476 Matching Annotations
  1. Last 7 days
    1. 个人学习可能取决于他人行为的主张突出了将学习环境视为一个涉及多个互动参与者的系统的重要性
  2. Jan 2023
    1. It’s far more complicated than that, obviously. Different parts of this process are going on all the time. While working on one chapter, I’m also capturing and working on unrelated—for the time being at least—notes on other topics that interest me, including stuff that might well end up in future books.

      Because reading, annotating/note taking, and occasional outlining and writing can be broken down into small, concrete building blocks, each part of the process can be done separately and discretely with relatively easy ability to shift from one part of the process to another.

      Importantly, one can be working on multiple different high level projects (content production: writing, audio, video, etc.) simultaneously in a way which doesn't break the flow of one's immediate reading. While a particular note within a piece may not come to fruition within a current imagined project, it may spark an idea for a future as yet unimagined project.

      Aside: It would seem that Ryan Holiday's descriptions of his process are discrete with respect to each individual project. He's never mentioned using or reusing notes from past projects for current or future projects. He's even gone to the level that he creates custom note cards for his current project which have a title pre-printed on them.

      Does this pre-titling help to provide him with more singular focus for his specific workflow? Some who may be prone to being side-tracked or with specific ADHD issues may need or be helped by these visual and workflow cues to stay on task, and as a result be helped by them. For others it may hinder their workflows and creativity.

      This process may be different for beginning students or single project writers versus career writers (academics, journalists, fiction and non-fiction writers).

      As a concrete example of the above, I personally made a note here about Darwin and Lamarck for a separate interest in evolution which falls outside of my immediate area of interest with respect to note taking and writing output.

    2. The above is an attempt to describe how I went about writing one chapter of my book. I use the same basic approach for all my chapters, namely: make lots of linked notes about stuff I happen to find interesting;continue to develop those notes, splitting them into smaller notes when they become too wide-ranging;write Journal entries and draw mind-maps to explore what I’ve discovered;keep playing with my notes;await a lightbulb moment, when two or more notes suddenly make an unexpected new connection in my brain, and I think, “Oh, that’s interesting!”create a detailed bullet-point outline of my chapter, complete with links to supporting notes and references;write the chapter;compile the chapter references with the help of the chapter outline links;repeat until the first draft of the book is finished;then comes the fun part.

      Summary of Richard Carter's writing process from notes to product.

    3. All that remained was the small matter of actually writing the chapter. I don’t do this in Obsidian: I think it would be asking for trouble to mix notes and their end-products in the same place.

      I've not seen this explicitly laid out as advice before though in most contexts people's note taking spaces have historically been divorced from their writing spaces for publication because slips and notes are usually kept physically separate from the working spaces or finished parts, but Richard Carter specifically separates the digital spaces in which he takes his notes and then uses them for creating end products. While he could both take notes in Obsidian, his tool of choice for notes, as well as write his finished pieces there, he actively changes contexts to use a different digital app to compose his notes into final pieces.

      What affordances does this context shift provide? <br /> - blank slate may encourage reworking and expansion of original notes - is there a blank slate effect and what would it entail? - potentially moves the piece into a longer format space or tool which provides additional writing, formatting or other affordances (which? there don't seem to be any in this case aside from a potential "distraction free mode" which may tend to force one to focus only on the piece at hand rather than the thousands of other pieces (notes) hiding within the app)

      What affordances does this remove?<br /> - He's forced to repeat himself (cut & paste / DRY violation)

      Is it easier or harder (from a time/effort perspective) to provide citations with such a workflow? Carter does indicate that for him:

      Having links to original sources in my outline makes the compilation of references for the chapter far easier than it used to be.

    4. I make a habit of outlining chapters in Obsidian as it allows me to structure them with indented bullet points, and to link individual bullet points to supporting notes, including notes on original sources. I also make the bullet points into checkboxes, so I can check them off as I make my way through the outline as I’m drafting the actual chapter.
    1. What ideas are you wrestling with this week? January 19, 2023

      Reply to Will at https://forum.zettelkasten.de/discussion/2490/what-ideas-are-you-wrestling-with-this-week-january-19-2023#latest

      There's so much great looking material here, it's almost overwhelming on where to start. I almost feel like I should be reading all this in addition to everything else I've got on my list.

      Some of the direction with respect to writing, writing practice, and even your woodworking makes me think you'd appreciate the subtle idea hiding in this old blogpost I ran into in April 2021: https://jsomers.net/blog/dictionary.

    1. Like any journal, Thoreau’s is repetitive, which suggests naturalplaces to shorten the text but these are precisely what need to be keptin order to preserve the feel of a journal, Thoreau’s in particular. Itrimmed many of Thoreau’s repetitions but kept them wheneverpossible, because they are important to Thoreau and because theyare beautiful. Sometimes he repeats himself because he is drafting,revising, constructing sentences solid enough to outlast the centuries.

