10,000 Matching Annotations
  1. Feb 2023
    1. “multiple storage”

      Within the history of personal knowledge management, one was often faced with where to store their notes so that it would be easy to find and use them again. Often this was done using slip methods by means of "multiple storage" by making multiple copies and filing them under various headings. This copying process was onerous and breaks the modern database principle "don't repeat yourself" (DRY).

      Alternate means of doing this include storing it in one place and then linking that location to multiple subject headings in an index, though this may cause issues of remembering which subject heading when there are many appropriate potential synonyms.

      Modern digital methods allow one to store a note in one location and refer to it in multiple ways electronically as well as with aliases.

    1. What we ultimately should care about is being able to use our knowledge to produce something new, whatever that may be. To not merely reproduce you must understand the material. And understanding requires application, a hermeneutic principle that particularly Gadamer worked out extensively. If you really want to measure your level of understanding, you should try to apply or explain something to yourself or someone else.
  2. www.edwinwenink.xyz www.edwinwenink.xyz
    1. It is to burn with a passion. It is never to rest, interminably, from searching for the archive right where it slips away. It is to run after the archive, even if there’s too much of it, right where something in it anarchives itself. It is to have a compulsive, repetitive, and nostalgic desire for the archive, an irrepressible desire to return to the origin, a homesickness, a nostalgia for the return to the most archaic place of absolute commencement (Derrida, Archive Fever 1995, 57)
    1. About this time I met with an odd volume of the Spectator.[18] It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try'd to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collections of hints into confusion, and after some weeks endeavored to reduce them into the best order, before I began to form the full sentences and compleat the paper. This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method of the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extremely ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father used to exact of me when I was under his care, and which indeed I still thought a duty, thought I could not, as it seemed to me, afford time to practise it.

      Even the greats copied or loosely plagiarized the "masters" to learn how to write.The key is to continually work at it until you get to the point where it's yours and it is no longer plagiarism.

      This was also the general premise behind the plotline of the movie Finding Forrester.

    1. Synopsis:

      A relatively basic chapter on Indigenous knowledge as it relates to astronomy and art. Several art and dance examples (including dance machines!) and descriptions of how they relate to folklore and knowledge.

      Some great examples to explore, though perhaps better done via the specific references.

      I do wish there was a more explicit association by means of overlay of the stories to the art for the first time Westerners.

    2. Traditions about Usal and the Zugubals are based on the story of Thoegay, a fiercewarrior, Zogo Le, and skilled navigator who commanded a ship crew of thirteen: a firstmate named Kang and a crew of twelve men, called the Zugubals. The group embarkedon a long expedition at sea on a hot day. Before long, the crew began consuming theirrations in zest. They were warned by Kang to conserve their supplies, but before longthey had consumed the water for the entire trip, including Thoegay’s. When Thoegayrealised this, he flew into a fit of rage and killed the 12 men. Because the Zugubals werealso spiritual beings, they could not die, so Thoegay cast them into the sky as two groupsof six stars: Usal (the six brightest stars of the Pleiades) and Utimal (the six brightest starsof Orion’s belt and scabbard). Thoegay then ascended into the opposite side of the sky,taking Kang and his canoe with him. He can be seen as a large constellation holding aspear in his left hand (the Southern Cross) and a Eugenia fruit in his right hand (theconstellation Corvus), standing at the bow of his celestial canoe (Scorpius) with Kang(Antares; Alpha Scorpii) sitting at the stern (Robinson 2016a).

      This is a great story, but interestingly, without the appropriate art to explicitly map the idea onto, it's much harder to remember or to help those unaccustomed to these ideas. Presumably the audience of this book doesn't/wouldn't.

      A simple drawing here or an overlay onto an existing image would be immensely helpful. Perhaps the Robinson reference has one? (it doesn't)

    1. | physics/mathematics | Classical Physics | Quantum Mechanics |<br /> |---|---|---|<br /> | State Space | fields satisfying equations of laws<br>- the state is given by a point in the space | vector in a complex vector space with a Hermitian inner product (wavefunctions) |<br /> | Observables | functions of fields<br>- usually differential equations with real-valued solutions | self-adjoint linear operators on the state space<br>- some confusion may result when operators don't commute; there are usually no simple (real-valued) numerical solutions |

    2. https://www.youtube.com/watch?v=5qGRPOzMWnA

      Watched the first 46:39 on 2023-02-02. His personal communication style is a bit off-putting, but remedied slightly by watching at 1.25 or 1.5x speed. He's broadly covering pieces directly from his text which seems much more compact and elegant. Questions from the viewers in real time is a bit muddy with respect to understanding what they're saying.

      I gave up on the video due to streaming issues.

