10,000 Matching Annotations
  1. Oct 2023
    1. What is easier? Come up with good slogans out of nowhere, or come up with good slogans after getting a list of striking details?

      Of course this is the basis of keeping a zettelkasten for writing as well. When you can pull up prior ideas as a bank of information to work from, you're never starting from scratch, which is difficult not only for ChatGPT, but for people in general.

      Cross reference research on naming "white" things versus naming with a more specific prompt like "white" things in your refrigerator.

    1. Any recommendations on Analog way of doing it? Not the Antinet shit

      reply to u/IamOkei at https://www.reddit.com/r/Zettelkasten/comments/17beucn/comment/k5s6aek/?utm_source=reddit&utm_medium=web2x&context=3

      u/IamOkei, I know you've got a significant enough practice that not much of what I might suggest may be helpful beyond your own extension of what you've got and how it is or isn't working for you. Perhaps chatting with a zettelkasten therapist may be helpful? Does anyone have "Zettelkasten Whisperer" on a business card yet?! More seriously, I occasionally dump some of my problems and issues into a notebook, unpublished on my blog, or even into a section of my own zettelkasten, which I never index or reconsult, as a helpful practice. Others like Henry David Thoreau have done something like this and there's a common related practice of writing "Morning Pages" that you can explore. My own version is somewhat similar to the idea of rubber duck debugging but focuses on my own work. You might try doing something like this in one of Bob Doto's cohorts or by way of private consulting sessions. Another free version of this could be found by participating in Will's regular weekly posts/threads "Share with us what is happening in your ZK this week" at https://forum.zettelkasten.de/. It's always a welcoming and constructive space. There are also some public and private (I won't out them) Discords where some of the practiced hands chat and commiserate with each other. Even the Obsidian PKM/Zettelkasten Discord channels aren't very Obsidian/digital-focused that you couldn't participate as an analog practitioner. I've even found that participating in book clubs related to some of my interests can be quite helpful in talking out ideas before writing them down. There are certainly options for working out and extending your own practice.

      Beyond this, and without knowing more of your specific issues, I can only offer some broad thoughts which expand on some of the earlier discussion above.

      I recommend stripping away Scheper's religious fervor, some of which he seems to have thrown over lately along with the idea of a permanent note or "main card" (something I think is a grave mistake), and trying something closer to Luhmann's idea of ZKII.

      An alternate method, especially if you like a nice notebook or a particular fountain pen, might be to take all of your basic literature/fleeting notes along with the bibliographic data in a notebook and then just use your analog index cards/slips to make your permanent notes and your index.

      Ultimately it's all a lot of the same process, though it may come down to what you want to call it and your broad philosophy. If you're anti-antinet, definitely quit using the verbiage for the framing there and lean toward the words used by Ahrens, Dan Allosso, Gerald Weinberg, Mark Bernstein, Umberto Eco, Beatrice Webb, Jacques Barzun & Henry Graff, or any of the dozens of others or even make up your own. Goodness knows we need a lot more names and categories for types of notes—just like we all need another one page blog post about how the Zettelkasten method works by someone who's been at it for a week. Maybe someone will bring all these authors to terms one day?

      Generally once you know what sorts of ideas you're most interested in, you take fewer big notes on administrivia and focus more of your note taking towards your own personal goals and desires. (Taking notes to learn a subject are certainly game, but often they serve little purpose after-the-fact.) You can also focus less on note taking within your entertainment reading (usually a waste) and focusing more heavily on richer material (books and journal articles) that is "above you" in Adler's framing. You might make hundreds of highlights and annotations in a particular book, but only get two or three serious ideas and notes out of it ultimately. Focus on this and leave the rest. If you're aware of the Pareto principle or the 80/20 rule, then spend the majority of your time on the grander permanent notes (10-20%), and a lot less time worrying about the all the rest (the 80-90%).

      In the example above relating to Marx, you can breeze through some low level introductory material for context, but nothing is going to beat reading Marx himself a few times. The notes you make on his text will have tremendously more value than the ones you took on the low level context. A corollary to this is that you're highly unlikely to earn a Ph.D. or discover massive insight by reading and taking note posts on Twitter, Medium, or Substack (except possibly unless your work is on the cultural anthropology of those platforms).

      A lot of the zettelkasten spaces focus heavily on the note taking part of the process and not enough on the quality of what you're reading and how you're reading it. This portion is possibly more valuable than the note taking piece, but the two should be hand-in-glove and work toward something.

      I suspect that most people who have 1000 notes know which five or ten are the most important to where they're going and how they're growing. Focus on those and your "conversations with texts" relating to those. The rest is either low level context for where you're headed or either pure noise/digital exhaust.

      If you think of ideas as incunables, which notes will be worth of putting on your tombstone? In other words: What are your "tombstone notes"? (See what I did there? I came up with another name for a type of note, a sin for which I'm certainly going to spend a lot of time in zettelkasten purgatory.)

    2. This is great and yes it makes perfect sense, thank you!The comment on reading is super helpful. As I've mentioned on here before I've come ti PhD straight from industry, so learning these skills from scratch. Reading especially is still tricky for me after a year, and I tend to read too deeply, and try to read whole texts, and then over annotate.It's good to be reminded that this isn't how academic reading works.

      reply to Admirable_Discount75 at https://www.reddit.com/r/Zettelkasten/comments/17beucn/comment/k5nzic6/?utm_source=reddit&utm_medium=web2x&context=3

      If you've not come across it before you'll likely find Adler & Van Doren (1972) for reading a useful place to start, especially their idea of syntopical reading. Umberto Eco (2015) is also a good supplement to a lot of the internet-based and Ahrensian ZK material. After those try Mills.

      Adler, Mortimer J., and Charles Van Doren. How to Read a Book: The Classical Guide to Intelligent Reading. Revised and Updated ed. edition. 1940. Reprint, Touchstone, 2011. https://amzn.to/45IjBcV. (audiobook available; or a video synopsis: https://www.youtube.com/watch?v=Y_rizr8bb0c)

      Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. 1977. Reprint, Cambridge, MA, USA: MIT Press, 2015. https://mitpress.mit.edu/books/how-write-thesis.

      Mills, C. Wright. “On Intellectual Craftsmanship (1952).” Society 17, no. 2 (January 1, 1980): 63–70. https://doi.org/10.1007/BF02700062.

      Should it help, I often find that audiobook versions of books or coursework sources like The Great Courses (often free at local libraries, through Hoopla, or other sources), or the highest quality material from YouTube/podcasts listened to at 1.5 - 2x speed while you're walking/commuting can give you quick overviews and/or inspectional reads at a relatively low time cost. Short reminder notes/keywords (to search) while listening can then allow you to do fast searches of the actual texts and/or course guidebooks for excerpting and note making afterwards. Highly selective use of the audiobook bookmarking features let you relisten to short portions as necessary.

      As an example, one could do a quick crash course/overview of something like Marx and Communism over a week by quickly listening to all or parts of:

      These in combination with sources like Oxford's: Very Short Introduction series book on Marx (which usually have good bibliographies) would allow you to quickly expand into more specialized "handbooks" (Oxford, Cambridge, Routledge, Sage) on the subject of Marx and from there into even more technical literature and journal articles. Obviously the deeper you go, the slower things may become depending on the depth you're looking to go.

