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it’s about writing the first draft of history. “I’m writing a lot when other people aren’t necessarily putting things out there,” he says. “You can be a great academic, but if you’re not writing all the time you’re not necessarily in people’s minds as someone they would want to ask a question to.

reading a thesaurus is pretty much a bad way to improve any writing skill

Be bold and provide concise suggestions on moving projects forward instead of letting them sit in limbo. Bold writing will win you the reputation of an un-blocker and problem solver.

I regularly get people coming to me and asking me to write a book. I always pass because I can’t imagine writing in a format that has an end. I can’t imagine writing in a format that doesn’t provide instant feedback. I can’t imagine writing in a format that requires a structure. I can’t imagine writing in a format that isn’t a stream of consciousness. I can’t imagine thinking about what I am going to write more than ten minutes before writing it. I can’t imagine killing trees to carry my words. So I will continue to write a blog. It’s the perfect format for me. AVC is way more than a book. It is a living breathing thing that sustains me and that is me.

“I blog in Spanish and English for different reasons. In English I blog to communicate my ideas and views, in Spanish, where for some unknown reason many more people comment, I write to learn. The collective intelligence of my commentators is greater than mine.” Martin Varsavsky Founder and CEO FON

copy editing

jot down ideas in a scratch outline and work from that. Writing your thoughts down may even help you grasp them for the first time.

The skill of writing is to create a context in which other people can think.— Edwin Schlossberg

“The biggest thing separating people from their artistic ambitions is not a lack of talent. It’s the lack of a deadline. Give someone an enormous task, a supportive community, and a friendly-yet-firm due date, and miracles will happen.”

Encouraging everyone to do this regularly builds up both the team’s level of psychological safety and people’s courage to be vulnerable.

Where you should enforce high-quality writing is broad or upwards communication, because there clarity is more important than speed and ideation.

It forces us to be more precise than in verbal communication and thus leads to clearer thinking.

Incremental writing is a method of writing in which ideas are written down and assembled incrementally. Incremental writing requires no linearity. It adapts to your way of thinking. Many great writers and scientists of the past used a variant of incremental writing using their own systems of notes. In SuperMemo, incremental writing is integral with the creative process and learning itself

So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.”

Sound copywriting should never be sacrificed to cater to Google’s current search methodologies because they can and will change.

The Chrome Extension Overview backs up a bit, and fills in a lot of detail about the Extensions architecture in general, and some specific concepts developers will want to be familiar with.

create the consequences that work with your personality.

consequence three was he had to write a $1,000 check to the presidential candidate — this was before the race is over — to the candidate that he hated the most and then he took that check, this is the genius part of this, he took that check put it in an addressed enveloped, sealed and put a stamp on it, gave it to a friend and said if you don’t hear from me on this date saying, “I finished my book you send that. Don’t give me a day, grace period, don’t give me anything. If you don’t get that, you send that,” and that was enough motivation for him to finish his book and to call his friend and have her tear it up.

I am excited about traditional publisher because I am going to be beholden to them, they’re not going to let it slide that I don’t finish this thing on time. So maybe let’s talk about, what are ways that we can put ourselves in situations with that lines that will helps us as artists, as people who are trying to live a portfolio life?

And if you’ve done your job well, if you’ve created something, that’s good and you have done a good job of bringing it into the world then you basically get to move on and that thing continues to sell and impact people and there is a return on the investment of time that you put on that, I like that. I like that more than “I’ve got to go to make money today. I’ve got to think of something new to create today”, or whatever.

I think thinking of your work in terms of a series of projects, which is the idea of the portfolio life. You don’t have to do just one thing for the rest of your life.

If sentences contain eight words or less, readers understand 100 percent of the information.If sentences contain 43 words or longer, the reader’s comprehension drops to less than 10 percent.

writing process

8 Writing, argumentation, presentation, and (Economic) logic: Being clear and making sense

"The easiest way to be discovered right now in technology and perhaps many fields is to create your own independent blog and write. There is a huge dearth in availability of good, current, first party content today.The single most important advice I can give to actually write is to write.The thing that happens which you don’t see until you write is that your content engages some of the smartest people who are lurking around the internet. And they reach out to you."

