1,260 Matching Annotations
  1. Aug 2023
    1. Purple is a small suite of quickly hacked tools inspired by Doug Engelbart's attempt to bootstrap the addressing features of his Augment system onto HTML pages. Its purpose is simple: produce HTML documents that can be addressed at the paragraph level. It does this by automatically creating name anchors with static and hierarchical addresses at the beginning of each text node, and by displaying these addresses as links at the end of each text node.    1A  (02)

      Purple is a suite of tools from 2001 that allow one to create numbered addresses/anchors at the paragraph level of a digital document.


      Link: Dave Winer's site still has support for purple numbers.

    1. Here’s a child node. It could be a comment on the thought -- an aside, a critique, whatever. It could be something which goes under the heading.

      Lone child nodes cry out for siblings.

      When I was in middle school a teacher told me only to put a sub-bullet point in an outline only if it wasn't an orphan (if you had one sub-point it should have at least one sibling, otherwise don't include it). This was miserable advice because it ended trains of thought which might otherwise grow into something.

      On the other hand it could be better framed that if you have only one child, you should brainstorm to come up with others.

    2. I could continue a thread anywhere, rather than always picking it up at the end. I could sketch out where I expected things to go, with an outline, rather than keeping all the points I wanted to hit in my head as I wrote. If I got stuck on something, I could write about how I was stuck nested underneath whatever paragraph I was currently writing, but then collapse the meta-thoughts to be invisible later -- so the overall narrative doesn’t feel interrupted.

      Notes about what you don't know (open questions), empty outline slots, red links as [[wikilinks]], and other "holes" in tools for thought provide a bookmark for where one may have quit exploring, but are an explicit breadcrumb for picking up that line of thought and continuing it at a future time.

      Linear writing in one's notebooks, books they're reading, and other places doesn't always provide an explicit space which invites the reader or writer to fill them in. One has to train themselves to annotate in the margins to have a conversation with the text. Until one sees these empty spaces as inviting spaces they can be invisible to the eye.

    3. When I was learning to write in my teens, it seemed to me that paper was a prison. Four walls, right? And the ideas were constantly trying to escape. What is a parenthesis but an idea trying to escape? What is a footnote but an idea that tried -- that jumped off the cliff? Because paper enforces single sequence -- and there’s no room for digression -- it imposes a particular kind of order in the very nature of the structure.-- Ted Nelson, demonstration of Xanadu space
    1. i was rewatching adventure time and they randomly referenced twine in a throwaway gag. 10/10 show.

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    1. cool compilation of tools. got me to think about the best ways to record my internet journey.

    1. Recently we recommended that OCLC declare OCLC Control Numbers (OCN) as dedicated to the public domain. We wanted to make it clear to the community of users that they could share and use the number for any purpose and without any restrictions. Making that declaration would be consistent with our application of an open license for our own releases of data for re-use and would end the needless elimination of the number from bibliographic datasets that are at the foundation of the library and community interactions. I’m pleased to say that this recommendation got unanimous support and my colleague Richard Wallis spoke about this declaration during his linked data session during the recent IFLA conference. The declaration now appears on the WCRR web page and from the page describing OCNs and their use.

      OCLC Control Numbers are in the public domain

      An updated link for the "page describing OCNs and their use" says:

      The OCLC Control Number is a unique, sequentially assigned number associated with a record in WorldCat. The number is included in a WorldCat record when the record is created. The OCLC Control Number enables successful implementation and use of many OCLC products and services, including WorldCat Discovery and WorldCat Navigator. OCLC encourages the use of the OCLC Control Number in any appropriate library application, where it can be treated as if it is in the public domain.

    1. 我使用 Arc 接近三个月了,目前已经成为了我的默认浏览器

      可以考虑试用一下Arc浏览器

  2. Jul 2023
    1. When you run out of ideas and desperate, try thinking “opposite” like Fosbury.

      Worth adding to the list of oblique strategies...

      related to methods of proof: direct proofs by day, contradiction by night

      Changing methods of approach to problems

      via khimtan at https://www.instagram.com/p/CpkJHCfJnyW/

  3. Jun 2023
    1. Today, you either thrive on that word processor model or you don’t. I really don’t, which is why I’ve invested effort, as you have, in researching previous writing workflows, older than the all-conquering PC of the late 1980s and early 90s. At the same time, new writing tools are challenging the established Microsoft way, but in doing so are drawing attention to the fact that each app locks the user into a particular set of assumptions about the drafting and publishing process.
  4. google-research.github.io google-research.github.io
    1. SoundStorm

      We present SoundStorm, a model for efficient, non-autoregressive audio generation. SoundStorm receives as input the semantic tokens of AudioLM, and relies on bidirectional attention and confidence-based parallel decoding to generate the tokens of a neural audio codec. Compared to the autoregressive generation approach of AudioLM, our model produces audio of the same quality and with higher consistency in voice and acoustic conditions, while being two orders of magnitude faster. SoundStorm generates 30 seconds of audio in 0.5 seconds on a TPU-v4. We demonstrate the ability of our model to scale audio generation to longer sequences by synthesizing high-quality, natural dialogue segments, given a transcript annotated with speaker turns and a short prompt with the speakers' voices.

