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    1. Advanced Typing - Shortcuts (1943)

      Advanced Typing: Shortcuts. 16 mm. Vol. MN-1512c. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=JUJfCfqgsX0.

      Correct typing posture: fingers curved<br /> arms sloping up<br /> light fast strokes<br /> steady rhythm

      fast continuous motion of return lever<br /> using backing sheet (aka temping sheet ??)

      Shortcuts:<br /> mise en place for office supplies (she doesn't use this phrasing though) - greater efficiency - cuts down on searching

      tabulators can be helpful. There are two types:<br /> - automatic - handset

      Use tabs for paragraphs, dating letters, columns of numbers, and letter closings.

      To clear all tab stops, put carriage to left, hold tab clear key and move the carriage across. (Usually applies to Royal, Remington, Underwood, and Electromatic).

      On LC Smith and Woodstock machines sometimes have a tab clear lever on the back.

      Decimal tabulator keys help to align a variety of numbers around a decimal point. 09:43

      Always have a few tabs set to prevent a flying carriage which can be hard on the machine.

      When using carbon sheets which are slightly longer than the paper size, cut off a small triangle at the top left hand side. This makes it easier for one to separate the carbons from the copies by holding the top left with one hand and pulling the carbons out from the bottom of the stack.

      To align multiple sheets of paper for carbon copies, use a folded sheet at the top to taco the pages into the machine. Remove the folded sheet once the carbon pack is rolled forward.

      Paper bail rollers should be set to split the pages into thirds (for two rollers).

      Remington noiseless machines have a pressure indicator on the front of the machine (usually above the keyboard) which can be used when using thick carbon packs that may cause the ribbon guide to stick or bind.

      Only erase when the carriage is fully left or right to prevent eraser crumbs from falling into the machine. 15:26

      Use a soft eraser on carbon copies. Use and insert slips of paper behind the carbons and allowing them to stick out the sides, erasing from back sheet to front so as not to allow the eraser to mark your carbon copies. For the front sheet, use a shield and ink eraser and erase with a horizontal motion. After erasing, easily pull out the inserted sheets.

      When typing a correction, tap the key lightly two or three times rather than hard once.

      When in a rush and it's necessary to add a word (on double spacing), underline the last letter of the prior word and type a slash (/). Then move the typing line up and type the insertion above the prior line. This creates an "arrow" of sorts for the inserted word.

      Details for inserting extra letters in misspelled words using half-spacing machines. (Underwoods and Electromatics don't have this function.)

      Light pencil marks at the bottom of the sheet can help to indicate the coming bottom of the sheet.

      Putting up the card holders (fingers) on Underwoods and Royals. They help to hold the card and improve print quality and reduce noise.

      Card holders can cause markings on carbon packs if they're not lowered.

      Trick for quickly writing postcards in succession: Disengage the ratchet using the platen spring release (or variable platen switch) Type the address on the front of the card. When done give the platen a quick practiced spin. The postcard with "jump" up and stop at the paper table and be in position for rolling in the opposite direction to write the message on the back of the card! When done a faster spin of the platen will shoot the card over the back of the typewriter where it can land in a box to collect all the postcards which were written in such a manner. <br /> timestamp 23:22

      Time saving methods for addressing envelopes:

      • Front seat principle. Insert the envelope in the usual way and type out the address. When done, turn the envelope down through the machine with the right hand. With the left hand, place the next envelope between the top of the first envelope and the front of the platen. Feed the first envelope back through the machine (in reverse) and the second will be rolled in to place for typing. Continue in this fashion until finished. All the finished envelopes will stack up in the back at the paper table.

      • Chain feeding. The first envelope is inserted and rolled partway into the machine. A second envelope is inserted between the platen and the second envelope (behind the platen). Turn the first envelope to the writing line and type the address. Take out the first envelope and insert the next the same way as before.

      • Uses paper bail. Do the first envelope in the usual way. Spin it out of the machine up and behind the paper bail into a box behind the typewriter.

      For quickly doing labels or small cards: (27:29) Create a small zig-zag fold into a piece of paper to create a pocket slot which can be scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card. to hold such labels.

      When in the midst of a page and needing to do another piece urgently, roll back the letter until about 2 inches from the top, and then place in the new page and one between each of the carbons. Then roll forward to do the short message as necessary. Turn back to the insertion position to remove the copies and then continue with the first letter where you left off.

      For drawing horizontal lines on typewriter paper, push the carriage to the extreme left and place the pencil or pen at the edge of the card guide and the scale. Then move the carriage to the right to effect the line. For vertical lines, put the carriage at the desired space and place the pencil at the card guide and scale and move the platen up/down as necessary.

    1. reply to u/ropeynick at https://reddit.com/r/TypewriterRepair/comments/1xk6tkj/olympia_sg3_right_margin_stop/

      The right margin on the Olympia SG3 is a known thing:<br /> - https://typewriter.boardhost.com/viewtopic.php?pid=27528#p27528<br /> - https://typewriter.boardhost.com/viewtopic.php?id=3521

      They say roughly what my experience is with both of my Olympia SG3 right margins: - If you're typing characters, the line lock will engage and require you to hit the margin release to continue. - If you're tabbing, spacing, or using the carriage release you'll blow right through the margin and can keep typing.

