https://en.wikipedia.org/wiki/Edward_de_Bono

reply to u/PumpkinPines at tk

Your 1chapter1note idea is essentially what Ahrens called a "literature note" for your lecture. Many of the things you write down you'll either absorb or remember over time as you learn and you won't think twice about them. However there may be one or two interesting snippets you put into your lecture notes that are really intriguing to you and those you'll want to excerpt and expand on as more fleshed out "permanent notes" which will be the zettels in your zettelkasten. Over time these may grow into projects, papers, articles, a book, or other more explicit content.

For more on this idea, try these recent discussions * https://www.reddit.com/r/Zettelkasten/comments/yf1e8j/help_a_newbie_difference_between_literature_notes/ * https://www.reddit.com/r/Zettelkasten/comments/162os2q/how_can_i_use_zettelkasten_as_a_high_school/

A common make-work mistake is that everyone seems to think that they need to take each scrap they write down into some sort of "perfect" permanent note. Don't do this. You'll only exhaust yourself and die by zettelkasten.

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The data of the past is congruent with the current psychological trends that face the education system of today. Developmentalists have charted how children construct and revise intuitive theories. In turn, a variety of theories have developed because of the greater use of statistical information that supports probabilistic contingencies that help to better inform us of causal models and their distinctive cognitive functions. These studies investigate the physical, psychological, and social domains. In the case of intuitive psychology, or "theory of mind," developmentalism has traced a progression from an early understanding of emotion and action to an understanding of intentions and simple aspects of perception, to an understanding of knowledge vs. ignorance, and finally to a representational and then an interpretive theory of mind.

The mechanisms by which life evolved—from chemical beginnings to cognizing human beings—are central to understanding the psychological basis of learning. We are the product of an evolutionary process and it is the mechanisms inherent in this process that offer the most probable explanations to how we think and learn.

Bada, & Olusegun, S. (2015). Constructivism Learning Theory : A Paradigm for Teaching and Learning.

proof of effort: How can teachers know that students have done the work?

Hypothes.is is an example of a tool which shows reading effort.

https://www.theguardian.com/technology/2023/sep/01/mushroom-pickers-urged-to-avoid-foraging-books-on-amazon-that-appear-to-be-written-by-ai

This may be an interesting use case for artificial intelligence tools like ChatGPT which can provide the reader of complex material with simplified synopses to allow better penetration of the material (potentially by removing jargon, argot, etc.)

https://a16z.simplecast.com/episodes/a-true-second-brain-xrODaBD2

Recommended by Michael Grossman

reply to u/DunesNSwoon at https://www.reddit.com/r/Zettelkasten/comments/16ad43u/zettelkasten_alphanumeric_method_vs_alphabetical/

Allow me an iconoclastic view for this subreddit: Given what you've got and your creative use case, I'll recommend you do not do any numbering or ordering at all!

Instead follow the path of philosopher Raymond Llull and create what is sometimes referred to as a Llullian memory wheel. Search for one of his diagrams from the 11th century. Then sift through your cards for interesting ones and place one of your cards at each of the many letters, numbers, words, images, or "things" on the wheels, which were designed to move around a central axis much like a child's cryptographic decoder wheel based on the Caesar cipher. Then move things about combinatorically until you find interesting patterns, rhymes, rhythms, etc. to compose the poetry you're after.

Juxtaposing ideas in random (but structured) ways may help accelerate and amplify your creativity in ways you might not expect.

They meant them to be used on a slower timescale, but Brian Eno and Peter Schmidt's Oblique Strategies are not too dissimilar in their effect. You might find them useful when you're creatively "stuck". As a poet you might also create a mini deck of cards with forms on them (sonnet, rhymed couplets, villanelle, limerick, etc.) to draw from at random and attempt to compose something to fit it. Odd constraints can often be helpful creative tools.

China steigert die Produktion von Strom aus Kohle weiter. Im Augenblick wird pro Woche eine zusätzliche Kohleverbrennung genehemigt, die ca. 2 durchschnittlichen Kraftwerken entspricht. Diese Entwicklung steht im Widerspruch zu den offiziellen Klimazielen Chinas. Das Hauptziel ist dabei offensichtlich kurzfristige Energiesicherheit. https://www.theguardian.com/world/2023/aug/29/china-coal-plants-climate-goals-carbon

Bericht: https://energyandcleanair.org/publication/chinas-new-coal-power-spree-continues-as-more-provinces-jump-on-the-bandwagon/

Interview mit dem philippinischen Anwalt Tony Opposa, der die Kampagne World's Youth for Climate Justice unterstützt. Es geht dabei darum, das Recht junger und zukünftiger Generationen auf eine intakte Umwelt vor dem Internationalen Gerichtshof einklagbar zu machen. Oposa hat schon sehr früh in den Philippinen Prozesse geführt, bei denen es um die Rechte zukünftiger Generationen geht. https://taz.de/Anwalt-ueber-Klimaklagen/!5954750/

I've been using a mixture of methods focused around 4 x 6" index cards for a while after having previously done a traditional bullet journal, Day-Timer, etc. and attempting to something similar in a variety of digital contexts including TiddlyWiki, Obsidian, Logseq, etc. (More details/discussion: https://www.reddit.com/r/bulletjournal/comments/15av66m/a_year_of_bullet_journaling_on_index_cards/) Somehow paper always seems to win out for the tactile nature and the decreased probability of things going lost (being out of sight and thus out of mind which happens for me in digital), or dealing with a never-ending list of overwhelming pop up reminders.

