88 Matching Annotations
  1. Last 7 days
  2. Jan 2025
  3. Dec 2024
  4. Nov 2024
  5. Oct 2024
    1. Table saw, radial arm saw, miter saw, bandsaw: 350 CFM, 165 l/s Belt, disc, or drum sander: 350-550 CFM, 165-260 l/s (depending on size) Table-mounted router: 195 CFM, 92 l/s Thickness planer, up to 13″: 400 CFM, 190 l/s Thickness planer, 14″-20″: 785 CFM, 370 l/s

      Workshop sucction power examples for different power tools

  6. Jun 2024
  7. Mar 2024
    1. Hi Muhammed, Thank you so much for the workshop friday. It was Nice to hear others geek out and talk about the Zettelkasten principle and with interactive exercises it was wonderful. I have done my PhD with inspiration in Luhmann’s system for knowledge creation so I am quite familiar with it. Still I have a question for you that I am sad I didn’t get around to discuss with you in person at the summit. Instead I thought I could ask it here and hope you would still see it. Are you doing your Zettelkasten in obsidian - and if so why do you still number them? Best Agnes

      /reply at Digital Fitness in response to Agnes Lausen about folgezettel

      Hey Agnes, thanks a lot for attending. I rlly loved the energy and loved doing the workshop. As to your question, yes I do use obsidian for my zettelkasten. As to the numbering, it gives me a few benefits. Firstly, it forces me to make a link. If I am going to import a new note, I will have to link the note to another note, because I have to give an ID (number). This prevents orphan notes. And, it gives me a visual sense of what is going on in my zettelkasten. I can see at a glance if a section has more notes than others (my section 4, for example, has more notes.) Both the ID and the statement title, for me, gives me so much context just seeing the title without looking at the contents.

  8. Jul 2023
  9. Mar 2023
  10. Jan 2023
    1. 5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      Workshop of Pheidias

    2. [5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      talks about how the statue of Zeus was built and where the workshop was.

    3. [5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      Workshop of Pheidias

    4. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      description of where it is located and the creation of the statue of zeus

    5. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      Pheidias workshop location

  11. Sep 2022
    1. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece

      just wondering if the wrought pieces of Zeus statue was fully assembled here and moved to the temple or the assembling was done in the temple.

    2. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      The image of Zeus was built in the workshop of Pheidias.

    3. [5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

      It is crazy how people can assemble things like this

  12. Jul 2022
    1. examining the options available to individual persons weighing a decision vis-a-vis theirperceived socio-symbolically cohered contour. For that, let us look at a few concrete examples.

      !- example: governance decision based on perceived contours of social system * The following three examples give good demonstration of this. * These three examples are good for use in Stop Reset Go / Deep Humanity workshops to demonstrate multi-meaningverse, perspectival knowing, situatedness, Lebenswelt, Lebenslage

  13. Jun 2022
    1. Archaeology of Reading project

      https://archaeologyofreading.org/

      The Archaeology of Reading in Early Modern Europe (AOR) uses digital technologies to enable the systematic exploration of the historical reading practices of Renaissance scholars nearly 450 years ago. This is possible through AOR’s corpus of thirty-six fully digitized and searchable versions of early printed books filled with tens of thousands of handwritten notes, left by two of the most dedicated readers of the early modern period: John Dee and Gabriel Harvey.


      Perhaps some overlap here with: - Workshop in the History of Material Texts https://pennmaterialtexts.org/about/events/ - Book Traces https://booktraces.org via Andrew Stauffer, et al. - Schoenberg Institute's Coffe with a Codex https://schoenberginstitute.org/coffee-with-a-codex/ (perhaps to a lesser degree)

  14. Apr 2022
    1. ReconfigBehSci [@SciBeh]. (2021, November 14). @STWorg @olbeun @lombardi_learn @kostas_exarhia @stefanmherzog @commscholar @johnfocook @Briony_Swire @Sander_vdLinden @DG_Rand @kendeou @dlholf @ProfSunitaSah @HendirkB @gordpennycook @andyguess @emmapsychology @ThomsonAngus @UMDCollegeofEd @gavaruzzi @katytapper @orspaca [Tweet]. Twitter. https://twitter.com/SciBeh/status/1459813535974842371

    1. ReconfigBehSci. (2020, November 10). Starting soon Day 2 SchBeh Workshop ‘Building an online information environment for policy relevant science’ join for a Q&A with Martha Scherzer (WHO) on role of behavioural scientists in a crisis followed by sessions on ‘Online Discourse’ and ‘Tools’ https://t.co/Gsr66BRGcJ [Tweet]. @SciBeh. https://twitter.com/SciBeh/status/1326121764657770496

    1. ReconfigBehSci. (2021, November 14). Join us this week at our 2021 SciBeh Workshop on the topic of ‘Science Communication as Collective Intelligence’! Nov. 18/19 with a schedule that allows any time zone to take part in at least some of the workshop. Includes: Keynotes, panels, and breakout manifesto writing 1/6 [Tweet]. @SciBeh. https://twitter.com/SciBeh/status/1459813525635973122

  15. Mar 2022
    1. https://en.wiktionary.org/wiki/idle_hands_are_the_devil%27s_workshop

      Proverbs 16:27 "Scoundrels concoct evil, and their speech is like a scorching fire." (Oxford, NSRV, 5th Edition) is translated in the King James version as "An ungodly man diggeth up evil: and in his lips there is as a burning fire." The Living Bible (1971) translates this section as "Idle hands are the devil’s workshop; idle lips are his mouthpiece."