    3. Knowledge that is excluded from synthesis... .t3_17beucn._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionOr... what do you all do with expansive lit notes that have been taken from a textbook for future reference and broad understanding of a methodology, rather than for its direct relevance to research and synthesis of new ideas?It's too unwieldly to keep in current form - six chapters of highlighted paras + notes on how I might apply certain approaches, but it resists atomisation/categorisation. Maybe just chapter summaries?Not suggesting there's 'A' way of doing this, but interested in others' approaches to directly applicable/foundational 'textbook' knowledge that is unlikely to evolve.(Someone really should do a PhD in the epistemology of Zettelkasten!)Cheers,Chris

      reply to u/Admirable_Discount75 at https://www.reddit.com/r/Zettelkasten/comments/17beucn/knowledge_that_is_excluded_from_synthesis/

      What is your purpose/need/desire to turn all this material into individual zettels or atomic ideas? If you've read the material, taken some literature notes, and reviewed them a bit, don't you broadly now know and understand the methodology? If this is the point and you might only need your notes/outline to review occasionally, then there's nothing else you need to do. If you're comparing other similar methodologies and comparing and contrasting them, then perhaps it's worth breaking some of them out into their own zettels to connect to other things you're working on. Perhaps you're going to write your own book on the topic? Then having better notes on the subject is worthwhile. If you don't have a good reason or gut feeling for why you would want or need to do it, taking hundreds of notes from a book and splitting them all into interconnected atomic notes is solely busy work.

      It's completely acceptable to just keep your jumble of literature notes next to your bibliographic entry for potential future reference or quick review if necessary. Perhaps you've gotten everything you need from this source without creating any permanent notes? Or maybe only one or two of the hundreds are actually valuable to your potential long term goals?<br /> It's really only the material you feel that is relevant to your longer term goals, research, and synthesis needs that's worthwhile breaking out into permanent notes/zettels.

      syndication link: https://www.reddit.com/r/Zettelkasten/comments/17beucn/comment/k5lr0mz/?utm_source=reddit&utm_medium=web2x&context=3

      Just as Adler and Van Doren (1972) suggest that most books are only worth a quick inspectional read and fewer are worth a deeper, analytical read, most (fleeting) notes, highlights, and annotations you make are only worth their quick scribble while vanishingly few others are worthy of greater expansion and permanent note status. You might also find by extension that some of the most valuable work you'll do is syntopical reading and the creation of high value syntopical notes which you can weave into folgezettel (sequences of notes) that generate new knowledge.

      Don't fall into the trap of thinking that everything needs to be a perfect, permanent note. If you're distilling and writing one or two good permanent notes a day, you're killing it; the rest is just sour mash.

      As ever, practice to see what works best for your needs.

    1. Scott continues in his efforts not to make any main notes, but is pushing the indexing of ideas where they live directly in books using only a topic in his index and a page number.

      He calls this practice, which he himself practices, sacrilegious. 00:00:27

      What happened to pushing knowledge-building?!?

      This is the second video I've seen him do this. (Previously: https://hypothes.is/a/28AkYFadEe6ZH_MjTZlnLQ). So his Antinet zettelkasten is now primarily an index and bibliographic cards with fleeting notes. He's specifically leaving out any of what he has previously called main notes.

    1. The tri-colored ribbon, folded into a patriotic symbol, is intended to evoke the connectedness of the American people. Aaron Draplin, who designed the stamp, created the artwork first by sketching the design by hand and then rendering it digitally. Greg Breeding served as the project’s art director.

      https://about.usps.com/newsroom/national-releases/2019/0221-usps-to-dedicate-star-ribbon-forever-stamp.htm

    1. It is said these two songs spring from the same tune - but with different lyrics applied in the American west... Separated by hundreds of years and the Atlantic Ocean, I alternate the verses of the two songs here, showing the similarity..

      There's a close similarity between the Streets of Laredo and the sean-nós ballad Bard of Armagh.

      -via https://soundcloud.com/mike-olaughlin/streets-of-laredo-bard-of-armagh-irish-same-tune-alternating-verses-1-112716-112716-214-am?in=tracy-281320433/sets/sean-nos-irish-for-old-style

    1. Have you thought about citing the quote directly here, together with several summary points about why it provokes such questions, instead of creating just clickbait for your substack service? I believe that interested readers would click on your link in any case. Not interested will not be annoyed by having to click on the link to get to know that they are not interested. (It applies also for other areas of (self)marketing, by the way :-)

      reply to u/daneb1 and u/qnnnp at https://www.reddit.com/r/Zettelkasten/comments/17a0ze0/comment/k5pdgdf/?utm_source=reddit&utm_medium=web2x&context=3

      Hans Blumemberg's zettelkasten click-bait is apparently a thing!?! 🤣🤪Thanks u/Idaneb1, I feel seen, but I'll bet I'm one of only two or three who would fall for it. I had already read all of the underlying linked source material, so the quote wouldn't have helped in my case.

      u/qnnnp, you're going to have to go a lot deeper for those two clicks next time. Plow through https://www.zotero.org/groups/4676190/tools_for_thought/collections/EP7GRG2W (or better yet, sources that aren't on it) and get back to us with something exciting! We can't wait to see what pops out.

      Only for fun, I'll raise your joker with my joker "flush". 🃏♦️♣️♥️♠️🗃️ #JokerZettelClickBaitWarningFTW #ShowUsAllYourCards

    1. France is quite different. It is a culture of quality and differentiation. Take French cuisine as an example. Unlike other world cuisines, which are characterized by dishes (e.g., Italian pizza or Spanish paella), the French restaurant experience is one where chefs are always adding their own twist. Almost any dish can be served in a French restaurant because what makes it French is the attention to detail in the preparation. French restaurants also tend to focus on few dishes, and I am not talking about Michelin star restaurants, but regular lunch places that serve a fixed menu at noon. Many of them are great, and provide a very contrasting experience to that of the American dinner. No 20-page plasticized menu with 100s of options (none prepared very well), but a few carefully crafted dishes each day. It is not about more, bigger, or faster, but about fewer, different, and better. No architectural scale sponge-filled wedding cakes, but delicious and beautifully crafted petite gâteaus that satisfy you with taste, not size.

      via César A. Hidalgo at https://twitter.com/cesifoti/status/1715367744776908830

    1. the idea of such an absurd song in a very serious setting just seemed so funny to me passionate choristers interpretive dance string quartet bowing away all taking itself very seriously and then the song is about shia labeouf being a cannibal i found out recently that's called bathos serious and absurd juxtaposed (00:09:49)

      Dictionary definition:

      (especially in a work of literature) an effect of anticlimax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous.

    1. Centuries ago in Wales, the young lover would also give gifts of sweets or cakes; but they would also give a special, more personal gift to the object of their desire, the Welsh Love Spoon. Some of the early love spoons can be seen on display at the Welsh Folk Museum in Cardiff. There is even one that dates back to 1667. The young man would spend hours carving the lovespoon with his own hands, in the hope that the girl would accept it. If the girl accepted the spoon, she would demonstrate her interest in him and they would commence on a relationship, which is the origin of the word 'spooning'.