True writing

True writing

For example, take the character for east , which in the Beijingdialect has the sound “dong” (pronounced “doong,” as in Mao Ze-dong’s name). Since a Chinese character is read aloud as a single syllableand since spoken Chinese is also rather short of sounds (there are onlyabout four hundred different syllables in the whole language), it hasbeen plagued with homophones, words that sound like other words, like“soul” and “sole” or “all” and “awl” in English. It happened that thespoken word meaning “freeze” had the sound “dong.” So did a spokenword meaning a roof beam. When the Chinese went to write down thecharacter for freeze, they took the character for east and put beside itthe symbol of ice , which makes the character (“dong,” to freeze).To write down the word sounding “dong” which meant roof beam, theywrote the character east and put before it the symbol for wood mak-ing (“dong,” a roof beam).These are simple examples. Indeed, any part of the Chinese languageis simple in itself. It becomes difficult because there is so much of it to beremembered, so many meanings and allusions. When the lexicographersof later times wanted to arrange thousands of Chinese characters in adictionary, for instance, the best they could do in the absence of an al-phabet was to work out a list of 214 classifiers or “radicals,” one ofwhich was sure to be in each character in the language. These 214classifiers, for dictionary purposes, correspond to the 26 letters of our al-phabet, but are more ambiguous and less efficient. Shang writing was al-ready using “radicals” like wood, mouth, heart, hand, that indicatedcategories of meaning. From the start the governmental power of theChinese writing system was at the ruler’s disposal. Writing seems to haveemerged more in the service of lineage organization and governmentthan in the service of trade.

Writing exercises the mind, and the mind NEEDS to stretch, wants to grow. Inertia is death to the mind as well as to the body.

A Love Letter to My Student Writers

“Why don’t you assume you’ve written your book already — and all you have to do now is find it?”

Here’s Stephen Harrigan (talking about his book, Big Wonderful Thing: A History of Texas)

In my experience writing books, it isn’t just a “resistance” thing or a “perfectionist” thing or a fear thing, it’s more about research and wondering if you’ve done enough of it. Research becomes your way of procrastinating, because, let’s face it, research is just more fun than writing. (Me, personally, I became a professional writer so I could be a professional reader.)

There’s an awful temptation to just keep on researching. There comes a point where you just have to stop, and start writing. When I began, I thought that the way one should work was to do all the research and then write the book. In time I began to understand that it’s when you start writing that you really find out what you don’t know and need to know.

The chosen approach pushes a lot of complexity out of the core. As a result it might take more code to achieve certain functionalities. This is the price of flexibility. And that's the primary design goal of Reactabular.

Unfortunately, numerous widely-used tagless-final interfaces (like Sync, Async, LiftIO, Concurrent, Effect, and ConcurrentEffect) encourage you to code to an implementation.

убрать страдательный залог и отглагольные существительные. Даже на этом этапе стало дружелюбнее.

Writing is Thinking: Learning to Write with Confidence

“To write a great book, you must first become the book.”  - Atomic Habits

I could and probably will write an entire article (or 10) on how I approach SEO research, but for the purpose of this article, I’ll just share that I use these tools: Ahrefs, Keyword Planner, and Keywords Everywhere.

Conversations, books and articles, personal experiences, and random Google searches

What is something that I can uniquely contribute?

I set an open invitation to my brain to take note of anything interesting. More specifically, I look for anything within the intersection of: (1) interesting, (2) doesn’t exist online in that exact form, and (3) something I can contribute uniquely to

In my opinion, writing should never be something that you do just to check off of your to-do list. At its core, writing is a mechanism to try to deliver value to others. And over time, I’ve defined that as my core goal.

There’s a great tool called Draftback, which essentially lets you “go back in time to look over your own shoulder as you write”

Writing Process Steps:Ideation: PassiveTracking: ActiveOutline - ActiveIdea Arbitrage - PassiveResearch - ActiveWriting - Active

Hellblade: Senua’s Sacrifice was one example, with Pratchett pointing out the help provided by the Wellcome Trust’s Public Engagement Fund. The trust is a foundation in England that gives grants to projects in film, TV and video games that have a biological or neurological component. Part of the grant process also comes with support from consultants, who work with recipients. For Hellblade, that meant replicating Senua’s psychosis in a convincing and sensitive way, and so University of Cambridge’s Professor Paul Fletcher became integral to the game’s development.

“students will write differently, you know, if they know it’s not just going to their professor.

so byinsisting that the poetic impulse could not be fulfilled unless the sexualimpulse was repressed, Milton was in effect creating an equivalence betweenthem.

He once showed me a Sanskrit volume handwritten in human blood: “You know, Greg, all great writers must work this way.”

Moreover, annotation is the agreed upon means of starting and sustaining that conversation.