      Henry David Thoreau repeated himself frequently in his journals. Damion Searls who edited an edition of his journals suggested that some of this repetition was for the beauty and pleasure of the act, but that in many examples his repetition was an act of drafting, revising, and constructing.

      Scott Scheper has recommended finding the place in one's zettelkasten where one wants to install a card before writing it out. I believe (check this) that he does this in part to prevent one from repeating themselves, but one could use the opportunity and the new context that brings them to an idea again to rewrite or rework and expand on their ideas while they're so inspired.

      Thoreau's repetition may have also served the idea of spaced repetition: reminding him of his thoughts as he also revised them. We'll need examples of this through his writing to support such a claim. As the editor of this volume indicates that he removed some of the repetition, it may be better to go back to original sources than to look for these examples here.

      (This last paragraph on repetition was inspired by attempting to type a tag for repetition and seeing "spaced repetition" pop up. This is an example in my own writing practice where the serendipity of a previously tagged word auto-populating/auto-completing in my interface helps to trigger new thoughts and ideas from a combinatorial creativity perspective.)

    1. This independent confirmation ofthe testimonythat Dr Gowers has personally borne to the helpfulness ofPhonography in his professional career, is peculiarlyvaluable, because there are still some able men in themedical world who discourage the practice of note- takingby students . Professor Struthers, for instance, is reportedto have said before the General Medical Council that" the student takes his notes, puts his book in his pocket,and walks out, knowing no more about the subject than amere reporter would do."

      There's an interesting parallel between this example and that of the character of Socrates in Plato with respect to writing and memory.

      Some take notes to increase understanding, while others might suggest that note taking decreases understanding. The answer to remedying the discrepancy is in using the proper process.

    1. In Frankreich haben beide Kammern des Parlaments ein Gesetz über erneuerbare Energien verabschiedet, allerdings gibt es Unterschiede zwischen beiden Versionen, die noch einen Verhandlungsprozess nötig machen. Nach Ansicht vieler Kritiker stellt das Gesetz nicht sicher, dass seine Ziele tatsächlich erreicht werden.

    1. Die Treibhausgasemissionen der USA sind 2022 um etwa 1,3% gestiegen, obwohl der Anteil erneuerbarer Energien stark gewachsen ist. Die Wachstumsraten entsprechen denen vor der Coronakrise und stehen nicht im Einklang mit den Reduktionszielen der Regierung.

      Publikation: https://rhg.com/research/us-greenhouse-gas-emissions-2022/

    1. Daten des britischen Wetterdiensts: 2022 war das bisher wärmste Jahr in England und Großbritannien. Die hohen Temperaturen wurden durch die Treibhausgase in der Atmosphäre um den Faktor 160 wahrscheinlcher gemacht. Ausführliche Datenanalyse bei Carbon Brief.

    1. https://www.youtube.com/watch?v=SYj1jneBUQo

      Forrest Perry shows part of his note taking and idea development process in his hybrid digital-analog zettelkasten practice. He's read a book and written down some brief fleeting notes on an index card. He then chooses a few key ideas he wants to expand upon, finds the physical index card he's going to link his new idea to, then reviews the relevant portion of the book and writes a draft of a card in his notebook. Once satisfied with it, he transfers his draft from his notebook into Obsidian (ostensibly for search and as a digital back up) where he may also be refining the note further. Finally he writes a final draft of his "permanent" (my framing, not his) note on a physical index card, numbers it with respect to his earlier card, and then (presumably) installs it into his card collection.

      In comparison to my own practice, it seems like he's spending a lot of time after-the-fact in reviewing over the original material to write and rewrite an awful lot of material for what seems (at least to me—and perhaps some of it is as a result of lack of interest in the proximal topic), not much substance. For things like this that I've got more direct interest in, I'll usually have a more direct (written) conversation with the text and work out more of the details while reading directly. This saves me from re-contextualizing the author's original words and arguments while I'm making my arguments and writing against the substrate of the author's thoughts. Putting this work in up front is often more productive at least for areas of direct interest. I would suspect that in Perry's case, he was generally interested in the book, but it doesn't impinge on his immediate areas of research and he only got three or four solid ideas out of it as opposed to a dozen or so.

      The level of one's conversation with the text will obviously depend on their interest and goals, a topic which is relatively well laid out by Adler & Van Doren (1940).

    2. Definitely the mate is the most fundamental intellectual aim, I was wandering from the beginning if that was a mate hahah. How is it that you are drinking mate? I’m guessing you are not from Argentina since you speak and write in english and for english-speaking students… Also, I really like this series about the zettelkasten, you explain things clearly and with great humor. I like videos like this one where you show the actual process.

      Process is important and I suspect we need more concrete examples for people to see. I'm reminded of Andy Matuschak's note taking live stream a while back: https://www.youtube.com/watch?v=DGcs4tyey18 though some editing, time compression, and inserted images can make it a bit more interesting than watching paint dry.

