un ensemble hétérogène mais cohérent

Nous pouvons constater qu’il y a un lien entre les formes produites et les moyens mis en œuvre pour les produire.

There are “literally zero hoops,” one user in 4chan’s /pol/ forum told another in 2015. “Just sign up for Kindle Direct Publishing and publish away. It’s shocking how simple it is, actually.” Even Breivik, at the start of the 1,500-page manifesto that accompanied his terrorist attacks, suggested that his followers use KDP’s paperback service, among others, to publicize his message.

Publishing Fee

he Publishing Fee allows for the Corresponding Authors to publish their articles as OA articles for free in all Hybrid Journals in 2019.

This could occur because, even if the institution’s users are using the content at the same or even higher rate, that usage may not be able to be attributed to the institution. Users will no longer have to pass through an authentication system to get to the content and so any off-campus, mobile device, etc. usage may end up untraced to the institution.

Even more troubling is the state of evaluation for digital scholarship, now an extensively used resource for scholars across the humanities: 40.8% of departments indoctorate-­granting institutions report no experience evaluating refereed articles in electronic format, and 65.7% report no experience evaluating monographs in electronic format.

However, in the present era of publishing, those rights are consistently being called into question. Gennaro (2012) is particularly frank about how copyright law has come to privilege publishers at the expense of those who created the work in the first place: ‘Once you have transferred copyright to a journal [in order to publish] you cannot ethically use the words that you have written in another journal article; you no longer own those words’ (p. 109). Nevertheless, Bently (1994) remarks on Roland Barthes’ contention that once text has been published, the words no longer belong to that author or anyone else for that matter.

I'd also try opening the .svg file in Scribus and outputting to pdf from there. You've got more output settings, can handle bleed and add printers' marks etc.

Kahle has been critical of Google's book digitization, especially of Google's exclusivity in restricting other search engines' digital access to the books they archive. In a 2011 talk Kahle described Google's 'snippet' feature as a means of tip-toeing around copyright issues, and expressed his frustration with the lack of a decent loaning system for digital materials. He said the digital transition has moved from local control to central control, non-profit to for-profit, diverse to homogeneous, and from "ruled by law" to "ruled by contract". Kahle stated that even public-domain material published before 1923, and not bound by copyright law, is still bound by Google's contracts and requires permission to be distributed or copied. Kahle reasoned that this trend has emerged for a number of reasons: distribution of information favoring centralization, the economic cost of digitizing books, the issue of library staff without the technical knowledge to build these services, and the decision of the administrators to outsource information services

The position of machine products in the civilized scheme of consumption serves to point out the nature of the relation which subsists between the canon of conspicuous waste and the code of proprieties in consumption. Neither in matters of art and taste proper, nor as regards the current sense of the serviceability of goods, does this canon act as a principle of innovation or initiative. It does not go into the future as a creative principle which makes innovations and adds new items of consumption and new elements of cost. The principle in question is, in a certain sense, a negative rather than a positive law. It is a regulative rather than a creative principle. It very rarely initiates or originates any usage or custom directly. Its action is selective only. Conspicuous wastefulness does not directly afford ground for variation and growth, but conformity to its requirements is a condition to the survival of such innovations as may be made on other grounds. In whatever way usages and customs and methods of expenditure arise, they are all subject to the selective action of this norm of reputability; and the degree in which they conform to its requirements is a test of their fitness to survive in the competition with other similar usages and customs.

As publishing giant Cengage itself boasts in its March 2018 report to shareholders, “In contrast to print publications, our digital products cannot be resold or transferred. We therefore realize revenue from every end user” (“Annual Report” 6). 

in a 2019 UC-Berkeley news bulletin about the decision not to sign a new contract, Librarian Jeffrey MacKie-Mason informed the community that during renegotiations, the university had expressed an interest in reducing their Elsevier subscription fees, which were by this point “25 percent of UC system-wide journal costs” (Kell).

9 corporate storytelling themes that get people talking and listening

aesthetic that has emerged in response to media convergence—one that places new demands on consumers and depends on the active partici-pation of knowledge communities. Transmedia storytelling is the art of world making.

fective economics" encourages companies to transform brands into what one industry insider calls "lovemarks" and to blur the line between entertainment content and brand mes-sages

ck Box Fallacy. Sooner or later, the argument goes, all media content is going to flow through a single black box into our living rooms (

isa Gitelman, who offers a model of media that works on two levels: on the first, a medium is a technology that enables communication; on the second, a medium is a set of associated "protocols" or social and cultural practices that have

onvergence, I mean the flow of content across multiple media platforms, the cooperation between multiple media industries, and the migratory behavior of media audiences who will go almost anywhere in search of the kinds of entertainment experiences they want. Con

nvergence culture, where old and new media collide, where grassroots and corporate media intersect, where the power of the media producer and the power of the media consumer interact in unpredictable ways.