  5. May 2023
    1. https://brettterpstra.com/2012/05/29/frictionless-capture-cards/

      Brett Terpstra was a Frictionless Capture Card fan, especially for quick capture and he used them in a waste book-like fashion. He indicated that he usually transferred the data to a digital location, but kept the cards as backups filed by alphabetical subject line in a Vaultz card index.

    1. Frictionless Tools Capture Cards – Red — These are my index cards of choice. More sturdy than the standard variety. I like the grid design. Takes fountain pen ink better too. Unfortunately, they are no longer available. I purchased several packages before they stopped being sold.

      Frictionless Tools' Capture Cards were custom 3 x 5" index cards, printed in vertical orientation with a square grid pattern on most of the card. The top was usually split in half between equal grey and red rectangles for titles/dates/headings and a slightly thinner single long rectangle as a footer at the bottom.

      Patrick Rhone indicates on 2018-01-24 that they had quit manufacturing them by that date.

    1. https://xtiles.app/6249b3f811d8db0dcd173512

      Fascinating to see an xTiles page named "competitive analysis", but an interesting example of "eating their own dogfood" to make it.

    1. Introducing BOOX Tab Ultra C: Let the Colors Help You Work Better

      They're primarily touting one of the few e-ink tablets that does color (beginning in 2023), but it's fascinating to see the Boox marketing department using this video to sell the idea of color on a screen as a tool for thought this way.

      It's subtle and something we take for granted, so they have a point, but somehow odd none the less, perhaps because of its ubiquity.

      Let the colors help you think, organize, and work better.

      Let the colors help you work better.

      Colors inspire

    1. Commonplacing, florilegia, anthologies, miscellanies, zettelkasten are such a fascinating tradition. They make a lovely ratchet for thinking.

      Commonplacing, florilegia, anthologies, miscellanies, zettelkasten are a ratchet for thinking.

    1. Circling back around to this after a mention by Tim Bushell at Dan Allosso's Book Club this morning. Nicole van der Hoeven has been using it for a while now and has several videos.

      Though called Napkin, which conjures the idea of (wastebook) notes scribbled on a napkin, is a card-based UI which has both manual and AI generated tags in a constellation-like UI. It allows creating "stacks" of notes which are savable and archivable in an outline-esque form (though the outline doesn't appear collapsible) as a means of composition.

      It's got a lot of web clipper tooling for saving and some dovetails for bringing in material from Readwise, but doesn't have great data export (JSON, CSV) at the moment. (Not great here means that one probably needs to do some reasonably heavy lifting to do the back and forth with other tools and may require programming skills.)

      At present, it looks like just another tool in the space but could be richer with better data dovetailing with other services.

    1. The Margins of Marginalia by Tom Peters, ALA TechSource on 2011-05-02

      Peters talks about his own reading practices and his annotation habits throughout his life. There's some discussion of the oncoming annotation functionality in the digital space in 2011.

    2. the Openmargin iPad app announced in late April (http://www.the- digital-reader.com/2011/04/28/openmargin-brings-margin-notes-to-life/) looks very interesting.
  6. Apr 2023
    1. Musician John Mayer, too, describes his typewriter as more of an emotional companion than a logistical tool. He laments writing lyrics with the judgemental “red squiggly line” of spell check, which he says stops the creative process because he feels compelled to fix the error, and turning to a typewriter which “doesn’t judge you, it just goes, ‘right away, sir, right away’.”
    1. My biggest realization recently is to do whatever the opposite of atomicity is.

      Too many go too deep into the idea of "atomic notes" without either questioning or realizing their use case. What is your purpose in having atomic notes? Most writing about them online talk about the theoretical without addressing the underlying "why".

      They're great for capturing things on the go and having the ability to re-arrange and reuse them into much larger works. Often once you've used them a few times, they're less useful, specially for the average person. (Of course it's another matter if you're an academic researcher, they're probably your bread and butter.) For the beekeepers of the world who need some quick tidbits which they use frequently, then keeping them in a larger outlined document or file is really more than enough. Of course, if you're creating some longer book-length treatise on beekeeping, then it can be incredibly helpful to have them at atomic length.

      There's a spectrum from the small atomic note to the longer length file (or even book). Ask yourself, "what's your goal in having one or the other, or something in between?" They're tools, choose the best one for your needs.

  7. Mar 2023
    1. “Normally, a dictionary just tells you what words mean – and of course we do that – but the scale of the project gives us the space and opportunity to say what we’re not sure of too,” he said. “This is important because it leaves the door open for further scholarship and it gives the reader choices rather than dictating to them what to think. The dictionary can be a catalyst for more research and this is what makes the dictionary a living thing.”

      We need more scholarship which leaves open thinking spaces for future scholars.

    1. Auch die Korrektur einer Textstelle ist in der Datenbank sofort global wirksam. Im Zettelarchiv dagegen ist es kaum zu leisten, alle alphabetisch einsortierten Kopien eines bestimmten Zettels zur Korrektur wieder aufzufinden.