I've written a bit about the history of some of these methods, which includes links to some of the bigger examples of each if it helps to see some variety about what each system suggests or photos of them at work. One of the oldest methods from which most of the rest seem to stem is the Memindex from circa 1903.

My current go-to is a Memindex/bullet journal method adapted to index cards rather than a notebook. I've got a card every day for events and to do lists as well as cards for "Future", planned purchases/groceries, etc. I keep a top level card with short lists of what I want to read, watch, listen to, and learn. I also keep a sectioned Eisenhower matrix group of cards for the areas: crisis, productivity, distraction, and low priority. I also have a Projects section with descriptions and lists for each and based on priorities, I'll take individual steps from the project cards and place them onto my daily cards as I go.

Some of the bigger projects may have a top level card followed by cards which breakdown or outline parts of larger processes. I can then lay them out on a table (Gantt chart style) to determine dependencies and create a pseudo schedule. When I'm done, I'll clip them all together in the most appropriate order and number them. As necessary, I'll take some of these cards out and "schedule" them for individual days by placing them behind or attaching them to the appropriate daily cards with a paper clip. (If you do this, make sure the project name and a potential order number designator is on them, so that you can refile them with the project as necessary.)

The key is doing weekly and bigger monthly or quarterly reviews of all the major cards and moving/scheduling what you need to do from either old cards or project cards each week. Going through my entire collection of immediate cards is usually incredibly fast. When I'm done with cards, they get archived away in my card index for future consultation if necessary. I'm also usually making further notes on the cards as I go and cross indexing them, so that if I don't have the notes for a particular project in the project section, it's being written on the individual daily cards; at the end of the week I'll update the project cards and write down the dates of those notes into the project file so that if I need them later they're available (but importantly I don't have to copy over all the notes). After doing this it's usually pretty easy to work on planning the next steps for the coming week/month.

For lower priority projects and to do items, if things sit around too long undone they slowly move down the priority list from crisis to low priority or they slowly move to the back of my projects section where they get reviewed less often.

For those who prefer some visualization, here are two photos which may help in terms of the physical arrangement I'm using: - https://boffosocko.com/wp-content/uploads/2023/09/wp-1693596706707-scaled.jpg (alt text: Display of two columns of index cards with only the titles on each showing. Column one: Planning Daily, Planning Weekly, Weeks 31-35 August 2023, Sept 02 2023, September 03 2023, Crisis: Urgent/Important, Productivity: Not Urgent/Important, Low Priority: Not Urgent/Not Important, Distraction: Urgent/Not Important, Someday. The second column: Project Priorities Spring 2023, Reading Priorities, Writing Priorities, Learning Priorities, Listening Priorities, Watching Priorities, Purchases Planning, Groceries.) - https://boffosocko.com/wp-content/uploads/2023/09/wp-16935967219588251569559254031730-scaled.jpg (alt text: My card index for productivity featuring sections for an Eisenhower Matrix, Projects, and tabs for the upcoming 12 months and 31 days in the current month.)

On a day-to-day basis, I keep most of it in an Acrimet card file on my desk, though the longer term storage is in a nearby Singer Card File Cabinet. (I'll often have a full drawer removed from the big cabinet on my desk while I'm working on a particular section.) While travelling about, I store the most important daily use cards in a King Jim Flatty Works case which is about the size of a small notebook or which fits easily into my shoulder bag. If you're all-in on index cards and you need ideas for storage, I've been compiling a relatively comprehensive list of index card storage options.

Having done notebooks and other paper-based planners (Hobonichi) before, I appreciate that the cards are easily moveable and re-orderable, I don't waste any paper or space if I miss days, I'm not as precious about screwing up a new notebook, and I don't have to carry either multiple notebooks, or worry about recopying project pages from one notebook to the next when I'm done. I also don't have to worry about losing large parts of my planning if I lose a whole notebook. It's always easy to have today's card on me at all times or to take small sections on the road as needed. Additionally cards are very cheap. If you're of the sort of camp that having pre-laid out stationery with finer stock, perhaps try Notsu who pre-prints a variety of productivity cards, though only in 3 x 5 inch sizes. There are a few other smaller companies who still do this, but they tend toward the more expensive side.

There are many ways to do variations on these, so take a look at some examples of how others use them and then attempt to evolve a practice which works for you. For example, if having an Eisenhower Matrix section doesn't make sense to you, then drop that part and adopt what does work instead.

For those who are deep into this sort of rabbit hole, I'll also mention that I keep a separate zettelkasten "department" within my collection for notes related to reading/research. (I had to fill that massive Singer card index up with something besides extra wine storage.)