      Anecdotally, I feel like mate has become at least marginally more popular in the United States in the last few years, or at least enough to enter the consciousness of the cultural zeitgeist at a liminal level.

    1. I couldn’t have written this book without the aid of laying out all of thedifferent sections on my desk. I created a hub of cards that had collectivecardlinks on them. Each card was organized by topic and contained subtopicsthat pointed me to various card addresses in my Antinet. I then moved themaround a large table to create the perfect logical layout for this book. Here’sa picture of it:

      Despite doing the lion's share of the work of linking cards along the way, Scheper shows that there's still some work of laying out an outline and moving cards around to achieve a final written result.

      compare this with Victor Margolin's process: https://hypothes.is/a/oQFqvm3IEe2_Fivwvx596w

      also compare with the similar processes of Ryan Holiday and Robert Greene

    1. Die Rekordtemperaturen in UK in diesen Sommer wurden durch die globale Erhitzung 160 Mal so wahrscheinlich gemacht wir vor der Industrialisierung. Mit ähnlichen Temperaturen ist jetzt alle drei bis vier Jahre zu rechnen, am Ende des Jahrhunderts bei einem mittleren Emissions-Szenario jährlich.

  3. Dec 2022
    1. Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.[1][2] Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms.
    1. Ca 4% des Ökostroms in Deutschland gehen im Augenblick verloren, weil die Netzinfrastruktur unzureichend ist. Am stärksten betroffen ist offshore-Windkraft. Drei Viertel der fehlenden Kapazitäten entfallen auf die Übertragungs-, ein Viertel auf die Verteilungsnetze. Produktionsverzicht und überflüssige Produktion führen zu Kosten von fast anderthalb Milliarden Euro im Quartal.

    1. “I thought that art schools should just be places where you thought about creative behavior, whereas they thought an art school was a place where you made painters,” he said later.

      We should do better at teaching and training creative behavior in schools. We say that we encourage exploration but somehow do it in all the wrong ways such we discourage it wholly.

    2. At Ipswich, he studied under the unorthodox artist and theorist Roy Ascott, who taught him the power of what Ascott called “process not product.”

      "process not product"

      Zettelkasten-based note taking methods, and particularly that followed by Luhmann, seem to focus on process and not product.

    1. In Deutschland scheitert der Ausbau der Windkraft nach wie vor an Vorschriften und an mangelndem Engagement von Landes-, aber auch Bundesbehörden. Die taz dokumentiert die aktuelle Lage ausführlich, unter anderem mit einer interaktiven Karte, die zeigt, wo Windkraftanlagen möglich wären. Sie hat dazu Claudia Kemfert und Thorsten Lenk von Agora Energiewende befragt.

    1. In Frankreich ruft der Wirtschaftsminister Bruno Le Maire einen Kulturkampf für die Atomkraft aus. Dabei geht es einerseits um mehr Einnahmen für den komplett verstaatlichten Konzern EDF und andererseits darum Atomkraftwerk zu einem Exportschlager zu machen. Im Januar will man eine Leistung von 45 GW erreichen, im Jahr wieder 430 TWh.

    1. Das Europäische Parlament hat entschieden, dass Produkte wie Kaffee und Kakao aus Gebieten, die nach 2020 entwaldet würden, nicht in die EU importiert werden dürfen. Die Unternehmen sind dafür verantwortlich, dass ihre Lieferketten kontrolliert werden können. Laut WWF ein bedeutender, aber bei weitem nicht nicht ausreichender Schritt zu Schutz von Waldgebieten und Indigenen.

    1. This generally fits my criteria for submission as an example to https://boffosocko.com/2022/07/12/call-for-model-examples-of-zettelkasten-output-processes/

    2. https://edward-slingerland.medium.com/there-is-only-one-way-to-write-a-book-637535ef5bde

      Example of someone's research, note taking, and writing process using index cards.

      Broadly, this is very similar to the process used by Ryan Holiday, Robert Green, and Victor Margolin.

      While he can't recall the name of the teacher, he credits his 7th grade English teacher (1980-1981) for teaching him the method.

      Edward Slingerland is represented by Brockman Inc.

    3. That sounds challenging, of course, but I find that the writing, at this stage, is actually relatively easy: the card organization has already done most of the work. The cards tell the story, you now just need to (skillfully!) weave them together.

      Anecdotal evidence that the final "writing" portion of a card index process is "relatively easy" as the majority of the work has already been done.

    4. This is the absolute hardest part of the writing process, in my mind. The most exciting, too, because you’re never quite sure where it’s going to end up.

      Anecdotal evidence that categorizing and arranging index cards/ideas for a writing project for subsequent writing is one of the most difficult portions of the process.

      Niklas Luhmann subverted portions of this by pre-linking his ideas together either in threads or an outline form as he went.

