

      The second mnemonic technique at play is the separate, unmentioned, and misconstrued Major System (or possibly the related Person-Action-Object method) which associates the number with a visualizable object. While there is a seeming meaningless connection here, the underlying connection is all about meaning by design. The number is "translated" from something harder to remember into an object which is far easier to remember. This initial translation is more direct than one from a word in one language to another because it can be logically generated every time and thus gives a specific meaning to an otherwise more-difficult-to-remember number. As part of the practice this object is then given additional attributes (size, smell, taste, touch, etc., or ridiculous proportion or attributes like extreme violence or relationships to sex) which serve to make it even more memorable. Sascha seems break this more standard mnemonic practice by simply writing his number on the egg in the refrigerator rather than associate 753 with a more memorable object like a "golem" which might be incubating inside of my precious egg. As a result, the egg and 753 association IS meaningless to him, and I would posit will be incredibly more difficult for him to remember tomorrow much less next month. If we make the translation of 753 more visible in Sascha's process, we're more likely to see the meaning and the benefit of the mnemonic. (I can only guess that Sascha doesn't practice these techniques, so won't fault him for missing some steps, particularly given the ways in which the memory palace is viewed in the zeitgeist.)

      To say that the number and the golem (here, the object which 753 was translated to—the Major System mnemonic portion) have no association is akin to saying that "zettlekasten" has no associated meaning to the words "slip box." In both translations the words/numbers are exactly the same thing. The second mnemonic is associating the golem to the egg in the refrigerator (the memory palace portion). I suspect that if you've been following along and imagining Andy Serkis gestating inside of an egg to become Golem who will go on to fight in the Roman Coliseum in your refrigerator, you're going to see Golem every time you reach for an egg in your refrigerator. Now if you've spent the ten minutes to learn the Major System to do the reverse translation, you'll think about the founding date of Rome every time you go to make an omelette. And if you haven't, then you'll just imagine the most pitiful gladiator loosing in the arena against a vicious tiger.

      Naturally one can associate all their thoughts in their ZK to both the associated numbers and their home, work, or neighborhood environments so that they can mentally take their (analog or digital) zettlekasten with them anywhere they go. This is akin to what Thomas Aquinus and Raymond Llull were doing with their "knowledge management systems", though theirs may have had slightly simpler forms. Llull actually created a system which allowed him to more easily meditate on his stored memories and juxtapose them to create new ideas.

      For the beginners in these areas who'd like to know more, I recommend the following as a good starting place: <br /> Kelly, Lynne. Memory Craft: Improve Your Memory Using the Most Powerful Methods from around the World. Pegasus Books, 2019.

    1. Stronglyinfluenced by the Comtean and Spencerian versions of positivism that he hadimbibed in his youth, Otlet was concerned with the progress of the sciences(in the widest sense of the term), believing that a holistic integration of humanknowledge into a single, well-articulated system of sciences could form theintellectual basis for the universal amelioration of human life [15, pp. 20,26–29, 354].
    2. n stark opposition to Otlet’s insistence that an ideal KOS be impersonaland universal, Kaiser firmly held to the view that, ideally, KOSs should beconstructed to meet the needs of the particular organizations for which they arebeing created. For example, with regard to the use of card indexes in businessenterprises, he asserted that “[e]ach business, each office has its individualcharacter and individual requirements, and its individual organization. Itssystem must do justice to this individual character [11, § 76].
    3. For Otlet, one of the major advantages of the UDC over alphabetical systemswas that “every alphabetical filing scheme has, through the arbitrariness of thechoice of words, a personal character, whereas the [U]DC has an impersonaland universal character” [6, p. 380].

      alphabetical order vs. "semantic order" (by which I mean ordering ideas based on their proximity to each other in an area or sub-area of expertise)

    4. No less important, the numerical notation served to “translateideas” into “universally understood signs,” namely numbers [13, p. 34].

      Unlike Luhmann's numbers which served only as addresses, Paul Otlet's numbers were intimately linked to subject headings and became a means of using them across languages to imply similar meanings.