    3. One of the problems in approaching quantum gravity is the choice for how to best represent it mathematically. Most of quantum mechanics is algebraic in nature but gravity has a geometry component which is important. (restatement)


      This is similar to the early 20th century problem of how to best represent quantum mechanics: as differential equations or using group theory/Lie algebras?

      This prompts the question: what other potential representations might also work?

      Could it be better understood/represented using Algebraic geometry or algebraic topology as perspectives?

      [handwritten notes from 2023-02-02]

    1. Only then do I start writing. Compared with the labour of making, sorting and arranging notes, this is a relatively speedy business. But it is followed by a much more time-consuming task, that of travelling round the libraries to check the references in my footnotes, only too many of which, thanks to poor handwriting, carelessness and an innate tendency to ‘improve’ what I have read, turn out to be either slightly wrong or taken out of context.That one hit a little close to home. lol.

      We should also acknowledge that when revisiting some of our references again later, we're doing so with a dramatically increased knowledge and context of a particular problem which we may not have had when we first read a piece or took the notes.

      Not many here are writing or talking about these small sorts of insights into learning and writing or generating new work. Perhaps we should do more to acknowledge this hermeneutic cycle in our work?


      reply to u/stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10wj6tv/comment/j7uexbk/?utm_source=reddit&utm_medium=web2x&context=3

    2. What are your two favourite articles, videos or books on the zettelkasten process?

      reply to u/stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10wj6tv/what_are_your_two_favourite_articles_videos_or/

      My favorite video for its utter brevity and compactness combined with complexity and trueness to the historical record, not to mention the spectacular production value - The Process of Writing World History of Design, 2015. https://www.youtube.com/watch?v=Kxyy0THLfuI.

      Runner up video, which I love for the supreme simplicity of the method—literally slips and a box - “The Speed Traders/Mandela/Eminem.” 60 Minutes. CBS, October 10, 2010. https://youtu.be/pPXBwy3JgVo?t=64

      My favorite article for its practicality and some studied perspective - Thomas, Keith. “Diary: Working Methods.” London Review of Books, June 10, 2010. https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary.

    1. Zettelkasten and the big picture .t3_10xqd30._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      This question calls to mind that I haven't seen the word consilience in this space at all. Search pulls up only one post: https://www.reddit.com/r/Zettelkasten/comments/zg80qc/comprehensible_texts_productivity_and_again/

      Where does consilience sit with respect to the use of a zettelkasten?

    2. Rookie question: Part of my knowledge database is based on the Zettelkasten method, i.e. I have concept-oriented, atomic notes that are linked to each other. I don't, however, however use IDs and neither the Folgezettel method.

      Example of someone (u/HerrRey) who defines zettelkasten as "concept oriented, atomic notes that are linked to each other", but who doesn't use or exclude "IDs or the folgezettel method". Interestingly they feel like they're not getting the "big picture" of their work.

      Is there an affordance in these missing pieces that prevents them from seeing the big picture because of what they're missing? Is it just neurodiversity? Are they not creating outputs which connect the small to the big, and thus missing it that way?

    1. Should you copy a method just because Luhmann used it? No, indeed it doesn’t make sense to copy a method just because it appears sexy. One should find the best fitting method for himself.

      Some in the current zettelkasten space come close to this (Bob Doto comes to mind) while others seem to be more dogmatic. I think people generally ultimately do this in practice, but there is still a lingering sense of orthodoxy.

    2. I recently was invited by the Niklas-Luhmann-Archiv research group, to give an overview of my Zettelkasten and discuss aspects of the technical implementation of Luhmann’s Zettelkasten method.

      So nice to see a blog post specifically talk about "Luhmann's Zettelkasten method" rather than a more generic zettelkasten method as being Luhmann's. Notice the 2015 date before the "fame" had caught on in the blogosphere's productivity porn space closer to 2018.

    1. Chris, Chris... concepts and propositions are not nebulous dictionary definitions unless you're joining the Frankfurt School :) :).Click here to get some clarity about these basic terms as applied to learning: https://cmap.ihmc.us/docs/concept.phpAbout systems and emergence, I prefer Mario Bunge's book: https://www.amazon.com/Emergence-Convergence-Qualitative-Knowledge-Philosophy/dp/1442628219Irony? No way. You are always bringing new information about the historical roots of Zettelkasten. Keep doing that, please! Thanks!

      reply to u/New-Investigator-623 at https://www.reddit.com/r/antinet/comments/10r6uwp/comment/j784srg/?utm_source=reddit&utm_medium=web2x&context=3

      I meant nebulous for my initial purposes. They obviously have very concrete meanings in more specific contexts, though even there they can vary. I saw your other post on concept maps where I imagine they matter more; some of that reminds me about some of my initial explorations into category theory (math) a few years back. I'm curious what the overlap of those two looks like...

      On systems, complexity, and emergence, I'm probably closer to the school of thought and applications coming out of the Santa Fe Institute. I'll have to look at Bunge's work there, I've only glanced at some of his math/physics work but never delved into his philosophical material.