    1. But anti- spam software often fetches all resources in mail header fields automatically, without any action by the user, and there is no mechanical way for a sender to tell whether a request was made automatically by anti-spam software or manually requested by a user. To prevent accidental unsubscriptions, senders return landing pages with a confirmation step to finish the unsubscribe request. A live user would recognize and act on this confirmation step, but an automated system would not. That makes the unsubscription process more complex than a single click.

      HTTP: method: safe methods: GETs have to be safe, just in case a machine crawls it.

    1. Here are some recommended unsubscribe methods: Include a prominent link in the message that takes recipients to a page for unsubscribing. Let recipients review the individual mailing lists they’re subscribed to. Let them unsubscribe from lists individually, or all lists at once. Automatically unsubscribe recipients who have multiple bounced messages. Periodically send a confirmation message to recipients to make sure they still want to get your messages.
    2. Let recipients easily unsubscribe Always give recipients a way to unsubscribe from your messages. Make unsubscribing easy. Letting people opt out of your messages can improve message open rates, click-through rates, and sending efficiency.
    1. Also, make sure a user does not need to enter credentials or select a checkbox to complete the unsubscription process.
    2. With the http method, behind the list-unsubscribe header, there is a URL leading to a web page for opting out. When a user clicks the unsubscribe link, a landing page opens, and the user is asked to confirm unsubscription.
    3. Let’s say the recipient is considering unsubscribing. He or she may be too busy to search through the email to find the unsubscribe link, so he or she just clicks “Report as SPAM” to stop the emails from coming. This is the last thing any marketer wants to see happen. It negatively impacts sender reputation, requiring extra work to improve email deliverability. With the list-unsubscribe header, you will avoid getting into this kind of trouble in the first place.
  4. Nov 2022
    1. Bei seinem Besuch in Amerika wird Emmanuel macron vor allem über die Konsequenzen des Inflation reduction act für die europäische Wirtschaft sprechen. Die US-Regierung wird den Übergang zu sauberen Energien so subventionieren, dass die gesamte Wertschöpfungskette in den USA bleibt. Macron behandelt das einerseits als ein unfreundlichen Akt und setzt sich andererseits für entsprechende Subventionen in Europa ein. Der Artikel in der Libération erwähnt auch die geopolitische Dimension dieses interessenkonflikts, weil Europa auf das amerikanische Engagement für die Ukraine angewiesen ist

    1. Einige positive Signale in Zusammenhang mit der COP27: Indonesien verzichtet auf Kohlekraftwerke und plant einen Emissionspeak für 2030. Brasiliens Präsident Lula da Silva will den Regenwald schützen – mit Finanzierung durch die Industrieläner. Einer neuen Studie zufolge könnte wegen der Entwicklung erneuerbarer Energien die Dekarbonisierung in Europa, Indien und China schneller verlaufen als zur Zeit offiziell angekündigt.

      Studie von Energy and Climate Intelligence: https://eciu.net/analysis/reports/2022/the-big-four-are-major-emitters-downplaying-their-climate-and-clean-energy-progress

    1. Die Hitzewellen dieses Sommers haben zu 6% Übersterblichkeit und zu vermutlich über 10.000 Toten in Frankreich geführt. In Großbritannien sind etwa 3000, in Spanien 4000 Menschen der Hitze zum Opfer gefallen.Wenn die Temperatur 2100 um 3• über der vorindustriellen Zeit, werden in Europa jährlich bis zu 90.000 Menschen an direkten Folgen der Hitze sterben.

    1. Die europäischen Produzenten von Windturbinen Mädchen enorme Verluste. Die Hauptgründe sind Kostensteigerungen und logistische Probleme. Hinzu kommen Investitionen für neue, stärkere Modelle und chinesische Konkurrenz. Ein zusätzliches Risiko könnte die Förderung der US-Turbinen-Industrie durch die Biden-Administration darstellen. Die europäischen Produzenten erwarten mehr Unterstützung durch die Regierungen, um Kompetenzen in Europa zu halten.

    1. Mark: Yeah. And I actually think the Agile revolution in software development is software development catching up to the fact that it’s a writer-ly art. Writers don’t know where they’re going or how they’re going to express it when they start out. Neither, it turns out, does software developers. They can pretend by writing it the first time in a spec language and then coding it and then, checking the specification, then finding out that they’ve written the wrong thing and writing a new specification. That was when I was getting started, the right way to write software.

      Agile software development is akin to the design of the writing process.