      The number of spaces from bell to margin will differ based on the pitch of the machine as will the number of spaces one would need to space past the margin before the line lock disengages and allows you to type in the margin again.

      It was a change in design of how a right margin stop worked in late typewriter manufacture.

    1. https://www.facebook.com/groups/4770669677posts/posts/10164413651119678/

      The Haas Atlas (page 7) would identify the foundry mark as being a Hulse-Typen manufactured Pica face for Smith-Corona: https://archive.org/.../typewriter.../page/n5/mode/2up

      Page 31 of the 1954 Smith-Corona Typewriter Type Styles and Keyboards Catalog would indicate it seems to match up solidly with the Pica Gothic No. 4 typeface: https://typecast.munk.org/.../1954-smith-corona-scm.../ Especially look at the Q, the J, and the 8. The '64 NOMDA guide Mark links is the same, but doesn't have as extensive a typesample.

      Many machines, and especially the American manufactured ones, don't always have foundry marks which line up with the respective catalogs.

    1. We put a good dozen machines through a month, and large amounts of small parts. It's a great machine, but very expensive. Both the unit, the power demand, and the solutions. Not every machine or part can go in either, we still do many machines by hand to avoid damage in the ultrasonic. Quality of work is critical, but so is time. We can do the same level of in depth clean manually, but it takes 2-3 hours and the ultrasonic halves that time. We still do drying, rust removal, bulk grease, and final washes by hand to ensure consistent quality. Can't express enough how amazing the ultrasonic is. Deffinately increased our output. We work with OmegaSomics for machines, parts, and cleaners.

      via Lucas Dul (aka u/Lucasdul2) at https://www.reddit.com/r/typewriters/comments/1xairdl/comment/19rpjcvqm7v9e/?context=1&screen_view_count=2

      Puts about a dozen machines a month through their ultrasonic cleaner. Doesn't rely on it solely due to need for quality control.

    1. reply to u/remy_vega at https://old.reddit.com/r/typewriters/comments/1wxj0js/olympia_sm3_i_think_acquired_now_to_cleaning_and/

      The white material is likely oxidation/corrosion specific to the metal on the piece. I'd guess potentially zinc oxidation. Duane has used lacquer thinner on stuff like this in the past with good results. (See https://www.youtube.com/watch?v=hDpTJ4NQGwk).

      However for the material on the keys, you're likely to damage the plastic on them. For this part you could spot test some vinegar as a means of removing the oxidation without damaging the keytops. Try it out on one key to see how well it works. If it helps, you can remove the keytops individually. (See: https://youtu.be/XRm0VH42y1s?si=P0D1L9bm8uMRSJDC&t=867) I might also try a thin/skinny brass bristle brush either before, or in combination. (See: https://boffosocko.com/2024/12/01/typewriter-tools-upgrade/#Typewriter%20Cleaning%20Tools)

      See another occurrence at https://reddit.com/r/typewriters/comments/1x2drma/olympia_sm2_restoration/ where kizeer reported success at my method by saying:

      Thanks for the links! I started to remove the key caps and soak them in vinegar and brush the rest off which seemed to work fine. Just having some issues to remove the first row of key caps (1,2,3,..). I guess I need to remove the case/housing first.

    1. Glenn Horowitz, a rare-book dealer who is handling the auction for Mr. McCarthy, said: “When I grasped that some of the most complex, almost otherworldly fiction of the postwar era was composed on such a simple, functional, frail-looking machine, it conferred a sort of talismanic quality to Cormac’s typewriter. It’s as if Mount Rushmore was carved with a Swiss Army knife.”
    1. and a stand-alone office with an antique walnut desk, an Art Deco lamp by the modernist Irish architect and designer Eileen Gray and a typewriter — an Olivetti Lettera 32 — that once belonged to the novelist Cormac McCarthy. After years of false starts and a second career as a stock trader, Brolin finally became a movie star with his role as an unsuspecting hunter in the Coen brothers’ film adaptation of McCarthy’s 2005 novel, “No Country for Old Men”; he was with the author this past June the night before he died.

      Josh Brolin has one of Cormac McCarthy's Olivetti Lettera 32 typewriters.

    1. reply to u/Prince_naveen at https://reddit.com/r/math/comments/1xmn4c6/for_those_of_us_postponing_grad_school_and/

      Who says anyone needs to "quit" math anyway?!? If you love it, practice it as a hobby. Work on problems in your spare time. If there are nearby colleges, take courses go to lectures and colloquia. (I've been taking various subjects in the math departments of UCLA, USC, and Caltech near me for over 20 years now. Here's a recent example of one: https://www.reddit.com/r/math/comments/1vnknqu/in_the_los_angeles_area_and_looking_to_expand/) Find conferences via the AMS.

      Even people like novelist Cormac Mccarthy read mathematics throughout their adult lives. A research project has been cataloging his personal library of over 20,000 volumes and a huge number of them were in math. https://cormacmccarthy.lib.utk.edu/home?search_api_fulltext=mathematics Later in life he joined his friend Murray Gell-Man at the Santa Fe Institute for "fun".

      There's lots of math out there, you just have to look a bit to keep it in your life.