Damn right I just drew fire breathing sharks.

phonetic signs, introduced to transcribe the name of individuals, marked the turning point when writing started emulating spoken language

Writing was used exclusively for accounting until the third millennium BC, when the Sumerian concern for the afterlife paved the way to literature by using writing for funerary inscriptions

We expect authentic writing from our students, yet we do not write authentic assignments for them.

Actually, a whole gotcha industry has sprung up.

But it’s far more that just a cultural signpost. The reason Coney Island of the Mind has held up so well is that it also marks the first full flowering of Ferlinghetti’s considerable poetic gifts. Employing open elastic lines that often seesaw across the page, Ferlinghetti’s verse is a unique combination of Whitmanesque proclamation and Dionysian celebration, where a deep love for life and art is interlaced with call for the human race to finally begin living up to its potential. … Fifty years on, Coney Island of the Mind, Ferlinghetti’s artistic and commercial breakthrough, still stands as an excellent example of both his social and poetic contributions, and is not only a worthy but probably a necessary volume for the library of anyone truly serious about understanding where English-language poetry has been and where it is going.

first draft could represent a free outpouring of thoughts

one needs little stylistic ornament because people arc naturally attracted lo truth if they can sec it clearly.

I have made no distinction in what has been said between Speaking and Writing, because tho they are talenL'i which do not always meet, yet >"'1•""�� there is no material difference between 'cm.

am aware it will be said, that written language is only a copy of that which is spoken

Speech and thought arc inseparable, in Vico'., view: They evolve together.

These outcomes and estimated effect sizes bring us back to a key applied question: Which method—longhand (on paper or eWriter) or laptop—should students use to take notes? At this point, we would argue that the available evidence does not provide a definitive answer to this question.

Even poets and other authors,whose compositions are chiefly calculated toplease the imagination,

The interplay between the present as actual and the presentas virtual spells the rhythms of subject formation.

Or you can ask them to take 1-5 minutes in class before you start discussion.

It’s not a problem I can solve, but it’s a reality I can acknowledge, a paradigm through which I can understand my actions.

Regardless of your discipline, there’s a good chance that at some point you will be responsible for teaching or grading writing in some shape or form.

What if we rode harder onthe performative, as Barad urges, seeing it as“material enactments that contribute to, andare a part of, the phenomena we describe.”19This ontological shift asks us to situate thehuman more complexly in the material world, and seek out fresh understandings ofhow it manifests in who we are and what we do.

ee it instead as extended out and threadedthrough material objects and practices

I will complicate both narratives, showing that each depends on earlier devel-opments.

Seneca

CORRESPONDENCE

The letter one sends in order to help one’s correspondent —advise him, exhort him, admonish him, console him— constitutes for the writer a kind of training: something like soldiers in peacetime practicing the manual of arms, the opinions that one gives to others in a pressing situation are a way of preparing oneself for a similar eventuality.

notebooks serving as memory aids. Their use as books of life, as guides for conduct

writing about oneself appears clearly in its relationship of complementarity with reclusion

You don't need complex sentences to express complex ideas. When specialists in some abstruse topic talk to one another about ideas in their field, they don't use sentences any more complex than they do when talking about what to have for lunch. They use different words, certainly. But even those they use no more than necessary. And in my experience, the harder the subject, the more informally experts speak. Partly, I think, because they have less to prove, and partly because the harder the ideas you're talking about, the less you can afford to let language get in the way.

It seems to be hard for most people to write in spoken language. So perhaps the best solution is to write your first draft the way you usually would, then afterward look at each sentence and ask "Is this the way I'd say this if I were talking to a friend?" If it isn't, imagine what you would say, and use that instead. After a while this filter will start to operate as you write. When you write something you wouldn't say, you'll hear the clank as it hits the page.Before I publish a new essay, I read it out loud and fix everything that doesn't sound like conversation. I even fix bits that are phonetically awkward; I don't know if that's necessary, but it doesn't cost much.

If you simply manage to write in spoken language, you'll be ahead of 95% of writers. And it's so easy to do: just don't let a sentence through unless it's the way you'd say it to a friend.

As with all of the arts, literature was once upon a time entirely made possible through patrons. This goes at least as far back as Shakespeare and Ben Jonson. They were able to write because their patrons provided them financial support. And this was of course true of all of the other arts. Beginning in the middle of the nineteenth century, however, literature and commerce got mixed.

like you kind of hide yourself in school but when you’re outside of school, it’s like you open yourself up. You unfold everything.

by 2009, the rate for men was 61% higher than the rate for women.

