Vintage 1900 Macey Card Business System Fred Macey Company Original Ad 1021 A2<br />

https://www.ebay.com/itm/275147213477

Copy in notes folder as backup

Copy in Notes folder.

https://www.ebay.com/itm/275144504113

https://sharegpt.com/c/0mrnsgg

Not a half bad answer...

https://shareg.pt/th2DNz0

Q: Can I use a card index for note taking?

Compare with: https://hypothes.is/a/HTqQPrksEe2XdQcSVvzXLQ

Q: Can I use a card index for note taking?

ChatGPT does a reasonable bit of advice on how one would use a card index for note taking.

Translation:

In the current episode "research_tv" of Bielefeld University, Professor Dr. André Kieserling, Johannes Schmidt and Martin Löning how they approach Luhmann's so-called “intellectual autobiography”.

!!

I should mention that the Stockroom Plus 4 x 6" cards I got a while back are great with even my juiciest fountain pens. They're some of the least expensive gridded cards I've been able to find and are a fraction of the cost of the Exacompta.

u/abbienormal, u/Alan_Shutko, u/CynTut all recommend Exacompta cards for fountain pen friendly use.

4x6": - Goulet Pens - White Graph $9.00 - White lined $9.00 - White blank $9.00 - Pastel graph $13.50 - Flotsam and Fork Pastel graph $9.50 - Anderson Pens $13.50 (multi-color) - JetPens Pastel graph $14.50 - Amazon White(?) grid $19.96

• Kokuyo
  • may be close in size but A or B style sizing

https://www.levenger.com/products/nantucket-bamboo-compact-bleacher?variant=42489708773525

This sort of reminds me about the way Rick Nicita kept his to do list on index cards spread out all over his desk.

Perhaps he might have benefitted from an index card bleacher?

What screenwriting books recommend note cards for drafting/outlining? Do any go beyond the general outlining advice?

What is the overlap of this sort of writing practice with comedians who had a practice of writing jokes on index cards? (Ronald Reagan, Phyllis Diller, etc.?

https://www.youtube.com/watch?v=mwKjuBvNi40

Ben Rowland uses index cards to outline the plot of his screenplays. This is a common practice among screenwriters. Interestingly he only uses it for plot outlining and not for actual writing the way other writers like Vladimir Nabokov may have. Both Benjamin Rowland and Duston Lance Black use cards for outlining but not at the actual writing stage.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Billy Oppenheimer</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>

Nothing stupendous here. Mostly notes on cards and then laid out to outline. Most of the writing sounds like it happens at the transfer stage rather than the card and outline stage.

This process seems more akin to that of Victor Margolin than Vladimir Nabokov.

NOW I SAY, "OKAY, THIS IS DONE." I READ IT. IT FEELS LIKE A MOVIE. AND I'M GONNA PUT IT IN THE BOX. AND I'M GONNA PUT IT IN THE BOX IN THIS ORDER, AND THIS IS THE ORDER THAT I'M GONNA WRITE IT IN IN MY FIRST DRAFT. OVER THE NEXT NUMBER OF WEEKS, I START WRITING. WHAT I'VE BEEN DOING, I'VE BEEN SEEING THE SCENES IN MY HEAD FOR SO LONG AT THIS POINT THAT IT'S ALMOST LIKE JUST REGURGITATION. LIKE, I'M JUST GETTING OUT. AND I CALL IT MY VOMIT DRAFT. #

Dustin Lance Black's "vomit draft" is similar to Mozart's peeing his music out like a cow. His method is also similar to Victor Margolin who's gone over the material several times by the time he's finally writing out his draft.

Example of someone who says most of their best flashes of thought or creativity come when they're out walking or doing something else #

Most veteran note takers will advise against importing old notes into a new digital space for the extra amount of administrative overhead and refactoring it can create.

Often old notes may be: - well assimilated into your memory already - poorly sourced or require lots of work and refactoring to use or reuse them - become a time suck trying to make them "perfect"

Better advice is potentially pull them into your system in a different spot so they're searchable and potentially linkable/usable as you need them. If this seems like excessive work, and it very well may be, then just pull in individual notes as you need or remember them.

With any luck the old notes are easily searchable/findable in whichever old system they happen to be in, so they're still accessible.