    2. First, I am a big fan of Chris’ posts. He is our best historian. Second, I did not challenge his ideas but asked for clarification about some terms which I believe are of general interest. Chris is well-positioned to answer my questions. Third, statistical mechanics is more about microscopic systems that do not evolve. As we know, ideas (from concepts to theories) evolve and generally emerge from previous ideas. Emergence is the key concept here. I suggested Phenomics as a potential metaphor because it represents well the emergence of some systems (phenotypes) from pre-existing ones (genotypes).

      reply to u/New-Investigator-623 at https://www.reddit.com/r/antinet/comments/10r6uwp/comment/j6wy4mf/?utm_source=reddit&utm_medium=web2x&context=3

      Ideas, concepts, propositions, et al. in this context are just the nebulous dictionary definitions. Their roots and modern usage have so much baggage now that attempting to separate them into more technical meanings is difficult unless you've got a solid reason to do so. I certainly don't here. If you want to go down some of the rabbit hole on the differences, you might appreciate Winston Perez' work on concept modeling which he outlines with respect to innovation and creativity here: https://www.youtube.com/watch?v=gGQ-dW7yfPc.

      I debated on a more basic framing of chemistry or microbiology versus statistical mechanics or even the closely related statistical thermodynamics, but for the analogy here, I think it works even if it may scare some off as "too hard". With about 20 linear feet of books in my library dedicated to biology, physics, math, engineering with a lot of direct focus on evolutionary theory, complexity theory, and information theory I would suggest that the underlying physics of statistical mechanics and related thermodynamics is precisely what allows the conditions for systems to evolve and emerge, for this is exactly what biological (and other) systems have done. For those intrigued, perhaps Stuart Kauffman's Origins of Order (if you're technically minded) or At Home in the Universe (if you're less technically oriented) are interesting with respect to complexity and emergence. There's also an interesting similar analogy to be made between a zettelkasten system and the systems described in Peter Hoffman's book Life's Rachet. I think that if carefully circumscribed, one could define a zettelkasten to be "alive". That's a bigger thesis for another time. I was also trying to stay away from the broad idea of "atomic" and drawing attention to "atomic notes" as a concept. I'm still waiting for some bright physicist to talk about sub-atomic notes and what that might mean... I see where you're going with phenomics, but chemistry and statistical mechanics were already further afield than the intended audience who already have issues with "The Two Cultures". Getting into phenomics was just a bridge too far... not to mention, vastly more difficult to attempt to draw(!!!). 😉 Besides, I didn't want Carol Greider dropping into my DMs asking me why didn't I include telomeres or chancing an uncomfortable LAX-BWI flight and a train/cab ride into Baltimore with Peter Agre who's popped up next to me on more than one occasion.

      Honestly, I was much less satisfied with the nebulousness of "solution of life"... fortunately no one seems to be complaining about that or their inability to grapple with catalysis. 🤷🏼

    1. Whewell was one of the Cambridge dons whom Charles Darwin met during his education there, and when Darwin returned from the Beagle voyage he was directly influenced by Whewell, who persuaded Darwin to become secretary of the Geological Society of London. The title pages of On the Origin of Species open with a quotation from Whewell's Bridgewater Treatise about science founded on a natural theology of a creator establishing laws:[33] But with regard to the material world, we can at least go so far as this—we can perceive that events are brought about not by insulated interpositions of Divine power, exerted in each particular case, but by the establishment of general laws.
    2. Whewell was prominent not only in scientific research and philosophy but also in university and college administration. His first work, An Elementary Treatise on Mechanics (1819), cooperated with those of George Peacock and John Herschel in reforming the Cambridge method of mathematical teaching.

      What was the specific change in mathematical teaching instituted by Whewell, Peacock, and Herschel in An Elementary Treatise on Mechanics (1819)?

    3. His best-known works are two voluminous books that attempt to systematize the development of the sciences, History of the Inductive Sciences (1837) and The Philosophy of the Inductive Sciences, Founded Upon Their History (1840, 1847, 1858–60). While the History traced how each branch of the sciences had evolved since antiquity, Whewell viewed the Philosophy as the "Moral" of the previous work as it sought to extract a universal theory of knowledge through history. In the latter, he attempted to follow Francis Bacon's plan for discovery. He examined ideas ("explication of conceptions") and by the "colligation of facts" endeavored to unite these ideas with the facts and so construct science.[11] This colligation is an "act of thought", a mental operation consisting of bringing together a number of empirical facts by "superinducing" upon them a conception which unites the facts and renders them capable of being expressed in general laws.[22]
    1. Rhetoric of encomium

      How do institutions form around notions of merit?