      Correcting a text within a digital archive or database allows the change to propagate to all portions of the collection compared with a physical card index which has the hurdle of multiple storage and requires manual changes on all of the associated copies.

      This sort of affordance can be seen in more modern note taking tools like Obsidian which does this sort of work with global search and replace of double bracketed words which change everywhere in the collection.

    1. Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? 🦜” In Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, 610–23. FAccT ’21. New York, NY, USA: Association for Computing Machinery, 2021. https://doi.org/10.1145/3442188.3445922.

      Would the argument here for stochastic parrots also potentially apply to or could it be abstracted to Markov monkeys?

    1. GPT and other large language models are aesthetic instruments rather than epistemological ones. Imagine a weird, unholy synthesizer whose buttons sample textual information, style, and semantics. Such a thing is compelling not because it offers answers in the form of text, but because it makes it possible to play text—all the text, almost—like an instrument.

      ChatGPT as an instrument that allows one to play text like an instrument.

    1. one of the things I value about writing, is the act of writing itself. It is an embodied process that connects me to my own humanity, by putting me in touch with my mind, the same way a vigorous hike through the woods can put me in touch with my body.
    1. HTML templating and streaming response library for Worker Runtimes such as Cloudflare Workers.

      js function handleRequest(event: FetchEvent) { return new HTMLResponse(pageLayout('Hello World!', html` <h1>Hello World!</h1> ${async () => { const timeStamp = new Date( await fetch('https://time.api/now').then(r => r.text()) ); return html`<p>The current time is ${timeEl(timeStamp)}.</p>` }} `)); }

    1. how did you teach yourself zettelkasten? .t3_11ay28d._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/laystitcher at https://www.reddit.com/r/Zettelkasten/comments/11ay28d/how_did_you_teach_yourself_zettelkasten/

      Roughly in order: - Sixth grade social studies class assignment that used a "traditional" index card-based note taking system. - Years of annotating books - Years of blogging - Havens, Earle. Commonplace Books: A History of Manuscripts and Printed Books from Antiquity to the Twentieth Century. New Haven, CT: Beinecke Rare Book and Manuscript Library, 2001. - Locke, John, 1632-1704. A New Method of Making Common-Place-Books. 1685. Reprint, London, 1706. https://archive.org/details/gu_newmethodmaki00lock/mode/2up. - Erasmus, Desiderius. Literary and Educational Writings, 1 and 2. Edited by Craig R. Thompson. Vol. 23 & 24. Collected Works of Erasmus. Toronto, Buffalo, London: University of Toronto Press, 1978. https://utorontopress.com/9781487520731/collected-works-of-erasmus. - Kuehn, Manfred. Taking Note, A blog on the nature of note-taking. December 2007 - December 2018. https://web.archive.org/web/20181224085859/http://takingnotenow.blogspot.com/ - Ahrens, Sönke. How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking – for Students, Academics and Nonfiction Book Writers. Create Space, 2017. - Sertillanges, Antonin Gilbert, and Mary Ryan. The Intellectual Life: Its Spirit, Conditions, Methods. First English Edition, Fifth printing. 1921. Reprint, Westminster, MD: The Newman Press, 1960. http://archive.org/details/a.d.sertillangestheintellectuallife. - Webb, Beatrice Potter. Appendix C of My Apprenticeship. First Edition. New York: Longmans, Green & Co., 1926. - Schmidt, Johannes F. K. “Niklas Luhmann’s Card Index: The Fabrication of Serendipity.” Sociologica 12, no. 1 (July 26, 2018): 53–60. https://doi.org/10.6092/issn.1971-8853/8350. - Hollier, Denis. “Notes (On the Index Card).” October 112, no. Spring (2005): 35–44. - Wilken, Rowan. “The Card Index as Creativity Machine.” Culture Machine 11 (2010): 7–30. - Blair, Ann M. Too Much to Know: Managing Scholarly Information before the Modern Age. Yale University Press, 2010. https://yalebooks.yale.edu/book/9780300165395/too-much-know. - Krajewski, Markus. Paper Machines: About Cards & Catalogs, 1548-1929. Translated by Peter Krapp. History and Foundations of Information Science. MIT Press, 2011. https://mitpress.mit.edu/books/paper-machines. - Goutor, Jacques. The Card-File System of Note-Taking. Approaching Ontario’s Past 3. Toronto: Ontario Historical Society, 1980. http://archive.org/details/cardfilesystemof0000gout.

      And many, many others as I'm a student of intellectual history.... If you want to go spelunking on some of my public notes, perhaps this is an interesting place to start: https://hypothes.is/users/chrisaldrich?q=tag%3A%22note+taking%22 I also keep a reasonable public bibliography on this and related areas: https://www.zotero.org/groups/4676190/tools_for_thought

  8. Feb 2023
    1. "Personal knowledge management is an aid to your work, not the work itself." —Sam Matla #

      This is entirely dependent on what and how you're doing it. If you're actively reading and annotating, and placing it somewhere, then that is the work, just in small progressive steps.