    5. Otlet, by contrast, was strongly opposed to organizing information unitsby the alphabetical order of their index terms. In his view, such a mode oforganization “scatters the [subject] matter under rubrics that have beenclassed arbitrarily in the order of letters and not at all in the order of ideas”and so obscures the conceptual relationships between them [6, p. 380]

      In this respect Otlet was closer to the philosophy of organization used by Niklas Luhmann.

    6. on the guide card for each main entry term a list of the other main entry termswith which it stood in semantic relation: the latter included synonyms, broaderterms, narrower terms and related terms [8, § 415, 423]. The “logical key”served as the syndetic structure of the index, indicating a web of conceptualrelations otherwise unexpressed by the alphabetical structure of the index file.

      Some of the structure in Kaiser's system was built into relationships on guide cards. While not exactly hub notes, they did provide links to other areas of the system in addition to synonyms under which materials could be found including broader terms, narrower terms, and related terms often seen in library information systems.

    7. Given that Kaiser acknowledged the utility of indicating semantic relationsbetween index terms, why did he prefer alphabetical to classified order forfiling? The answer lies in his view of language. Kaiser considered words innatural language to be imprecise expressions of the concepts that they areintended to convey. In addition, he held that there is little agreement amongusers of a language as to the precise definition of individual terms [8, §60–61, 112]. Such semantic indeterminism, in his opinion, makes it difficultto determine precisely what the authors of documents mean by the wordsthey are using, and any attempt by an indexer to substitute preferred termsfor the author’s own words runs the risk of misinterpreting the meaning ofthe words in the original document. It was for this reason that he preferredusing index terms extracted from the document itself [8, § 114].

      Kaiser touches on the issue of "coming to terms" in his card (indexing) system. He preferred using the author's terminology over the indexer's. Some of the fungibility of words and their definitions was met by the use of a "logical key" to the index which was put onto guide cards for each main entry term.

    8. Whereas Otlet and Kaiser were in substantial agreement on both thedesirability of information analysis and its technological implementation inthe form of the card system, they parted company on the question of howindex files were to be organized. Both men favored organizing informationunits by subject, but differed as to the type of KO framework that shouldgovern file sequence: Otlet favored filing according to the classificatory orderof the UDC, whereas Kaiser favored filing according to the alphabeticalorder of the terms used to denote subjects

      Compare the various organizational structures of Otlet, Kaiser, and Luhmann.


      Seemingly their structures were dictated by the number of users and to some extent the memory of those users with respect to where to find various things.

      Otlet as a multi-user system with no single control mechanism or person, other than the decimal organizing standard (in his case a preference for UDC), was easily flexible for larger groups. Kaiser's system was generally designed, built and managed by one person but intended for use by potentially larger numbers of people. He also advised a conservative number of indexing levels geared toward particular use-cases (that is a limited number of heading types or columns/rows from a database perspective.) Finally, Luhmann's was designed and built for use by a single person who would have a more intimate memory of a more idiosyncratic system.

    9. Both menheld that, in an information index file, each individual card – or, in somedocumentary contexts, each sheet of loose-leaf paper (Otlet) – should serve asthe bearer of a single unit of information extracted from a document. As if toemphasize the one-to-one correspondence between card and information unit,Otlet termed this methodological tenet the “monographic principle” [3, p. 238].
    10. In the 1950s and 1960s, information retrieval (IR) theorists drew a distinction between“document retrieval systems” and “fact retrieval systems.” The former, were intendedto retrieve, in response to a user’s query, all documents that might contain informationpertinent to answering that query, while the latter were to lead the user directly tospecific pieces of information – facts – embedded within the documents being searchedthat would answer his or her question. The idea of information analysis clearlyprovided the theoretical impetus for fact retrieval (aka question-answering) systems
    11. the emergence of the idea that documents could bedecomposed not only into smaller bibliographical units (as, for example, aperiodical into articles or a book into chapters), but also into yet smallerinformation units (such as, for example, the concepts or facts discussed indiscrete passages within a text) and that, once identified, these informationunits could be reconfigured in new arrangements that would facilitate theirretrieval [1, p. 223; 2, pp. 221–222].
    1. Over a few weeks, I came to comprehend that the sound of one hand clapping is an illusion. The hand’s movement mimics clapping, but the only way to make the illusion a reality is to add a second hand. The sound of one hand clapping can be imagined, but the clap doesn’t exist until another hand is present. With that realization, I recognized the koan’s question as a way to understand the Buddhist doctrine of emptiness (śūnyavāda in Sanskrit), which says that no individual thing or person has any intrinsic existence, but exists only relationally, dependent on everything else. The concept of an individual nature is, like one hand clapping, an illusion.

