3,849 Matching Annotations
  1. Sep 2022
    1. neural additive model (NAM) [15]. The NAM is a differentiable (gradient-based) additive model which can adapt as the estimated latent treatment benefits are updated during training.
    2. S-learner strategy

      What is S-learner strategy?

    3. GAMs [12]

      learn more about generalized additive models

    1. ABOUT THIS SERIES LAist will examine how dyslexia screening and mitigation work across California's education system every Wednesday for six weeks. August 3: The ScienceAugust 10: The Realities Of Early ChildhoodAugust 17: Policy Meets PracticeAugust 24: Bringing Dyslexia To CollegeAugust 31: How Teachers Are PreparedSeptember 7: Through The Cracks
  2. Aug 2022
    1. https://occidental.substack.com/p/the-adlernet-guide-part-ii?sd=pf

      Description of a note taking method for reading the Great Books: part commonplace, part zettelkasten.

      I'm curious where she's ultimately placing the cards to know if the color coding means anything in the end other than simply differentiating the card "types" up front? (i.e. does it help to distinguish cards once potentially mixed up?)

    1. Although there is more than one way to implement a Zettelkasten system, the essential elements are always the same: brief summaries on cards, organized into categories.

      https://medium.com/flourish-inc/wait-what-the-did-i-just-read-4b00ff02d1b7

      She's basically describing a form of the original zettelkasten (a slip or index card-based commonplace book), but where did she get this from? If it was the blogosphere, which is highly likely these days, then she's either misread or heavily simplified the practice (Luhmann's practice) back down to it's original form.

      She seems to take for granted how to link physical cards.

    1. კითხვის მიზნები: * კონკრეტული ინფორმაციას ვეძებთ * არჩევენი რომ გავაკეთოთ * გართობისვის/ ახალი ამბების გაცნობისთვის * შინაარსის სიღრმისეულად გააზრებისთვის/ დაფიქრებისთვის * სიამოვნებისთვის

    1. I am going to add some optional 'reading and doing' directions to my posts. Might be helpful.

      1. You might listen to the poem first.
      2. You might answer the question that Trethewey asks first. Maybe you can engage in the margins with it.
      3. You can make all or part of your responses public or private.
      4. You can start a group to consider the question.
      5. You can have at it in the order presented: my intro--> Twitter thread--> my response to the thread-->check out the link-->listen to the poem.
      6. Perch in the margins with the withered wild grapes and the black haw and the redbuds.
      7. Join in the work of forecasting your own life.
    1. Moser, Johann Jacob . 1773. Vortheile vor Canzleyverwandte und Gelehrte in Absicht aufAkten-Verzeichnisse, Auszü ge und Register, desgleichen auf Sammlungen zu kü nfftigenSchrifften und wü rckliche Ausarbeitung derer Schrifften. T ü bingen: Heerbrandt.

      Heavily quoted in chapter 4 with respect to his own zettelkasten/excerpting practice.

      Is there an extant English translation of this?

    1. Heinen, Armin. “Wissensorganisation.” In Handbuch Methoden der Geschichtswissenschaft, edited by Stefan Haas, 1–20. Wiesbaden: Springer Fachmedien, 2020. https://doi.org/10.1007/978-3-658-27798-7_4-1

      Will have to order or do more work to track down a copy of this and translate it.

      Has a great bibliography to mine for some bits I've been missing.

    1. Thought the middle names are similar, but slightly different spellings, this would seem to indicate that Stanford professor Samuel S. Seward, Jr. (author of Note-taking) is the brother of politician William Henry Seward.

    1. https://scottscheper.com/letter/36/

      Clemens Luhmann, Niklas' son, has a copy of a book written in German in 1932 and given to his father by Friedrich Rudolf Hohl which ostensibly is where Luhmann learned his zettelkasten technique. It contains a 34 page chapter titled Die Kartei (the Card Index) which has the details.