I'll note here the conflicting definitions of multiple storage in my tags to mean: - storing a single note under multiple subject headings or index terms - storing notes in various different (uncentralized locations), so having multiple different zettelkasten at home/office, storing some notes in social media locations, in various notebooks, etc. This means you have to search across multiple different interfaces to find the thing you're looking at.

I should create a new term to distinguish these two, but for now they're reasonably different within their own contexts that it's not a big problem unless one or the other scales.

A partial answer to note taking why.

Interesting to see a somewhat out of place link to Pile of Index Cards system here.

Given the 2015 date of the post this could be a part of the small distribution of the 2006 idea into the conversation a decade later.

Reagan’s Note Card Treasures<br /> by John H. Fund <br /> at August 10, 2011, 12:00 AM<br /> (accessed:: 2023-02-23 12:25:06)

archived copy: https://web.archive.org/web/20151017020314/http://spectator.org/articles/37399/reagans-note-card-treasures

John H. Fund wrote that while he was a a 15-year old high school student, Reagan taught him how he arranged his index card-based notes to tailor-make a speech for almost any audience. In 2011, Fund said he still used a variation of Reagan's system for his own speeches.

On many quote-based cards, Reagan was careful to cite his sources.

Ronald Reagan compiled hundreds of index card-based notes over his career. Some were lost or given away as souvenirs, but 91 we discovered at the Reagan library (circa 2011). They were discovered among boxes which contained the contents of his Los Angeles office desk after his death in June 2004,

Though other sources like the CBS News article look like 3 x 5" index cards, John Hunt indicates that Ronald Reagan used 4 x 6" inch cards for his notes.

Ronald Reagan's index cards of one-liners at 2014-07-20 <br /> (accessed:: 2023-02-23 11:41:42)

archived version: https://web.archive.org/web/20200305070906/https://www.cbsnews.com/pictures/ronald-reagans-index-cards-of-one-liners/12/

ᔥ Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

One of Ronald Reagan's Index cards with four bullet-pointed one-liners has the annotation "(over)" written on the bottom which indicates that he wrote on both sides of his cards.

If he was keeping these in clear plastic sheets in a binder, this would have been easy to see the opposite sides.

Were all of his cards double-sided? This particular example seems to be a list of one liners which may have been used in the same speech (or timeframe) and thus served solely as a reminder of the jokes to be told.

Ronald Reagan used 3 x 5" index cards.

Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

Kuehn felt that Ronald Regan's note taking "does not seem like a good system. In fact, it's hardly any system at all..."

Lustig, Jason. “‘Mere Chips from His Workshop’: Gotthard Deutsch’s Monumental Card Index of Jewish History.” History of the Human Sciences, vol. 32, no. 3, July 2019, pp. 49–75. SAGE Journals, https://doi.org/10.1177/0952695119830900

Cross reference preliminary notes from https://journals.sagepub.com/doi/abs/10.1177/0952695119830900

Finished reading 2023-02-21 13:04:00

urn:x-pdf:6053dd751da0fa870cad9a71a28882ba

Example of a student who saw/learned/new a zettelkasten note taking method from a teacher.

Döring, T. and Beckhaus, S. (2007) ‘The Card Box at Hand: Exploring the Potentials of a Paper-Based Tangible Interface for Education and Research in Art History’. Proceedings of the First International Conference on Tangible and Embedded Interaction, Baton Rouge, Louisiana, February 15-17, 2007. New York, ACM, pp. 87–90.

Did they have a working system the way Ludeke did?

from<br /> Fling, F. M. (1920) The Writing of History: An Introduction to Historical Method. New Haven: Yale University Press.

Great example of a historian implying the benefit of not only a card index, but of potentially how commonplace it was to not only have one, but to have stenographers or secretaries to help manage them.

Link this to the reference in Heyde about historians and others who were pushed to employ stenographers or copyists to keep their card indexes in order.

Given the cost of employing secretaries to manage our information, one of the affordances that computers might focus on as tools for thought is lowering the barrier for management and maintenance. If they can't make this easier/simpler, then what are they really doing beyond their shininess? Search is obviously important in this context.

What was the reference to employing one person full time to manage every 11 or 12 filing cabinets' worth of documents? Perhaps Duguid in the paper piece?