    2. Mark: The Japanese hypertext scholar Kumiyo Nakakoji talks about amplified representational talkback, which is a general design phenomenon. An architect, an artist, or a writer puts something on paper and then looks at it. You look at it, and then it seems different from what you had in mind, and you either correct what you’ve written, or you see that what you’ve written is right and correct your bad idea. That kind of representational talkback is fundamental to all sorts of all creative processes, from the sciences to the arts.
    1. https://www.youtube.com/watch?v=Kxyy0THLfuI

      <small><cite class='h-cite via'> <span class='p-author h-card'>Intrigue</span> in intrigue (<time class='dt-published'>08/29/2022 15:00:52</time>)</cite></small>

    2. Victor Margolin's note taking and writing process

      • Collecting materials and bibliographies in files based on categories (for chapters)
      • Reads material, excerpts/note making on 5 x 7" note cards
        • Generally with a title (based on visual in video)
        • excerpts have page number references (much like literature notes, the refinement linking and outlining happens separately later in his mapping and writing processes)
        • filed in a box with tabbed index cards by chapter number with name
        • video indicates that he does write on both sides of cards breaking the usual rule to write only on one side
      • Uses large pad of newsprint (roughly 18" x 24" based on visualization) to map out each chapter in visual form using his cards in a non-linear way. Out of the diagrams and clusters he creates a linear narrative form.
      • Tapes diagrams to wall
      • Writes in text editor on computer as he references the index cards and the visual map.

      "I've developed a way of working to make this huge project of a world history of design manageable."<br /> —Victor Margolin

      Notice here that Victor Margolin doesn't indicate that it was a process that he was taught, but rather "I've developed". Of course he was likely taught or influenced on the method, particularly as a historian, and that what he really means to communicate is that this is how he's evolved that process.

      "I begin with a large amount of information." <br /> —Victor Margolin

      "As I begin to write a story begins to emerge because, in fact, I've already rehearsed this story in several different ways by getting the information for the cards, mapping it out and of course the writing is then the third way of telling the story the one that will ultimately result in the finished chapters."<br /> —Victor Margolin

    1. Hanf kann in der gleichen Zeit direkt so viel CO2 absorbieren wie Bäume und andere Pflanzen. Deshalb könnte er eine Schlüsselrolle in eine regenerativen Landwirtschaft haben. Um CO2 dauerhaft zu speichern, müssen aus den Pflanzen Baumaterialien und andere industrielle Rohstoffe hergestellt werden.

      University of York and Biorenewables Development Centre

    1. 5 Core Principles Of Design Thinking Process

      Design thinking is a process that starts with empathy, curiosity and imagination to create solutions. By following the core principles and steps of design thinking, you can learn how to think like a designer and develop creative solutions to the challenges you face in your life. In this blog we have shared 5 Core Principles Of Design Thinking Process. https://bit.ly/3E8zyx5

    1. Das Gletschereis im Norden Grönlands schmilzt sechsmal schneller ab als bisher angenommen. Die Indizien dafür, dass das Kipp-Element Grönländischer Eisschild schon sehr instabil ist, verdichten sich.

    1. When he was coming up as a writer, the author and journalist Rex Murphy would write out longhand favorite poems and passages. He was asked, what’s that done for you? “There’s an energy attached to poetry and great prose,” Murphy said. “And when you bring it into your mind, into your living sensibility, by some weird osmosis, it lifts your style or the attempts of your mind.” When you read great writing, when you write down a great line or paragraph, Murphy continues, “somehow or another, it contaminates you in a rich way. You get something from it—from this osmotic imitation—that will only take place if you lodge it in your consciousness.”

      This writing advice from Rex Murphy sounds like the beginning portions of Benjamin Franklin's advice on writing and slowly rewriting one's way into better prose styles.

      Link to Franklin's quote

    1. The second situation would be zombie reaping. If the process spawns child processes and does not properly reap them it will lead to a full process table
    2. For both of these concerns we recommend tini. It is incredibly small, has minimal external dependencies, fills each of these roles, and does only the necessary parts of reaping and signal forwarding.
    3. The first being signal handling. If the process launched does not handle SIGTERM by exiting, it will not be killed since it is PID 1 in the container
    4. There are two situations where an init-like process would be helpful for the container.
    5. highly recommended that the resulting image be just one concern per container; predominantly this means just one process per container, so there is no need for a full init system

      container images: whether to use full init process: implied here: don't need to if only using for single process (which doesn't fork, etc.)