    1. Beginning of a holiday gift giving guide for the typewriter enthusiast in your life:

      Repair person:

      Some ideas for typewriter tools: https://boffosocko.com/tag/typewriter-tools/ including:<br /> - Paul at Bremerton Typewriter has reproduction segment picks that make solid stocking stuffers. - Crawford Tools has some great oilers and spring hooks.

      Typewriter repair manuals are great to build up your library: https://www.lulu.com/search?adult_audience_rating=00&contributor=Ted+Munk&page=1&pageSize=50&sortBy=PRODUCT_SALES_90_DAYS

      Shelving that will fit heavy standards is always a true "gift".

      Bulk ribbon from Fine Line Ribbon in Texas is lovely.

      If your rich uncle asks: https://www.safety-kleen.com/services/parts-washers/solvent-parts-washers

    1. reply to u/Fireflystudio at https://old.reddit.com/r/typewriters/comments/1xn596e/remington_identification_help/

      They (the serial number prefix JT) sort of appear at https://typewriterdatabase.com/remington.42.typewriter-serial-number-database but as J, SJ, and EJT.

      You'll find two of them on https://typewriterdatabase.com/Remington.Standard.42.bmys. Your serial number seems to line up with the other Italian made ones, but the database doesn't seem to have any detail about years of manufacture for those serial numbers. Because they're fairly serious collectors who've listed theirs as early 1960s models (196X), yours was probably also early 1960s. The shift from the green keys to the white/gray chicklet design can be seen at the break between 1959 and 1960 for the Remington Quiet-Riter Eleven: https://typewriterdatabase.com/Remington.Quiet-Riter+Eleven.42.bmys

      Presumably the primary prefix model letter for the Remington Standard is "J" and the additional letters either indicate the factory/country of manufacture or other functionality. (Remington often added the letter "T" to some models to indicate tabulator or decimal tabulator, though in this case, as a standard, a simple tabulator would have been implied. Perhaps in your model's case the "T" stands for Torino which is likely the plant it was manufactured in in Italy. See also: https://www.nytimes.com/1951/10/08/archives/remington-rand-to-build-in-italy-company-to-construct-large-plant.html

      The SJ models seem to be from England, FJ models in France and another CJ model, potentially from Canada? Some additional research ought to uncover if this hypothesis holds.

      Torino, Italy

    2. https://www.reddit.com/r/typewriters/comments/1xn596e/remington_identification_help/

      Prior to this in the late 40s and early 50s were the Remington 17 and KMC versions before they switched to the Remington Super-Riter. This one with the push and slide margin controls marks it as a Remington Standard.

      There are only a few models in the database that have this body finish and "chicklet" style keys (Both James Grooms and Richard Polt have them), but perhaps this was a tooling change when they moved manufacture out of the US to Italy some time around 1962?

      These were used by Robby the Robot, Lina Wertmuller, and Grace Kelly. Mel Gibson's character used one in the 1982 movie The Year of Living Dangerously.

      Your machine should have the Fold-A-Matic feature which should help you clean out the internals: https://boffosocko.com/2024/12/06/using-the-fold-a-matic-feature-of-the-remington-standard-to-clean-oil-and-adjust/

      Should you need to replace some of the internal rubber grommets: https://boffosocko.com/2026/02/23/rubber-grommet-repair-on-remington-super-riters-and-standards/

      The manual: https://site.xavier.edu/polt/typewriters/RemingtonSuper-Riter.pdf

      There was a laterRemington 19 which had a plastic body and similar "chicklet" keys that showed up in the early 60s,

    1. Kaffee: [interrupts with game-show buzzer sound] eeehhhhh! I'm sorry, your time's run out! What do we have for the losers, judge? Well, for our defendants, it's a life time at exotic Fort Leavenworth! And, for defense counsel Kaffee, that's right, it's a court martial! Yes, Johnny! After falsely accusing a highly decorated Marine officer of conspiracy and perjury, Lieutenant Kaffee will have a long and prosperous career teaching... typewriter maintenance at the Rocco Globbo School for Women! Thank you for playing "Should we or should we not follow the advice of the galactically stupid!"

      via https://www.imdb.com/title/tt0104257/quotes/

      double-check the quote verbiage

  2. Nov 2026
    1. The white correction part is dry white correction material on film. It's supposed to be that way. The black is the part that ought to be wet with ink. I don't think that anyone makes the older bichrome correction ribbon anymore. There's still NOS out there, but I generally don't recommend it as, though it may work, it throws flecks of white into your segment and onto your typebars. It makes a heck of a mess and is a pain to clean up.

      If you need it, you can find old correction tabs out there or correction tape which is far easier (and cleaner) to use.

      Better ribbon can be found here: https://site.xavier.edu/polt/typewriters/tw-faq.html#q1

      Reply to u/OalBlunkont at https://www.reddit.com/r/typewriters/comments/1xkpg95/ribbon_for_brother_charger_11c/

  3. Oct 2026
    1. Likely the right hand margin slider has shattered. I just fixed this same issue on my SG-3 by 3D printing a replacement using a free file available on Thingyverse. My library printed it at no charge. The repair took a little doing— I had to drill out two small brass rivets and replace them with tiny screws, but it is great to have it working again.

      via u/radiant_control at https://www.reddit.com/r/TypewriterRepair/comments/1xk6tkj/olympia_sg3_right_margin_stop/

    1. Saturday, May 23, 1970: “This is a brand new Olivetti typewriter upon which I am writing given to me by Lil and Brook. It is sparkling and very loose compared with the Hermes Baby and it will take me a little more time to bang away on it with the same abandon as I do on the old one which I shall keep anyway out of loyalty for many years of battered service. I shall retire the Baby to the library on the boat or at Gstaad. The machine is fire-engine red and I’ve pasted on it a Welsh dragon. . . “ - Richard Burton, The Richard Burton Diaries

      via https://www.facebook.com/groups/TypewriterCollectors/posts/10164377139549678/

      Check source on the quote.