Some useful and solid advice here.

https://www.reddit.com/r/ObsidianMD/comments/zb4okr/map_of_18237_files_more_than_22_years_of_writing/

u/jwhco has ~5,000 index cards and 18,237 files (presumably mostly note-based text files, though some mentioned are papers, articles, etc.) over the span of 22 years.

https://www.reddit.com/r/ObsidianMD/comments/jc25p4/going_from_obsidian_notes_to_a_finished_piece_of/

Nothing remarkable here other than a reference for someone who uses Zettlr for writing

!!!

syndication link

In addition to "critical thinking, resourcefulness, creativity, attention to detail, and academic pride and humility", the ability to use a note card-based research system like Umberto Eco's is the key to overcoming information overload.

Esparmer is correct that research and writing did change with the advent of word processors and the internet in the 1990s and early 2000s (p xi), but these were primarily changes to the front and the back of the process. Esparmer and far too many others seem to miss the difference in which affordances were shifting here. The note taking and organization portions still remained the same, so Eco's advice is still tremendously important. Even if one were to do long form notes in notebook format or in digital documents, they would profitably advised to still properly cross-index their notes or have them in a form that allows them to rearrange them most simply with respect to the structuring and creative processes.

Losing the ability to move ideas around easily, restructure them, link them together and outline them was a tremendous blow in going from the old methods to the new digital ones.

Did we accidentally become enamored of the new technologies and forget that their affordances didn't completely replace those of the old methods?

Instead of using pre-made stiff index cards, Luhmann used standard paper which he cut up into DIN A6 sized slips which he packed into his drawers. Schmidt had trouble removing slips from some of the boxes because they were packed so tightly.

Exactly how much space would be saved writing on standard paper versus index cards in a collection as large as Luhmann's?

Eugenia Triantafyllou is talking about crutches for creativity and inspiration, but seems to miss the value of collecting interesting tidbits along the road of life that one can use later. Instead, the emphasis here becomes one of relying on an artificial intelligence doing it for you at the "hit of a button". If this is the case, then why not just let the artificial intelligence do all the work for you?

This is the area where the cultural loss of mnemonics used in orality or even the simple commonplace book will make us easier prey for (over-)reliance on technology.

Is serendipity really serendipity if it's programmed for you?

Just as using a text for writing generative annotations (having a conversation with a text) is a useful exercise for writers and thinkers, creative writers can stand to have similar textual creativity prompts.

Compare Wordcraft affordances with tools like Nabokov's card index (zettelkasten) method, Twyla Tharp's boxes, MadLibs, cadavre exquis, et al.

The key is to have some sort of creativity catalyst so that one isn't working in a vacuum or facing the dreaded blank page.

The sense of writing partner here is similar to that mentioned by Niklas Luhmann in Communicating with Slip Boxes: An Empirical Account (1981), though in his case his writing partner was a carefully constructed database archive of his past notes.

see: Luhmann, Niklas. “Kommunikation mit Zettelkästen: Ein Erfahrungsbericht.” In Öffentliche Meinung und sozialer Wandel / Public Opinion and Social Change, edited by Horst Baier, Hans Mathias Kepplinger, and Kurt Reumann, 222–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1981. https://doi.org/10.1007/978-3-322-87749-9_19.<br /> translation at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm.

http://www.verzetteln.de/synapsen/<br /> Markus Krajewski's digital zettelkasten product.

ᔥ[[Frank Berzbach]] in Künstliche Intelligenz aus Holz - sciencegarden - Magazin für junge Forschung at 2001-06-30 (accessed:: 2023-02-10 06:53:55)

Stettler, Lucia. “Geheime Gästekartei überlebt Hotelbrand – und birgt Zündstoff.” Schweizer Radio und Fernsehen (SRF), April 8, 2021, sec. Kultur. https://www.srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>ManuelRodriguez331</span> in Advantages of Analog note taking : Zettelkasten (<time class='dt-published'>02/07/2023 08:33:25</time>)</cite></small>

srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff

Google translate:

four wooden boxes with highly explosive contents were spared. They were stored in a different building at the time of the inferno. They contained 20,000 guest cards that concierges and receptionists had kept secretly between 1920 and 1960.

The Grandhotel Waldhaus burned down in 1989, but saved from the inferno were 20,000 guest cards with annotations about them that were compiled between 1920 and 1960.

