3,776 Matching Annotations
  1. Aug 2022
    1. Amherst College library described in Colin B. Burke's Information and Intrigue, organized books and cards based on author name. In both cases, the range of books on a shelf was random.

      Information and Intrigue by Colin B. Burke

    1. Systematische Anleitung zur Theorie und Praxis der Mnemonik : nebst den Grundlinien zur Geschichte u. Kritik dieser Wissenschaft : mit 3 Kupfertaf. by Johann Christoph Aretin( Book )18 editions published in 1810 in 3 languages and held by 52 WorldCat member libraries worldwide

      Google translation:<br /> Systematic instructions for the theory and practice of mnemonics: together with the basic lines for the history and criticism of this science: with 3 copper plates.

      First published in 1810 in German

      http://worldcat.org/identities/lccn-n83008343/

    1. https://thoughtcatalog.com/ryan-holiday/2013/08/how-and-why-to-keep-a-commonplace-book/

      An early essay from Ryan Holiday about commonplace books including how, why, and their general value.

      Notice that the essay almost reads as if he's copying out cards from his own system. This is highlighted by the fact that he adds dashes in front 23 of his paragraphs/points.

    1. https://lifehacker.com/im-ryan-holiday-and-this-is-how-i-work-1485776137

      An influential productivity article from 2013-12-18 that is seen quoted over the blogosphere for the following years that broadened the idea of the commonplace book and the later popularity of the zettelkasten.

      Note that zettelkasten.de was just starting up at about this time period, though it follows the work of Manfred Kuehn's note taking blog.

    1. https://www.kevinmarks.com/memex.html

      I got stuck over the weekend, so I totally missed Kevin Marks' memex demo at IndieWebCamp's Create Day, but it is an interesting little UI experiment.

      I'll always maintain that Vannevar Bush really harmed the first few generations of web development by not mentioning the word commonplace book in his conceptualization. Marks heals some of this wound by explicitly tying the idea of memex to that of the zettelkasten however. John Borthwick even mentions the idea of "networked commonplace books". [I suspect a little birdie may have nudged this perspective as catnip to grab my attention—a ruse which is highly effective.]

      Some of Kevin's conceptualization reminds me a bit of Jerry Michalski's use of The Brain which provides a specific visual branching of ideas based on the links and their positions on the page: the main idea in the center, parent ideas above it, sibling ideas to the right/left and child ideas below it. I don't think it's got the idea of incoming or outgoing links, but having a visual location on the page for incoming links (my own site has incoming ones at the bottom as comments or responses) can be valuable.

      I'm also reminded a bit of Kartik Prabhu's experiments with marginalia and webmention on his website which plays around with these ideas as well as their visual placement on the page in different methods.

      MIT MediaLab's Fold site (details) was also an interesting sort of UI experiment in this space.

      It also seems a bit reminiscent of Kevin Mark's experiments with hovercards in the past as well, which might be an interesting way to do the outgoing links part.

      Next up, I'd love to see larger branching visualizations of these sorts of things across multiple sites... Who will show us those "associative trails"?

      Another potential framing for what we're all really doing is building digital versions of Indigenous Australian's songlines across the web. Perhaps this may help realize Margo Neale and Lynne Kelly's dream for a "third archive"?

    1. https://universitylifecafe.k-state.edu/bookshelf/academicskills/indexcardstudysystem.html

      Natalie Umberger is writing about an "index card study system" in an academic study skills context, but it's an admixture of come ideas from Cornell Notes and using index cards as flashcards.

      The advice to "Review your notes and readings frequently, so the material is 'fresh.' " is a common one (through at least the 1980s to the present), though research on the mere-exposure effect indicates that it's not as valuable as other methods.

      How can we stamp out the misconception that this sort of review is practical?