    1. reply to u/MorsaTamalera at https://old.reddit.com/r/typewriters/comments/1xjo3ly/do_my_type_pieces_seem_ok_or_do_they_need_cleaning/

      During a period when people got their machines serviced regularly, the general advice was to bush out the slugs with a stiff bristle brush (firm toothbrushes make a reasonable tool here) once every eight hours of typing. See: https://youtu.be/ocdxgkxKAKo?si=Qz5PSud60SYGVvH6&t=328

      If you've got some dirtier slugs, a degreaser like mineral spirits in combination with a a brass bristle brush can be used to better effect. Some also use pins, toothpicks, or even dental picks to clean out the harder to clean loops of letters like a, e, b, g, d, etc.

      A variety of solvents can be used if you don't have any mineral spirits on hand including isopropyl alcohol, fingernail polish remover, lighter fluid, or even gasoline and kerosene (though obviously take care that your cigarettes and open flames aren't around). See also: https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/#nail-polish%20remover

    1. Quote from Introduction:

      I remember when it was all done in first draft telling Gene Wolfe, who is the wisest writer I know and has written more excellent novels than any man I’ve met, that I thought I had now learned how to write a novel. Gene looked at me, and smiled kindly. “You never learn how to write a novel,” he told me. “You only learn to write the novel you’re on.”

      Gaiman, Neil. 2021. American Gods: A Novel. 10th Anniversary. New York: William Morrow Paperbacks.

    1. Obviously there are well built machines and more cheaply built machines, but at a certain level it’s what you connect with. If you spend three years straight typing on one machine, then it will be comfortable and perform well for you. Back in the day, people may have encountered different typewriters and occasionally tried them, but MOSTLY they picked one out in the store they connected with and used it. After years and years (if they don’t have issues), they will think it’s the best typewriter ever. It’s like buying a car, most modern cars are very reliable. So you do some basic research, look at costs and make a pick. If it has something annoying about it (bad visibility or crappy AC or reliability), you’ll never buy one again. But if it works well and you like it, then you’ll think great. You’re comparing two top brands that took very few shortcuts. It’s like comparing a BMW to a Mercedes - maybe one here or there will have issues - but they are both great cars. That doesn’t stop BMW people from talking shit about Mercedes and the other way around.

      by u/newsINcinci at https://www.reddit.com/r/typewriters/comments/1xf54ra/the_sm9_that_i_almost_passed_up/

    1. Two Years After Cormac McCarthy's Death, Rare Access to His Personal Library Reveals the Man Behind the Myth<br /> by [[Richard Grant]]<br /> accessed on 2026-10-25T14:02:31

    2. She was unable to calculate the total number of books because the cataloging software didn’t account for multi-volume works. McCarthy’s 36-volume history of Utah, for example, registered as a single entry. Nor did the software tally multiple editions of the same book, so McCarthy’s 13 copies of Moby-Dick registered as one entry. The total number of entries was 18,520. Taking into account duplicate copies and multi-volume works, Peebles felt confident that McCarthy’s library contained just over 20,000 books, with 2,170 annotated.
    3. With the exception of Moby-Dick in multiple, gorgeous leather-bound editions, the scholars found hardly any novels until they started cutting open boxes that Dennis retrieved from a storage locker in El Paso. Out came the entire canon of Western literature, from ancient Greece and Rome to the best novelists, poets and essayists of the 1970s, nearly all in cheap, worn, paperback editions. “These are the books that he read in his 20s and 30s and maybe into his 40s, and he was broke that whole time,” said Dennis. “Once he got money, Cormac bought all his books in hardback if possible, and for the last 40 years of his life he read almost no fiction at all.”
    4. I asked John what else his father collected apart from books, cars and kitchenware. “I would say clothes were the other big one. He had hundreds of tweed jackets, hundreds of shirts, hundreds of suits that he’d never worn.” John once spent three days dragging stuff out of a room he wanted to use as a bedroom. “When I was done, I said, ‘You ever think you might be a little bit of a hoarder?’ And he looks at me and he goes, ‘Yeah, probably.’ He attributed it to all those years when he had no money.”

      An example of poverty, scarcity mindset and hoarding as a symptom.