At the Grandhotel Waldhaus in Vulpera, Switzerland concierges and receptionists maintained a business-focused zettelkasten of cards. In addition to the typical business function these cards served denoting names, addresses, and rooms, the staff also made annotations commenting on the guests and their proclivities.

1:

2:

3:

4:

5:

6:

Google translate:

The clientele moved among their own kind and had no idea the polite concierge at the front desk was secretly venting his anger with venomous comments: 'Very rude fellow; does it badly with the women", "Big Protz à la Neureich", "Rappensplitter", "Stupid Goat" or "Tongs".

reply to u/FastSascha at https://www.reddit.com/r/Zettelkasten/comments/10nolg3/comment/j6naobz/?utm_source=reddit&utm_medium=web2x&context=3

Let those who have not folded an index card to use it as a fork for eating food (vegan or otherwise), throw the first pack of index cards.

Is this the correct zettelkasten translation of John 8:7? Should I number this ZKII, 9/8k?🗃️😉

https://en.wikipedia.org/wiki/Roud_Folk_Song_Index

This seems to have an interesting relation to the tradition of wassailers and "luck visitors" traditions or The Christmas Mummers (1858). The song We Wish You a Merry Christmas (Roud Folk Song Index #230 and #9681) from the English West Country (Cornwall) was popularized by Arthur Warrell (1883-1939) in 1935. It contains lyrics "We won't go until we get some" in relation to figgy pudding and seems very similar in form to Mari Lwyd songs used to gain access to people's homes and hospitality. An 1830's version of the song had a "cellar full of beer" within the lyrics.

I'm curious if the Roud Folk Song Index includes any Welsh songs or translations that have similar links? Perhaps other folk song indices (Child Ballads?) may provide clues as well?

Manfred Kuehn indicates that keeping track of information on note cards was "not unusual during the 1970s".

Manfred Kuehn's index card commonplace from 1974 - 1985

At 5 - 6,000 cards in 11 years from 1974 to 1985, Kuehn would have made somewhere in the neighborhood of 1.25 - 1.49 note per day.

His description of paragraphs from 150 to 350 words is interesting with respect to the amount of material that will fit on a 3x5" inch card during the note taking process.

reply to u/stjeromeslibido at https://www.reddit.com/r/antinet/comments/10lqfsn/comment/j63y2k9/?utm_source=reddit&utm_medium=web2x&context=3

Every card has holes pre-punched into it in exactly the same place (see the photo in the original post at the top) so that one might put a knitting needle (or other thin instrument) through the whole deck in each of the positions. Then one should decide on what each hole's meaning will be by position.

As an example, imagine you're using your cards in a rolodex fashion and you want to distinguish the six categories: family, friends, service providers, neighbors, co-workers, and organizations/businesses. For family members you cut/remove the additional paper between the first hole (representing "family") and the edge of the paper. You do the same thing for all the other cards based on their respective categories. So, for example, your brother Joe who lives across the street from you and works with you at the office in the family business would have cuts removed for positions 1, 4, and 5. For an entity that fits all six categories, cuts would be made such that the sheet would no longer stay in u/I-love-teal (the original poster's) six ring binder notebook.

At the end of the year you want to send Christmas cards to your friends, family and neighbors, so you put the knitting needles into position 1 and pull up separating your family out, then you repeat for positions 4 and 5 until you have your full list. (Pro tip: you probably wouldn't want to pull them out of the deck completely, but might rather pull them up and set them at a 90 degree angle thus preventing you from needing to do the work of refiling them all in a particular order.)

Obviously if you have multi-row edge punches or dozens of edge notches you can discern a lot more categories or data types using basic logic. Just abstract this to your particular note card system. Herman Hollerith used this in early versions of the U.S. Census in the late 1800s and it and variations were used heavily in early computer programming applications.

A variation of this sort of trick can also be done by coloring in (or not) the edges of parts of your cards as well. See for example the general suggestions in these photos which help to layout the idea of the "Pile of Index Card" system used back in 2006 with respect to Getting Things Done (GTD) philosophy:

• https://www.flickr.com/photos/hawkexpress/189967397/
• https://www.flickr.com/photos/aki_oda/2684257358
• https://www.flickr.com/photos/hawkexpress/189972896

On my mathematics specific notes which I generally put on graph paper cards, I use colored edge "notches" like these to represent broad categories like theorems, proofs, definitions, corollaries, etc. or method of proof (induction, direct, contradiction, contraposition, construction, exhaustion, probabilistic, combinatorial, etc.) This makes finding specific cards a bit easier as I tip through various sections.