      How does this speak to (or not) the idea of coherence in quantum mechanics?

    2. As some research shows, knotty life questions without clear answers can evoke a dark mood without any clear biological explanation. This can be particularly difficult for adolescents, pondering for the first time big questions about fate and death, emptiness and meaninglessness, guilt and condemnation.

      Is this a possible reason why reading great books in youth is so useful?

    1. reply to u/Pawps4895 at https://old.reddit.com/r/typewriters/comments/1h1dcil/help_ink_ribbon_not_moving/

      That ghosting effect you're seeing may be down to your typing technique. Computer keyboard typing technique is different than typewriter technique. If you're pressing hard and/or bottoming the keys out, you may not be getting your fingers out of the way and causing the key to double strike while you're lifting your finger up.

      Instead, type as if they keys are hot lava. Strike and release them as quickly as possible and that ghosting should clear up. For more on technique, try: https://hypothes.is/users/chrisaldrich?q=tag%3A%22typing+technique%22

      If that isn't the issue, is that ghosting happening on all the keys or just a few? Cleaning things out certainly couldn't hurt: https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/

    1. reply to u/SupItsBuck88 at https://old.reddit.com/r/Zettelkasten/comments/1h0vuek/zettelkasten_vs_commonplace_book/ on Zettelkasten vs Commonplace Book

      Don't tell anyone as it's a well-kept secret, but the way most digital practitioners (especially in Obsidian) arrange their "zettelkasten" is generally closer to commonplace book practice than it is to that of Niklas Luhmann's particular practice of zettelkasten. Honestly outside of Luhmann's practice (and those who follow his example more closely) really all zettelkasten into the late 1900s were commonplace books written on index cards rather than into books or notebooks. It's certainly the case that as the practices got older, commonplaces morphed from storehouses of only sententiae to more focused databases and tools for thought, particularly after the works on historical method done by Ernst Bernheim and later by Charles Seignobos & Charles Victor Langlois in the late 1800s and early 1900s.

      More modern variations and versions in English can be seen in:

      See also:

      Generally, the more focused your needs for particular types of information and the higher need of specific outputs may drive one to adopt one form over another. At the end of the day, I would contend that the specific affordances for how each of these forms work for the vast majority of people are exactly the same. This is especially true if one is using digital methods. In practice, I find that a lot of the difference between the practices comes down to where the user wishes to put in their work: either upfront (Luhmann-artig zettelkasten) or down the road in a more laissez faire manner (commonplace book or "traditional" zettelkasten). As a result, I always recommend people experiment a bit and settle on the method(s) which is (are) more motivating and useful for their modes and styles of work. Everyone's needs, inputs, and outputs will differ, and, as a result, so will their methods.

    1. Start of an outline for a longer article on typewriter tools<br /> Suggested by reply to u/Confident_Avocado768 at https://old.reddit.com/r/typewriters/comments/1gy25og/christmas_gift_help/


      If they've been doing restoration for a while, try to find out what they already have to avoid duplication. Anyone who's done a few machines is likely to have a lifetime supply of lubricant (it really goes a long way) and is likely to have gone well beyond cotton swabs. The sort of kit you mention would be more appropriate to someone who's recently gotten their first typewriter, not someone who has restored more than a machine or two.

      Chances are that you can up the level of their restoration tool bag with a small handful of inexpensive and easy to source options:

      • oiler bottles for solvents/cleaning
      • spring hook (push)
      • spring hook (pull)
      • spring hook (captive)
      • wiping cloths (cotton)
      • nylon, brass, and steel brushes (example; 2 or 3 sets of these are always useful)
      • high quality wool mats make a great (soft) surface for working on machines (as well as for typing on). Here's some details and a link to a well-recommended one.