      Dating back to the late 1600s, the Welsh tradition of carving a lovespoon for the eye of one's affection is the origin of the word "spooning".

      via https://www.cadwyngifts.com/pages/information-about-love-spoons

    1. Befides, asthe vileft Writer has his Readers, fothe greateft Liarbas his Believers ; and it often happens, that if aLie be believ'd only for an Hour, it has done itsWork, and there is no farther occafion for it. Falfhcod flies, and Truth comes limping after it ; fo thatwhen Men come to be undeceiv'd, it is too late, theJeft is over, and the Tale has had its Effect : Like aMan who has thought of a good Repay per ed . Oh,Repartee, when thelike a Phyfician who has found out an infallible Medicine, after the Patient is dead

      Falsehood flies, and Truth comes limping after it;<br /> —Jonathan Swift, “The Examiner, From Thursday Nov 2 to Thursday Nov 9, 1710.” In The Examiner [Afterw.] The Whig Examiner, edited by Joseph Addison and Jonathan Swift, Vol. 15. London: John Morphew, near Stationers Hall, 1710.


      found via https://quoteinvestigator.com/2014/07/13/truth/

      with variations on "A lie travels around the globe while the truth is putting on its shoes." attributed variously to Mark Twain, Jonathan Swift, Thomas Francklin, Fisher Ames, Thomas Jefferson, John Randolph, Charles Haddon Spurgeon, Winston Churchill, Terry Pratchett?

    1. See Inside the First Museum Retrospective Dedicated to John Waters’s Unparalleled Contributions to Cinema—and Bad Taste<br /> "Pope of Trash" at the Academy Museum documents the director's films, obsessions, and creative processes.<br /> by Min Chen, October 14, 2023<br /> https://news.artnet.com/art-world/john-waters-pope-of-trash-academy-museum-2366964

      May have to crash this to claim my spot....

    1. https://en.wikipedia.org/wiki/Shmita

      During shmita, the land is left to lie fallow and all agricultural activity, including plowing, planting, pruning and harvesting, is forbidden by halakha (Jewish law).

      The sabbath year (shmita; Hebrew: שמיטה, literally "release"), also called the sabbatical year or shǝvi'it (שביעית‎, literally "seventh"), or "Sabbath of The Land", is the seventh year of the seven-year agricultural cycle mandated by the Torah in the Land of Israel and is observed in Judaism.

    1. Each page just has a page number at the top corner, as far as I can see. The German Wikipedia entry says that from notebook E, he numbered the front pages with Arabic numerals and the back pages with Roman numerals, so his notes began at both ends and met in the middle of the book. This is clear in the original, but hard to understand. And he would at least have been able to refer to his notes in the form {volume letter, page number}.It seems he didn’t number consecutive entries himself, but that in later Lichtenberg scholarship there developed an editorial convention to do so. After his death they only published his ‘aphorisms’, organised by theme, and later re-organised by date, but still missing his scientific and other writings.
    1. I've been struggling with duplicate notes within my Zettelkasten. .t3_17ajd34._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/Flubber78769 at https://www.reddit.com/r/Zettelkasten/comments/17ajd34/ive_been_struggling_with_duplicate_notes_within/

      This is the value of actually indexing your content. You can do a quick search around the index entries which provides a natural check against duplication, but importantly it'll let you think about those ideas again and spend your time more profitably by expanding upon them instead.

      Occasionally I'll find duplication from one source to the next which provides some support about an idea's value or spread over time, especially when I'm tracking usage of a thing, so it's not always the case that duplication is automatically a bad thing.

    1. A thematically similar statement was crafted by Prussian Field Marshal Helmuth von Moltke the Elder in 1871. Here is the original German form together with an English translation:[3]1900, Moltkes Militärische Werke: II. Die Thätigkeit als Chef des Generalstabes der Armee im Frieden. (Moltke’s Military Works: II. Activity as Chief of the Army General Staff in Peacetime) … Continue reading Kein Operationsplan reicht mit einiger Sicherheit über das erste Zusammentreffen mit der feindlichen Hauptmacht hinaus. No plan of operations extends with any certainty beyond the first encounter with the main enemy forces. Over time Moltke’s statement evolved into a concise adage that circulates widely today: No plan survives first contact with the enemy.

      source: 1900, Moltkes Militärische Werke: II. Die Thätigkeit als Chef des Generalstabes der Armee im Frieden. (Moltke’s Military Works: II. Activity as Chief of the Army General Staff in Peacetime) Zweiter Theil (Second Part), Aufsatz vom Jahre 1871 Ueber Strategie (Article from 1871 on strategy), Start Page 287, Quote Page 291, Publisher: Ernst Siegfried Mittler und Sohn, Berlin, Germany. (Google Books Full View) link

      compare with: https://hypothes.is/a/GWE5OG2EEe6kL6Ni1VcN9g

    2. In 1950 Dwight Eisenhower wrote a letter to a U.S. diplomat in which he ascribed a military-oriented version of the saying to an anonymous soldier. Emphasis added to excerpts by QI:[1]1984, The Papers of Dwight David Eisenhower, Volume XI: Columbia University, Editor Louis Galambos et al, Letter from: Dwight Eisenhower, Letter to: Hamilton Fish Armstrong, Date: December 31, 1950, … Continue reading . . . I always remember the observation of a very successful soldier who said, “Peace-time plans are of no particular value, but peace-time planning is indispensable.”

      source: 1984, The Papers of Dwight David Eisenhower, Volume XI: Columbia University, Editor Louis Galambos et al, Letter from: Dwight Eisenhower, Letter to: Hamilton Fish Armstrong, Date: December 31, 1950, Start Page 1516, Quote Page 1516, Johns Hopkins University Press, Baltimore, Maryland.

      via https://quoteinvestigator.com/2017/11/18/planning/

    1. after Jacob left Laban’s house with his wives Leah and Rachel. Laban pursued him to get back the idols that Rachel had stolen. After Laban was convinced that Jacob had not stolen his idols, Jacob and Laban make a covenant. “Jacob took a stone (ʼben) and set it up as a pillar (massebah) which would be a witness of the agreement they had made on that occasion (Genesis 31:44–45).
    2. There are several occasions where the massebah is not associated with pagan worship. When the massebah is associated with the worship of Yahweh, the massebah is accepted as a valid expression of commitment to Yahweh.

      Massebah for pagan worship: - Exodus 23:24 (https://hypothes.is/a/r3m5QmyDEe6SC8eLYcJE1Q) - Hosea 10:1 (https://hypothes.is/a/4PK2GGyDEe6wZg_r2YpVCA ) - 2 Kings 18:4 - 2 Kings 23:14

      Massebah for worship of Yahweh: - Genesis 28:18 Jacob's pillow (https://hypothes.is/a/NF5p8Gx6Ee65Rg_J4tfaMQ)<br /> - Genesis 31:44-45 Jacob and Laban's covenant - Exodus 24:4 - Joshua 24:25-27

    3. During the establishment of the covenant between Yahweh and Israel, the people were commanded to destroy the sacred stones of the Canaanites, “You must demolish them and break their sacred stones (masseboth) to pieces” (Exodus 23:24).