A historian might use colored edges to visually label dates by decades or centuries depending on the timespan of their studies. The uses can be endless and can be specific to your field of study or needs.

Some might also attach the idea of tags/categories to the colors of their cards, so you might use white cards for ideas which are your own, yellow cards which are quotes of others' material, blue cards which represent synopses of other's ideas, etc. One might also profitably use a multi-pen with different colored inks to represent these sorts of meta-data as well.

The variations are endless...

The index is the place for categorization. Now the questions is how deep is good enough to categorize.

I came here looking for the glycemic index for bananas to see if this might explain a friends delayed reaction to consuming high amounts of salicylate. That is, the pain they experienced as a burn in the mouth/tongue only occurred after consuming a banana. A prior search tentatively suggested that spikes in insulin (which occur with foods high in glycemic index and glycemic load) can cause inflammation to the affected region which sends white blood cells as a response and can cause swelling and increased sensitivity to pain.

Worry about dropping a tray of slips and needing to reorganize them.

This sounds somewhat similar to Mark Robertson's method of "live Roaming" (using Roam Research during his history classes) as a teaching tool on top of other prior methods.

link to: Roland Barthes' card collection for teaching: https://hypothes.is/a/wELPGLhaEeywRnsyCfVmXQ

https://www.reddit.com/r/antinet/comments/10fn1vb/i_made_a_script_to_turn_obsidian_files_into_tiny/

reply to IvanFerrero at https://forum.zettelkasten.de/discussion/1740/anybody-using-this-approach-to-manage-contacts-how#latest

Many of the digital note taking tools that run off of text allow you to add metadata to your basic text files (as YAML headers, inline with a key:: value pair, or via #tags). Many of them have search functionality or use other programmatic means like query blocks, DataView, DataViewJS, etc. for doing queries on your files to get back lists, tables, charts, etc. of the data you're looking for.

The DataView repository has some good examples of how this works with something like Obsidian. Fortunately if you're using simple text files you can usually put them into one or more platforms to get the data and affordances you want out of them individually.