      I've documented some of my own versions of these with links at https://boffosocko.com/2024/08/11/adding-to-my-typewriter-toolset/

      Slightly more expensive tools that they may not have:

      If you really want to shoot the moon and they're into the older vintage machines, you could get them a new pair of keyring pliers: http://mytypewriter.com/hello-qwerty-typewriter-keyring-pliers-kit.aspx

      You can also browse Lucas Dul's kit for other ideas via this presentation: https://virtualhermans.com/lucas-dul

      Good luck and Merry Christmas! 🪛🛠️🎅🏼🎄

    1. Useful template for emailing about shipping typewriters


      Dear TK:

      Quite often typewriters are damaged beyond repair in shipping. This is particularly true of larger/heavier typewriters like this one.

      Primary concerns are to prevent movement of the carriage and protecting the carriage knobs and the silver carriage return arm.

      Please use an elastic band(s)/rubber band(s) to permanently hold the carriage release lever to the green carriage knob(s). The carriage release lever is the silver piece just above the green knobs on either side of the typewriter carriage (the part that would move back and forth while typing.) This should allow the carriage to move freely back and forth to the right or the left and prevent any damage to the delicate escapement mechanism inside the typewriter.

      Next, to prevent damage to the carriage with respect to the heavy metal frame, use plastic wrap or bubble wrap to ensure that the carriage is roughly centered on the typewriter (or flush on the left side) and can’t move back or forth while being shipped.

      Finally, ensure appropriate amounts of packing material around the carriage, the knobs, and the return lever to prevent them from being broken or damaged in shipping. In particular, make sure there isn’t any empty space (or dead space) inside the box or the machine is guaranteed to bounce around and break. The box being dropped accidentally from even a foot or two is enough to either bend or break the heavy frame or destroy the carriage. This sort of damage is often what makes what is otherwise a fully functional typewriter a useless boat anchor.

      Thanks in advance for your kind assistance in helping this vintage machine reach me in its best condition!

      Warmest regards, name

      Video example: https://www.youtube.com/watch?v=KNISoY_7g9s Written example: https://johnlewismechanicalantiques.com/packing-instructions/

    1. They still have some specific use cases where they aren't obsolete. For example I've worked at several law firms and every one of them had at least one office typewriter. They are super useful when you're working with older documents and want the additions to look professional and consistent. For example I once worked on a complex stock reissue where I was working with 100 year old stock certificates. Typing on them was muuuuuch faster, easier, and cleaner with a typewriter than trying to line up the old certificates in a laser printer

      u/Tarcalion via https://old.reddit.com/r/typewriters/comments/1gtyai7/typewriters_arent_obsolete_now_and_in_the_future/lxrd9zc/

    1. Poverty, by America

      the title of the book implies an ownership of poverty (by America)... there's also an implication of authorial voice as if America is a "creator", but specifically a creator of poverty as much as it is a creator of wealth

      In the framing of toxic capitalism, it's almost as if one of the things America is good at manufacturing is poverty.

      If we've outsourced most of our manufacturing sector, why not also include poverty?!?

    2. Poverty is often material scarcity piled on chronic pain piled onincarceration piled on depression piled on addiction—on and on it goes.Poverty isn’t a line. It’s a tight knot of social maladies. It is connected toevery social problem we care about—crime, health, education, housing—and its persistence in American life means that millions of families aredenied safety and security and dignity in one of the richest nations in thehistory of the world.
    3. scientists Sendhil Mullainathan and Eldar Shafir call this “the bandwidthtax.” “Being poor,” they write, “reduces a person’s cognitive capacity morethan going a full night without sleep.” When we are preoccupied bypoverty, “we have less mind to give to the rest of life.” Poverty does not justdeprive people of security and comfort; it siphons off their brainpower, too.
    4. In the latenineteenth and early twentieth centuries, cities passed “ugly laws” banning“unsightly beggars” from public places. In the first half of the twentiethcentury, vagrancy and loitering ordinances were used to expel the poor frompark benches and street corners. Today, municipal regulations still allow thepolice to arrest the homeless for being seen in public, criminalizing abjectpoverty.
    5. Itdisappears them into jails and prisons, effectively erasing them: Theincarcerated are simply not counted in most national surveys, resulting in afalsely rosy statistical picture of American progress. Poverty measuresexclude everyone in prison and jail—not to mention those housed in psych

      wards, halfway houses, and homeless shelters—which means there are millions more poor Americans than official statistics let on.