      He needs to be more specific about what he means by "personal knowledge management" as a definition of something.

    1. sometimes I’m afraid I’m more fighting the tools than doing research. Sometimes it seems to me there’s too much friction, and not the productive kind.

      relation to Note taking problem and proposed solution?

      This seems to be a common reality and/or fear.

    1. Döring, Tanja, and Steffi Beckhaus. “The Card Box at Hand: Exploring the Potentials of a Paper-Based Tangible Interface for Education and Research in Art History.” In Proceedings of the 1st International Conference on Tangible and Embedded Interaction, 87–90. TEI ’07. New York, NY, USA: Association for Computing Machinery, 2007. https://doi.org/10.1145/1226969.1226986.

      This looks fascinating with respect to note taking and subsequent arranging, outlining, and use of notes in human computer interaction space for creating usable user interfaces.

    1. he research skills that Eco teaches areperhaps even more relevant today. Eco’s system demandscritical thinking, resourcefulness, creativity, attention todetail, and academic pride and humility; these are preciselythe skills that aid students overwhelmed by the ever-grow-ing demands made on their time and resources, and confusedby the seemingly endless torrents of information availableto them.

      In addition to "critical thinking, resourcefulness, creativity, attention to detail, and academic pride and humility", the ability to use a note card-based research system like Umberto Eco's is the key to overcoming information overload.

    2. He understood that the writing of a thesis forcedmany students outside of their cultural comfort zone, andthat if the shock was too sudden or strong, they would giveup.

      The writing of a thesis is a shock to many specifically because information overload has not only gotten worse, but because the underlying historical method of doing so has either been removed from the educational equation or so heavily watered down that students don't think to use it.

      When I think and write about "note taking" I'm doing it in a subtly different way and method than how it seems to be used in common parlance. Most seem to use it solely for information extraction and as a memory crutch which they may or may not revisit to memorize or use and then throw away. I do it for some of these reasons, but my practice goes far beyond this for generating new ideas, mixing up ideas creatively, and for writing. Note reuse seems to be the thing missing from the equation. It also coincidentally was the reason I quit taking notes in college.

    1. LaMDA's safety features could also be limiting: Michelle Taransky found that "the software seemed very reluctant to generate people doing mean things". Models that generate toxic content are highly undesirable, but a literary world where no character is ever mean is unlikely to be interesting.
    2. If I were going to use an AI, I'd want to plugin and give massive priority to my commonplace book and personal notes followed by the materials I've read, watched, and listened to secondarily.

    3. Several participants noted the occasionally surreal quality of Wordcraft's suggestions.

      Wordcraft's hallucinations can create interesting and creatively surreal suggestions.

      How might one dial up or down the ability to hallucinate or create surrealism within an artificial intelligence used for thinking, writing, etc.?

    4. Writers struggled with the fickle nature of the system. They often spent a great deal of time wading through Wordcraft's suggestions before finding anything interesting enough to be useful. Even when writers struck gold, it proved challenging to consistently reproduce the behavior. Not surprisingly, writers who had spent time studying the technical underpinnings of large language models or who had worked with them before were better able to get the tool to do what they wanted.

      Because one may need to spend an inordinate amount of time filtering through potentially bad suggestions of artificial intelligence, the time and energy spent keeping a commonplace book or zettelkasten may pay off magnificently in the long run.

    5. language models are incredible "yes, and" machines, allowing writers to quickly explore seemingly unlimited variations on their ideas.
    6. In addition to specific operations such as rewriting, there are also controls for elaboration and continutation. The user can even ask Wordcraft to perform arbitrary tasks, such as "describe the gold earring" or "tell me why the dog was trying to climb the tree", a control we call freeform prompting. And, because sometimes knowing what to ask is the hardest part, the user can ask Wordcraft to generate these freeform prompts and then use them to generate text. We've also integrated a chatbot feature into the app to enable unstructured conversation about the story being written. This way, Wordcraft becomes both an editor and creative partner for the writer, opening up new and exciting creative workflows.

      The interface of Wordcraft sounds like some of that interface that note takers and thinkers in the tools for thought space would appreciate in their

      Rather than pairing it with artificial intelligence and prompts for specific writing tasks, one might pair tools for though interfaces with specific thinking tasks related to elaboration and continuation. Examples of these might be gleaned from lists like Project Zero's thinking routines: https://pz.harvard.edu/thinking-routines

    7. In addition to specific operations such as rewriting, there are also controls for elaboration and continutation. The user can even ask Wordcraft to perform arbitrary tasks, such as "describe the gold earring" or "tell me why the dog was trying to climb the tree", a control we call freeform prompting. And, because sometimes knowing what to ask is the hardest part, the user can ask Wordcraft to generate these freeform prompts and then use them to generate text. We've also integrated a chatbot feature into the app to enable unstructured conversation about the story being written. This way, Wordcraft becomes both an editor and creative partner for the writer, opening up new and exciting creative workflows.