As an example, I have a script block in my daily note in Obsidian for birthdays in my notes that fall on today's date:

```dataview LIST birthday FROM "Lists/People" WHERE birthday.day = date(2023-01-18).day ```

If I put the text birthday:: 1927-12-08 into a note about Niklas Luhmann, his name and birthday would appear in my daily note on his birthday. One can use similar functionality to create tables of books they read with titles, authors, ratings, dates read, etc. or a variety of other data input which parses through your plaintext files. Services like Obsidian, Logseq, et al. are getting better about allowing these types of programmatic searches for users without backgrounds in programming and various communities usually provide help for pre-made little snippets like the one above that one can cut and paste into their notes to get the outputs that they need. Another Obsidian based example that uses text files for tracking academic journal articles can be found at https://nataliekraneiss.com/your-academic-reading-list-in-obsidian/; I'm sure there are similar versions for other text-based platforms.

In pre-digital times, for a manual version of a rolodex like this in paper, one could use different color cards as pseudo-tags (doctors are on yellow cards, family members on blue cards, friends on green cards, etc.) or adding edge notches or even tabs to represent different types of metadata. See for example the edge colored cards in Hawkexpress' Pile of Index Cards: https://www.flickr.com/photos/hawkexpress/albums/72157594200490122

As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.

If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.

If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.

The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.

Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.

If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.

It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)

In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!

Here again he comes close to some of the methods and ideas of having flashcards for spaced repetition, but isn't explicitly aware of the words or techniques. Note that he also doesn't use the word flashcard. When was the word first used?

Rewriting things as flashcards also tends to be a part of the spaced repetition itself.

By cutting the notes up he's specifically decontextualizing them so as to make one's memory be better tested in coming up with the solutions/answers as they are more likely to appear on a test, decontextualized from the original lecture.

Apparently Aby Warburg "obsessively kept" notes on antisemitic incidents on the Eastern front in his zettelkasten.

This piece looks at Warburg's Jewish identity as supported or not by the contents of his zettelkasten, thus placing it in the use of zettelkasten or card index as autobiography.

Might one's notes reflect who they were as a means of creating both their identity while alive as well as revealing it once they've passed on? Might the use of historical method provide its own historical method to be taken up on a meta basis after one's death?

Arthur introduces the topic of Robert Pirsig and slips into the GTD conversation on 2004-05-19.

Was this a precursor link to the Pile of Index Cards in 2006?

Note that there doesn't seem to be any discussion of any of the methods with respect to direct knowledge management until the very end in which arthur returns almost four months later to describe a 4 x 6" card index with various topics he's using for filing away his knowledge on cards. He's essentially recreated the index card based commonplace book suggested by Robert Pirsig in Lila.

https://www.levenger.com/collections/pocket-briefcases/products/bomber-jacket-int-pkt-briefcase-w-pocketini-clip?variant=42636956237973

After browsing through a variety of the cards in Gertrud Bauer's Zettelkasten Online it becomes obvious that the collection was created specifically as a paper-based database for search, retrieval, and research. The examples and data within it are much more narrowly circumscribed for a specific use than those of other researchers like Niklas Luhmann whose collection spanned a much broader variety of topics and areas of knowledge.

This particular use case makes the database nature of zettelkasten more apparent than some others, particularly in modern (post-2013 zettelkasten of a more personal nature).

I'm reminded here of the use case(s) described by Beatrice Webb in My Apprenticeship for scientific note taking, by which she more broadly meant database creation and use.

Gertrud Bauer used her zettelkasten on Coptic and Greek to write Konkordanz der nichtflektierten griechischen Wörter im bohairischen Neuen Testament, Göttinger Orientforschungen VI/6, Wiesbaden: Harrassowitz 1975, a work on borrowed function words.

Try Kaitiaki or Rite in the Rain. If you search for "index card wallet" you'll likely find a variety of others, including some custom made versions on sites like Etsy. 3 x 5" are relatively common, but 4 x 6" are much harder to come by.

https://www.riteintherain.com/index-card-wallet

https://www.etsy.com/ca/listing/838704283/leather-index-card-holder-index-card

https://www.wsj.com/articles/david-rockefellers-famous-rolodex-is-astonishing-heres-a-first-peek-1512494592

How can we better thing of card indexes as positive feedback mechanisms? Will describes it as the "Great Wheel of Positive Feedback" which reminds me a bit of flywheels for storing energy for later use.