The parable of the farmers and the Teleporting Duplicator

An Open Approach to Scholarly Reading and Knowledge Management

To facilitate and promote the writing, publishing, and reading of literature in electronic media.

Self-Publishing Guide

all-inclusive access

By the early 1970s the top five scientific publishers—Reed-Elsevier, Wiley-Blackwell, Springer, and Taylor & Francis—published about 20 percent of all journal articles.

Sci-Hub has made nearly all articles freely available using a black open access model, leaving green and gold models in its dust

I guess the big take away for me is that what I have heard from our community compels me to try to shift my focus from satisfying immediate user needs by continually improving the tools at hand to making progress and supporting progress towards a discovery environment we can’t yet imagine (because most of us are not Muriel Cooper) but which provides fun, intuitive, maybe immersive opportunities for discovery.

ScienceDirect Topic Pages

Elsevier launches ScienceDirect Topics to help researchers quickly build their knowledge and save valuable time searching

Larry analyzes your historical and real-time data to create an entire social media strategy for you.

Amazon calls the default seller in the Buy Box — the one who gets the business when a customer clicks “Add to Cart” without looking for more options — the “Buy Box winner.”

What’s Hot and Cooking In Scholarly Publishing

has been said by many that monographs are, fundamentally, books that cannot make their own way in the market, but which are worth publishing anyway

one particular book shop in Australia has embraced the exact opposite policy – instead of focusing on the cover, they want people to focus on the contents without even knowing what the cover looks like.

Duquesne University announced plans to close its press in February, explaining that it could no longer justify the annual subsidy of more than $200,000.

It means papers reporting Gates-sponsored research cannot be charged for.

My own view of where academic book publishing is heading is that it will mostly continue to publish the kinds of things it does now, but there will be increasing experimentation with formats, a renewed interest in selling directly to libraries, and enlarged activity in D2C — selling directly to end-users.

It may be time to view the PDF and all the other pedestrian and popular imprints of the typographic mind with a smidge more respect.

Evergreen Review, the legendary counterculture and literary quarterly

A recent piece in the Charleston Gazette-Mail about the press that I direct, while oriented toward regional audiences, is the sort of thing I have in mind. The interview Peter Berkery and Fred Nachbaur did with Publishing Perspectives last fall is also good.

This brings the total to 449 e-books available as Open Access via KU, since 2014.

the goal posts must be placed further than simply cheaper textbooks.

Framing OER as free, digital versions of expense, print textbooks also risks playing directly into the hands of commercial textbook publishers who are in the midst of a pivot away from a business model based on selling “new editions” of print textbooks every three years to one based on leasing 180-day access to digital content delivery platforms.

But now I’m wondering if the disappearance of those community book sanctuaries and the salons and discussions they promoted isn’t yet another factor in creating a citizenry that can’t tell fact from fiction, the truth from a lie.

There was at that time only anecdotal information on how many monographs university presses published and, hence, no obvious way to measure the size and scope of university presses and the certification system they help to support.

Peer review' was a term borrowed from the procedures that government agencies used to decide who would receive financial support for scientific and medical research. When 'referee systems' turned into 'peer review', the process became a mighty public symbol of the claim that these powerful and expensive investigators of the natural world had procedures for regulating themselves and for producing consensus, even though some observers quietly wondered whether scientific referees were up to this grand calling.

(The temptation to conflate these practices with modern referee systems has led to the stubborn myth that the origins of the scientific referee can be traced back as far as the seventeenth century.)

He suggested that it commission reports on all papers sent for publication in the semi-annual Philosophical Transactions

In the humanities, the real value lies in the argument and this is found in the published article. This is very different to science, where most often the paper describes the experimental finding and it is in this finding that the value lies.

Karin Wulf’s Scholarly Kitchen piece on “Open Access and Historical Scholarship”

The author can transfer copyright to a publisher, or, as is becoming more common in scholarly publishing, sign a license allowing publication of the work while still retaining copyright.

The press receives an annual subsidy north of $200,000.

One challenge is whether – or how – this conversation becomes generative of traditional scholarship, such as a more linear, peer-reviewed article.

qualitatively extend the notions of 'reading, writing, sharing, publishing, etc. of ideas' literacy to include the 'computer reading, writing, sharing, publishing of ideas

the role of journal editor as human traffic cop would largely fade away

sites will host a PDF for free

many publishers still cannot include figures beyond 1MB

the steady stream of obscene amounts of money to a parasitic industry with orthogonal interests to scholarship