    5. It was John who told me that McCarthy worked in bed—a California king with high-thread-count sheets, the Olivetti on a wooden platform with a leather pillow underneath it, and piles of typed pages, magazines, books and catalogs. Writing, McCarthy once said, was not a conscious process for him. He put a blank piece of paper in the Olivetti, the words arrived, and he typed them down. But that was just the first stage of an extensive rewriting and structuring process, and some of his books took 20 years or more to get right. “Dad didn’t like being interrupted when he was working, or when he was reading,” John said. “‘No, no, no. I’m reading. Go away!’ he would say.
    6. Oprah, knowing it was true, asked if The Road was a love story to his young son John. “In a way, I suppose, that’s kind of embarrassing,” he said. She made slightly better headway on the subject of punctuation. McCarthy didn’t use quotation marks, hated semicolons and kept commas to the barest minimum. “There’s no reason to block the page up with weird little marks,” he said. “If you write properly, you shouldn’t have to punctuate.”
    7. McCarthy often had a pencil when he was reading and would make tiny vertical marks next to sentences that interested him and add comments in the margins in small print handwriting. Sometimes he jotted down thoughts on slips of paper that he left between the pages. Inside The Life of Saint Teresa of Ávila by Herself, first published in 1565, we found him musing philosophically: “There is an intelligence to the universe (of which we are fractal) and that intelligence has a character and that character is benign. Intends well toward all things. How could it not?”
    8. The second major discovery, discernible in his work but confirmed beyond doubt in his library, was that McCarthy was a genius-level intellectual polymath with an insatiable curiosity. His interests ranged from quantum physics, which he taught himself by reading 190 books on the notoriously challenging subject, to whale biology, violins, obscure corners of French history in the early Middle Ages, the highest levels of advanced mathematics and almost any other subject you can name.
    9. I was invited to the house by two McCarthy scholars who were embroiled in a herculean endeavor. Working unpaid, with help from other volunteer scholars and occasional graduate students, they had taken it upon themselves to physically examine and digitally catalog every single book in McCarthy’s enormous and chaotically disorganized personal library. They were guessing it contained upwards of 20,000 volumes. By comparison, Ernest Hemingway, considered a voracious book collector, left behind a personal library of 9,000.

      Cormack McCarthy had a library of approximately 20,000 volumes

      Ernest Hemingway had a personal library of approximately 9,000 volumes.

    1. My SG1 doesn’t handle thick cardstock well. I have some index cards that are thicker than normal index cards and they are the thickest I can feed. Greeting cards or the nice letterhead cardstock my wife got me, do not fit.

      If this is the case, I worry that there may be something poorly adjusted on your machine.

      These standards were designed for offices using thicker carbon packs of 10 or more sheets of paper for carbon copies at the same time. I can easily roll a stack of 13 standard Oxford index cards (approximately a tenth of an inch!) into my SG1 at the same time. It's only when I go over this that problems begin.

      I just tried it as an experiment, but if I'm careful, I can put a piece of corrugated cardboard from a standard Amazon box into my SG1 and type on it. (Hint for those considering it: the corrugation doesn't give the best results from an imprint standpoint. The machine is also going to compress the cardboard and put "wrinkles" into the corrugation as it winds through the platen.)

      If the bigger standards aren't going to handle the thickness of card stock you're attempting to type on the portables and ultraportables are going to be even worse.

    2. I am looking at purchasing a manual typewriter, specifically an ultra-portable or a portable. I mainly want to be typing cards with thicker paper. the world of typewriters is more vast than I thought and I keep going down multiple rabbit holes and can’t come to a conclusion on what would be best. please give me your thoughts! thanks!

      Reply to u/arightler at tk

      As one of the few here who may be typing on a regular basis on index cards, I'd generally recommend standard typewriters (which have larger diameter platens and thus handle thicker cardstock better) which also have either card fingers or Perspex card guides. These latter will help hold the card to the platen for a better imprint and make the process much quieter. Any of the Royal standards (all of which have card fingers) here would be great (KHM, KMM, KMG, HH, FP, etc.) or the Olympia SG1 which has Perspex guides.

      You can get away with portables, but they're not as great for regular card work (smaller diameter platens). I might recommend one of the Smith-Corona Series 4 or 5 machines as long as they've got adjustable card fingers. (In the late 50's typically only the Silent-Super model had card fingers, but earlier models often had them as well.) Most of the Olympia SM series (2-9) will do relatively well as they all have Perspex card guides.

      Ultra-portables, with their miniscule platens and barely extant/broadly useless paper bails, will be the worst possible option. Most don't have fingers or card guides at all. I highly recommend against them for this work. If you insist on using one for it, DON'T every try anything else as you'll discover how bad these are for this work and it will utterly ruin you.

      Grippy platens and paper bail rollers with nice tension along with card fingers/Perspex are usually required for being able to type all the way to the bottom of a card or label cleanly.

      For quickly doing labels or small cards, some of the advanced typing techniques in this video will help: https://youtu.be/JUJfCfqgsX0?si=li5bPyn8NdAr2F69&t=1649

      Create a small zig-zag fold into a piece of paper to create a pocket slot which can be Scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card to hold such labels.

      My usual typewriter recommendations and some information on the market:

    1. Its just a ball bearing. Pull hard and it'll pop out. Might want to keep a finger on it so it doesn't fly into the Abyss and you can use it to attach the new ribbon.

      via u/Koponewt (Pelicram) at https://old.reddit.com/r/typewriters/comments/1x8uddf/is_there_a_way_to_unspool_this_it_seems_pinned_in/

      On removing a ball bearing in a typewriter spool that's being used to friction fit a ribbon into a typewriter spool.