ABOUT INDEXES *indexes can make queries faster, much like looking for a term in the index of a textbook instead of skimming through all the pages in the book to find all the references to the term. However, indexes take storage space and the DBMS must maintain the index as rows are inserted, updated and deleted in the table.

https://genizaprojects.princeton.edu/indexcards/index.php?a=themes

A digitized web-based version of S.D. Goitein's commonplace book using index cards.

Wowzers!

Cards from the topically arranged index cards in Goitein's sub-collection of 20,000 served as the skeleton of his magnum opus Mediterranean Society.

Goitein, “Involvement in Geniza Research,” 144.

Goitein's cards are segmented into two sets: one for subjects and one related to the India Book.

Goitein's zettelkasten is comprised of about 20,000 3 x 5" index cards and 7,000 5 x 8" index cards.

Link to: https://hypothes.is/a/TEiQ5H1rEe2_Amfzi4XXmg

While not directly confirmed (yet), due to the seeming correspondence of the number of cards and their corpus descriptions, it's likely that the 20,000 3 x 5" cards were his notes covering individual topics while the 7,000 5 x 8" cards were his notes and descriptions of a single fragment from the Cairo Geniza.

In addition to writing on cards, Goitein also wrote notes on pieces of paper that he happened to have lying around.

Goitein's index cards provided a database not only for his own work, but for those who studied documentary Geniza after him.

https://archive.org/details/practicalbookkee00ellirich/page/6/mode/2up

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>u/stockwestfale</span> in Requesting antinet hivemind assistance: ANALOG ACCOUNTING/BUDGETING/BOOKKEEPING : antinet (<time class='dt-published'>01/08/2023 12:04:20</time>)</cite></small>

Clang is faster than GCC because it uses LLVM as its underlying compiler infrastructure. LLVM has a highly optimised code generation approach that makes it very efficient in terms of both space and time. In addition, Clang also contains several optimisation passes (such as global optimisations and link-time optimisation) that improve the generated code further.

https://www.govinfo.gov/content/pkg/CHRG-107jhrg96166/html/CHRG-107jhrg96166.htm

Foreign sourced? I can't seen to find them on Google, at least locally.

via u/The_Bee_Sneeze

Example of someone using Obsidian with a zettelkasten focus to write screenplays.

Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?

Joan Rivers had an index card catalog with 52 drawers of 4-by-6-inch index cards containing jokes she'd accumulated over her lifetime of work. She had 18 2 drawer stackable steel files that were common during the mid-1900s. Rather than using paper inserts with the label frames on the card catalogs, she used a tape-based label maker to designate her drawers.

Scott Currie, who worked with Melissa Rivers on a book about her mother, Joan Rivers, at the comedian’s former Manhattan office. Many of her papers are stored there.Credit...Hiroko Masuike/The New York Times

Note carefully that the article says 52 drawers, but the image in the article shows a portion of what can be surmised to be 18 2-drawer cabinets for a total of 36 drawers. (14 2-drawer cabinets are pictured, but based on size and perspective, there's one row of 4 2-drawer boxes not shown.)

The one shining moment in the whole essay and they don't seem to realize where the benefit or use actually was. They finally had a reason to have taken notes and the ideas shone here. But they've written off the tools because they didn't understand when to use them.

Hammers are cool, but unless you're a professional carpenter, you don't carry it around all the time and use it constantly to hammer things. The same is true of note taking as a tool. You might use it regularly if you're a writer or an academic perhaps, but for hourly use in your day-to-day? Almost definitely not.

Goitein accumulated more than 27,000 index cards in his research work over the span of 35 years. (Approximately 2.1 cards per day.)

His collection can broadly be broken up into two broad categories: 1. Approximately 20,000 cards are notes covering individual topics generally making of the form of a commonplace book using index cards rather than books or notebooks. 2. Over 7,000 cards which contain descriptions of a single fragment from the Cairo Geniza.

A large number of cards in the commonplace book section were used in the production of his magnum opus, a six volume series about aspects of Jewish life in the Middle Ages, which were published as A Mediterranean Society: The Jewish communities of the Arab World as Portrayed in the Documents of the Cairo Geniza (1967–1993).

https://genizalab.princeton.edu/resources/goiteins-index-cards

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>u/Didactico</span> in Goitein's Index Cards : antinet (<time class='dt-published'>12/15/2022 23:12:33</time>)</cite></small>

https://www.reddit.com/r/antinet/comments/zj9xcj/actually_using_note_cards/

http://www.sanduskycabinets.com/flipbook/?page=2

According to Sandusky customer service, most of the Buddy Products line was discontinued in 2019 and remaining portions were sold to https://www.metalcabinetstore.com/ which may or may not have them.

http://www.sanduskycabinets.com/flipbook/?page=2

Page 2 of the Sandusky Lee / Sandusky Buddy catalog indicates that page 52 has File Card Storage Boxes, but the page doesn't exist in this version of the 2020 catalog.

https://www.metalcabinetstore.com/shopping/products/5157-card-and-multimedia-files-28-d/

MetalCabinetStore.com carries Tennsco card files, but doesn't seem to have any of the Buddy Products. Apparently they're just a distributor and likely just bought out remaining product from Sandusky rather than taking over manufacturing operations.

Alas...