      In neighboring cultures in which both have oral practices relating to massebah, one is not just destroying "sacred stones" to stamp out their religion, but it's also destroying their culture and cultural memory as well as likely their laws and other valuable memories for the function of their society.

      View this in light also of the people of Israel keeping their own sacred stones (Hosea 10:1) as well as the destruction of pillars dedicated to Baal in 2 Kings 18:4 and 2 Kings 23:14.

      (Link and) Compare this to the British fencing off the land in Australia and thereby destroying Songlines and access to them and the impact this had on Indigenous Australians.

      It's also somewhat similar to the colonialization activity of stamping out of Indigenous Americans and First Nations' language in North America, though the decimation of their language wasn't viewed in as reciprocal way as it might be viewed now. (Did colonizers of the time know about the tremendous damage of language destruction, or was it just a power over function?)

    4. Absalom set up a massebah for himself as a memorial for he said, “‘I have no son to keep my name in remembrance’; he called the massebah by his own name” (2 Samuel 18:18).

      Use of massebah for remembrance of a name...

      Potentially used for other factors? translation? context?

      See also: https://hypothes.is/a/oqgH4mx9Ee68_dMgihgD0A (Rachel's massebah in Genesis 35:19-20)

    5. When Rachel died, Jacob set up a massebah at her grave; “it is the massebah of Rachel’s tomb, which is there to this day” (Genesis 35:19–20).

      Use of a standing stone or massebah (pillar) to mark a grave in Genesis 35:19-20.

      Certainly could have been other than to simply mark a location and may have been used to mark and remember the knowledge of Rachel as well as the family's experiences with Rachel, a practice which is still commonplace when visiting burial locations.

    6. Israel was forbidden to set up sacred stones, pillars: “you shall not set up a pillar (massebah), which the LORD your God hates” (Deuteronomy 16:22).

      Relationship to the first two commandments against worshiping other gods and the use of idols?

      How does this relate to the standing stone found in the room at Khirbet Qeiyafa from the time of David?

      Dates of this text with respect to Khirbet Keiyafa?

    7. (Joshua 4:20).

      connect this to:

      The helps whereof by this art memorative, they would prove to be as effectual, by these conceived fictions in the eye of the mind,12 as those we remember by the visible eye of the body, for example whereof say they, concerning the latter we read in the holy Scriptures of 12 stones, that were erected in the river Jordan in memory of the wonderful transpassage of the Israelites, Josh. 24.27.—The Memory Arts in Renaissance England by William E. Engel, Rory Loughnane, and Grant Williams

    8. When the people of Israel crossed the Jordan, Joshua commanded the people to set up twelve stones which were taken from the Jordan River as a memorial celebrating that defining moment in the life of Israel, the entrance of the people into the land God had promised to their ancestors (Joshua 4:20). The purpose of those memorial stones was to remind future generations of how the people “crossed the Jordan River on dry ground” (Joshua 4:22).

      Description of the arrangement? Circle? Further or suggested usage?

      Link to Genesis 28:18: https://hypothes.is/a/NF5p8Gx6Ee65Rg_J4tfaMQ

    1. A quote to further @amandamull's excellent research on groupings of three and beverages at work that I saw on the Atlantic archive today: "One [martini] is all right, two is too many, three is not enough."—James Thurber via https://content.time.com/time/subscriber/article/0,33009,939759,00.html

      https://www.theatlantic.com/health/archive/2019/08/the-correct-number-of-desk-beverages/595927/

      Syndication link: https://twitter.com/ChrisAldrich/status/1714054816715153757

    2. It probably isn’t a coincidence that three is my personal sweet spot, according to Kurt Carlson, a marketing researcher at the College of William & Mary’s Raymond A. Mason School of Business. As far as I can tell, he’s the only person who has done significant research into why and how human brains sort things into groupings of three. “People believe they’re observing something special when they see the third instance of it happen,” he explains.
    1. The Chicago Sun-Times' wandering Newshen Glenna Syse spent 39 minutes with Author James Thurber, left with the conviction that he is "the funniest man alive." In an epigrammatic mood, Thurber ranged free and easy over—by count—39 subjects. Glenna's sampling included a Thurberism on age: "I'm 65 and I guess that puts me in with the geriatrics. But if there were 15 months in every year, I'd only be 48.* That's the trouble with us. We number everything. Take women, for example. I think they deserve to have more than twelve years between the ages of 28 and 40." On the forthcoming election: "It's accusation time in Normalcy. And in spite of the nominations, my mother is voting for Lindbergh." On martinis: "One is all right, two is too many, three is not enough."

      Syse, Glenna. “People, Aug. 15, 1960.” Time, August 15, 1960. https://content.time.com/time/subscriber/article/0,33009,939759,00.html.

    1. So I am taking notes on functional groups in organic chemistry. Would each functional group be its own note, ie. 47~Alkenes, or would each functional group fall under my parent note "35~Functional groups", and be 35a~Alkenes for example.I think the latter makes more sense, but I am also no zettel expert

      reply to u/6_squids at https://www.reddit.com/r/Zettelkasten/comments/178nr6j/simple_problem/

      Functional groups are certainly a top down categorization of these structures that some have found useful over time. But what if you wrote about them in other ways from a bottom up perspective? Perhaps you might discover other useful and intriguing ways of categorizing them? While your textbook is trying to present an organized method, you might find some interesting insight by looking at them in other ways. Be willing to play around and experiment—not coincidentally, this is what a good organic chemist should be trained to do.

    1. https://udenver.zoom.us/meeting/register/tZcuceuspzkuE9VomnEaGva1HH1ra_iS4Eua?ref=jessestommel.com#/registration

      Some related ideas that are suggesting some sort of thesis for improving the idea of ungrading: - We measure the things we care about. - In Education, we care about learning and understanding, but measuring these outside of testing and evaluation is difficult at best (therefor ungrading). - No one cares about your GPA six months after you graduate. - Somehow we've tied up evaluations and grades into the toxic capitalism and competition within US culture. Some of this is tied into educational movements related to Frederick Winslow Taylor and Harvards Eliot. - Hierarchies instituted by the Great Chain of Being have confounded our educational process.

    1. Television, radio, and all the sources of amusement andinformation that surround us in our daily lives are also artificialprops. They can give us the impression that our minds are active, because we are required to react to stimuli from outside.But the power of those external stimuli to keep us going islimited. They are like drugs. We grow used to them, and wecontinuously need more and more of them. Eventually, theyhave little or no effect. Then, if we lack resources within ourselves, we cease to grow intellectually, morally, and spiritually.And when we cease to grow, we begin to die.

      One could argue that Adler and Van Doren would lump social media into the sources of amusement category.