  2. Jul 2022
    1. https://danallosso.substack.com/p/thoughts-prior-to-publishing

      <iframe title="vimeo-player" src="https://player.vimeo.com/video/735211043?h=68a6bdd022" width="640" height="360" frameborder="0" allowfullscreen></iframe>

      I love the pointed focus @danallosso puts on output here. I think he's right that the "conversation between the writer, the text, and their notes" (in my framing combinatorial creativity) is where the real value is to be had.

      His explanation of the "evergreen note" is highly valuable here. One should really do as much work upfront to make it as evergreen as possible. Too many people (especially in the digital gardens space) put the emphasis on working on these evergreen notes over time to slowly improve and evolve them and that's probably the wrong framing to take. Write it once, write it well, then reuse it.

    1. https://remikalir.com/blog/sabbatical-annotated/

      It was great seeing you in person yesterday @remikalir! Glad you could make the time to hang out. Do let me know if you need anything while you're here in the neighborhood or in your pending travels on sabbatical.

      Congratulations again on all this news! I'm sure it's a bit overwhelming and a lot of change to adjust to, but I'm sure you'll come out far ahead.

      I told Evie about your sister's choreography annotation work when I picked her up from ballet. She pulled a small pocket notebook out of her ballet bag that I didn't know she had full of some of her own choreography notes!! I was so proud...

      Safe travels my friend!

    1. Vinzenz Brinkmann, Head of the Department of Antiquity at the Liebieghaus Sculpture Collection in Frankfurt am Main, said when he first started researching polychromy 40 years ago, "no one had interest in this for years, no one collected the clearly visible evidence. Except for me. I collected the evidence like a stamp collection."

      Ancient statuary wasn't white as we often see now in museums, but was brightly colored. Statuary that was outside would have been sun bleached over time as well as subject to other weathering to mute or entirely remove color.

      https://www.npr.org/2022/07/12/1109995973/we-know-greek-statues-werent-white-now-you-can-see-them-in-color

    1. Glad I'm not the only one...

      Depending on my particular mood, I'll call mine "Konrad" after Gessner, "Beatrice" after Webb, or "Bruce" (a quirky hat tip to The West Wing S7 E2: "His name is Bruce. He's a flight attendant on Aer Lingus. They've got a connecting hub out of Hamburg. You know, at first it was long walks along the Reeperbahn...")

      https://www.reddit.com/r/antinet/comments/w0x1m6/give_your_antinet_a_pen_name/

    1. https://threadreaderapp.com/thread/1547390915689566211.html via https://twitter.com/nicolas_gatien/status/1547390946156969984

      Nicolas, I broadly agree with you that many of these factors of reading and writing for understanding and retention are at play and the research in memory and spaced repetition underlines a lot of this. However in practice, one needs to be revisiting and actively using their notes for some particular project to remember them better. The card search may help to create both visual and physical paths that assist in memory too.

      Reliance solely on a physical zettelkasten however may not be enough without active use over time, particularly for the majority of users. It's unlikely that all or even many may undertake this long term practice. Saying that this is either the "best", "optimum", or "only" way would be disingenuous to the diversity of learners and thinkers.

      Those who want to add additional strength to these effects might also use mnemonic methods from indigenous cultures that rely on primary orality. These could include color, images, doodles (drolleries anyone?), or other associative methods, many of which could be easily built into an (antinet) zettelkasten. Lynne Kelly's work in this area can be highly illuminating. For pure practical application and diversity of potential methods, I recommend her book Memory Craft https://amzn.to/3zdqqGp, but she's got much more academic and in depth work that is highly illustrative.

      With this background on orality and memory in mind we might all broadly view wood and stone circles (Stonehenge), menhir, standing stones, songlines, and other mnemonic devices in the archaeological and sociological records as zettelkasten which one keeps entirely in their memory rather than writing them down. We might also consider, based on this and the historical record concerning Druids and their association with trees that the trees served a zettelkasten-like function for those ancient societies. This continues to extend to lots of other cultural and societal practices throughout history. Knowledge from Duane Hamacher et al's book The First Astronomers and Karlie Noone and Krystal De Napoli's Astronomy: Sky Country will underline these theories and practices in modern indigenous settings.