      The sense of writing partner here is similar to that mentioned by Niklas Luhmann in Communicating with Slip Boxes: An Empirical Account (1981), though in his case his writing partner was a carefully constructed database archive of his past notes.

      see: Luhmann, Niklas. “Kommunikation mit Zettelkästen: Ein Erfahrungsbericht.” In Öffentliche Meinung und sozialer Wandel / Public Opinion and Social Change, edited by Horst Baier, Hans Mathias Kepplinger, and Kurt Reumann, 222–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1981. https://doi.org/10.1007/978-3-322-87749-9_19.<br /> translation at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm.

    1. What we ultimately should care about is being able to use our knowledge to produce something new, whatever that may be. To not merely reproduce you must understand the material. And understanding requires application, a hermeneutic principle that particularly Gadamer worked out extensively. If you really want to measure your level of understanding, you should try to apply or explain something to yourself or someone else.
    1. If the jargon points to a coherent phenomenon, it can be very useful.

      When jargon or argot points to "coherent phenomenon" or provides a taxonomic purpose, it can be useful beyond its alternate function of gatekeeping areas of thought.

    1. I agree.After thinking about it for a bit, a common symbol for "the present card/note" is the one I'm most wanting.For the other stuff, I'm thinking:The squigly arrow symbol in latex is probably enough to do fuzziness. Then it could be squigly arrow to the current card or squigly arrow to not symbol current card. And for pen and paper, just use the biochem flat arrow with a squigly body for "somewhat contradicts" or is in tension with.

      reply to stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10qw4l5/comment/j6x52ce/?utm_source=reddit&utm_medium=web2x&context=3

      Luhmann often used the shorthand of red numbers to indicate a link to nearby card in the current branch/stem, which Scott Scheper calls "stemlinks" in Antinet Zettelkasten (2022) p234. So, for example, on card ZKII 9/8 there is a red "1" which indicates the branching card ZKII 9/8,1. Scott uses a more computer science oriented notation of "/1" to indicate this as if he were traversing up or down a folder structure. Since there isn't really a (useful) idea of a root or home folder, and one wouldn't often want to refer to their zettelkasten itself, one might consider using the solidus "/" to indicate the current card? I personally do this, but not very frequently, though I might do it more often with respect to indicating argumentation within and among other cards.

      Some languages have location/proximity identifiers or markers (similar to here/there/over there). I'll sometimes use the Japanese markers (ko-so-a-do) as shorthand to provide rough approximation of idea relationships particularly when I have open questions. (example: kore, sore, are, dore -> this one, that one, that one over there, which one?) Many ideas are marked あ to indicate "just out of reach" or "needs additional thought". When ideas are adjacent or nearby, but by happenstance are relatively far away within my ZK (with respect to physical card distance in the box) they'll be pre-pended like こ/510/4b/3 (aka "ko"/510/4b/3).

  9. Jan 2023
    1. 个人学习可能取决于他人行为的主张突出了将学习环境视为一个涉及多个互动参与者的系统的重要性
    1. The words toki pona can be translated as “the language of good”. Its purpose is to help its speakers simplify their thoughts, focus on basic things, immediate surroundings, and induce positive thoughts. According to the wikipedia page of Toki Pona, this means the language and its purpose are in accordance with the Sapir–Whorf hypothesis, which says that a language influences the way a person thinks and behaves.

      Link to https://hypothes.is/a/6Znx6MiMEeu3ljcVBsKNOw We shape our tools and thereafter they shape us.

    1. The hypothesis of linguistic relativity, also known as the Sapir–Whorf hypothesis /səˌpɪər ˈwɔːrf/, the Whorf hypothesis, or Whorfianism, is a principle suggesting that the structure of a language influences its speakers' worldview or cognition, and thus people's perceptions are relative to their spoken language.

      https://en.wikipedia.org/wiki/Linguistic_relativity


      link to Toki Pona as a conlang


      Link to https://hypothes.is/a/6Znx6MiMEeu3ljcVBsKNOw We shape our tools and thereafter they shape us.

    1. https://www.catholic.org/saints/patron.php

      Potential patron saints of note takers, writers, knowledge workers, tools for thought, etc.

      • Apothecaries - Cosmas and Damian
      • archives - Laurent (Lawrence)
      • archivists, librarians, libraries - Catherine of Alexandria, Jerome, Laurent (Lawrence)
      • cabinetmakers - Anne, Joseph, Vincent de Paul
      • contemplatives, contemplative life - John of the Cross, Mary Magdalene
      • Craftworkers - Luke
      • Editors John Bosco, Francis de Sales
      • enlightenment - Holy Spirit, Our Lady of Good Counsel
      • file makers - Theodosius the Cenobriarch
      • Information Workers - Archangel Gabriel
      • inquisitors - Peter of Verona
      • Joiners - Joseph, Thomas, Apostle
      • knowledge - Holy Spirit
      • Learning - Ambrose, Catherine of Alexandria
      • liberal arts - Catherine of Bologna
      • linguists - Gotteschalk
      • net makers - Peter the Apostle
      • Notaries - Luke, Mark, Ivo of Kermartin
      • pencil makers - Thomas Aquinas
      • Scholars - Bridgid of Ireland, Thomas Aquinas
      • scribes - Catherine of Alexandria
      • Shorthand writers - Cassian of Imola
      • Students - Catherine of Alexandria, Thomas Aquinas, Gabriel Possenti
      • Students (examinees) - Joseph of Cupertino
    1. Here I’ve summarized Christian Tietze’s process, which I’m presently adopting / adapting:

      Andy is Adapting the approach of zettelkasten writer Christian Tietze

    2. You need to take a step back and form a picture of the overall structure of the ideas. Concretely, you might do that by clustering your scraps into piles and observing the structure that emerges. Or you might sketch a mind map or a visual outline.