    1. Don’t make claims unless you can cite documentation, formalized guidelines, and coding examples to back those claims up. People need to know why they are being asked to make a change, and another developer’s personal preference isn’t a good enough argument.
    1. Chris Aldrichs Blog ist sehr gefährlich, denn, wenn man einmal darin zu lesen angefangen hat, dann kommt man so schnell nicht mehr davon los. Ich selbst wurde durch einen bestimmten Beitrag angelockt und ertappe mich jetzt immer wieder dabei, dass ich durch sämtliche Beiträge und Pages seines Blogs stöbere. Er selbst nutzt sein Weblog wie folgt: I use this website as my primary hub for online identity and communication. It’s also my online commonplace book. Schon alleine damit ist geklärt, warum man so viele Dinge dort entdecken kann.  Ich komme auf alle Fälle weiterhin regelmäßig dort vorbei und einen seiner Feeds -- alle wären wohl nicht zu händeln -- habe ich in meinem Reader übernommen.

      https://kuemmerle.name/foren/topic/chris-aldrich#postid-148

      Google Translate:

      Chris Aldrich 's blog is very dangerous because once you start reading it, it's hard to get off. I myself was lured by a certain post and now find myself rummaging through all the posts and pages on his blog.

      He himself uses his weblog as follows:

      I use this website as my primary hub for online identity and communication. It's also my online common place book.

      That alone explains why you can discover so many things there. In any case, I continue to visit there regularly and I have adopted one of his feeds -- all of them would probably not be manageable -- in my reader.

    1. I stole the title from this Substack post. I cannot put this much better than them: “we’ve chosen to optimize for feelings— to bring the quirks and edges of life back into software. To create something with soul.” Enjoyment is an important component of my day to day. 

      Optimizing for feelings seems to be a broader generational movement (particularly for the progressive movement) in the past decade or more.

      https://browsercompany.substack.com/p/optimizing-for-feelings #wanttoread

    1. https://cyberzettel.com/chris-aldrich-and-his-research-on-digital-public-zettelkasten/

      This looks exciting!

      You've also nudged me to convert my burgeoning broader top level tag of "note taking" into a full fledged category (https://boffosocko.com/category/note-taking/) which shortly will contain not only the material on zettelkasten but commonplace books and other related areas.

      Usually once a tag has more than a couple hundred entries, it's time to convert it to a category. This one was long overdue.

    1. https://www.popularmechanics.com/culture/a19379/a-short-history-of-the-index-card/

      Broad history essay but doesn't dig into the weeds. Feels a lot like a few other essays I've seen of this sort. Content farmish...

    2. Amherst College library described in Colin B. Burke's Information and Intrigue, organized books and cards based on author name. In both cases, the range of books on a shelf was random.

      Information and Intrigue by Colin B. Burke

    1. Systematische Anleitung zur Theorie und Praxis der Mnemonik : nebst den Grundlinien zur Geschichte u. Kritik dieser Wissenschaft : mit 3 Kupfertaf. by Johann Christoph Aretin( Book )18 editions published in 1810 in 3 languages and held by 52 WorldCat member libraries worldwide

      Google translation:<br /> Systematic instructions for the theory and practice of mnemonics: together with the basic lines for the history and criticism of this science: with 3 copper plates.

      First published in 1810 in German

      http://worldcat.org/identities/lccn-n83008343/

    1. https://thoughtcatalog.com/ryan-holiday/2013/08/how-and-why-to-keep-a-commonplace-book/

      An early essay from Ryan Holiday about commonplace books including how, why, and their general value.

      Notice that the essay almost reads as if he's copying out cards from his own system. This is highlighted by the fact that he adds dashes in front 23 of his paragraphs/points.

    1. https://lifehacker.com/im-ryan-holiday-and-this-is-how-i-work-1485776137

      An influential productivity article from 2013-12-18 that is seen quoted over the blogosphere for the following years that broadened the idea of the commonplace book and the later popularity of the zettelkasten.

      Note that zettelkasten.de was just starting up at about this time period, though it follows the work of Manfred Kuehn's note taking blog.

    1. https://www.kevinmarks.com/memex.html

      I got stuck over the weekend, so I totally missed Kevin Marks' memex demo at IndieWebCamp's Create Day, but it is an interesting little UI experiment.

      I'll always maintain that Vannevar Bush really harmed the first few generations of web development by not mentioning the word commonplace book in his conceptualization. Marks heals some of this wound by explicitly tying the idea of memex to that of the zettelkasten however. John Borthwick even mentions the idea of "networked commonplace books". [I suspect a little birdie may have nudged this perspective as catnip to grab my attention—a ruse which is highly effective.]