    1. https://www.reddit.com/r/antinet/comments/vy4abk/interesting_thread_on_twitter_about_the_need_and/

      Thread: https://threadreaderapp.com/thread/1547208663768748032.html

      That thread by u/taurusnoises (Bob Doto aka @thehighpony) seems to explicitly buy into the rumor that Luhmann invented the zettelkasten. He assuredly did not and was most likely taught it or some version of it by one or more teachers or colleagues in his lifetime. We're unlikely to know if he tweaked or modified it extensively from the version he was taught, but studying the methods of others may be illustrative. How did Wittgenstein use it? Newton? Georg Christoph Lichtenberg? John Locke? Barthes? Marcel Mauss? Claude Lévi-Strauss? Heck, even comedian George Carlin, dancer/choreographer Twyla Tharp, and battle rapper/musician Eminem have slip box systems that they explicitly used for their creativity and work.

      People have been using zettelkasten, commonplace books, florilegium, and other similar methods for centuries, and no one version is the "correct" one. What is useful is finding a system that works for you (and not finding a system that you work for). Everyone here is assuredly doing exactly as Luhmann did, you're taking a tool with a broad set of ideas, principles, and practices and putting it to use in a way that works for you. This is part of the reason why there are so many people with so many questions about the what and why in this and other fora.

      We approach these methods from such a top down manner, in part, because our culture has broadly lost the thread of how these note taking practices were done historically. Instead of working with something that has always existed and been taught in our culture, and then using it to suit our needs, we're looking at it like a new shiny toy or app and then trying to modify it to make it suit our needs.

      Of course to be sure, Luhmann's version of the tool as he used it is one of the most powerful forms of commonplacing we've seen, but this doesn't mean that someone doesn't change or innovate on the methods to make something even more powerful or emergent. (I'd caution against low level attempts as this ground has been heavily tread by millions of people over time.)

      To add onto Nicolas-Gatien and dynodiaper's list, how about? 4. Idea generation/creation and innovation

      And for those who want the bumper sticker version: https://www.zazzle.com/niklas_luhmann_bumper_sticker-128462770354241554 Or maybe, for Scott, the coffee mug version? 😁☕https://www.zazzle.com/niklas_luhmann_mug-168394795838388324

    1. Instead of building a comments section, why not build it to send/accept Webmentions? (Webmention.io and Webmention.js with some help from Brid.gy) could implement this pretty quickly without much additional work.) This would allow your digital garden to communicate directly with others' as well as other sites online including Twitter?

    1. The presenter in the video has 70 notes across 3 months which is drastically lower than what I have.

      Somewhere I think I read that Luhmann only added about 6 cards a day to his zettelkasten. (I suspect they averaged his 90K output over the span of years he said he used it....)

      My fleeting note output right now is potentially too much, and I certainly should be spending more time refining and building on my (note-based) thoughts.

      It's not how many thoughts one has, but their quality and even more importantly, what one does with them.

      https://www.reddit.com/r/Zettelkasten/comments/jho1em/i_found_a_gem/

    1. https://x28newblog.wordpress.com/2022/07/13/pruning-for-output/

      In response to my call for zettelkasten output examples, Matthias Melcher comes up to the border of what I was looking for but doesn't cover the actual output portion.

      He focuses instead about some of the processing and the pruning portions, but not use for actual content creation. Is this because he doesn't actively use his notes for the creation portion? Or does he use his branching tree space as recollections of notes, perhaps to create outlines for creation?

      Note specifically that he doesn't mention any sort of surprise or serendipity with respect to linking ideas nor is there any mention of "inventio" portions of the process.

    1. most people need to talk out an idea in order to think about it2.