      Me: what about blurbs as evidence of implied social networks? Who blurbs whom? How are these invitations sent/received and by whom?

      diachronic: how blurbs evolve over time

      Signals, can blurbs predict: - the field of the work - gender - other

      Emergence or decrease of signals with respect to time

      Imitation of styles and choices. - how does this happen? contagion - I'm reminded of George Mathew Dutcher admonition:

      Imitation to be avoided. Avoid the mannerisms and personal peculiarities of method or style of well-known writers, such as Carlyle or Macaulay. (see: https://hypothes.is/a/ROR3VCDEEe2sZNOy4rwRgQ )

      Systematic studies of related words within corpora. (this idea should have a clever name) word2vec, word correlations, information theory

      How does praise work?

      metaphors within blurbs (eg: light, scintillating, brilliant, new lens, etc.)

    1. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public”. Blurbs are part of the paratext.

      Paratext can be more important than the text itself as it's used to frame or encourage the ultimate work. Paratext can be an inviting lobby that welcomes the guest in or scares them away.

    1. Stettler, Lucia. “Geheime Gästekartei überlebt Hotelbrand – und birgt Zündstoff.” Schweizer Radio und Fernsehen (SRF), April 8, 2021, sec. Kultur. https://www.srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff.

      <small><cite class='h-cite via'> <span class='p-author h-card'>ManuelRodriguez331</span> in Advantages of Analog note taking : Zettelkasten (<time class='dt-published'>02/07/2023 08:33:25</time>)</cite></small>

    2. https://www.srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff

      cc: @remikalir: Interesting example here of a historical collection of business files annotated by hotel staff used in a digital humanities perspective for semantic shift and tracking antisemitism over time.

      Published book:<br /> Hechenblaikner, Lois, Andrea Kühbacher, and Rolf Zollinger. Keine Ostergrüsse mehr!: Die geheime Gästekartei des Grand Hotel Waldhaus in Vulpera. 3rd ed. Zürich: Edition Patrick Frey, 2021.

    3. Wie durch ein Wunder blieben vier Holzkisten mit hochbrisantem Inhalt verschont. Sie waren zum Zeitpunkt des Infernos in einem anderen Gebäude eingelagert. Sie enthielten 20'000 Gästekarten, die Concierges und Rezeptionisten zwischen 1920 und 1960 heimlich geführt hatten.

      srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff

      Google translate:

      four wooden boxes with highly explosive contents were spared. They were stored in a different building at the time of the inferno. They contained 20,000 guest cards that concierges and receptionists had kept secretly between 1920 and 1960.

      The Grandhotel Waldhaus burned down in 1989, but saved from the inferno were 20,000 guest cards with annotations about them that were compiled between 1920 and 1960.

    4. Lois Hechenblaikner, Andrea Kühbacher, Rolf Zollinger (Hrsg.): «Keine Ostergrüsse mehr! Die geheime Gästekartei des Grandhotel Waldhaus in Vulpera». Edition Patrick Frey, 2021.Der reich bebilderte Band bietet eine spannende Reise in ein Stück Schweizer Tourismusgeschichte: Die Herausgeber haben die 20'000 Karteikarten aus den Jahren 1920-1960 sehr sorgfältig kuratiert, nach Themen gegliedert und in einen grösseren, gesellschaftlichen Zusammenhang gestellt.Die Leserinnen und Leser erfahren viel über die Klientel im Hotel Waldhaus, zum Teil sogar in kleinen biografischen Porträts; und sie können an konkreten Beispielen verfolgen, wie sich der Sprachgebrauch der Concierges im Laufe der Zeit verändert – gerade zum Beispiel im Zusammenhang mit jüdischen Gästen.

      Google Translate:

      Lois Hechenblaikner, Andrea Kühbacher, Rolf Zollinger (editors): «No more Easter greetings! The secret guest file of the Grandhotel Waldhaus in Vulpera". Edition Patrick Frey, 2021.

      The richly illustrated volume offers an exciting journey into a piece of Swiss tourism history: the editors have very carefully curated the 20,000 index cards from the years 1920-1960, structured them by topic and placed them in a larger, social context.

      The readers learn a lot about the clientele in the Hotel Waldhaus, sometimes even in small biographical portraits; and they can use concrete examples to follow how the concierge's use of language has changed over time - especially in connection with Jewish guests, for example.

    5. Die Klientel bewegte sich unter ihresgleichen und hatte keine Ahnung, dass der höfliche Concierge an der Rezeption heimlich seinem Ärger Luft machte – mittels giftiger Kommentare: «Ganz grober Kerl; treibt es arg mit den Weibern», «Grosser Protz à la Neureich», «Rappenspalter», «blöde Ziege» oder «Beisszange».

      Google translate:

      The clientele moved among their own kind and had no idea the polite concierge at the front desk was secretly venting his anger with venomous comments: 'Very rude fellow; does it badly with the women", "Big Protz à la Neureich", "Rappensplitter", "Stupid Goat" or "Tongs".