    1. if you want the virtue of aman, it is easy to say that a man’s virtue consists of being able to manage publicaffairs and in so doing to benefit his friends and harm his enemies and to becareful that no harm comes to himself;

      Meno's definition of a man's virtue

    1. Mesothelioma Lawsuit Cites Asbestos in IBM Selectric Typewriters<br /> by [[Terri Oppenheimer]]<br /> accessed on 2026-10-17T23:00:20

      Lawsuit with claims of asbestos exposure from use of typewriters stemming from typebar rests and other parts, but without any direct evidence of asbestos in the claimed machines.

      Importantly here:

      The claim does not specify exactly where or how much asbestos was used in the products, or how the victim’s exposure to asbestos in IBM equipment can be differentiated from other occupational or personal exposures the victim may have had.

    1. Platen colors are for Hardness. Here is the complete breakdown of typewriter platen colors, their hardness levels, and how they perform:## Typewriter Platen Color & Hardness Chart| Platen Color | Shore A Hardness | Typing Feel & Characteristics | Best Suited For... ||---|---|---|---|| Light Gray / Off-White | 85 – 87 (Soft) | Highly cushioned, muffled "thup" sound. Very quiet, but text imprint can look slightly less sharp. | Comfort typists, ultra-portable machines, and preventing paper piercing. || Teal / Muted Blue-Gray | 85 – 88 (Soft/Medium) | Iconic historic factory standard (e.g., Swiss Hermes 3000). Smooth, buttery feel with great acoustic dampening. | Vintage European portables and mid-century aesthetic restorations. || Bright Blue | 88 – 90 (Medium) | Modern custom synthetic rubber. Perfect "sweet spot" that yields a crisp print without loud impact noise. | Modern custom restorations, antique portables (like Corona 3 or Remington). || Standard Black | 88 – 92 (Medium/Firm) | Replicates the original factory specification for most classic manual typewriters. Excellent, crisp lettering. | Standard everyday manual typewriters (e.g., Smith-Corona, Underwood, Olympia). || Bright Orange / Red | 93 – 100+ (Hard) | Incredibly dense and solid strike backing. Controls heavy vibration but creates a very loud, sharp snap. | Electromechanical/electric typewriters (like the IBM Selectric) and heavy office machines. || DIY Heat-Shrink Blue/Black | 95 – 100+ (Rock Hard) | Often a cheap cosmetic cover-up over a dead platen. Feels like hard plastic, sounds deafening, and punches holes in paper. | Avoid for regular typing; requires a backing sheet if used. |

      via Mitchell Vassiliou at https://www.facebook.com/groups/TypewriterCollectors/posts/10164208015789678/

    1. This Olympia SM9 typewriter has a carriage lock on it indicated by the #1 in the diagram in the manual at https://site.xavier.edu/polt/typewriters/OlympiaSM9.pdf Engaging the lock will cause two teeth to engage with a set of matching holes in the carriage on the left hand side of the machine that will lock the carriage in the center. (You should be able to physically see this happen by looking straight down from above on the left side of the front of the carriage as you engage the lock.) The Carriage Release lever (#15 in diagram) will allow the carriage to be moved left or right to properly center & lock the carriage into place.

      Please ensure the typewriter is also properly seated into the hardware inside the case and locked so that it can't move and fill in any dead space in the case prior to shipment.

      These two precautions will help ensure safe shipment of the delicate internal mechanisms under the carriage.

      Thanks in advance for your assistance!

    1. When my agency job was outsourced to an LLM in 2024, I felt like it was only a matter of time before AI would permeate everything. I think the worst part of that isn’t the ubiquity, but the ease with which many people have just accepted it and made it part of their lives. Either that, or the tech companies are cramming it into every damned thing. It's hollow. Annoying. Disheartening. Way too distracting. It hurts my brain.
    2. We have a long way to go before this unit is ready to rock and roll again (if it ever will be), but it'll be a lot of fun working on it and finding out.

      The writer is definitely into the repair portion of the typewriter hobby space and despite some of the FUD he's spewing for lack of experience, he seems on the right track. He's discounting his lack of experience in the general space compared to his experience in computers, games, and guitar repair which he's obviously spent time. At least he can rely on this scaffolding to move forward in the typewriter repair space. Most others won't have this experience at all and that makes it even more difficult.

    3. I ended up first getting an antique typewriter for free and then finding myself back at the drawing board when it proved to be more of a “fixer-upper” than I wanted it to be.

      Example of someone getting an old typewriter as a "fixer-upper" and probably wishing they'd gotten one refurbished from a repair shop.

      Longer version of the story appears below the highlighted section.

    4. But, man, they’re a pain in the neck sometimes. They’re not exactly portable. Repairs can be difficult. Parts might be difficult to source. Plastic fatigue can destroy some parts of the machines. Pressing down on the keys can be a bit of a process at times. And if you get a machine where the rubber has turned to sticky sludge? God help you. The machines, while often beautiful, are absolutely not convenient in any way whatsoever. Also, you’d better be into some serious lubrication if you’re going to maintain an older model.

      Most of the FUD here is that people are too cheap to bother having their machines properly serviced anymore and this is compounded by the fact that they don't know how to do most of the basics by themselves.

    5. Some people feel that using a typewriter can enhance creativity. Makes sense. But I think the most obvious tech-related draw of these old machines is that they offer a way to create something genuine and avoid so-called artificial intelligence.