      D. J. Levitin, The organized mind: thinking straight in the age of information overload. New York, N.Y: Dutton, 2014. #books/wanttoread

      A general truism in my experience, but I'm curious what else Levitin has to say on this subject.

    1. https://www.zylstra.org/blog/2022/06/spring-83/

      I've been thinking about this sort of thing off and on myself.

      I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

      I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

      I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

      The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

      Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

      It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

      It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

      I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

      This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?


      For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

    1. How to write a thesis, by Umberto Eco. Eco is very heavily opinionated, in a brash and amusing way. Naturally, the writing is stellar. He also dedicates a lot of the book to the use of index cards for managing a bibliography, which was very pertinent at the time it was written. Even though the physical medium of index cards is no longer current and we are all busy fighting the Mendeley/Zotero/Endnote wars, there is still much to be learned from this book about effectively managing a bibliography.

      https://www.reddit.com/r/GradSchool/comments/68n2ec/graduated_a_few_days_ago_so_heres_a_list_of_my/

      Anecdotal evidence of someone who thinks that digital bibliography managers are better than older manual methods of bibliographical and note taking methods.

      This may be the case if the management of bibliography is wholly divorced from note taking, but one still needs to integrate the two pieces at some point.


      Is there evidence that people use bibliographic tools like Zotero, Endnote, Mendeley as bookmark tools for things they intend to read?

      What affordances do these tools provide beyond pulling reference markers from an article and simply spitting out a fully formed and formatted bibliography?


      Zotero has recently updated with version 6 to make pulling in annotations from pdf files into their bigger enterprise much easier, so perhaps it's a step back toward integrating the older zettelkasten-like methods of note taking?

  3. Jun 2022
    1. The Reading Brain in the Digital Age: The Science of Paper versus Screens https://www.scientificamerican.com/article/reading-paper-screens/ by Ferris Jabr Scientific American 2013-04-11 A good overview of reading practices, reading user interfaces, and research literature relevant to it. Lots of abstracts from research which I ought to look at more closely, and thus didn't make note of as much as I'd rather delve into the primary sources.

      Most of the research cited here is preliminary to early e-reading devices and has small sample sizes. Better would be to see how subsequent studies have fared with larger and more diverse groups.

    1. Reid, A. J. (Ed.). (2018). Marginalia in Modern Learning Contexts. New York: IGI Global.

      Heard about this at the Hypothes.is SOCIAL LEARNING SUMMIT: Spotlight on Social Reading & Social Annotation

    1. https://en.wikipedia.org/wiki/Hodge-podge

      How is this broadly related to the intellectual history of commonplace books, zettelkasten, and other note taking matters.

      I recall an idea of a Hodge-podge book from my youth, but these may have been published children's activity books for fun rather than collecting tidbits as in something closer to a scrapbook.

      Link to: - Eminem's stacking ammo - Thought about this randomly while editing notes for [[Forte2022]]

    1. https://hybridpedagogy.org/ethical-online-learning/

      An interesting perspective on ethical and supportive online learning. More questions and explorations than answers, but then framing is a majority of the battle.

      I'm generally in agreement with much of the discussion here.

      This was a fabulous piece for "thinking against". Thanks Sean Michael Morris, and Lora Taub.

      I definitely got far more out of it by reading and annotating than I ever would in its original keynote presentation version.

    1. https://www.facultyfocus.com/articles/effective-teaching-strategies/bringing-theories-to-practice-universal-design-principles-and-the-use-of-social-annotation-to-support-neurodivergent-students/

      A very brief primer on UDL and how Hypothes.is and social annotation might fit within its framework. There seems to be a stronger familiarity with Hypothes.is as a tool and a bit less familiarity with UDL, or perhaps they just didn't bind the two together as tightly as they might have.

      I'm definitely curious to look more closely at the UDL framework to see what we might extract from it.

      The title features neurodiversity, but doesn't deliver on the promise.