      The verse may have inspired St. Jerome to write "fac et aliquid operis, ut semper te diabolus inveniat occupatum" (translation: "engage in some occupation, so that the devil may always find you busy.”) This was repeated in The Canterbury Tales which may have increased its popularity.

  16. Feb 2022
  17. Nov 2021
  18. Oct 2021
  19. Sep 2021
  20. May 2021
    1. ReconfigBehSci on Twitter: ‘@taylorgrayson @skepticscience @ClimateOfGavin @kostas_exarhia I guess this depends on what kind of misinformation/’conspiracy" you are faced with. In the context of climate denial, there is evidence that understanding of expert consensus can impact belief @STWOrg" / Twitter. (n.d.). Retrieved 19 February 2021, from https://twitter.com/SciBeh/status/1361608256486047748

  21. Mar 2021
    1. ReconfigBehSci. (2020, November 5). In 4 days: SciBeh workshop ‘Building an online information environment for policy relevant science’ Join us! Topics: Crisis open science, interfacing to policy, online discourse, tools for research curation talks, panels, hackathons https://t.co/SPeD5BVgj3… I https://t.co/kQClhpHKx5 [Tweet]. @SciBeh. https://twitter.com/SciBeh/status/1324286406764744704

    1. ReconfigBehSci on Twitter: ‘1 week to the SciBeh workshop “Building an online information environment for policy relevant science” Join us, register now! Topics: Crisis open science, interfacing to policy, online discourse, tools for research curation talks, panels, hackathons https://t.co/Gsr66BRGcJ https://t.co/uRrhSb9t05’ / Twitter. (n.d.). Retrieved 2 March 2021, from https://twitter.com/SciBeh/status/1323207455283826690

  22. Dec 2020
  23. Sep 2020
  24. Jul 2020
  25. May 2020
  26. Apr 2020
  27. Nov 2019
    1. 1Engaging Adults Learners with TechnologyThrough

      Instruction Librarians from the Twin Cities Campus Library created this instructional gudie as a workshop for implementing technology for adult learning. First, the authors describe key characteristics of adult learners as identified in the theory of andragogy. Examples of these characteristics include the need to know, learner responsibility, past experiences, and motivation to learn. The authors then suggest instructional practices and activities to meet the needs of adult learners, Finally, they provide examples of technology tools for effectively engaging adult learners. Rating 10/10

  28. Nov 2018
    1. "changeDate"
      Name

      Change date

      Description

      The date when the resource description was last changed.

      Coverage

      80 % of the records have a change date, while it is missing for 20 %, see here for a pie chart.

      Usage examples
      URI

      http://id.loc.gov/ontologies/bibframe/changeDate

    1. 1Engaging Adults Learners with Technology

      The pdf provides information from The Twin Cities Campus Library with instruction incorporating technology into teaching adult students.

      It includes a review of instructional technology, assessment for learning, framework for teaching adult learners and a workshop. This 14 page pdf provides the essentials necessary in understanding basic learning needs of adult learners.

      RATING: 3/5 (rating based upon a score system 1 to 5, 1= lowest 5=highest in terms of content, veracity, easiness of use etc.)

  29. Oct 2018
    1. "label": "Report of the trial of George Ryan : before the Superior Court at Charlestown, N.H., in the county of Cheshire, May term 1811, for highway robbery."

      The label for the work.

      Combines the title.mainTitle and title.subtitle fields. This field is set for 98 of 100 works in our test set. It can be queried in a field query with label:*.

      It is mapped to rdf-schema#label in our context.

  30. Jul 2018
  31. Jun 2018
  32. Mar 2018
  33. Jun 2017
    1. Angola

      We have interpreted this piece as a call and response between the vocal line and the melody line. Are there other ways to interpret this? We also have not been able to identify what the vocal line means. We presume the language is Central African, but what language might this be? What does the word or phrase mean?

      During the Jamaica Musical Passage Workshop, Earl "Chinna" Smith heard a song called "Runaway" within this piece. You can see them interpret it here:

      https://youtu.be/wlxc75J_ZxM

    2. Welcome to the Musical Passage discussion!

      We are delighted to hear your thoughts both about the current state of the site and some of the ways we might envision expanding it, particularly in order to include contemporary interpretations of the music.

      We participated in a workshop held at the Institute of Jamaica in Kingston on March 17, 2017, during which Rastafari musicians listened to interpretations of Sloane offered here and then played their own versions of the sings. You can watch five videos of the workshop, which include interpretations of Koromanti 2, Koromanti 1, Angola, & Papa, starting here:

      https://youtu.be/f9AC6BsskDE

      We hope to organize other such events involving a variety of musicians in the future. We are curious therefore if you have thoughts about the following questions:

      Are there ways we might incorporate such material directly in the site?

      Or would it be better to create some kind of other portal or site to showcase this material and other interpretations by musicians? If so, what types of approaches/ tools would be best for this?

      We also welcome your thoughts about any other aspects of design or content!

      Thank you,

      Laurent Dubois, David Garner, and Mary Caton Lingold

  34. May 2017
  35. Nov 2015