    1. Good question! This is going to be a bit long, so bear with me
    2. Is whatever process you exec in your entrypoint registering signal handlers? A good way to figure this out might be to check whether your process responds properly to e.g. docker stop (or if it waits for 10 seconds before exiting)
    3. Tini does install explicit signal handlers (to forward them, incidentally), so those signals no longer get dropped. Instead, they're sent to Jenkins, which is not running as PID 1 (Tini is), and therefore has default signal handlers
    4. Second, if Jenkins runs as PID 1, then it may not receive the signals you send it! That's a subtlety in PID 1. Unlike other unlike processes, PID 1 does not have default signal handlers, which means that if Jenkins hasn't explicitly installed a signal handler for SIGTERM, then that signal is going to be discarded when it's sent (whereas the default behavior would have been to terminate the process).
    5. Tini fixes by "forwarding signals": if you send a signal to Tini, then it sends that same signal to your child process (Jenkins in your case).
    6. A second problem is that once your process has exited, Bash will proceed to exit as well. If you're not being careful, Bash might exit with exit code 0, whereas your process actually crashed (0 means "all fine"; this would cause Docker restart policies to not do what you expect). What you actually want is for Bash to return the same exit code your process had.
    7. When a zombie is created (i.e. which happens when its parent exits, and therefore all chances of it ever being waited by it are gone), it is reparent to init, which is expected to reap it (which means calling wait on it).
    8. In other words, someone has to clean up after "irresponsible" parents that leave their children un-wait'ed, and that's PID 1's job.
    9. Now, unlike other processes, PID 1 has a unique responsibility, which is to reap zombie processes.
    1. Unfortunately most init systems don't do this correctly within Docker since they're built for hardware shutdowns instead. This causes processes to be hard killed with SIGKILL, which doesn't give them a chance to correctly deinitialize things.
    2. According to the Unix process model, the init process -- PID 1 -- inherits all orphaned child processes and must reap them. Most Docker containers do not have an init process that does this correctly. As a result, their containers become filled with zombie processes over time.
    1. When a process loses its parent, init becomes its new parent. init periodically executes the wait system call to reap any zombies with init as parent.
    2. Zombie processes should not be confused with orphan processes: an orphan process is a process that is still executing, but whose parent has died. When the parent dies, the orphaned child process is adopted by init (process ID 1). When orphan processes die, they do not remain as zombie processes; instead, they are waited on by init.
    3. The result is that a process that is both a zombie and an orphan will be reaped automatically.
    1. A low-level approach is to fork twice, running the desired process in the grandchild, and immediately terminating the child. The grandchild process is now orphaned, and is not adopted by its grandparent, but rather by init.
    2. The process group mechanism in most Unix-like operating systems can be used to help protect against accidental orphaning, where in coordination with the user's shell will try to terminate all the child processes with the "hangup" signal (SIGHUP), rather than letting them continue to run as orphans.
    3. In a Unix-like operating system any orphaned process will be immediately adopted by an implementation-defined system process: the kernel sets the parent to this process
    4. its jobs (internal representation of process groups)
    1. Let's look at a concrete example. Suppose that your container contains a web server that runs a CGI script that's written in bash. The CGI script calls grep. Then the web server decides that the CGI script is taking too long and kills the script, but grep is not affected and keeps running. When grep finishes, it becomes a zombie and is adopted by the PID 1 (the web server). The web server doesn't know about grep, so it doesn't reap it, and the grep zombie stays in the system.
    2. That is, instead of properly reaping adopted processes, it's probably expecting another init process to do that job, and rightly so.
    1. Musical notation divides people into composers and those that reproduce the music.

      Creating re-useable records of processes separates those that give commands from those that carry them out.

    2. "Musical notation is method of control. Through it the church can ensure that chants sung in the farthest outreaches sound the same as those sung in the centre."

      Creating reuseable records of processes enables central ideas to be distributed.

  5. Oct 2022
    1. None of these notes wasever used in his writing; probably they were taken with no thoughtof specific use, but out of absorption in the American scene.

      It's quite likely that one will take a large number of notes with no immediate goal or plan for use and this is completely acceptable. Often these notes go towards the more immediate goal of forming one's own understanding and setting of a broader tableau for material one will write in the future.

    1. For Tim, the practice is managed by routine.“My quota for writing is two crappy pages a day,” he explains. Those two pages help him get started, matter what other commitments he is meeting that day. And even if they’re bad, they’re at least done.The idea is to set goals that are “easily winnable” so you don’t panic when one day passes and you don’t make that goal, because you always know you can easily pick back up the next day.“If I don’t write my two pages I don’t panic and go into the spiral.”

      Tim Ferris has a routine for writing and has indicated "My quota for writing is two crappy pages a day." and "If I don't write my two pages, I don't panic and go into the spiral."

      (summary); possibly worth watching video for verifying quotes and pulling out additional practices.

      Note that this piece seems to indicate that his writing practice includes an idea of doing "morning pages", but this implication is likely false as Ferriss likely isn't doing this, but writing toward productive goals rather than to "clear his mental space" as is usually implied by morning pages.

    1. Film making is like note taking

      Incidentally, one should note that the video is made up of snippets over time and then edited together at some later date. Specifically, these snippets are much like regularly taken notes which can then be later used (and even re-used--some could easily appear in other videos) to put together some larger project, namely this compilation video of his process. Pointing out this parallel between note taking and movie/videomaking, makes the note taking process much more easily seen, specifically for students. Note taking is usually a quite and solo endeavor done alone, which makes it much harder to show and demonstrate. And when it is demonstrated or modeled, it's usually dreadfully boring and uninteresting to watch compared to seeing it put together and edited as a finished piece. Edits in a film are visually obvious while the edits in written text, even when done poorly, are invisible.