      An interesting reframing would be that of social annotation with the idea of modality shifts, particularly for neurodiverse students.

    1. https://www.insidehighered.com/blogs/learning-innovation/why-%E2%80%98how-humans-learn%E2%80%99-book-i%E2%80%99ve-been-waiting

      How Humans Learn: The Science and Stories Behind Effective College Teaching by Joshua R. Eyler #books/wanttoread<br /> Published in March 2018

      Mentioned at the [[Hypothesis Social Learning Summit - Spotlight on Social Reading & Social Annotation]] in the chat in the [[Social Annotation Showcase]]

    1. Francesca Benatti (Open University)

      Online

      Short Bio

      I joined The Open University in 2012 as a member of the Arts Faculty and I am now part of the School of Arts and Humanities and the English and Creative Writing Department. I hold a Laurea in Lettere Moderne from the University of Bologna, as well as an MA in Literature and Publishing and a PhD in English from the National University of Ireland, Galway.

      My main role in the Faculty is to promote research in the Digital Humanities as the co-leader of DH_OU, the Digital Humanities at The Open University Research Collaboration (web and Twitter) and of the OOC DTP Digital Humanities training programme.

      I am a member of the READ-IT project, the Reading Experience Database, the History of Books and Reading Research Group, the Gender and Otherness in the Humanities (GOTH) Research Centre, the European Romanticism in Association and RÊVE project and the Open Arts Archive.

      During 2014-2019 I led the Arts and Humanities in the Digital Age training programme for the CHASE doctoral training partnership. In 2017 I was the Principal Investigator of the A Question of Style project, which was funded by a Research Society for Victorian Periodicals Field Development Grant. In 2016-2019 I was a member of the Executive Committee of the British Association for Romantic Studies (BARS) and of the International Executive Council of centerNet.

      Select bibliography

      • Understanding the phenomenology of reading through modelling (2021-01-26) Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia Semantic Web Journal, 12(2) (pp. 191-217)
      • *ing the Written Word: Digital Humanities Methods for Book History (2020) Antonini, Alessio and Benatti, Francesca In : SHARP 2020: Power of the Written Word (11-15 Jul 2020, Amsterdam)
    2. Recommended preliminary reading  Antonini A., Benatti F., Blackburn-Daniels S. ‘On Links To Be: Exercises in Style #2’, 31st ACM Conference on Hypertext and Social Media (July 2020): 13–15. https://dl.acm.org/doi/10.1145/3372923.3404785   Grafton, Anthony. Worlds Made by Words : Scholarship and Community in the Modern West (Harvard UP, 2011).  Jackson, H. J. Marginalia: Readers Writing in Books (Yale UP, 2001).  –––. Romantic Readers: The Evidence of Marginalia (Yale UP, 2005).  Ohge, Christopher and Steven Olsen-Smith. ‘Computation and Digital Text Analysis at Melville’s Marginalia Online’, Leviathan: A Journal of Melville Studies 20.2 (June 2018): 1–16.  O’Neill, Helen, Anne Welsh, David A. Smith, Glenn Roe, Melissa Terras, ‘Text mining Mill: Computationally detecting influence in the writings of John Stuart Mill from library records’, Digital Scholarship in the Humanities 36.4 (December 2021): 1013–1029, https://doi.org/10.1093/llc/fqab010  Sherman, William. Used Books: Marking Readers in Renaissance England (U of Pennsylvania P, 2008).  Spedding, Patrick and Paul Tankard. Marginal Notes: Social Reading and the Literal Margins (Palgrave Macmillan, 2021). 

      An interesting list of readings on annotation.