    6. According to the latest national data, one in eighteenpeople in the United States lives in “deep poverty,” a subterranean level ofscarcity. Take the poverty line and cut it in half: Anything below that isconsidered deep poverty. The deep poverty line in 2020 was $6,380annually for a single person and $13,100 for a family of four. That year,almost 18 million people in America survived under these conditions. TheUnited States allows a much higher proportion of its children—over 5million of them—to endure deep poverty than any of its peer nations.
    7. Lyndon and Lady Bird Johnson paid a visit to Appalachia and sat on therough-hewn porch of a jobless sawmill worker surrounded by children withsmall clothes and big teeth.

      President Lyndon B. Johnson and his wife, Lady Bird, greet Tom Fletcher's family in Inez, Ky., in 1964. Fletcher was an unemployed saw mill worker with eight children.<br /> Bettman/Corbis via https://www.npr.org/2014/01/18/263629452/in-appalachia-poverty-is-in-the-eye-of-the-beholder

      Poverty Tours: <br /> - https://texasarchive.org/2010_00054

      Compare also with: - https://hypothes.is/a/ksOQmPaAEe61H7vM8pMhcg<br /> Poverty in Rural America, 1965. http://archive.org/details/0223PovertyInRuralAmerica.<br /> which was mentioned in Isenberg's White Trash (2016)

    8. Desmond, Matthew. Poverty, by America. 1st ed. New York: Crown, 2023. https://amzn.to/40Aqzlp

      Annotation URL: urn:x-pdf:eefd847a2a1723651d1d863de5153292

      Alternate annotation link: https://jonudell.info/h/facet/?user=chrisaldrich&max=100&exactTagSearch=true&expanded=true&url=urn%3Ax-pdf%3Aeefd847a2a1723651d1d863de5153292

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    1. It's the story of convenience seen everywhere. Could you clean your machine with household items like isopropyl alcohol and a Q-tip? Sure. Are mineral spirits better solvents in combination with compressed air for doing this? Definitely.

      People will tend toward the least common denominator for doing what is cheapest and easiest for their time, location, expediency, availability of materials, level of knowledge, and experience.

      The trade off may be long term life of the typewriter with respect to risk of rust, corrosion, or other potential issues.

    1. And this is where you see how the condition of a machine comes into play when pricing is being considered. A $700 machine has had several hours of cleaning and potential reconditioning, parts, repairs, oiling, and adjusting done. At $700 and given it's age, I'd also want to ask if they've replaced the platen. Compare this with a dirty, old machine that's going to need those same hours of work, attention, parts, and new rubber, to bring it up to par and it's definitely not going to fetch the same price.

      And this is exactly what is wrong with 95% of the market: most buyers and sellers have no idea what they've got, much less the condition it's in or the work that it takes to bring these back to life for another 50-75 years. Thus they price their dirty, and rough machines at the same prices as the repair shops thinking they're going to make a mint. Apparently they're all hoping some sucker who doesn't know better will buy it.

      Remember: Dante has a special circle of hell for those who buy typewriters for pennies on the dollar and flip them on eBay without doing any work on them.

    1. Hi friends! I received a vintage teal blue SCM Smith Corona "Skyriter" typewriter. It is awesome, but it does not have the original spools. I ordered an expensive original ribbon from eBay, but it was totally dried out. Then I ordered an inexpensive "universal" (2") spool from Amazon that didn't fit in my machine. Does anyone have recommendations of new, small spool (1 5/8") ribbons that tend to be reliably inky? I am located in Canada and getting tired of paying import costs on stuff that doesn't work. Thanks in advance!

      reply to u/actualwoey at https://old.reddit.com/r/typewriters/comments/1gqhied/recommendations_for_reliable_new_small_spool_1_58/

      You could see if a local repair shop is parting out a machine or has spools that would work for you. iirc the Corona Zephyr, Skyriter, and the later versions of the Corsair all used that smaller spool size, usually described as 1 5/8" or 1 2/3". https://site.xavier.edu/polt/typewriters/tw-repair.html Once you've got the correct sized spools, you can wind your Amazon ribbon onto them, but you'll likely have to trim it down to fit. (2" spools usually have 16 yards of ribbon while the 1 5/8" accommodate about 12 yards.)