Syndication link: https://www.reddit.com/r/gtd/comments/15pfz8o/comment/jypt023/?utm_source=reddit&utm_medium=web2x&context=3

GTD on Paper Index Cards. Experimental Encounters, 2023. https://www.youtube.com/watch?v=vww7JLcrJl4.

https://www.youtube.com/watch?v=vww7JLcrJl4

8:05 - 16:20 GTD - Capture - Clarify - What is it? - Is it actionable? What is the action? - Is it a project? - Batching - Reflect - Review over lists/calendars daily/weekly - Engage

17:30 They use the phrase "atomic" paper based index cards, so they've been infected by the idea of "atomic notes" from somewhere, though it seems as if he's pitching that he's "invented" his card system as if from scratch.

19:45 He mentions potentially using both sides of the card, against the usual (long term) advice.

20:00 Analogizes his cards as ballerinas which work together, but each have their own personalities and function within the ballet

He's using a leather cover for Moleskine pocket notebook and Manufactum A7 index cards, as well as a box

Sections of his box: - to erase - inbox - next actions - projects (3 categories of projects) - someday - to delegate - tickler (by month and by day; 12 months and 31 days) - blank cards

Mentions erasing cards as he finishes them rather than archiving them.

Inspiration by How to Take Smart Notes by Ahrens

Recommends one item per card to make things easier and more actionable; also improves focus versus having a longer list. (28:00)

Portability

Sustainable (he erases)

High quality textile experience

The ability to shift between associative modes and sequential modes seems to work well with such a system.

They distinguish between atomic notes and "stellar" notes. Stellar being longer lists or more dense notes/outlines/etc.

Project cards<br /> titles and project numbers (for reference) Project numbers in the top right with a P and/or M below it for<br /> - P for paper<br /> - M for email data<br /> - D for digital files which helps him find reference materials

Weekly review with all cards out on the table

Expansion pack includes: - action - calendar - waiting

Search was quick and easy, but had to carry his box back and forth to work.

Stopping doing it because he was losing the history (by erasing it). Moving to notebook and he likes fountain pens. He likes the calendar portion in his notebook.

He tried it out for the sake of experiment.

In the paper world things are more present and "in your face" versus digital formats where things can disappear.

Kalir, Remi H. “Playing with Claude.” Academic blog. Remi Kalir (blog), August 25, 2023. https://remikalir.com/blog/playing-with-claude/.

"Reading with an artificial intelligence" seems like a fascinating way to participate in the Great Conversation.

https://claude.ai/

https://openai.com/

• for: cross-scale translation of earth system boundaries, downscaled planetary boundaries, leverage point

• stats

  • 10000 to 1 million is optimum size
• question: investigate rationale

&list=PLdAbfZfaH_1I0vD3GsgbIdsLp6id6AOUb&index=9

https://myessayfeedback.ai/

Mills, Anna, Maha Bali, and Lance Eaton. “How Do We Respond to Generative AI in Education? Open Educational Practices Give Us a Framework for an Ongoing Process.” Journal of Applied Learning and Teaching 6, no. 1 (June 11, 2023): 16–30. https://doi.org/10.37074/jalt.2023.6.1.34.

Annotation url: urn:x-pdf:bb16e6f65a326e4089ed46b15987c1e7

Search: https://jonudell.info/h/facet/?user=chrisaldrich&max=100&exactTagSearch=true&expanded=true&addQuoteContext=true&url=urn%3Ax-pdf%3Abb16e6f65a326e4089ed46b15987c1e7

What does open education tell us about AI in academia?

https://en.wikipedia.org/wiki/Jon_Postel

For those that do both fiction and non-fiction work in their zettelkasten, do you consider the portion dedicated to fiction a "department" or a "compartment" within it? or perhaps something altogether different?

https://zettelkasten.de/fiction/

The Snowflake Method is more specific, but broadly similar to those who build out plot using index cards.

As examples, see Dustin Lance Black and Benjamin Rowland.

Link to - https://hypothes.is/a/043JIlv5Ee2_eMf1TTV7ig - https://hypothes.is/a/ibFMareUEe2bqSdWdE046g

Ingermanson, Randy. “The Snowflake Method For Designing A Novel.” Advanced Fiction Writing, circa 2013. https://www.advancedfictionwriting.com/articles/snowflake-method/.

Designing writing in ever more specific and increasing levels. Start with a logline, then a paragraph, then acts, etc.

Roughly the advice I've given many over the years based on screenplay development experience, but with a clever name based on the Koch snowflake.

Similarly for an index card-based outline.

see also: https://hypothes.is/a/kdyvykazEe6z3Ruv2sAgqg

Of course spreadsheets are databases of information and one can easily and profitably put all these details into index cards which are just as easy (maybe even easier) to move around

A Zettelkasten for jokes!

evidence of comedy shift from 50s/60s of one liners to more story-based comedy of the 2000s onward. Some of this may come about through idea links or story links as seen in some of Diller's paperclipped cards (see https://hypothes.is/a/W9Wz-EXsEe6nZxew_8BUCg).

reply to u/taurusnoises and u/Leander_znsnsj at https://www.reddit.com/r/Zettelkasten/comments/162os2q/how_can_i_use_zettelkasten_as_a_high_school/

I'm generally in the same boat as u/taurusnoises and don't think that a Luhmann-artig ZK is necessarily the right way to go—particularly at the lower levels.