    1. https://cathieleblanc.com/2023/02/05/choosing-learning-materials/

      Cathie notices that students skip materials about the theoretical "why" of assignments to get to the simpler assignments.

      This seems to be an issue with some in the personal knowledge management space who want to jump into the technology, the terminology, and moving things about without always understanding what they're doing or why. Many end up giving up as a result. Few books provide reasoning behind the terminologies or building blocks they describe to provide the theoretical why. As a result some may figure it out from long, fraught practice, but it's likely that more are not seeing the results they expect and thus giving up.

    1. Current count: 12.258

      https://www.reddit.com/r/Zettelkasten/comments/wjzjaz/comment/ik7k2q6/?utm_source=reddit&utm_medium=web2x&context=3

      u/FastSascha reported 12,258 notes ("cards" on 2022-08-13), which presuming a start around 2013 (the beginning of zettelkasten.de) gives him 3.73 notes per day.

      Update:<br /> Sascha reports starting analog notes around 08/09 then he went digital 09/10, and software-agnostic in 11.

      This gives him 12,258 notes over 14 years (5,110 days) or 2.4 notes per day.

    1. With a category you can just bypass idea-connection and jump right to storage.

      Categorizing ideas (and or indexing them for search) can be useful for quick bulk storage, but the additional work of linking ideas to each other with in a Luhmann-esque zettelkasten can be more useful in the long term in developing ideas.

      Storage by category means that ideas aren't immediately developed explicitly, but it means that that work is pushed until some later time at which the connections must be made to turn them into longer works (articles, papers, essays, books, etc.)

    1. Using an alphanumeric identification system for your notes is a workout. By having to situate new notes among previously imported ones, folgezettel forces at least one connection between ideas. It's mental calisthenics,8 acting as a check against capture bloat—that is, importing "all the things."

      Those who practice analog note taking have a high level of friction which prevents them from over-collecting (or "capture bloat", importing "all the things", or "collector's fallacy") ideas, which may not rise to a certain level of value. Beyond this, the requirement to find at least one other note to link each idea to provides a smaller hurdle against these hoarding practices.

    1. https://en.m.wikipedia.org/wiki/Incremental_reading

      Incremental reading is spaced parallel reading of multiple sources with note taking and spaced repetition.


      It's not far from how I read and take notes myself, though I place less emphasis on the spaced repetition piece as I tend to run across things naturally within my note collection anyway.


      One of the major potential benefits of incremental reading (not mentioned in the Wikipedia article; is it in Wozniak's work?) is the increase of combinatorial creativity created by mixing a variety of topics simultaneously.

      There is also likely a useful diffuse thinking effect happening between reading sessions.

    1. Kawakatsu, Mari, Philip S. Chodrow, Nicole Eikmeier, and Daniel B. Larremore. “Emergence of Hierarchy in Networked Endorsement Dynamics.” Proceedings of the National Academy of Sciences 118, no. 16 (April 20, 2021): e2015188118. https://doi.org/10.1073/pnas.2015188118.

      Reading with respect to suggestion of:<br /> DeDeo, Simon, and Elizabeth A. Hobson. “From Equality to Hierarchy.” Proceedings of the National Academy of Sciences 118, no. 21 (May 25, 2021): e2106186118. https://doi.org/10.1073/pnas.2106186118.

      See: related notes at https://hypothes.is/a/doCbOKJYEe27O1tS21jybA

    1. Consensus about rank, for example, enablessuccessful third-party conflict management, such as policing byhigh-ranking members (10). Groups can benefit when rank con-ditions and channels behavior (11).

      The broad statements would seem to be proof of a general principle based on a single study within a specific scope. Do the results really justify such broad supposition based on n=1. We'll have to read these papers to tease this apart.

    2. What signals are available to participants,and how are they compiled into estimates of rank? Their modelassumes that knowledge of rank is noisy, but not (statistically) biased.While we can build more-sophisticated models of the biases in ourjudgments, however, Kawakatsu et al.’s (1) success highlights thevirtues of simplicity. It is possible, for example, that, even if the sig-nals are not accurate at first, we might act to make them so.

      In the fraternity and other social spaces, how does one correct for a "bad first date", a botched meeting, or a lone bad day? Does statistical thermodynamics as a model provide clues? How would rank be determined here in an unbiased way? What about individual chemical affinities and how chemical interactions change and/or bias the samples?

    3. they must be visible enough to provide commonexpectations.

      Useful ranks versus unuseful ranks... list them. What factors separate them and why?

      For ranks to provide useful outcomes, they must be visible and their underlying factors should be transparent.

    4. rank is not an assessment of who has thebest intrinsic properties, but rather a useful consensus view thatprovides rules for how to behave toward others.