      Some of Kevin's conceptualization reminds me a bit of Jerry Michalski's use of The Brain which provides a specific visual branching of ideas based on the links and their positions on the page: the main idea in the center, parent ideas above it, sibling ideas to the right/left and child ideas below it. I don't think it's got the idea of incoming or outgoing links, but having a visual location on the page for incoming links (my own site has incoming ones at the bottom as comments or responses) can be valuable.

      I'm also reminded a bit of Kartik Prabhu's experiments with marginalia and webmention on his website which plays around with these ideas as well as their visual placement on the page in different methods.

      MIT MediaLab's Fold site (details) was also an interesting sort of UI experiment in this space.

      It also seems a bit reminiscent of Kevin Mark's experiments with hovercards in the past as well, which might be an interesting way to do the outgoing links part.

      Next up, I'd love to see larger branching visualizations of these sorts of things across multiple sites... Who will show us those "associative trails"?

      Another potential framing for what we're all really doing is building digital versions of Indigenous Australian's songlines across the web. Perhaps this may help realize Margo Neale and Lynne Kelly's dream for a "third archive"?

    1. https://universitylifecafe.k-state.edu/bookshelf/academicskills/indexcardstudysystem.html

      Natalie Umberger is writing about an "index card study system" in an academic study skills context, but it's an admixture of come ideas from Cornell Notes and using index cards as flashcards.

      The advice to "Review your notes and readings frequently, so the material is 'fresh.' " is a common one (through at least the 1980s to the present), though research on the mere-exposure effect indicates that it's not as valuable as other methods.

      How can we stamp out the misconception that this sort of review is practical?

  3. Jul 2022
    1. https://danallosso.substack.com/p/thoughts-prior-to-publishing

      <iframe title="vimeo-player" src="https://player.vimeo.com/video/735211043?h=68a6bdd022" width="640" height="360" frameborder="0" allowfullscreen></iframe>

      I love the pointed focus @danallosso puts on output here. I think he's right that the "conversation between the writer, the text, and their notes" (in my framing combinatorial creativity) is where the real value is to be had.

      His explanation of the "evergreen note" is highly valuable here. One should really do as much work upfront to make it as evergreen as possible. Too many people (especially in the digital gardens space) put the emphasis on working on these evergreen notes over time to slowly improve and evolve them and that's probably the wrong framing to take. Write it once, write it well, then reuse it.

    1. https://remikalir.com/blog/sabbatical-annotated/

      It was great seeing you in person yesterday @remikalir! Glad you could make the time to hang out. Do let me know if you need anything while you're here in the neighborhood or in your pending travels on sabbatical.

      Congratulations again on all this news! I'm sure it's a bit overwhelming and a lot of change to adjust to, but I'm sure you'll come out far ahead.

      I told Evie about your sister's choreography annotation work when I picked her up from ballet. She pulled a small pocket notebook out of her ballet bag that I didn't know she had full of some of her own choreography notes!! I was so proud...

      Safe travels my friend!

    1. Vinzenz Brinkmann, Head of the Department of Antiquity at the Liebieghaus Sculpture Collection in Frankfurt am Main, said when he first started researching polychromy 40 years ago, "no one had interest in this for years, no one collected the clearly visible evidence. Except for me. I collected the evidence like a stamp collection."

      Ancient statuary wasn't white as we often see now in museums, but was brightly colored. Statuary that was outside would have been sun bleached over time as well as subject to other weathering to mute or entirely remove color.

      https://www.npr.org/2022/07/12/1109995973/we-know-greek-statues-werent-white-now-you-can-see-them-in-color

    1. Glad I'm not the only one...

      Depending on my particular mood, I'll call mine "Konrad" after Gessner, "Beatrice" after Webb, or "Bruce" (a quirky hat tip to The West Wing S7 E2: "His name is Bruce. He's a flight attendant on Aer Lingus. They've got a connecting hub out of Hamburg. You know, at first it was long walks along the Reeperbahn...")

      https://www.reddit.com/r/antinet/comments/w0x1m6/give_your_antinet_a_pen_name/

    1. https://threadreaderapp.com/thread/1547390915689566211.html via https://twitter.com/nicolas_gatien/status/1547390946156969984

      Nicolas, I broadly agree with you that many of these factors of reading and writing for understanding and retention are at play and the research in memory and spaced repetition underlines a lot of this. However in practice, one needs to be revisiting and actively using their notes for some particular project to remember them better. The card search may help to create both visual and physical paths that assist in memory too.