What really supports this distinction? The closest historical American English translation is probably "card index" from the early 1900s while the broader academic historical translation is "slip box".

Features include: - follow block (to bunch cards to the front of the drawer and hold them upright without falling over - bail stop - a mechanism to keep the drawer from being accidentally pulled completely out of the case.

https://www.ebay.com/itm/195498555898?mkevt=1&mkpid=0&emsid=e11021.m43.l3160&mkcid=7&ch=osgood&euid=e7e2ee3cbef84c44845f6ccdab47484e&bu=45618614899&ut=RU&exe=0&ext=0&osub=-1%7E1&crd=20221201034345&segname=11021

Wow, a new file drawer still in the box!

http://directlyyours.com/?page=shop/flypage&product_id=1820

https://directlyyours.com/index.php?page=shop/flypage&product_id=1820

Buddy apparently manufactured a relatively wide range of card index files in 3 x 5", 4 x 6", 5 x 8", 6 x 9" formats, they now seem to be discontinued.

https://www.amazon.com/JUNDUN-Holder-Collapsible-Fireproof-3x5-Inch/dp/B0B8TYQQW9/

Jundun manufactures an interesting looking fireproof, zippered, and lockable card index.

https://edward-slingerland.medium.com/there-is-only-one-way-to-write-a-book-637535ef5bde

Example of someone's research, note taking, and writing process using index cards.

Broadly, this is very similar to the process used by Ryan Holiday, Robert Green, and Victor Margolin.

While he can't recall the name of the teacher, he credits his 7th grade English teacher (1980-1981) for teaching him the method.

Edward Slingerland is represented by Brockman Inc.

Anecdotal evidence that the final "writing" portion of a card index process is "relatively easy" as the majority of the work has already been done.

Anecdotal evidence that categorizing and arranging index cards/ideas for a writing project for subsequent writing is one of the most difficult portions of the process.

Niklas Luhmann subverted portions of this by pre-linking his ideas together either in threads or an outline form as he went.

At what point in the process does one have a conceptualization for the overall outline of what they're writing?

In cases where it's earlier than others, then heavy linking and organization may not be as necessary.

Example of someone who learned an index card based commonplace book method for note taking and writing.

https://www.youtube.com/watch?v=b-Wp0sLpnMY

PVA Glue used in bookbinding, but isn't inexpensive.

• Tacky glue - okay
• rubber cement - not great
• elmer's glue - not great, tears esp. for 2 layers
• Mod podge - pulls nicely and strong
• mod podge hard shell - cracks, not great
• PVA Glue - the best of the group

Recommendations in order: PVA, Tacky Glue, Mod Podge (regular)

Brush on top edge and do two coats. Don't get it down between sheets.

Victor Margolin's note taking and writing process

• Collecting materials and bibliographies in files based on categories (for chapters)
• Reads material, excerpts/note making on 5 x 7" note cards
  • Generally with a title (based on visual in video)
  • excerpts have page number references (much like literature notes, the refinement linking and outlining happens separately later in his mapping and writing processes)
  • filed in a box with tabbed index cards by chapter number with name
  • video indicates that he does write on both sides of cards breaking the usual rule to write only on one side
• Uses large pad of newsprint (roughly 18" x 24" based on visualization) to map out each chapter in visual form using his cards in a non-linear way. Out of the diagrams and clusters he creates a linear narrative form.
• Tapes diagrams to wall
• Writes in text editor on computer as he references the index cards and the visual map.

"I've developed a way of working to make this huge project of a world history of design manageable."<br /> —Victor Margolin

Notice here that Victor Margolin doesn't indicate that it was a process that he was taught, but rather "I've developed". Of course he was likely taught or influenced on the method, particularly as a historian, and that what he really means to communicate is that this is how he's evolved that process.

"I begin with a large amount of information." <br /> —Victor Margolin

"As I begin to write a story begins to emerge because, in fact, I've already rehearsed this story in several different ways by getting the information for the cards, mapping it out and of course the writing is then the third way of telling the story the one that will ultimately result in the finished chapters."<br /> —Victor Margolin

https://threadreaderapp.com/thread/1406325523991564293.html

https://tvtropes.org/pmwiki/pmwiki.php/Main/TheIndexIsWatchingYou

https://www.enoshop.co.uk/product/oblique-strategies?filter=Oblique%20Strategies

A quick and dirty guide to choosing "slow carbs" (low GLI) and "fast carbs" (high GLI). Purportedly, insulin spikes (from high GLI foods) and prevent amino acids from entering the blood brain barrier. Need to fact-check this

https://prosimpli.com/index-card-holder/

Reasonable state-of-the-art of index card holders. Does manage to leave out some of the bleacher display methods, but otherwise not bad.

https://www.ikea.com/us/en/p/kuggis-box-with-lid-transparent-black-00514033/#content

7 x 10.25 x 6"

This is big enough and just about the perfect size for 4 x 6" index cards. The lid has a slight indent to make it easily stackable.

https://en.wikipedia.org/wiki/Oblique_Strategies

So much to unpack here.

Similar to experiments I've seen by Henry James Korn (esp. The Pontoon Manifesto), John Irwin, etc.

Similarities to means of forcing Llullan combinatorial creativity, but in alternate form.