    2. Ryan Holiday does touch on all parts of his writing process, but the majority of the video is devoted to the sorts of easier bikeshedding ideas that people are too familiar with (editing, proofreading, title choice, book cover choice). Hidden here is the process of researching, writing, notes, and actual organizing process which are the much harder pieces for the majority of writers. Hiding it does a massive disservice to those watching it for the most essential advice they're looking for.

    3. https://www.youtube.com/watch?v=dU7efgGEOgk

      I wish he'd gotten into more of the detail of the research and index card making here as that's where most of the work lies. He does show some of his process of laying out and organizing the cards into some sort of sections using 1/3 cut tabbed cards. This is where his system diverges wildly from Luhmann's. He's now got to go through all the cards and do some additional re-reading and organizational work to put them into some sort of order. Luhmann did this as he went linking ideas and organizing them up front. This upfront work makes the back side of laying things out and writing/editing so much easier. It likely also makes one more creative as one is regularly revisiting ideas, juxtaposing them, and potentially generating new ones along the way rather than waiting until the organization stage to have some of this new material "fall out".

    1. You do not reallyhave to study a topic you are working on; once your areinto it, it is everywhere. You are sensitive to its themes;you see and hear them everywhere in your experience,especially, it always seems to me, in apparently unrelatedareas. Even the mass media, especially bad movies andcheap novels and picture magazines and night radio, aredisclosed in fresh importance to you.
  6. Sep 2022
    1. Benefits verification

      Insurance Benefits Verification Upon receiving a booking form, insurance benefits can be verified allowing the facility to make a quick determination of the patient's responsibility and profitability of the case.

    1. • Daily writing prevents writer’s block.• Daily writing demystifies the writing process.• Daily writing keeps your research always at the top of your mind.• Daily writing generates new ideas.• Daily writing stimulates creativity• Daily writing adds up incrementally.• Daily writing helps you figure out what you want to say.

      What specifically does she define "writing" to be? What exactly is she writing, and how much? What does her process look like?

      One might also consider the idea of active reading and writing notes. I may not "write" daily in the way she means, but my note writing, is cumulative and beneficial in the ways she describes in her list. I might further posit that the amount of work/effort it takes me to do my writing is far more fruitful and productive than her writing.

      When I say writing, I mean focused note taking (either excerpting, rephrasing, or original small ideas which can be stitched together later). I don't think this is her same definition.

      I'm curious how her process of writing generates new ideas and creativity specifically?

      One might analogize the idea of active reading with a pen in hand as a sort of Einsteinian space-time. Many view reading and writing as to separate and distinct practices. What if they're melded together the way Einstein reconceptualized the space time continuum? The writing advice provided by those who write about commonplace books, zettelkasten, and general note taking combines an active reading practice with a focused writing practice that moves one toward not only more output, but higher quality output without the deleterious effects seen in other methods.

    1. This text fills a gap in the professional literature concerning revision because currently,according to Harris, there is little scholarship on “how to do it” (p. 7).

      I'm curious if this will be an answer to the question I asked in Call for Model Examples of Zettelkasten Output Processes?

    1. PRs will introduce various mechanisms step by step. Some of these have issues already. A possible breakdown could be: Annotation collection using instance values (links also does this) Defining annotations to which multiple keywords contribute (this is new, see Need more details of annotation collection #530) Defining subschema and keyword processing results to include annotations Processing sequence for keywords that dynamically rely on the results of static keywords The actual definition of unevaluatedProperties An example of unevaluatedProperties
    1. Isak Dinesen said that she wrote a little every day, without hope and without despair.

      source? date? (obviously on/before 2005-09-22)

      Any relation to Robert Boice's work on writing every day?

    1. Author Vladimir Nabokov at work, writing on index cards in his car.Location:Ithaca, NY, USDate taken:September 1958Photographer:Carl MydansSize:1280 x 889 pixels (17.8 x 12.3 inches)

      Author Vladimir Nabokov at work, writing on index cards in his car.

    1. Traditionally, doctoral students are expected to implicitly absorb thisargument structure through repeated reading or casual discussion.

      The social annotation being discussed here is geared toward classroom work involving reading and absorbing basic literature in an area of the sort relating to lower level literature reviews done for a particular set of classes.

      It is not geared toward the sort of more hard targeted curated reading one might do on their particular thesis topic, though this might work in concert with a faculty advisor on a 1-1 basis.

      My initial thought on approaching the paper was for the latter and not the former.