      Rank (social or otherwise) can be a signal for predictability from the perspective of consensus views for how to behave towards others with respect to the abilities or values being measured.


      Ranking people for some sort of technical ability may be a better objective measure rather than ranking people on social status which is far less objective from a humanist perspective. In employment situations, individuals are more likely to rely on social and cultural biases and racist tendencies rather than on objective measures with respect to the job at hand. How can we better objectify the actual underlying values over and above the more subjective ones.

    5. While hierarchies might benefitthe group as a whole, the benefits are distributedunequally, with those at the bottom suffering the most(6, 7).

      Is this the reason that we have such social problems in the United States? Hierarchies may benefit us as a whole, but somehow those at the bottom (along with a racist presumption that that's where they below) are hurt the most?

      How do we turn this on it's head?

    1. The sacrifice to the devil might seem like it was made up forshock value, the author trying (as often) to provoke his bourgeoisreaders by suggesting even the most reprobate criminals werecapable of better behavior than their own. But it might well beaccurate, as, we’ll see, descriptions of Malagasy ritual in the samechapter appear to be.*

      Author moralizing versus actual history?

    2. North decidingtheir Disputes not seldom, with that Impartiality and strictRegard to distributive Justice (for he was allowed, by all, aMan of admirable good natural Parts) that he ever sentaway, even the Party who was cast, satisfy’d with theReason, and content with the Equity of his Decisions.
    3. John Plantain was born in Chocolate Hole, on the Island ofJamaica, of English Parents, who took care to bestow onhim the best Education they themselves were possess’d of:which was to curse, swear, and blaspheme, from the time ofhis first learning to speak.2

      Plantain doesn't seem like an English sir name... indicative perhaps of mixed-race parentage of the time? The rough language reflects not only on Plantain, but his parents, which tends to back up the questionable parentage on all fronts.

    4. The pirate flag, which existed in many variations, is revealingin itself. It was normally taken to be an image of the devil, but often itcontained not only a skull or skeleton, but also an hourglass,signifying not a threat (“you are going to die”) so much as a sheerstatement of defiance (“we are going to die, it’s only a matter oftime”)—which crews making out such a flag on the horizon would

      likely have found, if anything, even more terrifying. Flying the Jolly Roger was a crew’s way of announcing they accepted they were on their way to hell.

      What was the origin of the idea of memento mori? Did this concept within piracy influence early masons who practiced memento mori?

    5. Perhaps the best that could be said of them is that theirbrutality was in no way unusual by the standards of their time, buttheir democratic practices were almost completely unprecedented.

      If the theory in Colin Woodard's American Nations is applicable here, where would these pirates/proto-democratic practitioners have gotten their ideals from to have infected the larger group? What did their social networks look like such that they evolved this way? Was there some common source (written/oral) that they may have used 20-50 years earlier that created their own generation?

    1. The Ranters were one of a number of dissenting groups that emerged around the time of the Commonwealth of England (1649–1660). They were largely common people,[1] and the movement was widespread throughout England, though they were not organised and had no leader.

      https://en.wikipedia.org/wiki/Ranters

      See also The Antinomian Controversy<br /> https://en.wikipedia.org/wiki/Antinomian_Controversy

      The Antinomian Controversy, also known as the Free Grace Controversy, was a religious and political conflict in the Massachusetts Bay Colony from 1636 to 1638.

    1. That is, a part of my note taking process involves the physical act of writing, sketching ideas, etc., and I form a picture in my mind of particularly relevant – perhaps “evergreen” in Obsidian-speak – notes.

      Example of someone who associates "evergreen notes" as "Obsidian-speak".

    1. According to Shulman, "Cargo-cult is a belief that mock airplanes made of manure and straw-bale may summon the real airplanes who bring canned beef. Reverse cargo-cult is used by the political elites in countries lagging behind who proclaim that, in the developed world, airplanes are also made of manure and straw-bale, and there is also a shortage of canned beef."[29]

      "Екатерина Шульман: Практический Нострадамус, или 12 умственных привычек, которые мешают нам предвидеть будущее". vedomosti/ (in Russian). Retrieved 24 June 2021.


      A Note on the Cargo Cult of Zettelkasten

      Modern cargo cults can be seen in many technology and productivity spaces where people are pulled in by exaggerated (or sometimes even real claims) of productivity or the general "magic" of a technology or method.

      An example is Niklas Luhmann's use of his zettelkasten which has created a cargo cult of zettelkasten aspirants and users who read one or more of the short one page blog posts about his unreasonable productivity and try to mimic it without understanding the system, how it works, or how to make it work for them. They often spend several months collecting notes, and following the motions, but don't realize the promised gains and may eventually give up, sometimes in shame (or as so-called "rubbish men") while watching others still touting its use.