      Andy suggests taking a step back and clustering annotations into piles or using a mind map or visualisations to identify common themes.

      I wonder if this is a bit overkill for the number of notes I tend to take or a sign that I'm not taking enough notes?

      What tools are out there that could integrate with my stack and help me do this.

    1. Tobeuseful,thenotestakenatmedicallecturesshouldbeasummaryonly;noattempt shouldbemadetotakeaverbatimreport

      Verbatim notes are not the goal.

      The idea of note taking as a means of sensemaking and understanding is underlined in an 1892 article in a shorthand magazine whose general purpose was to encourage shorthand and increasing one's writing speed, often to create verbatim records:

      To be useful, the notes taken at medical lectures should be a summary only; no attempt should be made to take a verbatim report.

    1. Record keeping using small clay ‘tokens’ was present in the Near Eastern Neolithic in the tenth millennium bc, these objects widespread and abundant by the sixth millennium bc, and by the fourth millennium bc it is clear they were functioning, perhaps as generalized elements for simple counting tasks recording time, resources and the like, albeit among other functions that did not have a mnemonic function (Bennison-Chapman Reference Bennison-Chapman2018, 240).
    1. Actually, using the hypothesis BOOKMARKLET is much more convinient than 'paste a link' or typing "via.hypothes.is/" in front of every link you want to annotate. With the bookmarklet all you need to do is, when you find a page that you want to bookmark, in the search bar of the mobile browser search for the name you saved the bookmarklet as and click it. It will immediately load hypothesis on the page just like clicking the hypothesis extention would do in pc. To bookmark the bookmarklet link (which can be found in https://web.hypothes.is/start) in the mobile browser, copy the link address of the bookmarklet link (which is a javascript code) and just edit an existing (useless) bookmark already there in the mobile browser replace the url with the bookmarklet link. Also give it a title (like "bookmarklet hypothesis") which you would type in the address bar of the mobile browser to find the bookmarklet bookmark.

      Manual to use hypothes.is in mobile Firefox

      via.hypothes.is does not work as they stopped providing an open proxy. It makes all URL forwarders and standalone apps on Android close to useless.

      The piece of advice provided here works, but it is highly unintuitive.

      The mechanics is this: 1. open a page where you want to add annotation 2. click on a bookmark as if you are opening a new page 3. since the bookmark is actually just a piece of javascript, it will simply load hypothes.is client 4. profit.

      To make it work in Firefox mobile, the instruction is this: 1. create a new arbitrary bookmark on some page. It will appear in the list of your bookmarks. 2. copy the bookmarklet javascript code. I was not able to do it directly in the FF mobile, so I copied it on my desktop and sent it to the phone via an IM 3. edit the newly created bookmark and a) give it a name, e.g., "hypothesize"; and b) replace the URL with the piece of copied javascript code 4. now when you want to add an annotation, follow the process above.

    1. Over time, they have been expanded and organized: it is the scaffolding of our conversation, left behind as a structure to think in. 

      "they" = "notes"

    1. After Ahrens' book I see an awful lot of people talking about "processing" books. There are too many assumptions about what this can mean and this hides many levels of inherent work involved in analyzing and synthesizing knowledge. I would suggest that we're better off talking about reading them, annotating, excerpting, and thinking about them, or maybe writing about and combining them with other knowledge than "processing" them.

  10. Dec 2022
    1. https://mochi.cards

      <small><cite class='h-cite via'> <span class='p-author h-card'>Fernando Borretti</span> in Unbundling Tools for Thought (<time class='dt-published'>12/29/2022 15:59:17</time>)</cite></small>

    1. https://tellico-project.org/

      Tellico<br /> Collection management software, free and simple

      <small><cite class='h-cite via'> <span class='p-author h-card'>Fernando Borretti</span> in Unbundling Tools for Thought (<time class='dt-published'>12/29/2022 15:59:17</time>)</cite></small>

    1. https://borretti.me/article/unbundling-tools-for-thought

      He covers much of what I observe in the zettelkasten overreach article.

      Missing is any discussion of exactly what problem he's trying to solve other than perhaps, I want to solve them all and have a personal log of everything I've ever done.

      Perhaps worth reviewing again to pull out specifics, but I just don't have the bandwidth today.

    1. Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.
    1. https://adjacentpossible.substack.com/p/designing-a-workflow-for-thinking

      Quick preface of Steven Johnson's forthcoming series of essays on thinking strategies.