      I'm curious if anyone has an open Zotero bibliography for this area? https://www.zotero.org/search/?p=2&q=annotation&type=group

      of which the following look interesting: - https://www.zotero.org/groups/2586310/annotation - https://www.zotero.org/groups/2423071/annotated - https://www.zotero.org/groups/2898045/social_annotation

      This reminds me to revisit Zocurelia as well: https://zocurelia.com

    3. Alessio Antonini (Open University)

      Dr Alessio Antonini is a Research Associate at the Knowledge Media Institute (KMi), Open University, and a member of KMi's Intelligent Systems and Data Science group. Before joining KMi, he was a post-doc researcher in Urban Computing at the University of Turin, Italy. His research is on Human-Data Interaction (HDI) in applicative context of Civic Technologies, Smart City and Digital Humanities (DH) applications, in which contributed with more than 30 peer-reviewed papers. Transdisciplinary problems emerging from real-life scenarios are the focus of his research, approached through interdisciplinary collaborations, ranging from urban planning, philosophy, law, humanities, history and geography. He has extensive experience in EU and national projects, leading activities and work-packages in 14 projects. With more than ten years of professional practice, he as broad experience in leading R&D projects.

      Select bibliography:

      • Antonini, A., Benatti, F., Watson, N., King, E. and Gibson, J. (2021) Death and Transmediations: Manuscripts in the Age of Hypertext, HT '21: Proceedings of the 32th ACM Conference on Hypertext and Social Media, Virtual Event USA
      • Vignale, F., Antonini, A. and Gravier, G. (2020) The Reading Experience Ontology (REO): Reusing and Extending CIDOC CRM, Digital Humanities Conference 2020, Ottawa
      • Antonini, A. and Brooker, S. (2020) Mediation as Calibration: A Framework for Evaluating the Author/Reader Relation, Proceedings of the 31st ACM HyperText, Orlando, Florida, USA
      • Antonini, A. and Benatti, F. (2020) *ing the Written Word: Digital Humanities Methods for Book History, SHARP 2020: Power of the Written Word, Amsterdam
      • Antonini, A., (2020) Understanding the phenomenology of reading through modelling Understanding the phenomenology of reading through modelling, pp. (Early Access)
      • Vignale, F., Benatti, F. and Antonini, A. (2019) Reading in Europe - Challenge and Case Studies of READ-IT Project, DH2019, Utrecht, Netherland
      • Antonini, A., Vignale, F., Guillaume, G. and Brigitte, O. (2019) The Model of Reading: Modelling principles, Definitions, Schema, Alignments
    4. https://www.sas.ac.uk/events/event/25322

      <small><cite class='h-cite via'> <span class='p-author h-card'>Jeremy Cherfas</span> (email) (<time class='dt-published'>06/16/2022 07:18:14</time>)</cite></small>

    1. Tharp calls her approach “the box.”

      In The Creative Habit, dancer and choreographer Twyla Tharp has creative inspiration and note taking practice which she calls "the box" in which she organizes “notebooks, news clippings, CDs, videotapes of me working alone in my studio, videos of the dancers rehearsing, books and photographs and pieces of art that may have inspired me”. She also calls her linking of ideas within her box method "the art of scratching" (chapter 6).

      related: combinatorial creativity triangle thinking


      [[Twyla Tharp]] [[The Creative Habit]] #books/wanttoread

  4. danallosso.substack.com danallosso.substack.com
    1. https://danallosso.substack.com/p/note-cards?s=r

      Outline of one of Dan's experiments writing a handbook about reading, thinking, and writing. He's taking a zettelkasten-like approach, but doing it as a stand-alone project with little indexing and crosslinking of ideas or creating card addresses.

      This sounds more akin to the processes of Vladimir Nabokov and Ryan Holiday/Robert Greene.

    1. when Britannica conducted followup research on whether or not the books were actually being read, they found that buyers who really read the books were the exception. The two largest sub-categories among buyers who were more likely to have read the books were housewives and men trained in some sort of technical profession.

      Research by Britannica (source?) indicated that the Great Books of the Western World sold well but were not often read.

      Link to: A Brief History of Time by Stephen Hawking Owen Gingerich Copernicus

    1. https://scottscheper.com/letter/2/

      Brief outline of how Scheper came to note taking and his journey to zettelkasten.