      To prevent one's indoctrination into the zettelkasten cult, I'll make a few recommendations:

      Distance yourself from the one or two page blog posts or the breathless YouTube delineations. Ask yourself very pointedly: what you hope to get out of such a process? What's your goal? Does that goal align with others' prior uses and their outcomes?

      Be careful of the productivity gurus who are selling expensive courses and whose focus may not necessarily be on your particular goals. Some are selling very pointed courses, which is good, while others are selling products which may be so broad that they'll be sure to have some success stories, but their hodge-podge mixture of methods won't suit your particular purpose, or worse, you'll have to experiment with pieces of their courses to discover what may suit your modes of working and hope they'll suffice in the long run. Some are selling other productivity solutions for task management like getting things done (GTD) or bullet journals, which can be a whole other cargo cults in and of themselves. Don't conflate these![^1] The only thing worse than being in a cargo cult is being in multiple at the same time.

      If you go the digital route, be extremely wary of shiny object syndrome. Everyone has a favorite tool and will advocate that it's the one you should be using. (Often their method of use will dictate how much they love it potentially over and above the affordances of the tool itself.) All of these tools can be endlessly configured, tweaked, or extended with plugins or third party services. Everyone wants to show you their workflow and set up, lots of which is based on large amounts of work and experimentation. Ignore 99.999% of this. Most tools are converging to a similar feature set, so pick a reasonable one that seems like it'll be around in 5 years (and which has export, just in case). Try out the very basic features for several months before you change anything. Don't add endless plugins and widgets. You're ultimately using a digital tool to recreate the functionality of index cards, a pencil, and a box. How complicated should this really be? Do you need to spend hundreds of hours tweaking your system to save yourself a few minutes a year? Be aware that far too many people touting the system and marketers talking about the tools are missing several thousands of years of uses of some of these basic literacy-based technologies. Don't join their island cult, but instead figure out how the visiting culture has been doing this for ages.[^2] Recall Will Hunting's admonition against cargo cults in education: “You wasted $150,000 on an education you coulda got for $1.50 in late fees at the public library.”[^3]

      Most people ultimately realize that the output of their own thinking is only as good as the inputs they're consuming. Leverage this from the moment you begin and ignore the short bite-sized advice for longer form or older advice from those with experience. You're much more likely to get more long term value out of reading Umberto Eco or Mortimer J. Adler & Charles van Doren[^4] than you are an equivalent amount of time reading blog posts, watching YouTube videos, or trolling social media like Reddit and Twitter.

      Realize that reaching your goal is going to take honest-to-goodness actual work, though there is potential for fun. No matter how shiny or optimized your system, you've still got to do the daily work of reading, watching, listening and using it to create anything. Focus on this daily work and don't get sidetracked by the minutiae of trying to shave off just a few more seconds.[^5] In short, don't get caught up in the "productivity porn" of it all. Even the high priest at whose altar they worship once wrote on a slip he filed:

      "A ghost in the note card index? Spectators visit [my office to see my notes] and they get to see everything and nothing all at once. Ultimately, like having watched a porn movie, their disappointment is correspondingly high." —Niklas Luhmann. <small>“Geist im Kasten?” ZKII 9/8,3. Niklas Luhmann-Archiv. Accessed December 10, 2021. https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8-3_V. (Personal translation from German with context added.)</small>


      [^1] Aldrich, Chris. “Zettelkasten Overreach.” BoffoSocko (blog), February 5, 2022. https://boffosocko.com/2022/02/05/zettelkasten-overreach/.

      [^2]: Blair, Ann M. Too Much to Know: Managing Scholarly Information before the Modern Age. Yale University Press, 2010. https://yalebooks.yale.edu/book/9780300165395/too-much-know.

      [^3]: Good Will Hunting. Miramax, Lawrence Bender Productions, 1998.

      [^4]: Adler, Mortimer J., and Charles Van Doren. How to Read a Book: The Classic Guide to Intelligent Reading. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

      [^5]: Munroe, Randall. “Is It Worth the Time?” Web comic. xkcd, April 29, 2013. https://xkcd.com/1205/.


      Recommended resources

      Choose only one of the following and remember you may not need to read the entire work:

      Ahrens, Sönke. How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking – for Students, Academics and Nonfiction Book Writers. Create Space, 2017.

      Allosso, Dan, and S. F. Allosso. How to Make Notes and Write. Minnesota State Pressbooks, 2022. https://minnstate.pressbooks.pub/write/.

      Bernstein, Mark. Tinderbox: The Tinderbox Way. 3rd ed. Watertown, MA: Eastgate Systems, Inc., 2017. http://www.eastgate.com/Tinderbox/TinderboxWay/index.html.

      Dow, Earle Wilbur. Principles of a Note-System for Historical Studies. New York: Century Company, 1924.

      Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. 1977. Reprint, Cambridge, MA, USA: MIT Press, 2015. https://mitpress.mit.edu/books/how-write-thesis.