    2. So I’ve started a routine where every few years, I block out a couple of days to sit down and review all my idea tools—and other rituals of how I structure my creative thinking— to see if there's something that can be improved upon.

      As a strategy for avoiding shiny object syndrome, one can make a routine of making a "creative inventory" of one's tools.

      There is generally a high switching cost, so tools need to be an order of magnitude more useful, beneficial, or even fun to make it worthwhile.

    1. I think one of the the things that 00:00:27 really separates us from the high primates is that we're tool builders and I read a a study that measured the efficiency of locomotion for various species on the planet the Condor used 00:00:41 the least energy to move a kilometer and humans came in with a rather unimpressive showing about a third of the way down the list it was not not too proud of a showing for the crown of 00:00:53 creation so that didn't look so good but then somebody at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle and a man on a bicycle or human on a bicycle 00:01:07 blew the Condor away completely off the top of the charts and that's what a computer is to me what a computer is to me is it's the most remarkable tool that we've ever come up with and it's the 00:01:19 equivalent of a bicycle for our minds

      Cleaned up quote:

      I think one of the [the] things that really separates us from the high primates is that [uh] we're tool builders. And I read a [uh] study that measured the efficiency of locomotion for various species on the planet. The Condor used the least energy to move a kilometer and [uh] humans came in with a rather unimpressive showing about a third of the way down the list. It was not [not] too proud of a showing for the crown of creation. So [uh] that didn't look so good, but then somebody at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle. And a man on a bicycle or human on a bicycle blew the Condor away—completely off the top of the charts and that's what a computer is to me. [uh] What a computer is to me is: it's the most remarkable tool that we've ever come up with and it's the equivalent of a bicycle for our minds.<br /> —Steve Jobs in Memory & Imagination: New Pathways to the Library of Congress. Documentary. Krainin Productions, 1990.

      Snippet from full documentary: https://www.youtube.com/watch?v=ob_GX50Za6c

    1. For example I had a few notes on principles of modern cryptography that came in handy when I had to write a paper about a related topic for my studies. But these cases were rare at best, most of these notes were never looked at again.

      The one shining moment in the whole essay and they don't seem to realize where the benefit or use actually was. They finally had a reason to have taken notes and the ideas shone here. But they've written off the tools because they didn't understand when to use them.

      Hammers are cool, but unless you're a professional carpenter, you don't carry it around all the time and use it constantly to hammer things. The same is true of note taking as a tool. You might use it regularly if you're a writer or an academic perhaps, but for hourly use in your day-to-day? Almost definitely not.

    1. https://www.movetodon.org/

      What a lovely looking UI.

      The data returned will also give one a strong idea of how many of their acquaintances have made the jump as well as how active they may be, particularly for those who moved weeks ago and are still active within the last couple of days. For me the numbers are reasonably large. 860 of 4942 have accounts presently and in scrolling through it appears that 80% or so have been active within a day or so regardless of account age.

    1. Thinking about the circular relationship between UX and human behaviour - how they shape each other. The affordances of the system determine certain usage patterns, but people subvert those affordances, turn them to unexpected ends, and the system is often changed (if not directly by the designers, then indirectly through reinterpretation by the users) as a result.

      We shape our tools and thereafter they shape us....

    1. Forks that do have a custom limit usually expose it as the max_toot_chars field in /api/v1/instance

      https://discourse.joinmastodon.org/t/get-character-limit-from-instance/3643/2

      Appending /api/v1/instance to a Mastodon instance will return a lot of interesting data about it and how it's set up.

    1. It’s always worth gathering information, nurturing other projects, and putting together some backup plans. You’ll need to define what success means to you for each of them, because you won’t make overnight progress; instead, you’re best served picking projects that you can learn critical lessons from, even if you fail

      It's interesting because this way of thinking is eminently compatible with the zettelkasten way of thinking e.g. don't necessarily set out with a hypothesis in mind that you're trying to prove but rather explore until something interesting emerges.

  11. Nov 2022
    1. Set the endpoint to Mailgun's Postbin. A Postbin is a web service that allows you to post data, which is then displayed through a browser. This allows you to quickly determine what is actually being transmitted to Mailgun's API.
    1. Automated personalization, localization, recommendation, f iltering, classif ication, evaluation, aggregation, synthetization, or ad hoc generation of information are similarly pervasive practices that do not require explicit user input to select, sequence, arrange, or modulate some set of digital items
    2. Search has become a dominant means to access and order the masses of digital and dataf ied bits and pieces that clutter the environments we inhabit.
    1. Matthew Thomas has created a remote follow tool called apfollow, with source available. This creates a page where you can follow a Mastodon account by entering your own details in a box and it redirects you to your home server to do the follow. Here’s a link to follow my Mastodon.ie account.

      This looks cool.

    1. Donations

      To add some other intermediary services:

      To add a service for groups:

      To add a service that enables fans to support the creators directly and anonymously via microdonations or small donations by pre-charging their Coil account to spend on content streaming or tipping the creators' wallets via a layer containing JS script following the Interledger Protocol proposed to W3C:

      If you want to know more, head to Web Monetization or Community or Explainer

      Disclaimer: I am a recipient of a grant from the Interledger Foundation, so there would be a Conflict of Interest if I edited directly. Plus, sharing on Hypothesis allows other users to chime in.