I would suggest that if interested students look closely at the overall set up, they'll find that the literature note portion is almost identical to that of the Cornell note-taking method. The primary differences between them are placing more emphasis on follow-up and review, forcing yourself to answer questions, and doing spaced repetition. (Of course, naturally, there's nothing wrong with doing all your Cornell Notes on index cards despite every version I've ever seen recommending sheets of paper!)

If you do ultimately choose to go with the expanded zettelkasten workflow, I would recommend you spend more time focusing on your own thoughts on the facts and ideas as they relate to the the Cornell portion. Focus more on the area of your major (or particular interests if you're still unsure of your major) in which you're most likely to need to create writing or other particular outputs. One or two good main cards a day with a full class load is a solid start.

Keep in mind that as you enter new areas, you will likely make lots of basic, factual, low level notes while you're learning. Don't worry about this (and don't ignore it either) as working with these ideas will help you to scaffold your knowledge and understand it better. You may not have lots of high quality main notes which will usually come as you get deeper into the nuances of your subject. You should still expect to find and generate insights though and these may be highly valuable as you need to execute projects or write papers.

Good luck!

Phyllis Diller's gag file was arranged alphabetically by subject and ranged from "accessories" to "world affairs".

52,569 3x5" index cards!

In this set, you will find cards from the following category: Lockhorns.

https://transcription.si.edu/project/9431

I had some collections of comic strips in my youth, but sadly didn't keep up the practice or them.

Liebenson, Donald. “Classic Hollywood: Remembering Phyllis Diller (and 52,569 of Her Jokes) at the Smithsonian.” Los Angeles Times, May 12, 2017, sec. Television. https://www.latimes.com/entertainment/tv/la-ca-st-phyllis-diller-smithsonian-20170512-story.html.

While many sources seem to indicate that Phyllis Diller had approximately 52,000 index cards with jokes, the ultimate tally after the completion of transcription for the Smithsonian Institution seems to have been 52,569 cards.

While the Los Angeles times lists this as the number of jokes, it's far more likely to be the number of cards as some cards I've seen have multiple jokes.

It took four months for Hanna BredenbeckCorp, a project assistant for the Smithsonian Institution, to scan all of Phyllis Diller's joke cards for subsequent transcription and creation of a searchable digital database.

https://textfx.withgoogle.com/

Lone child nodes cry out for siblings.

When I was in middle school a teacher told me only to put a sub-bullet point in an outline only if it wasn't an orphan (if you had one sub-point it should have at least one sibling, otherwise don't include it). This was miserable advice because it ended trains of thought which might otherwise grow into something.

On the other hand it could be better framed that if you have only one child, you should brainstorm to come up with others.

Notes about what you don't know (open questions), empty outline slots, red links as [[wikilinks]], and other "holes" in tools for thought provide a bookmark for where one may have quit exploring, but are an explicit breadcrumb for picking up that line of thought and continuing it at a future time.

Linear writing in one's notebooks, books they're reading, and other places doesn't always provide an explicit space which invites the reader or writer to fill them in. One has to train themselves to annotate in the margins to have a conversation with the text. Until one sees these empty spaces as inviting spaces they can be invisible to the eye.

Making things messy from the start as advice for getting started.

I've seen this before in other settings, particularly in starting new notebooks. Some have suggested scrawling on the first page to get over the idea of perfection in a virgin notebook. I also think I've seen Ton Ziijlstra mention that his dad would ding every new car to get over the new feeling and fear of damaging it. Get the damage out of the way so you can just move on.

The fact that a notebook is damaged, messy, or used for the smallest things may be one of the benefits of a wastebook. It averts the internal need some may find for perfection in their nice notebooks or work materials.

quote ostensibly from https://www.youtube.com/watch?v=En_2T7KH6RA

Which others? where?

To my knowledge there weren't many (any?) examples floating around in 2019.

https://acritch.com/notepad/

ᔥ[[abramdemski]] in The Zettelkasten Method (accessed:: 2023-08-25 10:12:42)

Annotated with RDA Tags: Working groups

Dan Allosso in Retrenchment, Day 21 at 2023-08-23<br /> (accessed:: 2023-08-23 12:50:42)

• for: TPF, crowdsource solutions, climate crisis - commons, polycrisis - commons, quote, quote - crowdsourcing solutions, quote Miles Fidelman, Center for Civic Networking, Protocol Technologies Group, bottom-up, collective action
• quote
  • At best, we will see new forms of collaboration among large numbers of people toward beneficial ends.
  • The most obvious example is the changing nature of responses to largescale natural disasters.
  • Perhaps we will see this spirit of volunteer and entrepreneurial cooperation emerge to address such pressing issues as climate change
    • e.g., maybe, the Green New Deal will be crowdsourced.
• author: Miles Fidelman
  • founder, Center for Civic Networking
  • principal, Protocol Technologies Group

• for: progress trap, unintended consequence, unintended consequence - digital technology, quote, quote - progress trap, quote - David Weinberger
• quote: I see no reason to think that the current situation will change:
  • Tech will cause problems that require innovative solutions and
  • tech will be part of those solutions.
  • Machine learning (ML) is right now an example of this
• author: David Weinberger
  • senior researcher at Harvard’s Berkman Klein Center for Internet & Society