      Reliance solely on a physical zettelkasten however may not be enough without active use over time, particularly for the majority of users. It's unlikely that all or even many may undertake this long term practice. Saying that this is either the "best", "optimum", or "only" way would be disingenuous to the diversity of learners and thinkers.

      Those who want to add additional strength to these effects might also use mnemonic methods from indigenous cultures that rely on primary orality. These could include color, images, doodles (drolleries anyone?), or other associative methods, many of which could be easily built into an (antinet) zettelkasten. Lynne Kelly's work in this area can be highly illuminating. For pure practical application and diversity of potential methods, I recommend her book Memory Craft https://amzn.to/3zdqqGp, but she's got much more academic and in depth work that is highly illustrative.

      With this background on orality and memory in mind we might all broadly view wood and stone circles (Stonehenge), menhir, standing stones, songlines, and other mnemonic devices in the archaeological and sociological records as zettelkasten which one keeps entirely in their memory rather than writing them down. We might also consider, based on this and the historical record concerning Druids and their association with trees that the trees served a zettelkasten-like function for those ancient societies. This continues to extend to lots of other cultural and societal practices throughout history. Knowledge from Duane Hamacher et al's book The First Astronomers and Karlie Noone and Krystal De Napoli's Astronomy: Sky Country will underline these theories and practices in modern indigenous settings.

    1. https://www.reddit.com/r/antinet/comments/vy4abk/interesting_thread_on_twitter_about_the_need_and/

      Thread: https://threadreaderapp.com/thread/1547208663768748032.html

      That thread by u/taurusnoises (Bob Doto aka @thehighpony) seems to explicitly buy into the rumor that Luhmann invented the zettelkasten. He assuredly did not and was most likely taught it or some version of it by one or more teachers or colleagues in his lifetime. We're unlikely to know if he tweaked or modified it extensively from the version he was taught, but studying the methods of others may be illustrative. How did Wittgenstein use it? Newton? Georg Christoph Lichtenberg? John Locke? Barthes? Marcel Mauss? Claude Lévi-Strauss? Heck, even comedian George Carlin, dancer/choreographer Twyla Tharp, and battle rapper/musician Eminem have slip box systems that they explicitly used for their creativity and work.

      People have been using zettelkasten, commonplace books, florilegium, and other similar methods for centuries, and no one version is the "correct" one. What is useful is finding a system that works for you (and not finding a system that you work for). Everyone here is assuredly doing exactly as Luhmann did, you're taking a tool with a broad set of ideas, principles, and practices and putting it to use in a way that works for you. This is part of the reason why there are so many people with so many questions about the what and why in this and other fora.

      We approach these methods from such a top down manner, in part, because our culture has broadly lost the thread of how these note taking practices were done historically. Instead of working with something that has always existed and been taught in our culture, and then using it to suit our needs, we're looking at it like a new shiny toy or app and then trying to modify it to make it suit our needs.

      Of course to be sure, Luhmann's version of the tool as he used it is one of the most powerful forms of commonplacing we've seen, but this doesn't mean that someone doesn't change or innovate on the methods to make something even more powerful or emergent. (I'd caution against low level attempts as this ground has been heavily tread by millions of people over time.)

      To add onto Nicolas-Gatien and dynodiaper's list, how about? 4. Idea generation/creation and innovation

      And for those who want the bumper sticker version: https://www.zazzle.com/niklas_luhmann_bumper_sticker-128462770354241554 Or maybe, for Scott, the coffee mug version? 😁☕https://www.zazzle.com/niklas_luhmann_mug-168394795838388324

    1. Instead of building a comments section, why not build it to send/accept Webmentions? (Webmention.io and Webmention.js with some help from Brid.gy) could implement this pretty quickly without much additional work.) This would allow your digital garden to communicate directly with others' as well as other sites online including Twitter?