TBI-related death rates decreased from 2001 to 2010 from 5.2 to 4.3 deaths per 100,000 children aged four and younger, from 3.2 to 1.9 deaths per 100,000 adolescents aged five to 14, from 23.4 to 15.6 deaths per 100,000 individuals aged 15 to 24, and from 17.6 to 14.6 deaths per 100,000 adults aged 25 to 44.

increased in individuals 65 years and older.

TBI-related emergency department visits increased from a rate in 2001 of 420.6 per 100,000 people to 715.7 per 100,000 people in 2010. TBI-related hospitalizations increased from 2001 to 2010 from 82.7 per 100,000 people to 92.7 per 100,000 people. TBI-related deaths decreased from 2001 to 2010 from a rate of 18.5 deaths per 100,000 people to 17.1 deaths per 100,000 people.

Writing is selection. Just to start a piece of writing you have to choose one word and only one from more than a million in the language. Now keep going. What is your next word? Your next sentence, paragraph, section, chapter? Your next ball of fact. You select what goes in and you decide what stays out. At base you have only one criterion: If something interests you, it goes in—if not, it stays out. That’s a crude way to assess things, but it’s all you’ve got. Forget market research. Never market-research your writing. Write on subjects in which you have enough interest on your own to see you through all the stops, starts, hesitations, and other impediments along the way.

(cf. Neal et al. 2012; Painter et al. 2002; Hearn et al. 1998).

Unfortunately, David Allen’s technique cannot simply be transferred to the task of insightful writing. The first reason is that GTD relies on clearly defined objectives, whereas insight cannot be predetermined by definition.

regularly check if our tasks still fit into the bigger picture

breaking down the amorphous task of “writing a paper” into small and clearly separated tasks

Planners are also unlikely to continue with their studies after they finish their examinations. They are rather glad it is over. Experts, on the other hand, would not even consider voluntarily giving up what has already proved to be rewarding and fun:

“One cannot think without writing.”

speculative

speculative writing

failings of the person here presenting them

In all these cases, the notion of temporal structuring through ongoing practices helps us understand and bridge the temporal oppositions underlying the research litera­ture. We tum now to an empirical example to demonstrate how this perspective can offer a new understanding of the temporal conditions and consequences of organizational life.

While adopting one side or the other of this dichotomy may offer re­searchers analytic advantages in their temporal studies of organizations, difficulties arise when these positions are treated-not as conceptual tools-but as inherent prop­erties of time. Focusing on one side or the other misses seeing how temporal structures emerge from and are em­bedded in the varied and ongoing social practices of peo­ple in different communities and historical periods, and at the same time how such temporal structures powerfully shape those practices in turn. By focusing on what or­ganizational members actually do, our practice-based per­spective on temporal structuring may offer new insights into how people construct and reconstruct the temporal conditions that shape their lives.

Our purpose in this paper is to develop the basic out­lines of an alternative perspective on time in organiza­tions that is centered on people's recurrent practices that shape (and are shaped by) a set of temporal structures. We see this emphasis on human practices (as distinct from external force or subjective construction) as bridg­ing the current opposition between objective and subjec­tive conceptualizations of time, and thus as making pos­sible a new understanding of the temporal conditions and consequences of organizational life. By grounding our perspective in the dynamic capacities of human agency we believe we gain unique insights into the creation, use, and influence of time in organizations.

In this paper we explicitly integrate the notion of social practices from this literature with that of enacted struc­tures drawn from the theory of structuration (Giddens 1984 ), arguing that the combination can be valuable for the study of organizations in general and of time in or­ganizations in particular. With respect to the latter, we have obtained important insights into how temporality is both produced in situated practices and reproduced through the influence of institutionalized norms.

We contribute to this discussion within organizational re­search by offering an alternative third view-that time is experienced in organizational life through a process of temporal structuring that characterizes people's everyday engagement in the world. As part of this engagement, people produce and reproduce what can be seen to be temporal structures to guide, orient, and coordinate their ongoing activities.

researchers explore the embodied. embedded. and mate­rial aspects of human agency in constituting particular social orders (Hutchins 1995, Lave 1988, Suchman 1987).

You don't understand: You a jazz musician by default. And that just opened me up.

And when you like a sound or an instrumental, you want to approach it the right way. So you sit on it.

It starts there first, before I even heard any type of melody or lyric. That's just DNA

tossing white hair like a Pentateuchal prophet.

vaulting mode.

feeling squeezed in the form

eliminating apocrypha

That is no way to start a writing project, let me tell you. You begin with a subject, gather material, and work your way to structure from there. You pile up volumes of notes and then figure out what you are going to do with them, not the other way around