• for: quote, quote - Ethan Zuckerman, quote - fragmentation and polarization, Indyweb - support, MIT Center for Civic Media, Global Voices
• quote
  • We need mass innovation in design of social tools that help us
    • bridge fragmentation and polarization,
    • bring diversity into our media landscapes and
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  • If we don’t take this challenge seriously and assume that we’re stuck with mass-market tools,
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• author
  • Ethan Zuckerman
    • director of MIT’s Center for Civic Media and
    • co-founder of Global Voices

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@pgrhowarth @MartinBB @tevka and other historians (and sociologists, anthropologists, humanists, etc.) who want to delve into some of the ideas of historical method, zettelkasten, note taking, intellectual craftsmanship outside of Luhmann's version, I've compiled a list of various primary sources who have written on a variety of related methods throughout the past few hundred years: https://www.zotero.org/chrisaldrich/tags/note%20taking%20methods/items/KTZXN3EV/item-list

Historians in particular have used indexing their notes as a means of creating analog databases for individual facts outside of their other writing/compiling practices. Thus a mixture of methods may suit your working needs.

To help frame it one might also consult the following: * Thomas, Keith. “Diary: Working Methods.” London Review of Books, June 10, 2010. https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary. * Blair, Ann M. Too Much to Know: Managing Scholarly Information before the Modern Age. Yale University Press, 2010. https://yalebooks.yale.edu/book/9780300165395/too-much-know.

I've got a relatively short overview of some of these methods and examples of users at https://boffosocko.com/2022/10/22/the-two-definitions-of-zettelkasten/.

reply to u/SunghoYahng at https://www.reddit.com/r/Zettelkasten/comments/15sqiq2/zettelkasten_for_normies_what_normies_really_need/

u/SunghoYahng, some of your article sounds like a pared down digital version of a commonplace book which allows for links, so it fits into the older zettelkasten tradition, just not into the more Luhmann-artig version on which this subreddit is generally more focused. Perhaps yours is closer to a digital version of the analog commonplace using index cards that Billy Oppenheimer describes having learned from Ryan Holiday and Robert Greene?

Often people focus too much on Luhmann's prodigious output and then immediately imply or say you should adopt his very specific system without describing what his system did or why it worked so well for him and his particular needs. Very few focus on what it is that they want to accomplish and how they might use his system or the thousands of variations on it throughout history to come to those goals as quickly and easily as they can.

You commit a version of this sin in your opening lines:

The content about Zettelkasten is mostly too long and practically useless. The purpose of this text is to write only what normies really need to know.

Who are these so-called "normies" and what specifically are they trying to accomplish? You don't define either of them, and possibly worse do it in a negative framing. The system you're describing might be a great one, but for whom? What do you expect them to use it for? What will they get out of it?

Many people talk about the "magic" of a zettelkasten and then wave their hands at some version of a workflow of what they think it is or what they think it should be. Perhaps what we all really need is a list of potential affordances that different methods allow and how one might leverage those affordances. How might they be mixed and matched? Then users can decide what outcomes they wish to have (writing, thinking, aggregation, bookmarking, collecting, creativity, artificial memory, serendipity, productivity, wiki, spaced repetition, learning, time wasting, etc., etc.) and which affordances are necessary within their workflow/system to effectuate those specific goals? Finally they can pick and choose a specific version of a methodology/workflow and either an analog substrate (index cards, notebooks, memory palace, etc.) or digital tool/application (Obsidian, Roam Research, The Archive, etc.) to save it all in. Of course once you've chosen that analog or digital tool, does it actually have the affordances you want or need in actual practice? Are they easy to use? Practical? Do they save you time? Are they simple or over-engineered? What happens when they scale to a year of regular use or even a lifetime?

As a simple example, many writers would love a seriously good outliner functionality in their system to pull out the materials they want to work with and then appropriately order them for a potential final written output. In practice, index cards on a big table are fantastic for this process while most (all?) current digital tools are miserable at it. And of course once you've gotten the outline you like in an analog space you have to type it all out to print/publish in a final form, something which the digital affordance of cut and paste would make much simpler. Who wouldn't love a tool that could give you all of these affordances, presuming you needed them?

​

While we're on outlining, very few talk about the ease-of-use that some professional outliners like Dave Winer's Drummer or Little Outliner have versus some of the more text-editing focused tools like Obsidian which are generally poor as outliners (if you could even call them that) in comparison.

If you're interested in folgezettel and outlining, you might appreciate some subtleties in Bob's piece: https://writing.bobdoto.computer/folgezettel-is-not-an-outline-luhmanns-playful-appreciation-of-disfunction/

cross reference https://hypothes.is/a/OhcWSjxyEe6V8DP9P6WNQQ

Cutedressup offers an enchanting collection of princess games tailored specifically for girls. Dive into a magical world filled with captivating adventures, dress-up options, and imaginative role-playing. Whether you dream of being a graceful princess in a sparkling gown or embark on thrilling quests in enchanted kingdoms, Cutedressup provides an exciting and captivating gaming experience that will transport you to a world of fantasy and wonder. Let your inner princess shine and indulge in the delight of playing princess games designed just for you at Cutedressup.