    2. https://scottscheper.com/letter/1/

      Step by step approach for starting the major parts of a zettelkasten.

      Not bad in general, but the referencing tags seem a bit arcane to me and there are much simpler ways of doing this.

    1. By the way, that quotation indicates one thing that Mario Bunge thinks knowledge is not: namely, knowledge is not what @ctietze has called the collector's fallacy. If you want to know what Bunge thinks knowledge is, I recommend his Epistemology & Methodology I–III, which are volumes 5–7 of Bunge's 8-volume Treatise on Basic Philosophy (in fact, it's 9 books since the third volume of Epistemology & Methodology is two books: parts I and II). See, e.g., Figure 7.3: "A scientific research cycle", on page 252 of Epistemology & Methodology I, Chapter 7, Part 2: "From intuition to method", and subsequent sections.

      This looks interesting.

    1. Dorothy L. Sayers’ Strong Poison reads in as follows in its entirety: “JB puts this highest among the masterpieces. It has the strongest possible element of suspense—curiosity and the feeling one shares with Wimsey for Harriet Vane. The clues, the enigma, the free-love question, and the order of telling could not be improved upon. As for the somber opening, with the judge’s comments on how to make an omelet, it is sheer genius.”
    1. https://www.nationalreview.com/corner/a-book-for-our-times-peter-woods-1620-skewers-1619-project/

      A miserable sniveling little piece from someone who seems to be missing a larger rhetorical point. They barely peck at any actual argument, but resort to tangential ad hominem attacks in an attempt, yet again (should we be surprised?), to quite the voice of a Black woman who's simply trying to tell a story, and far succeeding the writer at it.

      As an aside there's a lot to also be said about the presentation of this on the page as I'm viewing it. It's topped by a middle-aged white man with a paunch, ostensibly attempting to appear intelligent in front of a book shelf covered with world history texts which are ostensibly about "White" Occidental history. Further down the page all the ads scream at me with White Nationalism including t-shirts oozing with the American flag and white Christian symbolism. The amount of cruft and crap on the page seems to indicate that the NR is gasping for breath to put their ideas onto a page that's overcrowded with ads.

    1. When a query needs to access most of the rows, reading sequentially is faster than working through an index. Sequential reads minimize disk seeks, even if not all the rows are needed for the query.

      When a quest needs to access most of the rows, reading sequentially is faster than working through an index.

      Sequential reads minimize disk seeks, even if not all the rows are needed for the query.

    1. https://teachingamericanhistory.org/document/patrick-henry-virginia-ratifying-convention-va/

      While gerrymandering isn't brought up explicitly here, the underlying principles are railed against heavily.

      Some interesting things applicable to the rise of Donald J. Trump hiding in here.

      Interesting to read this in its historical context versus our present context. So much can be read into his words from our current context, while others can extract dramatically different views--particularly by Constitutional originalists.

    1. Professor Carl Bogus: Carl T. Bogus, “Was Slavery a Factor in the SecondAmendment?” e New York Times, May 24, 2018.

      Professor Carl Bogus: Carl T. Bogus, “Was Slavery a Factor in the Second Amendment?” The New York Times, May 24, 2018. https://www.nytimes.com/2018/05/24/opinion/second-amendment-slavery-james-madison.html

    2. Patrick Henry and George Mason: Dave Davies, “Historian Uncovers eRacist Roots of the 2nd Amendment,” NPR, June 2, 2021.

      https://www.npr.org/2021/06/02/1002107670/historian-uncovers-the-racist-roots-of-the-2nd-amendment

      Transcript: https://www.npr.org/transcripts/1002107670 Audio: <audio src="">

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    1. K. Pomeranz, The Great Divergence: China, Europe and the Making of the ModernWorld Economy (Princeton, NJ: Princeton University Press, 2000)