      There's a way to link this to the idea behind Friedrich Nietzsche's discussion about typewriters as tools and how that effects our work.

    6. There’s a reason why screen time, social media, and LLMs have such a massive conversation around them. So, I’d say that avoiding distraction is definitely a reason why people would want to use one right now. Most “typewriter enthusiast” articles and videos online like to use this as a talking point to convince folks to use them.

      Author noticing something I've experienced in typewriter articles.

      Perhaps it's time to aggregate some of the typewriter articles since the pandemic to see which categories they fall into?

      • typewriter nostalgia
      • distraction free writing
      • escape from AI
      • tinfoil hat crowd
    7. And before you say, “Well, why don’t you use an Ethernet cable and buy non-HP ink cartridges?” Well, I did, but that’s not the point. The point is, I bought a friggin’ printer and feel like I should be able to use the darn thing without a subscription or maintenance fee. I’m a firm believer in OWNING WHAT I PAY FOR. I’m not the only one who feels that way (Louis Rossman and the FULU Foundation are big on owning what you buy). I would rather deal with the hassle of typing up several pages on a typewriter than deal with a stupid subscription-based printer. The need to get away from the constant bombardment of ads, subscriptions, and owning nothing is a big part of why physical media is coming back, at least according to Rolling Stone. Streaming sucks, anyway.
    1. In 1919 essayist Christopher Morley published a collection of essays titled “Mince Pie: Adventures on the Sunny Side of Grub Street”. One piece commented satirically on an overwrought style:2 A letter should, if possible, be written on rose or lemon colored paper of a rough and flannely texture, with scalloped edges and initials embossed in gilt. It should be written with great rapidity, containing not less than ten exclamation points per page and three underlined adjectives per paragraph.

      1919 Copyright, Mince Pie: Adventures on the Sunny Side of Grub Street by Christopher Morley, Syntax for Cynics, A Grammar of the Feminine Language, Quote Page 208, George H. Doran Company, New York. (Google Books Full View)

    1. “I type very quickly, very badly, with many errors [ fautes],” Jacques Derrida confessed in a late interview. This paper proposes that the typographical error – usually viewed as a mere “accident” – may in fact be understood as a productive site for deconstructive reading and thought. Drawing on Nietzsche’s suggestion that the typewriter acts as a “collaborator” in thinking, this paper examines Derrida’s use of the typewriter, with particular attention to his typos. Following Derrida’s reading in the Geschlecht series and his own typographical practice, this paper argues that the typo should be thought of as the condition of possibility of every type – and as a defining difference between Derrida and Heidegger.

      Chenoweth, Katie. 2021. “Faute de Frappe: Derrida’s Typos.” Research in Phenomenology 51(1): 61–77. doi:10.1163/15691640-12341464.

    1. https://web.archive.org/web/20070411202436/http://www.jamesnormanhallhome.pf/indexen.html

      From the James Normal Hall home museum. James Norman Hall is an American writer best known for The Bounty Trilogy, a series of historical novels co-authored with Charles Bernard Nordhoff: Mutiny on the Bounty (1932), Men Against the Sea (1934), and Pitcairn's Island (1934).

      This photo appears to show him at a different machine that looks more like a standard:<br />

      It's an early 40's Royal Quiet De Luxe (it appears to have a tabulator key in the top right). Compare with: https://typewriterdatabase.com/Royal.Quiet+De+Luxe.72.bmys Note the rectangular shift keys which didn't start until late 1940.

    1. These may help: http://www.crisvandevel.de/cst.htm https://www.johnwolff.au/calculators/Tech/TechIndex.htm https://www.jaapsch.net/mechcalc/index.htm http://www.vintagecalculators.com/html/mechanical_calculators.html And another you absolutely must bookmark: http://badonoer.blogspot.com/ Peruse the whole site! Do not just blindly oil things in here. Probably it wants no oil at all, and these sites will have detailed advice.

      via u/ahelper at https://www.reddit.com/r/typewriters/comments/1wxxhpa/i_need_help/

    1. Reply to u/Bonkzzilla at https://reddit.com/r/typewriters/comments/1wx4l50/desk_pickiness/

      You'll be hard-pressed to find a modern desk with heights specifically for typewriters.

      Most mid-century typewriter specific furniture was designed to put the tabletop for a typewriter at 26 inches off of the floor, but the average modern desk is typically at 28 inches.

      Your best bet is either a wooden or metal executive tanker desk with either one or two pedestals. They often have writing drawers which pull out and you can put a typewriter on them to lose an inch or two. Some also had spring-loaded platforms which allowed you to open a door and pulling your typewriter up and out at a better/lower height. Other desks had a rotating desktop to which you could bolt your typewriter and allow you to flip the typewriter upside down for storage underneath the desk. Some also came with a desk return which was attached to the side at a height a few inches lower that had space for a typewriter.

      There are also some small vintage typewriter stands, usually with wheels to allow for some modest mobility. These can be found for about US$50 these days.