    2. The special quality that a syntopical analysis tries to achievecan, indeed, be summarized in the two words "dialecticalobjectivity."The syntopical reader, in short, tries to look at aU sidesand to take no sides. Of course, he will fail in this exactingideal. Absolute objectivity is not humanly possible. He maysucceed in taking no sides, presenting the issues without prejudice to any partisan point of view, and treating opposing viewsimpartially. But it is easier to take no sides than to look at allsides. In this latter respect, the syntopical reader will undoubtedly fail. All possible sides of an issue cannot be exhaustively enumerated. Nevertheless, he must try.

      compare with historical objectivity, scientific objectivity, other definitions of objectivity in general.

    3. You have not graspeda complex unity if all you know about it is how it is one. Youmust also know how it is many, not a many that consists of alot of separate things, but an organized many. If the partswere not organically related, the whole that they composedwould not be one. Strictly speaking, there would be no wholeat all but merely a collection.

      This is also an art of putting notes together to make an article or book.

    4. If it requires too many words, you have not seen theunity but a multiplicity.

      How are they defining "multiplicity" here? There seems to be a tacit definition with respect to being in opposition to "unity" (of a work), but not an explicit one. It also seems to be a shaded meaning with respect to the more common one.

      unity: essence, core, coherence, oneness

      They use the word "multiplicity" in the usual sense of large number or multitude on p55: "The multiplicity of the rules indicates the complexity of the one habit to be formed, not a plurality of distinct habits."

      They also revisit it in the upcoming section: "Mastering the Multiplicity: The Art of Outlining a Book" on p88

      Perhaps its just me but there's a linguistic "softness" of the uses of unity and multiplicity here with respect to 2023. Though these two opposites fit the dictionary definitions of their words, is it possible that this softness is the result of a sort of historical linguistic shift I'm feeling in these words? I can't quite put my finger on it, but perhaps it's the relationship of unity to religion? Neither seem to be frequently used these days.

      The Ngram Viewer shows peaks for the use of unity in 1660 and 1960 of almost 75% higher usage compared to a broader historical average. It is generally waning since. Multiplicity has about 1/4 the use of unity and has remained flat over time. What caused the peaks in the use of "unity" during these periods? This 1972 use was on the downslope of the 1960s peak. Was it used in the 1940 version?

      The 20th century increase in the use of unity begins around 1914 and may have been related to political shades of meaning going into WWI with another marked rise in the lead up to WW2.

    5. Youmust apprehend the unity with definiteness. There is only oneway to know that you have succeeded. You must be able totell yourself or anybody else what the unity is, and in a fewwords. ( If it requires too many words, you have not seen theunity but a multiplicity. ) Do not be satisfied with "feeling theunity" that you cannot express. The reader who says, "I knowwhat it is, but I just can't say it," probably does not even foolhimself.

      Adler/Van Doren use the statement of unity of a work as an example of testing one's understanding of a work and its contents.

      (Again, did this exist in the 1940 edition?)

      Who do McDaniel and Donnelly 1996 cite in their work as predecessors of their idea as certainly it existed?


      Examples in the literature of this same idea/method after this: - https://hypothes.is/a/TclhyMfqEeyTkQdZl43ZyA (Feynman Technique in ZK; relationship to Ahrens) - explain it to me like I'm a 5th grader - https://hypothes.is/a/BKhfvuIyEeyZj_v7eMiYcg ("People talk" in Algebra Project) - https://hypothes.is/a/m0KQSDlZEeyYFLulG9z0vw (Intellectual Life version) - https://hypothes.is/a/OyAAflm5Ee6GStMjUMCKbw (earlier version of statement in this same work) - https://hypothes.is/a/iV5MwjivEe23zyebtBagfw (Ahrens' version of elaboration citing McDaniel and Donnelly 1996, this uses both restatement and application to a situation as a means of testing understanding) - https://hypothes.is/a/B3sDhlm5Ee6wF0fRYO0OQg (Adler's version for testing understanding from his video) - https://hypothes.is/a/rh1M5vdEEeut4pOOF7OYNA (Manfred Kuenh and Luhmann's reformulating writing)

    6. The rules of such learningconstitute the art of unaided discovery.

      There always seems to be a duality of "rules" and "art" I see in almost every representation of the idea of art.

      Thesis: To practice an art, there are always rules which one is following. Often the rules may be unwritten or hidden, but they are being followed on some level.

      Is there art which doesn't have any rules?

    7. The unity of a novel is not the sameas the unity of a treatise on politics; nor are the parts of thesame sort, or ordered in the same way. But every book without exception that is worth reading at all has a unity and anorganization of parts.

      first appearance of "unity" in the book (outside of community and opportunity).

    1. In Re: to folgezettel or not? in an unlogged chat:

      Zettelkasten (slips) or not (commonplaces, notebooks, paper, files, other), you're going to have a variety of related ideas which you'll juxtapose, especially if you're regularly writing. Those who practice folgezettel are putting in some of the work/heavy lifting from the start versus those who don't and are leaving the work until some later point closer to composition. Folgezettel also helps to encourage the emergence of ideas, but requires work to do so. This doesn't mean that this emergence or new ideas may not arrive without Folgezettel and/or Zettelkasten, but one needs to have some process or affordances which help to foster them. Victor Margolin's process put more of his work on the back end in comparison to Luhmann, but his version obviously works all the same. See: https://www.youtube.com/watch?v=Kxyy0THLfuI

    1. Nein. Ich habe den Zettelkasten aus der simplen Überlegung her-aus angefangen, daß ich ein schlechtes Gedächtnis habe. Zunächsteinmal hatte ich Zettel in Bücher gelegt, auf die ich mir Notizenmachte, auf diese Weise gingen die Einbände der Bücher kaputt.Dann habe ich mir mit Mappen geholfen, als die jedoch dickerwurden, fand ich nichts mehr in ihnen. Ab 1952 oder 1953 begannich dann mit meinem Zettelkasten, weil mir klar wurde, daß ich fürein Leben planen müsse und nicht für ein Buch.

      Machine translation:

      No. I started the Zettelkasten out of the simple thought that I have a bad memory. First of all, I put pieces of paper in books on which I wrote notes, so the covers of the books got ruined. Then I helped myself with folders, but when they got thicker I couldn't find anything in them. In 1952 or 1953, I started my Zettelkasten because I realized that I had to plan for a life and not for a book.

      There's some missing interstitial space here about how precisely he came to it outside of the general motivation for the thing in general.

      52/53 would have been after law school and in his administrative days and before his trip to Harvard in 61.

    2. — Ich muß Ihnen sagen, daß ich nie etwas erzwinge, ich tueimmer nur das, was mir leichtfällt. Ich schreibe nur dann, wenn ich

      sofort weiß, wie es geht. Wenn ich einen Moment stocke, lege ich die Sache beiseite und mache etwas anderes.

      Was machen Sie dann'?

      Na, andere Bücher schreiben. Ich arbeite immer gleichzeitig an mehreren verschiedenen Texten. Mit dieser Methode, immer an mehreren Dingen zu arbeiten, habe ich nie Blockierungen.

      Rough translation:

      — I have to tell you: I never force anything, I only do what comes easy to me. I only write when I immediately know how to do it. If I falter for a moment, I put the matter aside and do something else.

      (Interviewer): What do you do then?