      If you can't come up with original metal spools to respool your 1/2" ribbon onto, you can try https://www.ribbonsunlimited.com/category-s/12779.htm which will sell you both in one go.

      Some other ribbon options: https://site.xavier.edu/polt/typewriters/tw-faq.html#q1. I've had good luck buying bulk ribbon from both Baco Ribbon and Fine Line.

      I've heard some have successfully re-juvenated old ribbon by spraying it (unspooled into a box) with WD-40 or glycerine to re-wet it and then respooling it.

    1. actual posted reply to https://old.reddit.com/r/Zettelkasten/comments/1gpx62s/is_a_zettelkasten_a_largely_unknown_form_of/

      Taking too narrow a definition of zettelkasten is antithetical to the combinatorial creativity inherent in one of the zettelkasten's most important affordances.

      OP was right on track, perhaps without knowing why... I appreciate that you scratch some of the historical surface, but an apple/tomato analogy is flimsy and the family tree is a lot closer. Too often we're ignoring the history of ars excerpendi, commonplacing, waste books, summas, early encyclopedias, etc. from the broad swath of intellectual history. What we now call a zettelkasten evolved very closely out of all these traditions. It's definitely not something that Luhmann suddenly invented one morning while lounging in the bath.

      Stroll back a bit into the history to see what folks like Pliny the Elder, Konrad Gessner, Theodor Zwinger, Laurentius Beyerlink, or even the Brothers Grimm were doing centuries back and you'll realize it's all closer to a wide variety of heirloom apples and a modern Gala or Fuji. They were all broadly using zettelkasten methods in their work. Encyclopedias and dictionaries are more like sons and daughters, or viewed in other ways, maybe even parents to the zettelkasten. Almost everyone using them has different means and methods because their needs and goals are all different.

      If you dig a bit you'll find fascinating tidbits like Samuel Hartlib describing early versions of "cut and paste" in 1641: “Zwinger made his excerpta by being using [sic] of old books and tearing whole leaves out of them, otherwise it had beene impossible to have written so much if every thing should have beene written or copied out.” (Talk about the collector's fallacy turned on its head!) As nice as Obsidian's new Web Clipper is this month, it's just another tool in a long line of tools that all do the same thing for much the same reasons.

      Ignoring these contributions and their closeness means that you won't be able to take advantage of the various affordances all these methods in your own slip box, whichever form it takes. How will you ever evolve it into the paper machine that students a century hence are copying and mimicking and pontificating about in their generation's version of Reddit? Why couldn't a person's slip box have some flavor of an evolving encyclopedia? Maybe it's closer to Adler's Syntopicon? Maybe something different altogether for their particular use?

      Those interested in expanding their practice might try some of the following for more details:

      • Blair, Ann M. Too Much to Know: Managing Scholarly Information before the Modern Age. Yale University Press, 2010. https://yalebooks.yale.edu/book/9780300165395/too-much-know.
      • Krajewski, Markus. Paper Machines: About Cards & Catalogs, 1548-1929. Translated by Peter Krapp. History and Foundations of Information Science. MIT Press, 2011. https://mitpress.mit.edu/books/paper-machines.
      • Wright, Alex. Cataloging the World: Paul Otlet and the Birth of the Information Age. 1st ed. Oxford, New York: Oxford University Press, 2014.