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highlights the dire financial circumstances of the poorest individuals, who resort to high-interest loans as a survival strategy. This phenomenon reflects the interplay between human decision-making and development policy. The decision to take such loans, driven by immediate needs, illustrates how cognitive biases and limited options impact choices. From a policy perspective, addressing this issue requires understanding these behavioral nuances and crafting interventions that provide sustainable alternatives, fostering financial inclusion and breaking the cycle of high-interest debt.

• for: art for healing, art for conflict resolution

reply to u/Efficient_Earth_8773 at https://www.reddit.com/r/Zettelkasten/comments/15fjb97/does_anyone_has_its_zettelkasten_in_google_docs/

Experimenting can be interesting. I've tried using spreadsheet software like Google Sheets or Excel which can be simple and useful methods that don't lose significant functionality. I did separate sheets for zettels, sources, and the index. Each zettel had it's own row with with a number, title, contents, and a link to a source as well as the index.

Google Docs might be reasonably doable, but the linking portion may be one of the more difficult affordances to accomplish easily or in a very user-centric fashion. It is doable though: https://support.google.com/docs/answer/45893?hl=en&co=GENIE.Platform%3DDesktop, and one might even mix Google Docs with Google Sheets? I could see Sheets being useful for creating an index and or sources while Docs could be used for individual notes as well. It's all about affordances and ease of use. Text is a major portion of having and maintaining a zettelkasten, so by this logic anything that will allow that could potentially be used as a zettelkasten. However, it helps to think about how one will use it in practice on a day-to-day basis. How hard will it be to create links? Search it? How hard will it be when you've got thousands of "slips"? How much time will these things take as it scales up in size?

A paper-based example: One of the reasons that many pen and paper users only write on one side of their index cards is that it saves the time of needing to take cards out and check if they do or don't have writing on the back or remembering where something is when it was written on the back of a card. It's a lot easier to tip through your collection if they're written only on the front. If you use an alternate application/software what will all these daily functions look like compounded over time? Does the software make things simpler and easier or will it make them be more difficult or take more time? And is that difficulty and time useful or not to your particular practice? Historian and author David McCullough prefers a manual typewriter over computers with keyboards specifically because it forces him to slow down and take his time. Another affordance to consider is how much or little work one may need to put into using it from a linking (or not) perspective. Using paper forces one to create a minimum of at least one link (made by the simple fact of filing it next to another) while other methods like Obsidian allow you to too easily take notes and place them into an infinitely growing pile of orphaned notes. Is it then more work to create discrete links later when you've lost the context and threads of potential arguments you might make? Will your specific method help you to regularly review through old notes? How hard will it be to mix things up for creativity's sake? How easy/difficult will it be to use your notes for writing/creating new material, if you intend to use it for that?

Think about how and why you'd want to use it and which affordances you really want/need. Then the only way to tell is to try it out for a bit and see how one likes/doesn't like a particular method and whether or not it helps to motivate you in your work. If you don't like the look of an application and it makes you not want to use it regularly, that obviously is a deal breaker. One might also think about how difficult/easy import/export might be if they intend to hop from one application to another. Finally, switching applications every few months can be self-defeating, so beware of this potential downfall as you make what will eventually need to be your ultimate choice. Beware of shiny object syndrome or software that ceases updating in just a few years without easy export.

Koordiniert von der Heritage Foundation wurde ein umfassender Plan für die ersten sechs Monate einer republikanischen Präsidentschaft erarbeitet. Er würde eine Regulierung der Energiepolitik und Dekarbonisierungsmaßnahmen durch die Bundesregierung sowie die Durchsetzung von Umweltbestimmungen unmöglich machen. Die Heritage Foundation hatte entscheidenden Einfluss auf frühere republikanische Regierungen. Viele US-Politiker werden von der Fossilindustrie mitfinanziert.

https://www.theguardian.com/environment/2023/jul/27/project-2025-dismantle-us-climate-policy-next-republican-president

• critical question for all top leaders
  • I wish there was a certain question that was asked to people who wanted to wield immense amounts of power that is often not asked. And that question is this.
    • What would it take for you to think that you are no longer necessary in power?
  • In other words, what is the goal that you want to achieve with your power,
    • that if you were to achieve it, you would think it's time to step down?
  • And the reason that question is so important is because
    • it would cause most politicians to freeze like deer in the headlights.
  • They've never thought about it.
  • For them, power is the goal.
  • It would expose them as having never thought about it.
  • And for those who do actually answer that question, they would put themselves on the record as what they think their power is for, such that if they actually achieve it, they can retire.
  • And I think that's something that would be a great screening mechanism to see how people answer that question.
  • Most power-hungry people in leadership positions think, "I am God's gift to power, and therefore I should inhabit this role as long as I can stay here,"
    • which is why dictators cling to power as long as they can.

• recommendation
  • politicians and other leaders need deep training and constant scrutiny as a condition to being in those positions
  • it is unthinkable that a tour guide position should have more training than a president of a country!