      Well, write other books. I always work on several different texts at the same time. With this method of always working on multiple things, I never have any blockages.

    3. Wenn Sie nun einen Aufsatz zu schreiben beginnen, wie setzen Siedann Ihren Zettelkasten in Funktion?Da mache ich mir zunächst einen Plan für das, was ich schreibenwill, und hole dann aus dem Zettelkasten das heraus, was ich ge-brauchen kann.Im Gegensatz zu einem Baumeister, der ausschließlich vorgefer-tigte Teile zusammenmontiert, muß ein Wissenschaftler doch auchneue Ideen haben, die nicht bereits in den einzelnen Teilen enthal-ten sind. Solche Ideen kommen ja nicht aus einem Zettelkasten?Doch. Ich habe zum Beispiel eine große Menge von Zetteln zumBegriff "funktionale Differenzierung", ich habe ebenfalls eine Reihevon Notizen über "selbstreferentielle Systeme", und ich habe einengroßen Komplex von Notizen über "Binarität". Im Augenblick sitzeich an einem Vortrag über ökologische Probleme in modernenGesellschaften, und meine Arbeit besteht darin, Zettel aus den skiz-zierten drei begrifflichen Bereichen zu sichten und so zu kombinie-ren, daß ich etwas Substantielles zu diesem Thema sagen kann. Dieneuen Ideen ergeben sich dann aus den verschiedenen Kombina-tionsmöglichkeiten der Zettel zu den einzelnen Begriffen. Ohne dieZettel, also allein durch Nachdenken, würde ich auf solche Ideennicht kommen. Natürlich ist mein Kopf erforderlich, um die Einfällezu notieren, aber er kann nicht allein dafür verantwortlich gemachtwerden. Insofern arbeite ich wie ein Computer, der ja auch in demSinne kreativ sein kann, daß er durch die Kombination eingegebe-ner Daten neue Ergebnisse produziert, die so nicht voraussehbar

      waren. Diese Technik, so glaube ich, erklärt auch, warum ich überhaupt nicht linear denke und beim Bücherschreiben Mühe habe, die richtige Kapitelfolge zu finden, weil eigentlich ja jedes Kapitel in jedem anderen Kapitel wieder vorkommen müßte

      Niklas Luhmann's process for writing from his box

      Machine translation:

      Q: When you start writing an essay, how do you put your note box to work?

      I first make a plan for what I want to write and then take out what I can use from the note box.

      Q: In contrast to a builder who only assembles prefabricated parts, a scientist must also have new ideas that are not already contained in the individual parts. Ideas like these don't come from a note box?

      But. For example, I have a large set of notes on the term "functional differentiation", I also have a set of notes on "self-referential systems", and I have a large set of notes on "binarity". At the moment I am giving a lecture on ecological problems in modern societies, and my work consists of sifting through pieces of paper from the three conceptual areas outlined and combining them so that I can say something substantive on this topic. The new ideas then arise from the different possible combinations of the pieces of paper for the individual terms. Without the notes, just by thinking about it, I wouldn't come up with ideas like that. Of course my mind is required to record the ideas, but it cannot be held solely responsible for them. In this respect, I work like a computer, which can also be creative in the sense that by combining input data it produces new results that could not have been predicted. I think this technique also explains why I don't think linearly at all and why I have trouble finding the right sequence of chapters when writing books, because every chapter should actually appear in every other chapter.

    4. Sie verschwenden, wenn wir das richtig verstanden haben, nie einenGedanken; alles was Ihnen durch den Kopf gegangen ist, geht so-fort in den Zettelkasten?Ja, wenngleich nicht alles, was ich in dem Zettelkasten gesammelthabe, später dann auch verwendet wird.

      An interviewer asked Luhmann if every thought that went through his head was saved into his zettelkasten, and Luhmann replied yes. This is obviously a level of conversational hyperbole.

    5. Warum sind Sie für die Selbstverwaltung an den Universitäten un-tauglich?Ich finde, daß man es in diesem Zusammenhang ausschließlich mitBagatellen zu tun hat, die ihre Bedeutung nur dadurch gewinnen,daß andere sich darüber aufregen. Man kann Entscheidungen nichtdelegieren. Eine Ausschußsitzung entsteht aus der anderen, undniemand glaubt einem, wenn man sagt, daß alles viel einfacher zuerledigen wäre.

      Ha! Even university committee meetings in the late XX C were apparently as bad as they still are today.

    6. Viel gelesen und vor allen Dingen begonnen, mit einem Zettelka-sten zu arbeiten, also Zettel vollgeschrieben. In den Zetteln habeich die Literatur, mit der ich mich vorwiegend beschäftigte, verar-beitet, also Soziologie und Philosophie. Damals habe ich vor allemDescartes und Husserl gelesen. In der soziologischen Theorie hatmich der frühe Funktionalismus beschäftigt, die Theorien von Mali-nowski und Radcliffe-Brown; dies schloß ein, daß ich mich auchsehr stark mit Kulturanthropologie und Ethnologie befaßte

      With heavy early interest in anthropology, sociology and philosophy including Malinowski, it's more likely that Luhmann would have been trained in historical methods which included the traditions of note taking using card indices of that time.

    7. Zunächst war ich ein Jahr am Oberverwaltungsgericht Lüneburg zurOrganisation eines Referenz-Systems für Verwaltungsgerichtsent-scheidungen; das Gericht sollte sehen können, was an obergerichtli-chen Entscheidungen jeweils vorlag

      In the early 1950s, Luhmann spent a year at the Lüneburg Higher Administrative Court organizing a reference system for the administrative court decisions to enable researchers to see what decisions had been made in the higher courts.

      Though he had begun his zettelkasten during his studies, this referencing system may have influenced the structure of his own note taking system.


      Can we pin the dates on these practices down more closely?

    8. "Biographie, Attitüden, Zettelkasten" ist unter dem Titel "Der Zettelkasten kostet michmehr Zeit als das Bücherschreiben" in der Frankfurter Rundschau am Samxtag, den27. April 1985, S. ZB 3 gekürzt erschienen.

      "Biography, Attitudes, Zettelkasten" was published under the title "The Zettelkasten costs me more time than writing books" in the Frankfurter Rundschau on Saturday, April 27, 1985, p. ZB 3, abridged.

    9. Der Zeitaufwand besteht für mich im wesentlichen darin, ein Ma-nuskript zu tippen. Wenn ich es einmal geschrieben habe, dannnehme ich in der Regel keine Revision mehr vor, mit Ausnahmeübrigens an dem letzten Buch,

      To some extent, Luhmann felt that his books wrote themselves. He spent an inordinate amount of time writing out notes and filing them into his zettelkasten. The writing portion consisted primarily of typing out the manuscript and after writing it, he usually didn't revise it.