      For deeper dives on methods, try: https://www.zotero.org/groups/4676190/tools_for_thought/tags/note%20taking%20manuals/items/F8WSEABT/item-list

      cc: u/JasperMcGee u/dasduvish u/Quack_quack_22

    2. As far as ZK goes, you have an interesting connection your going on. But its like saying apples are like tomatoes. Like, okay they are both red, juicy, and technically fruit. But I would not consider them a substitute for each other. Savory and sweetness and all that. Different uses

      reply to u/Hugglebuns at https://old.reddit.com/r/Zettelkasten/comments/1gpx62s/is_a_zettelkasten_a_largely_unknown_form_of/lwtoopw/:

      I appreciate that you scratch some of the historical surface, but your apple/tomato analogy is flimsy and the family tree is a lot closer. Too often we're ignoring the history of ars excerpendi, commonplacing, waste books, summas, and early encyclopedias from the broad swath of intellectual history. What we now call a zettelkasten evolved very closely out of all these traditions. It's definitely not something that Luhmann suddenly invented one morning while lounging in the bath.

      Stroll back a bit into the history to see what folks like Pliny the Elder, Konrad Gessner, Theodor Zwinger, Laurentius Beyerlink, or even the Brothers Grimm were doing centuries back and you'll realize it's all closer to a wide variety of heirloom apples and a modern Gala or Fuji. They were all broadly using zettelkasten methods in their work. Encyclopedias and dictionaries are more like sons and daughters, or viewed in other ways, maybe even parents to the zettelkasten. Almost everyone using them has different means and methods because their needs and goals are all different.

      If you dig a bit you'll find fascinating tidbits like Samuel Hartlib describing early versions of "cut and paste" in 1641: “Zwinger made his excerpta by being using [sic] of old books and tearing whole leaves out of them, otherwise it had beene impossible to have written so much if every thing should have beene written or copied out.” As nice as Obsidian's new Web Clipper is this month, it's just another tool in a long line of tools that all do the same thing for much the same reasons.

      Ignoring these contributions and their closeness means that you won't be able to take advantage of the various affordances all these methods presented in your own slip box, whichever form it takes. How will you ever evolve it into the paper machine that students a century hence are copying and mimicking and pontificating about in their version of Reddit? Why couldn't a person's slip box have some flavor of an encyclopedia? Maybe it's closer to Adler's Syntopicon? Maybe something different all together for their particular use?

      Try some of the following for more details: <br /> - Blair, Ann M. Too Much to Know: Managing Scholarly Information before the Modern Age. Yale University Press, 2010. https://yalebooks.yale.edu/book/9780300165395/too-much-know.<br /> - Krajewski, Markus. Paper Machines: About Cards & Catalogs, 1548-1929. Translated by Peter Krapp. History and Foundations of Information Science. MIT Press, 2011. https://mitpress.mit.edu/books/paper-machines.<br /> - Wright, Alex. Cataloging the World: Paul Otlet and the Birth of the Information Age. 1st ed. Oxford, New York: Oxford University Press, 2014.

      For deeper dives on methods, try: https://www.zotero.org/groups/4676190/tools_for_thought/tags/note%20taking%20manuals/items/F8WSEABT/item-list

      cc: u/JasperMcGee u/dasduvish u/Quack_quack_22

    1. Going to visit Savannah Georgia next month. Anyone have any suggestions for things to do/see?

      iirc, the second oldest synagogue in America is there. It's a gorgeous bit of gothic architecture that's worth a visit even if you're not a member of the tribe. The historic district is where most of the old school charm and entertainment are. Great for just walking around and seeing what you see. If you've not seen it, watch Midnight in the Garden of Good and Evil to give you a flavor of some of the city, which is a central character in the movie. I'd recommend restaurants, but all the ones I liked were southern comfort food and incredibly unlikely to be kosher. I wish I had been using FourSquare/Swarm when I went in 2006 or I could give you the entire itinerary and hotels. I stayed in a different bed and breakfast every night in the historic district which wasn't bad since they were all within walking distance of each other. Definitely an experience.

      Reply to David Shanske at https://david.shanske.com/2024/10/09/7986/

    1. After using my newspaper.com acct it appears that 79 or so you see the correction key feature and the model often called "Report Electric Correction." By 1983 ish, at least in the dealer ads that show up, they have dropped it and are full steam onto the electronic version of the Report/er.
    2. Anything with "correction" (ie: originally used with white/black super-messy "correction" ribbons, and has the bichrome label "black, silver, white or white/red") will be very late 70's through the 80's. This *could* be 1987, and I think it probably is, because I know that correction started about 1978-9 for Brother, so it probably started around then for other manufacturers too. If someone knew for sure when those awful black/white ribbons were introduced *exactly*. you could pin it down more precisely, but right now, that's as good as we've got.
    1. The justifications—the lure of the community, the (now-limited) ability to bear witness to news in real time, and of the reach of one’s audience of followers—feel particularly weak today. X’s cultural impact is still real, but its promotional use is nonexistent. (A recent post linking to a story of mine generated 289,000 impressions and 12,900 interactions, but only 948 link clicks—a click rate of roughly 0.00328027682 percent.) NPR, which left the platform in April 2023, reported almost negligible declines in traffic referrals after abandoning the site.
    2. In its last report before Musk’s acquisition, in just the second half of 2021, Twitter suspended about 105,000 of the more than 5 million accounts reported for hateful conduct. In the first half of 2024, according to X, the social network received more than 66 million hateful-conduct reports, but suspended just 2,361 accounts. It’s not a perfect comparison, as the way X reports and analyzes data has changed under Musk, but the company is clearly taking action far less frequently.
    1. reality check from bluseky and Nostr perspectives

      While these may be somewhat useful, they're not significant enough examples in the broader space to provide the sort of data, evidence, support (or lack thereof) which I think you might be looking for....

    2. ensuring everyone has a say in defining its rules is essential for any village to thrive.

      What about inter-village warfare? With diverging village interests from the center, how does one manage long-term survivorship?

    3. “after greed and short-sightedness floods the commons with low-grade AI content… well-managed online communities of actual human beings [may be] the only place able to provide the sort of data tomorrow’s LLMs will need”

      The value spoken of here is that of slowly building up (evolving) directed knowledge over time. The community evolves links using work and coherence into actionable information/knowledge whereas AI currently don't have an idea of leadership or direction into which to take that knowledge, so they're just creating more related information which is interpreted as "adjacent noise". Choosing a path and building off of it to create direction is where the promise lies. Of course some paths may wither and die, but the community will manage that whereas the AI would indiscriminately keep building in all directions without the value of demise within the system.

    1. Zettelkasten Numbering is so Damn Confusing (I Think I Can Help) by [[Zettelkasten Blah Blah Blah]]

      He doesn't say it explicitly, but the Luhmann-artig zettelkasten numbers are only addresses. They don't represent hierarchies. Doing this allows a bottom up organization to emerge.

      You can later create hub notes or outlines that create a "correct" or hierarchical order. This is where things become top down.

      He points out that Scheper's recommendations for using the numbering for academic disciplines and putting cards in specific orders (giving them negative numbers, etc.) is a counter-productive habit with respect to Luhmann-artig practice.

    1. Director Rian Johnson Breaks Down a Scene from 'Knives Out' by [[Vanity Fair]]


      ᔥ Tainmere — 10/19/2024 8:33 AM at https://discord.com/channels/686053708261228577/979886299785863178/1297221163868491878

      oh no, the marginalia rabbit hole goes deeper (second image comes from this video, it's ryan johnson explaining how they shot that scene with two cameras https://youtu.be/69GjaVWeGQM. It's came to my mind as a possible answer to the question because - to me - it really feels like it's the concept of marginalia, but applied to video)

    1. I had hoped to somewhat emulate the success of ex-Microsoft executive Steven Sinofsky and his Substack serialization project, Hardcore Software (“personal stories and lessons from inside the rise and fall of the PC revolution”). Sinofsky’s project was an inspiration for mine, but I don’t think I’ve reached his level in terms of reader comments and reshares.

      possibly due to author platform?

    1. He even kept “indexes to indexes,” as Robert D. Richardson describes in his wonderful biography, Emerson: The Mind on Fire: Indexing was a crucial method for Emerson because it allowed him to write first and organize later and because it gave him easy access to the enormous mass of specific materials in his ever-increasing pile of notebooks… Emerson spent a good deal of time methodically copying and recopying journal material, indexing, alphabetizing indexes, and eventually making indexes of indexes. When he came to write a lecture, he would work through his indexes, making a list of possible passages. He then assembled, ordered, and reordered these into the talk or lecture.