• recommendation
  • mandatory psychological testing for politicians

Seit 2020 haben die 20 ärmsten Länder 50 Milliarden Dollar Schldenan die G20-Staaten zurückgezahlt. Diese Beträge stehen für Klimaschutz und Klimaanpassung der oft besonders vulnerablen Länder nicht zur Verfügung. Bei einem Trffen der G20-Finanzminister*innen wurden keine Fortschritte bei der Entschuldung der ärmsten Länder erreicht. https://taz.de/Schuldenkrise-im-Globalen-Sueden/!5945035/

• Title
  • Moving Beyond Problem Solving: A Potential-Based Approach
• Author
  • Rosalie Puiman -Date
  • Dec 6, 2017
• Source
  • https://www.huffpost.com/entry/moving-beyond-problem-sol_b_7277644
• Description
  • Introduction to Alan Seale's approach to problem solving
    • Center for Transformational Presence
      • http://transformationalpresence.org/

Over the past few years, there has been a notable surge in the popularity of celebrity games, captivating both fans and gamers. While these games are primarily recognized for their ability to entertain, it raises an intriguing question: can celebrity games also possess educational value?

copied from Universe Today, except the title is invented.

• follow up

  • work on stress and happiness

• References

  • https://www.unstressable.com/about-us
  • https://www.amazon.com/Solve-Happy-Engineer-Your-Path/dp/1501157558
  • https://www.onebillionhappy.org/

reply to u/gate18 at https://www.reddit.com/r/ObsidianMD/comments/14ve4gi/is_there_any_app_like_obsidian_for_visual_art/

Aby Warburg had a significant physical card-based zettelkasten he used for his visual research in the early 1900s. Perhaps you'd find some interesting inspiration by looking at his methods?

https://warburg.sas.ac.uk/archive/archive-collections/verkn%C3%BCpfungszwang-exhibition/mnemosyne-materials

reply to u/ihaveascone at https://www.reddit.com/r/Zettelkasten/comments/14v2ohz/converting_commonplace_books/

Don't convert unless you absolutely need to, it will be a lot of soul-crushing make work. Since some of your practice already looks like Ross Ashby's system, why not just continue what you've been doing all along and start a physical index card-based index for your commonplaces? (As opposed to a more classical Lockian index.) As you browse your commonplaces create index cards for topics you find and write down the associated book/page numbers. Over time you'll more quickly make your commonplace books more valuable while still continuing on as you always have without skipping much a beat or attempting to convert over your entire system. Alternately you could do a paper notebook with a digital index too. I came across https://www.indxd.ink, a digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional). It emails you weekly text updates, so you've got a back up of your data if the site/service disappears. This could potentially be used by those who have analog commonplace/zettelkasten practices, but want the digital search and some back up of their system.

• in other words
  • we are writing for the reader
  • we need to know what is salient in the reader's world and synchronize to that

Experience a world of cute online games for girls. Unleash your creativity, embark on exciting adventures, and make lasting friendships in our captivating virtual realm.

Step into a world of fashion and imagination with our enchanting dress up games for girls! Create dazzling styles, mix and match outfits, and unlock your inner designer. Unleash your creativity and let the fashionista within you shine!

Seasoned surveyor shares tips on how to effectively prepare for your surgery center's inspections

Current healthcare trends show movement toward quality-based payments and away from quantity-based payments. These trends reflect efforts to cut healthcare spending by eliminating excess costs and using evidence-based medicine to guide clinical decisions. Dive into the concept of bundled pricing for surgery centers, explore its benefits, implementation strategies, and potential impact on the healthcare industry.

reply to u/taurusnoises (Bob Doto) at tk

Yep, for almost a full year now on 4x6" index cards. (Receipts for the kids: https://boffosocko.com/wp-content/uploads/2023/07/wp-1688411021709-scaled.jpg)

Previously I'd used a Hobonichi Cousin (page per day) journal for this. (Perhaps I should have stayed with the A6 size instead of the larger A5 for consistency?) Decades ago (around 1988ish?) I had started using a 2 page per day DayTimer pocket planners (essentially pre-printed/timed index cards spiral bound into monthly booklets which they actually shipped in index card-like plastic boxes for storage/archival purposes). Technically I've been doing a version of this for a really long time in one form or another.

It generally includes a schedule, to do lists (bullet journal style), and various fleeting notes/journaling similar to the older Memindex format, just done on larger cards for extra space. I generally either fold them in half for pocket storage for the day or carry about in groups for the coming week(s) when I'm away from my desk for extended periods (also with custom blank index card notebooks/pads).

I won't go into the fact that in the 90's I had a 5,000+ person rolodex... or an index card (in the entertainment they called them buck slips) with the phone numbers and names of \~100 people I dealt with regularly when early brick cell phones didn't have great (or any) storage/functionality.