      Link to https://hypothes.is/a/LG--lGpmEe6yvy8lp7nfPw

    1. In 2022, PRRI asked Americans their views on the utility of violence as a political tactic. Three in 10 Republicans said they agreed that “because things have gotten so far off track, true American patriots may have to resort to violence in order to save our country.” That was about three times the percentage of Democrats agreeing with the same sentiment.
    2. There was former Ohio congressman Anthony Gonzalez (R) — a former professional football player — who deemed the hostility he faced after opposing Trump too much of a risk for his family. Former Wyoming representative Liz Cheney (R) described similar fears from other legislators, as did former Michigan representative Peter Meijer (R). That these three are all former legislators is not a coincidence: They resigned or were beaten in primaries largely because they saw how the party had turned against them. See also: Romney, Mitt.

      The threat of physical violence is silencing those in power even on the right. We're already at war except for the bullets.

    1. Listed in late summer/early fall 2023.

      Art Metal Company card catalog (drawer sizes maybe 6x9" index cards? with 32 3/4 W x 38 3/4" H x 18 1/2" D). Possibly sectional with top and short leg sections, two sections of 3x2 drawers and a storage section with two doors. Nice patina.

      Listed originally at $1,200 and put on sale in early October 2023 for $960. Local pick up in Savannah, GA.

      Cost per drawer: $85.71 ($68.57 on sale)

    1. Careful attention to Shank’s explanation of the value and role of stories is recognition that it is not the stories alone that are important, but the combination of indices and stories. The combination is important, but in addition, it is personalized through the imposition of an indexing approach that creates this productive system. Perhaps thinking about experiences searching for understanding can be translated as indexing.
    2. Thinking involves indexing. Shank proposed that a useful memory combines specific experiences and indices or labels. The more indices the better. Shank spent a great deal of effort identifying what indices people used proposing that locations, attitudes, challenges, decisions, conclusions, and other labels are used as indices.

      Mark Grabe's synopsis of Roger Shank on storytelling.

    1. If you look at George Ellis’s Google Scholar, it’s clear that he has gone down the deep end a while ago. What is it with these cosmologists? (Ahem, Penrose). Suddenly they discover quantum physics and it’s the solution to consciousness. Or gravity makes wavefunctions collapse.

      quote from Christoph Adami at https://twitter.com/ChristophAdami/status/1711583362647814485

      Re: George Ellis https://www.nature.com/articles/d41586-023-03061-y

      Physicists and quantum mechanics as solution to consciousness.

      See also: Physics in Mind: A Quantum View of the Brain by Werner R. Loewenstein

    1. Should I use zettelkasten? .t3_172ujnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionI am a student in college in the UK studying A levels (Advanced levels), this includes mathematics, biology, chemistry and physics. I dont really take notes for mathematics so I wont be using any type of note taking system for that but for the sciences IDK what to do.

      reply to u/Wooden-School-4091 at https://www.reddit.com/r/Zettelkasten/comments/172ujnk/should_i_use_zettelkasten/

      This comes up fairly frequently. See https://hypothes.is/users/chrisaldrich?q=tag%3A%27zettelkasten+for+studying%27 and related links for other variations and advice on this theme.

    1. Are links still better than search in the age of semantic search? .t3_175a6tr._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionHi, I am a beginner Zettelkasten practitioner and also a software engineer, and I just read "Why You Should Set Links Manually and Not Rely on Search Alone" https://zettelkasten.de/posts/search-alone-is-not-enough/.Search capabilities have improved drastically since 2015 though. We can use text embeddings to find the most relevant other Zettels for any particular Zettel (see https://www.deepset.ai/blog/the-beginners-guide-to-text-embeddings)For example, even if you don't use the same keywords in your writing today as you did a year ago, you'll still find the relevant notes with semantic search, because semantic search handles synonyms with a breeze.Does this mean that with modern search tools, we can spend less time building "infrastructure" links, and rely more on (improved) search?Or am I wrong in my analysis here, does the advance in technology not matter?

      reply to u/dotinvoke at https://www.reddit.com/r/Zettelkasten/comments/175a6tr/are_links_still_better_than_search_in_the_age_of/

      The value in the process is making a ratchet of ideas which is highly customized to building your own lines of thought or "associative trails" if you prefer Vannevar Bush's framing.

      If your idea worked, then one could "simply" rely on Google's database and a variety of associated tools to act as your zettelkasten—Bob's your uncle and you're done! In practice, you'll find that this doesn't work well. You can experiment, but I think you'll find that your own limited choices of links will work far better than the infinite number of adjacent possible links that a digital system may create on your behalf. If you're already fighting information overload, you don't want to add link overload to your list of problems.

      Put in a different light, it can be interesting to randomly flip a coin and go left on heads and right on tails to see where you might end up, particularly if you're unsure. But if you actively make your own choices, you're more likely to be happier with what you see along the way and where you end up.

    1. https://www.ebay.com/itm/235238777043

      Uncommon Shaw-Walker 4 drawer card cabinet/side table in a 2x2 configuration with leg-based stand. Listed around 2023-10-04 for $1,375.00.

      Possibly modular and made of 3-4 individual stackable pieces.

      Free pick up or shipment from DeKalb, IL

      cost per drawer: 343.75

      (This may be one of the most expensive per drawer I've ever seen.)

      2023-10-11 The seller made me an offer to purchase for $950.00 bring down the per drawer cost to $237.50.

    1. Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date.

      Excerpt of the original Dutch:

      Vader heeft voor Margot en mij een kartotheekdoos leeggemaakt en er kaarjtes in gedaan. Dit wort de boekenkartotheek, we schrijven namelikj alle twee op welke boeken we gelezen hebben, ...

    2. Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date. I’ve learned two newwords: “brothel” and “coquette.” I’ve bought a separate notebookfor new words.

      —Anne Frank (1929-1945), diary entry dated Saturday, February 27, 1943 (age 13)

      Anne Frank was given an empty card file by her father who filled it with index cards that were blank on one side. They were intended to use it as a "reading file" in which she and Margot were "supposed to note down the books we've read, the author and the date."


      In the same entry she mentioned that she'd bought a separate notebook for writing down new words she encountered. Recent words she mentions encountering were "brothel" and "coquette".

    3. Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date.

      Anne Frank (June 12, 1929-1945)<br /> Niklas Luhmann (December 8, 1927-1998)

      Niklas Luhmann was a year and a half older than Anne Frank who received her first card index file in February 1943 (likely between the 27th, the date of her diary entry mentioning it and the prior diary entry on February 5th), from her father at the age of 13. She was intended to use it as a "reading file" to note down the books she'd read along with the author and the date.

      One can only wonder at how many entries she would have made over the span of her life had it not come to such an abrupt end.

    4. MONDAY, NOVEMBER 2, 1942Dear Kitty,Bep stayed with us Friday evening. It was fun, but she didn’t sleepvery well because she’d drunk some wine. For the rest, there’snothing special to report. I had an awful headache yesterday andwent to bed early. Margot’s being exasperating again.This morning I began sorting out an index card le from theoce, because it’d fallen over and gotten all mixed up. Before long Iwas going nuts. I asked Margot and Peter to help, but they were toolazy, so I put it away. I’m not crazy enough to do it all by myself!Anne Frank

      In a diary entry dated Monday, November 2, 1942, Anne Frank in an entry in which she includes a post script about the "important news that [she's] probably going to get [her] period soon." she mentions spending some time sorting out an index card file. Presumably it had been used for business purposes as she mentions that she got it from the office. Given that it had "fallen over and gotten all mixed up", it presumably didn't use a card rod to hold the cards in. It must have been a fairly big task as she asked for help from two people and not getting it, she abandoned the task because, as she wrote: "I'm not crazy enough to do it all by myself!"