      Examples: - https://boffosocko.com/wp-content/uploads/2024/05/wp-17169128054434698029806415884065.jpg<br /> - https://substackcdn.com/image/fetch/w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F51bda2fe-c049-4b48-a057-87457a49e01a_902x882.png<br /> - https://www.google.com/search?q=typewriter+stand

    1. reply to u/orionis1 at https://reddit.com/r/typewriters/comments/1wxhe3q/bloquer_lavanc%C3%A9e_du_chariot_sur_une_underwood/

      I presume you're going the route in this video https://www.youtube.com/watch?v=1upTPepErTY and miming/pretending all the typing with the carriage stuck at a set point by setting the margins so that the carriage doesn't move at all? The typist is then the tenth chair percussionist who is really only playing a desk bell.

      I think the illusion is best when the bell is hidden from the audience in front of the typewriter and the typist actually only spaces and machine and does (quiet) carriage returns. The typing sound is then done by electronic keyboard and the carriage returns are played by wooden guiro, washboard or something similar.

      You'll notice by watching any dozens of versions of performances of Leroy Anderson's "The Typewriter" that they're ALWAYS CHEATNG on the actual use of a typewriter. As an example, the bell on the typewriter in your video has been disabled/removed and the performer is using a separate bell mounted on the table next to it. It appears that he's finger pecking only two keys and/or only using the spacebar which moves the carriage. Many performances don't even attempt to properly time the carriage returns to the sound. Half of the "performance" is the attempt at comedy in the playing or presentation . You're trying to one up Jerry Lewis in 1963's Who's Minding the Store, which is never easy.

      If you've got a practiced enough percussionist/typist, you can do the typing in reality though you may need to mic it up for volume/projection, but I recommend putting the paper up a few inches and not using the paper bale to get a louder percussion of the slug hitting the paper. If you go this route, I would recommend not using a machine with Perspex card guides, removing/disabling the paper fingers if there are any. It's impossible to get carriage returns done properly via sound as there are a few points at which the carriage hasn't moved enough to go more than a space or two.

    1. I recently got a 1924 Stoewer Elite with this gorgeous wooden case. The veneer survived the past 102 years remarkably well, apart from a small chip on one of the rear corners. The finish, however, was showing its age. The wood looked dull, with a couple of deep scratches and the nickel plated parts had started to rust. It needed some work, so I decided to refinish it. In a few places the veneer had started to lift slightly. I filled a syringe with wood glue and used a hypodermic needle to get the glue underneath it. This worked really well and avoided having to lift the veneer too much and risk breaking it. Luckily, the veneer was also thick enough to carefully use an orbital sander to remove the old finish and stain (low RPM, light pressure). I chose a mahogany stain that was quite close to the original, followed by six coats of shellac to bring out the wood grain. Finally, I buffed it with extra-fine steel wool and applied a coat of beeswax for some protection against moisture. It also smells very pleasant now! I’m really happy with how it turned out. It was a fun project, and the shellac/beeswax combination gave it a beautiful satin sheen.

      https://www.reddit.com/r/typewriters/comments/1wwrsir/refinishing_a_wooden_typewriter_case/

    1. I prefer older, manual typewriters, but I just bought a Smith-Corona Electra 210 from FB Marketplace for $20. I enjoyed typing on it, and the fact that my fingers didn't slip between the keys and the typebars didn't jam. However, using an electric typewriter feels a bit like "cheating" in terms of breaking away from our digital world. It's not strictly analog, so I'm ambivalent about using it. I'm interested in hearing your opinions on the topic.

      reply to u/Proud_Illustrator266 at https://reddit.com/r/typewriters/comments/1wvx18t/manual_vs_electric/

      We can't absolve you of your guilt, but you can choose to use what works best for you.

      Pretty much none of us are offline (look where we're discussing this). No one is really choosing to type with their heating or air conditioning off, or type by candlelight. You have options about where your analog line could be, just choose one and start banging away.

      If you want to talk about guilt, tell us about your 70 typewriters that you're constantly rotating because you feel guilty that they're not all getting enough use.

    1. A thermal typewriter will be the quietest option. As a high school teacher with typewriters in my room, here is my experience: kids are allowed to use them during passing time and if we have some independent time and they are done with their work, but they are too noisy to use for notes or during instruction. If a student wanted to use a regular manual typewriter during class, I would ask them to stop, because it would be too much of a distraction to the class (and me).

      https://www.reddit.com/r/typewriters/comments/1wvrlad/best_typewriters_for_school/

      Advice from a self-identified high school teacher with manual typewriters in their classroom.

    1. Ezra’s slightly mad typewriter-cleaning cocktail! After experimenting with various cleaners, this has become one of my favorites for grimy painted metal and bare metal parts: roughly 75% Simple Green, with the remaining 25% divided between isopropyl alcohol, white vinegar and lemon juice.

      With caveats, this is what Ezra Rosensaft uses for external typewriter cleaning using modest amounts on a clean damp cloth.

      https://www.facebook.com/groups/705152958470148/posts/1386689876983116

    2. The Gramercy mix: 1/3 409, 1/3 ammonia, 1/3 water.Like

      Andy Morris reports that Jay Schweitzer of Grammercy Typewriter uses this cleaning formula for cleaning the exterior of typewriters to be applied to a soft cotton cloth and not directly on the machine.

      Morris further suggests staying away from decals with this.

      Second hand advice, but no reason to doubt it. https://www.facebook.com/groups/705152958470148/posts/1386689876983116