    1. That stage when you're pretty sure you've finished reading + taking notes, and you're ready to start porting everything over into thematic sections on Scrivener. One of the many stages of writing before The Writing actually begins. T-minus 14 hours


      That stage when you're pretty sure you've finished reading + taking notes, and you're ready to start porting everything over into thematic sections on Scrivener. One of the many stages of writing before The Writing actually begins. T-minus 14 hours 😰

      — Shannon Mattern (@shannonmattern) April 7, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. Shannon Mattern@shannonmattern·Apr 16Replying to @shannonmattern"I do not take notes as I read. I dog-ear—verso-top, recto-bottom—and underline sentences + paragraphs. I create a document and type out every underlined sentence and paragraph, sorted by book. Then I create a second document + sort the sentences + paragraphs by subject...."2117Shannon Mattern@shannonmattern·Apr 16"... The process of doing this usually gets me to a preliminary articulation of the argument I want to make, its beginning and its end, its arc, and its subclaims." How affirming - this is my process, too! // All of this is from a lovely @nybooks email interview with @mervatim

      Merve Emre's note taking process: dog earing and highlighting followed by typing out sentences and sorting into a rough draft.

      Similar to Shannon Mattern's as noted.

      "I do not take notes as I read. I dog-ear—verso-top, recto-bottom—and underline sentences + paragraphs. I create a document and type out every underlined sentence and paragraph, sorted by book. Then I create a second document + sort the sentences + paragraphs by subject...."

      — Shannon Mattern (@shannonmattern) April 16, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      "... The process of doing this usually gets me to a preliminary articulation of the argument I want to make, its beginning and its end, its arc, and its subclaims." How affirming - this is my process, too! // All of this is from a lovely @nybooks email interview with @mervatim pic.twitter.com/iAF82mo5MI

      — Shannon Mattern (@shannonmattern) April 16, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. In short, the questions about Google’s behavior are not about free speech; they do, though, touch on other Amendments in the Bill of Rights. For example: The Fourth Amendment bars “unreasonable searches and seizures”; while you can make the case that search warrants were justified once the photos in question were discovered, said photos were only discovered because Mark’s photo library was indiscriminately searched in the first place. The Fifth Amendment says no person shall be deprived of life, liberty, or property, without due process of law; Mark lost all of his data, email account, phone number, and everything else Google touched forever with no due process at all. The Sixth Amendment is about the rights to a trial; Mark was not accused of any crime in the real world, but when it came to his digital life Google was, as I noted, “judge, jury, and executioner” (the Seventh Amendment is, relatedly, about the right to a jury trial for all controversies exceeding $20).

      Ben Thompson argues that questions about Google's behavior towards a false positive case of CSAM does not pertain to free speech or to the First Amendment. But it does pertain to other Amendments in the Bill of Rights.

    1. The process involved in creating something is at least as important as the outcome. The process needs to embody the values that need to embody the result.

      A process has its own value, is its own intervention. Esp in complex enviro where outcomes are unplannable, rather are observed and then attenuated or amplified. [[Waarde van proces versus uitkomst 20031208161249]] If a result does not embody the values of the process, or the process does not hold the values intended in the result it demeans both.

  7. Aug 2022
    1. Reportage über einen besonders verheerenden Waldbrand in Alaska, viele Hintergrundinformationen über Waldbrände in arktischen Regionen. Zeigt den multiplen Charakter der durch die Erhitzung ausgelösten Krise eines Ökosystems.

    1. the task maybe undertaken by any instructor who finds that good notesare necessary for successful work in his course.

      Just as physics and engineering professors don't always rely on the mathematics department to teach all the mathematics that students should know, neither should any department rely on the English department to teach students how to take notes.

    1. One can't help but notice that Dutcher's essay, laid out like it is in a numbered fashion with one or two paragraphs each may stem from the fact of his using his own note taking method.

      Each section seems to have it's own headword followed by pre-written notes in much the same way he indicates one should take notes in part 18.

      It could be illustrative to count the number of paragraphs in each numbered section. Skimming, most are just a paragraph or two at most while a few do go as high as 5 or 6 though these are rarer. A preponderance of shorter one or two paragraphs that fill a single 3x5" card would tend to more directly support the claim. Though it is also the case that one could have multiple attached cards on a single idea. In Dutcher's case it's possible that these were paperclipped or stapled together (does he mention using one side of the slip only, which is somewhat common in this area of literature on note making?). It seems reasonably obvious that he's not doing more complex numbering or ordering the way Luhmann did, but he does seem to be actively using it to create and guide his output directly in a way (and even publishing it as such) that supports his method.

      Is this then evidence for his own practice? He does actively mention in several places links to section numbers where he also cross references ideas in one card to ideas in another, thereby creating a network of related ideas even within the subject heading of his overall essay title.

      Here it would be very valuable to see his note collection directly or be able to compare this 1927 version to an earlier 1908 version which he mentions.

    1. Ausführlicher Überblick zu den erwarteten Klimaveränderungen auf kroatischem Staatsgebiet bis 2040, mit einem Ausblick auf 2070. Berücksichtigt vor allem RCP4.5, aber auch RCP8.5. Macht (bei sehr oberflächlichem Durchsehen mit mangelnden Sprachkenntnissen) an manchen Stellen einen etwas verharmlosenden Eindruck.