    1. Boroditsky, Lera. How Language Shapes the Way We Think. Streaming Video. TED | TEDWomen 2017, 2017. https://www.ted.com/talks/lera_boroditsky_how_language_shapes_the_way_we_think.

      See also: https://www.youtube.com/watch?v=RKK7wGAYP6k

    2. Perception of events can differ dramatically in different languages based on their constructions and what those constructions dictate.

      Example: Accidents in different languages are seen differently. In English, focus is on the actor who receives blame while in Spanish, there is more focus on the action and intention rather than what English would view as "perpetrator". Spanish eyewitness are less likely to remember the actor for testimony versus in English.

    1. Envisioning the next wave of emergent AI

      Are we stretching too far by saying that AI are currently emergent? Isn't this like saying that card indexes of the early 20th century are computers. In reality they were data storage and the "computing" took place when humans did the actual data processing/thinking to come up with new results.

      Emergence would seem to actually be the point which comes about when the AI takes its own output and continues processing (successfully) on it.

    1. Posted byu/IamOkei8 hours agoWhy are people paying thousand of dollars on Zettelkasten courses? It’s freaking stupid! .t3_1728f1n._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionThese course creators have no real life achievements other than being a sophist…..And you are paying them so that they can brag that they are super rich and don’t need to work

      Someone complaining of Scott Scheper's teaching/pedagogy/"system".

      One needs to read a bit between the lines with only the initial context, but they circled around later to say:

      I am talking about that A**net guy

    2. Zettelkasten courses and teachers

      Having someone who is experienced, cares, and knows the entirety of their space can be invaluable to speed you on your way to having at least an idea of the space in general and then give you pointers on your particular practice and needs. There is tremendous amount of ink spilled on the idea of zettelkasten, some of it good, some of it remarkably bad, and most of it painfully generic and useless.

      Most of those I know who have serious practices have spent an inordinate amount of time reading and refining to come to where they are. They, and I, would all probably think that a good teacher and class on the subject could have saved them hundreds (thousands?) of hours of time and in exchange for a couple of hundred dollars. How much is your time worth in the balance? Can you read a cheap book or two on the topic? A few blog posts? Certainly, and many have, yet there are still lots of very basic questions which pop up here and elsewhere. Buying a book isn't the end-all either as you've still got to spend the time reading and distilling what's in it. A good instructor can boil down Ahrens' work into twenty minutes and get you up and working a lot more quickly, not to mention distilling down even a fraction of all the other potentially relevant sources.

      Most of the questions in this sub-reddit are people asking for pointers either about where to start or examples of specific things they're having trouble with. Of course in the majority of the cases they could simply search this or one or two other sources to find almost exactly what they need, yet here they are posting one of the same 10 questions over and over. (I also generally get the impression that they're only thinking about the system in a theoretical fashion and aren't actually practicing it for themselves.) It's nice to have pointers like the one that u/WM2D2 provides, but how is someone new to the space supposed to find this or other specific sources without the prior knowledge? Simple search is unlikely to uncover the best sources. In my experience, a lot of the best material on zettelkasten practice doesn't even contain the word "zettelkasten" to allow one to find it via search. And what to do if or when it doesn't answer all their questions? Instructors are usually good at distilling down the particulars into a more coherent whole. This is what you're paying for.

      Of those who are well-practiced, even fewer have expanded on their own individual practice to look at how others have practiced for a variety of very disparate use cases. Where is this experience to be found? Having looked at and read many sources over the years, it's definitely hard won knowledge. And what about taking the theory and turning it into actual practice? This is where a good teacher will come in handy to help you actually do the work to become better much more rapidly than any book ever could. The rules are easy, it's the practice to turn those rules into a practicable art that is the tougher road.

      This being said, there is definitely a spectrum of experience and teaching ability. There are certainly only one or two people I can imagine recommending as a teacher in this specific area. Because this may be some of the most hard won knowledge to come across, I'll mention that u/taurusnoises is one of those I would recommend if you're looking to save your time and come to a useful practice for yourself without spending lots of time floundering around.

      written in response to u/IamOkei at https://www.reddit.com/r/Zettelkasten/comments/1728f1n/why_are_people_paying_thousand_of_dollars_on/

    1. I like paper with "weird" rulings. What's your favorite notebook/company that produces unique/niche paper organization rulings?

      reply to u/Seaborn63 at https://www.reddit.com/r/notebooks/comments/170iiax/i_like_paper_with_weird_rulings_whats_your/

      Japanese notebooks can have some interesting grids in addition to the Kokyuo notebooks mentioned by others. There are a variety of grid sizes for practicing kana and kanji. You can find many by searching for Genkouyoushi as well as some with alternate gridding which is used for furigana. Some of the more sophisticated adult versions have horizontal lines which also have small hash marks for creating a sort of vertical grid for those who wish it. These are intended for those who write on the page from top to bottom rather than horizontally, but this doesn't mean they couldn't be used in other ways.

    1. https://www.ebay.com/itm/155811111944

      2023-10-05 72 drawer library card catalog listed for sale at $850.00 with local pick up only from Mechanicsville, VA. No brand name listed. Plastic drawers with wooden fronts. Two sections of 6x6 drawers separated by a section with three writing drawers. Appears to be a solid piece with a solid base. In generally good condition.

      cost per drawer: $11.80

      Not a bad deal here, esp. if you're local.

    1. Homer introduces him with the adjective polytropos—literally, “of many turns.” Previous translators have called him “shifty,” “cunning,” and a hundred other things. After grappling with the alternatives, Wilson chose “complicated,” hoping also to convey the sense of “problematic.” Her first sentence—“Tell me about a complicated man”—instantly makes him our familiar: that charismatic prince who’s too impossible to live with and too desirable to live without.
    1. I'm not so much saying Adler and Van Doren were trying to prevent readers from coming to grips with the unresolved issues of American history illustrated in this example. But I am suggesting that the idea that there's a "message" in these foundational texts and they know what it is and our job is to find out, is flawed. Too deterministic, too hierarchical, too supportive of a master narrative that needs to be challenged so truth can be appreciated in its complexity.

      Amen!

    1. They then spent a couple of pages on the history of elementary education, followed by a discussion of the stages of instruction, beginning with "reading readiness" and continuing through "sight words" and "context clues", to mature skills that allow the reader to compare the views of different writers.

      The broad idea of "reading readiness" stemmed from Jean Piaget's work, much of which was debunked by Peter Bryant during the 1970s. Yet we're still apparently discussing it and attempting to figure out how to do all this better: https://www.nytimes.com/2022/05/22/us/reading-teaching-curriculum-phonics.html

      They didn't tackle the lowest level very thoroughly, but I was a bit surprised that with their discussion of speed reading they didn't give at least a passing mention to phonics which had a big rise in the 1960s before declining in the 70s and 80s only to see another big uptick in the 90s.