Worth adding to the list of oblique strategies...

related to methods of proof: direct proofs by day, contradiction by night

Changing methods of approach to problems

via khimtan at https://www.instagram.com/p/CpkJHCfJnyW/

Die Stabilitätsregeln der EU, die ab nächstem Jahr wieder strikt eingehalten werden sollen, würden in fast allen Ländern die Investitionen verhindern, die für das Erreichen der EU-Klimaziele nötig sind. Ausführliche Analyse der Klimafinanz-Situation in Europa nach dem Pariser Klimafinanz-Gipfel. https://www.phenomenalworld.org/analysis/carbon-budget-versus-fiscal-budget/

Bruegel-Analyse: https://www.bruegel.org/analysis/fiscal-rule-legislative-proposal-what-has-changed-what-has-not-what-unclear

Vor der Pariser Konferenz zur Klimafinanzierung, bei der vor allem die sogenannte Bridgetown Agenda diskutiert werden soll, begründet Avinash Persaud, ein Berater der Premierministerin von Barbados, die Forderungen nach radikaler Veränderung und Aufstockung der Klimafinanzierung. Die Summen, die der globale Süden für klimaanpassung und Klimaschutz erhält, müssen potenziert werden, damit diese Länder der Klimakatastrophe wirksam begegnen können. Nicholas Stern und Vera Songwe beziffern den jährlichen klimafinanzbedarf des globalen Südens auf Billionen Dollar, etwa die Summe, die zurzeit für fossile Energien ausgegeben wird. https://www.theguardian.com/environment/2023/jun/18/countries-are-drowning-climate-expert-calls-for-urgent-rethink-on-scale-of-aid-for-developing-worldexpert:

Beim Pariser Klima-Finanzgipfel wurden nur wenige Entlastungen für den globalen Süden beschlossen worden. Die Weltbank hat 100 Milliarden Dollar Finanzierung pro Jahr zugesagt. Einige Staaten bemühen sich um internationale Steuern zur Finanzierung von Anpassung und Klimaschutz. Ein Durchbruch bei der Verschuldung wurde nicht erreicht. In Einzelfällen wird auf die Rückzahlung von Schulden verzichtet. Ein Verzicht auf fossile Energien wurde nicht diskutiert.

https://www.repubblica.it/green-and-blue/2023/06/23/news/cambiamento_climatico_e_poverta_alla_ricerca_di_un_nuovo_sistema_finanziario_macron_ci_prova-405523841/

Hintergrundinformationen zum Pariser Gipfel zur Klimafinanzierung, der in dieser Woche stattfinden wird. Wichtig ist vor allem, ob bei dieser Konferenz tatsächlich Schritte in Richtung auf eine Reform der Finanzierung der Länder des globalen Südens unternommen werden, wozu ein Schuldenerlass und eine Veränderung von Kreditvergabe ebenso gehören wie eine neue Definition der Rollen der Weltbank und des internationalen Währungsfonds.

https://www.theguardian.com/environment/2023/jun/17/paris-talks-focus-funding-poor-countries-tackle-climate-crisis

Vor dem Klimafinanz Gipfel in Paris ruft Kristalina Georgieva, Chefin des internationalen Währungsfonds, dazu aufgerufen, die Kreditbedingungen für Länder des globalen Südens, die von der Klimakrise betroffen sind, zu verbessern. Eines wichtiges Element seien Klima-Swaps, bei denen ein Teil von Zinsen oder Rückzahlungen für Maßnahmen gegen die Klimakrise verwendet wird. https://www.theguardian.com/environment/2023/jun/20/climate-crisis-hit-poor-countries-should-have-debt-relief-says-imf-chief

Im Rahmen des EU-Projekts Highlander wurden die Klimadaten Italiens mit eine Auflösung von 30 km erfasst und mit Hilfe von Climate Stripes visualisiert. In einem langen Artikel blickt die Repubblica auf 30 Jahre Erhitzung in Italien zurück. https://www.repubblica.it/green-and-blue/2023/07/01/news/strisce_climatiche_italia_progetto_highlander_cineca_comuni_precisione_crisi_ambientale-405524064/

Mehr zu Italien: https://hypothes.is/users/HeinzWittenbrink?q=Italy

via Joan Rivers: A Piece of Work.(Break Thru Films/IFC, 2010)

National Comedy Center Becomes Home to Joan Rivers’ Career Archive<br /> by National Comedy Center

The NY Times blew her obituary date of 2014 when they published material based on this press release.

Joan Rivers card index of jokes comprised 65,000 cards spanning the start of her career in the 1950s to 2014, when she passed away.

taz-Interview mit Alison Schultz zu Debt for Nature Swaps und anderen Instrumenten der Klimafinanzierung für Länder des globalen Südens.

via u/atomicnotes at https://www.reddit.com/r/Zettelkasten/comments/149knhj/comment/jobi9ro/?utm_source=reddit&utm_medium=web2x&context=3 on 2023-06-15

https://www.imdb.com/title/tt1568150/

Based on having watched the documentary Joan Rivers: A Piece of Work and the depictions of Rivers' card index in the film and using her hands and a lateral file for scale, her cards seem to have been 3 x 5" index cards.

cross reference: https://hypothes.is/a/RvLTZjCQEe2uuaNwpTBNuA

Zinoman, Jason. “A ‘Crown Jewel of Comedy’: The Joan Rivers Card Catalog of Jokes Finds a Home.” The New York Times, June 8, 2023, sec. Arts. https://www.nytimes.com/2023/06/08/arts/television/joan-rivers-archive.html.

standing in front of her card index for comedy, built into a wall of other files.

In the documentary Joan Rivers: A Piece of Work, she explains how she kept and filed records of her jokes.

Example typewritten jokes from Joan Rivers' card index of comedy: