1980s: Memphis/Postmodernism
Key themes: Graphic primary triad patterns, grids, triangles, squiggles/metal, gold, enamel
Postmodernism began as an international style in the 1950s but didn’t become a full-blown movement until the late-1970s. The style was a reaction to the saturation of Modernism in design—it was said to be heralded by the return of “wit, ornament, and reference” to architecture. The identifying concepts of the trend are where styles collide, colors and materials follow no set guidelines, and form is created for its own sake, not for function. The era’s opulence, over-indulgence, and overpriced designs are apparent in architecture, automotive design, and product design.
Memphis was a very particular sect of Postmodernism. The crux of the trend was to melt styles, shapes, colors, and materials in a way that was unencumbered by design rules.