      Gessner, Konrad. Pandectarum Sive Partitionum Universalium. 1st Edition. Zurich: Christoph Froschauer, 1548.

      Goutor, Jacques. The Card-File System of Note-Taking. Approaching Ontario’s Past 3. Toronto: Ontario Historical Society, 1980. http://archive.org/details/cardfilesystemof0000gout.

      Sertillanges, Antonin Gilbert, and Mary Ryan. The Intellectual Life: Its Spirit, Conditions, Methods. First English Edition, Fifth printing. 1921. Reprint, Westminster, MD: The Newman Press, 1960. http://archive.org/details/a.d.sertillangestheintellectuallife.

      Webb, Sidney, and Beatrice Webb. Methods of Social Study. London; New York: Longmans, Green & Co., 1932. http://archive.org/details/b31357891.

      Weinberg, Gerald M. Weinberg on Writing: The Fieldstone Method. New York, N.Y: Dorset House, 2005.

    1. If you don't like Zettlekasten (I have my "own" version of Zettlekasten that I use so it's not 100% the original, but it's very heavily based on it - if you hate Zettlekasten this really isn't going to work). 

      https://elizabethfilips.podia.com/validation-cohort-muse

      Elizabeth Filips is running a validation cohort for a course (presumably called MUSE, the marketing name for her "system" as well) on how to take notes and build a zettelkasten (or a second brain—there's evidence that she's taken Tiago Forte's course). She's got some indications that she's using a zettelkasten-like method for creation, but her burgeoning empire also appears to be firmly centered in the productivity porn space. I'm curious how she views her Muse system being different from a zettelkasten?

      She's got an incredibly focused sales funnel web presence here.

    1. I agree.After thinking about it for a bit, a common symbol for "the present card/note" is the one I'm most wanting.For the other stuff, I'm thinking:The squigly arrow symbol in latex is probably enough to do fuzziness. Then it could be squigly arrow to the current card or squigly arrow to not symbol current card. And for pen and paper, just use the biochem flat arrow with a squigly body for "somewhat contradicts" or is in tension with.

      reply to stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10qw4l5/comment/j6x52ce/?utm_source=reddit&utm_medium=web2x&context=3

      Luhmann often used the shorthand of red numbers to indicate a link to nearby card in the current branch/stem, which Scott Scheper calls "stemlinks" in Antinet Zettelkasten (2022) p234. So, for example, on card ZKII 9/8 there is a red "1" which indicates the branching card ZKII 9/8,1. Scott uses a more computer science oriented notation of "/1" to indicate this as if he were traversing up or down a folder structure. Since there isn't really a (useful) idea of a root or home folder, and one wouldn't often want to refer to their zettelkasten itself, one might consider using the solidus "/" to indicate the current card? I personally do this, but not very frequently, though I might do it more often with respect to indicating argumentation within and among other cards.

      Some languages have location/proximity identifiers or markers (similar to here/there/over there). I'll sometimes use the Japanese markers (ko-so-a-do) as shorthand to provide rough approximation of idea relationships particularly when I have open questions. (example: kore, sore, are, dore -> this one, that one, that one over there, which one?) Many ideas are marked あ to indicate "just out of reach" or "needs additional thought". When ideas are adjacent or nearby, but by happenstance are relatively far away within my ZK (with respect to physical card distance in the box) they'll be pre-pended like こ/510/4b/3 (aka "ko"/510/4b/3).

    1. Instead of trying to resolve in general this problem of how macroscopic clas-sical physics behavior emerges in a measurement process, one can adopt thefollowing two principles as providing a phenomenological description of whatwill happen, and these allow one to make precise statistical predictions usingquantum theory

      To resolve the measurement problem from quantum mechanics into the classical realm, one can use the observables principle and the Born rule.

    2. Principle (The Born rule). Given an observable O and two unit-norm states|ψ1〉 and |ψ2〉 that are eigenvectors of O with distinct eigenvalues λ1 and λ2O|ψ1〉 = λ1|ψ1〉, O|ψ2〉 = λ2|ψ2〉the complex linear combination statec1|ψ1〉 + c2|ψ2〉will not have a well-defined value for the observable O. If one attempts tomeasure this observable, one will get either λ1 or λ2, with probabilities|c21||c21| + |c22|and |c22||c21| + |c22|respectively.
    3. ~ is a dimensional constant, called Planck’s constant, the value of whichdepends on what units one uses for time and for energy. It has the dimensions[energy] · [time] and its experimental values are1.054571726(47) × 10−34Joule · seconds = 6.58211928(15) × 10−16eV · seconds(eV is the unit of “electron-Volt”, the energy acquired by an electron movingthrough a one-Volt electric potential). The most natural units to use for quan-tum mechanical problems would be energy and time units chosen so that ~ = 1.