    1. The presenter in the video has 70 notes across 3 months which is drastically lower than what I have.

      Somewhere I think I read that Luhmann only added about 6 cards a day to his zettelkasten. (I suspect they averaged his 90K output over the span of years he said he used it....)

      My fleeting note output right now is potentially too much, and I certainly should be spending more time refining and building on my (note-based) thoughts.

      It's not how many thoughts one has, but their quality and even more importantly, what one does with them.

      https://www.reddit.com/r/Zettelkasten/comments/jho1em/i_found_a_gem/

    1. https://x28newblog.wordpress.com/2022/07/13/pruning-for-output/

      In response to my call for zettelkasten output examples, Matthias Melcher comes up to the border of what I was looking for but doesn't cover the actual output portion.

      He focuses instead about some of the processing and the pruning portions, but not use for actual content creation. Is this because he doesn't actively use his notes for the creation portion? Or does he use his branching tree space as recollections of notes, perhaps to create outlines for creation?

      Note specifically that he doesn't mention any sort of surprise or serendipity with respect to linking ideas nor is there any mention of "inventio" portions of the process.

    1. most people need to talk out an idea in order to think about it2.

      D. J. Levitin, The organized mind: thinking straight in the age of information overload. New York, N.Y: Dutton, 2014. #books/wanttoread

      A general truism in my experience, but I'm curious what else Levitin has to say on this subject.

    1. https://www.zylstra.org/blog/2022/06/spring-83/

      I've been thinking about this sort of thing off and on myself.

      I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

      I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

      I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

      The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

      Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

      It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

      It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

      I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

      This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?


      For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

    1. How to write a thesis, by Umberto Eco. Eco is very heavily opinionated, in a brash and amusing way. Naturally, the writing is stellar. He also dedicates a lot of the book to the use of index cards for managing a bibliography, which was very pertinent at the time it was written. Even though the physical medium of index cards is no longer current and we are all busy fighting the Mendeley/Zotero/Endnote wars, there is still much to be learned from this book about effectively managing a bibliography.

      https://www.reddit.com/r/GradSchool/comments/68n2ec/graduated_a_few_days_ago_so_heres_a_list_of_my/

      Anecdotal evidence of someone who thinks that digital bibliography managers are better than older manual methods of bibliographical and note taking methods.

      This may be the case if the management of bibliography is wholly divorced from note taking, but one still needs to integrate the two pieces at some point.


      Is there evidence that people use bibliographic tools like Zotero, Endnote, Mendeley as bookmark tools for things they intend to read?

      What affordances do these tools provide beyond pulling reference markers from an article and simply spitting out a fully formed and formatted bibliography?


      Zotero has recently updated with version 6 to make pulling in annotations from pdf files into their bigger enterprise much easier, so perhaps it's a step back toward integrating the older zettelkasten-like methods of note taking?

  4. Jun 2022
    1. The Reading Brain in the Digital Age: The Science of Paper versus Screens https://www.scientificamerican.com/article/reading-paper-screens/ by Ferris Jabr Scientific American 2013-04-11 A good overview of reading practices, reading user interfaces, and research literature relevant to it. Lots of abstracts from research which I ought to look at more closely, and thus didn't make note of as much as I'd rather delve into the primary sources.

      Most of the research cited here is preliminary to early e-reading devices and has small sample sizes. Better would be to see how subsequent studies have fared with larger and more diverse groups.

    1. Reid, A. J. (Ed.). (2018). Marginalia in Modern Learning Contexts. New York: IGI Global.

      Heard about this at the Hypothes.is SOCIAL LEARNING SUMMIT: Spotlight on Social Reading & Social Annotation

    1. https://en.wikipedia.org/wiki/Hodge-podge

      How is this broadly related to the intellectual history of commonplace books, zettelkasten, and other note taking matters.

      I recall an idea of a Hodge-podge book from my youth, but these may have been published children's activity books for fun rather than collecting tidbits as in something closer to a scrapbook.

      Link to: - Eminem's stacking ammo - Thought about this randomly while editing notes for [[Forte2022]]