    1. Aram Saroyam and, I believe, Jackson Maclow produced something similar. MacLow's The Pronouns was super important to me back in grad school.

      reply to Bob Doto on https://www.reddit.com/r/antinet/comments/z3f8kb/comment/ixlocl7/?utm_source=reddit&utm_medium=web2x&context=3

      Do you have something particular on Saroyam for this? I found The Pronouns by Jackson Mac Low, but only tangential hits on Saroyam.

      Similar useful efforts, though not in as clear-cut card format are: * Project Zero's thinking routines: https://pz.harvard.edu/thinking-routines * Untools: https://untools.co/

    1. https://untools.co/

      Tools for better thinking Collection of thinking tools and frameworks to help you solve problems, make decisions and understand systems.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Howard Rheingold</span> in Howard Rheingold: "Y'all know about "Tools for …" - Mastodon (<time class='dt-published'>11/13/2022 17:33:07</time>)</cite></small>


      Looks similar to Project Zero https://pz.harvard.edu/thinking-routines

    1. Whilst at school, Eno used a tape recorder as a musical instrument[17]

      I personally did something akin to this when I was a child sometime between 9 and 12 with our family tape recorder. Did I do so because it was simply a creativity tool, which is generally how I used it, in my environment, or had Brian Eno and others' influences seeped into the culture encouraging this? Where does zeitgeist start and stop?

    2. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorisms intended to spur creative thinking.
  12. tinysubversions.com tinysubversions.com
    1. A tool that turns Twitter threads into blog posts, by Darius Kazemi.

      https://tinysubversions.com/spooler/

      <small><cite class='h-cite via'> <span class='p-author h-card'>Darius Kazemi</span> in Darius Kazemi: "thread unroller apps" - Friend Camp (<time class='dt-published'>11/16/2022 08:27:44</time>)</cite></small>

    1. Athens Research is winding down their note taking application.

      Potentially the first of more to come?

      Athens the OSS project is winding down. The company is still operating, but taking time to reset and explore new ideas. Open to chats and convos. Thanks all ❤️ https://t.co/Y7ROM86WSy

      — Jeff Tang 🏛 (Ohio) (@tangjeff0) November 11, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. I'm pretty much done thinking about "tools for thought". It quickly becomes an infinity of navel gazing and a complete waste of time. It's an easy topic for budding "influencers" because you don't actually need to know anything. All they need is to spend some time with a new bit of software and tell people how they should use it and the next thing you know they're selling an online course via their budding YouTube channel.

      scathing, but broadly true...

    1. David Brooks talks about what he calls the “theory of maximum taste.” It’s similar to what Murphy is saying. “Exposure to genius has the power to expand your consciousness,” Brooks writes. “If you spend a lot of time with genius, your mind will end up bigger and broader than if you [don’t].”
    2. This reminded me of Robert Greene’s definition of creativity, which is that creativity is a function of putting in lots of tedious work. “If you put a lot of hours into thinking and researching and reading,” Robert says, “hour after hour—a very tedious process—creativity will come to you.” 

      Robert Green's definition of creativity sounds like it's related to diffuse thinking processes. read: https://billyoppenheimer.com/august-14-2022/

      Often note taking, and reviewing over those notes is more explicit in form for creating new ideas.

      Come back to explore these.

    1. https://dainty-sable-264aa3.netlify.app/project/measuring_thinking_tools.html

      Openness should be broken out into smaller subsections to highlight the importance of supporting standards as a primary item by itself. Many of these axes are easier, low-hanging fruit that developers will iterate on anyway. Focusing on the harder and more subtle features like standards is a better way to go for the audience that can really use this now.

      Many of these axes are better for a commercial market.

    1. e. T. F. T.

      What is this editor's actual name?

      My first guess is "Tools for Thought", but that can't be right. 🤣

    Tags

    Annotators

    1. Zettelkasten with the complicated digestive system of a ruminant. All arbitrary ideas, all coincidences of readings, can be brought in. The internal connectivity then decides.

      another in a long line of using analogizing thinking to food digestion.... I saw another just earlier today.

    2. The Zettelkasten Method is based on this experience: One cannot think without writing - at least not in demanding contexts that anticipate selective access to memory. This also means: without notching differences one cannot think.

      Sönke Ahrens roughly quoted this passage or one like it (check the reference), but I criticized it for not being inclusive of indigenous people or oral methods. Luhmann, however, went further and was at least passively more inclusive by saying that one needs to be able to "notch differences" to be able to think, and this is a much better framing.

  13. Oct 2022
    1. November 7, 1916: "I expect to vote for Woodrow Wilson

      I wonder if others use the sense making features of a note card system to think through their voting decisions? This seems an interesting and useful exercise which Paxson has done.

    2. the author must not merely articulate his sources; he mustdigest them. A long passage quoted or closely followed "remainsan undigested bit of foreign matter." "Over quotation may meanunder thought."