the birth of Athena from his head and suggests possibleinterpretations of these episodes

Schade eigentlich, dass sich Schmidt für solche Privatheiten gar nicht interessieren soll. Denn das Ziel seines Forschungsprojekts, das von der NRW-Akademie der Wissenschaften und der Künste finanziert wird, ist es, den wissenschaftlichen Nachlass des Niklas Luhmann für dessen wissenschaftliche Nachfahren aufzubereiten. Wenn alles gescannt ist, muss Zettel für Zettel von der Handschrift in Maschinenschrift übertragen werden. Dann sollen sämtliche Querverweise, mit denen Luhmann seine Zettel untereinander vernetzt hat, auch digital verlinkt werden. „Und am Ende könnten vielleicht einzelne Abteilungen des Kastens auch in Buchform veröffentlicht werden“, erklärt Schmidt. Laufzeit des Projekts: 16 Jahre.

Und doch fand er darin nie das, was er eigentlich suchte, sondern etwas Neues, Überraschendes.

LaMDA's safety features could also be limiting: Michelle Taransky found that "the software seemed very reluctant to generate people doing mean things". Models that generate toxic content are highly undesirable, but a literary world where no character is ever mean is unlikely to be interesting.

Many authors noted that generations tended to fall into clichés, especially when the system was confronted with scenarios less likely to be found in the model's training data. For example, Nelly Garcia noted the difficulty in writing about a lesbian romance — the model kept suggesting that she insert a male character or that she have the female protagonists talk about friendship. Yudhanjaya Wijeratne attempted to deviate from standard fantasy tropes (e.g. heroes as cartographers and builders, not warriors), but Wordcraft insisted on pushing the story toward the well-worn trope of a warrior hero fighting back enemy invaders.

“...it can be very useful for coming up with ideas out of thin air, essentially. All you need is a little bit of seed text, maybe some notes on a story you've been thinking about or random bits of inspiration and you can hit a button that gives you nearly infinite story ideas.”- Eugenia Triantafyllou

The authors agreed that the ability to conjure ideas "out of thin air" was one of the most compelling parts of co-writing with an AI model.

We like to describe Wordcraft as a "magic text editor". It's a familiar web-based word processor, but under the hood it has a number of LaMDA-powered writing features that reveal themselves depending on the user's activity.

If advance payments of the premium tax credit (APTC)

i think that that kind of support is huge uh you can look specifically at charlottesville and see the reason that that march was so big 00:08:29 was because they saw themselves as fulfilling the promise of donald trump the reason why they were so public the reason why i we we can look at the manifestos of many 00:08:41 of the shoot mass shooters both in the united states and abroad over the last few years who named donald trump as part of their motivation and part of that is pr part of that is trying to get press 00:08:53 but part of it is real that if the presidency is held by somebody who holds a lot of the most extreme beliefs that they do it demonstrates to them that there is widespread mainstream support for those 00:09:05 beliefs and in the same way donald trump losing with those campaign platforms i expect will be a real blow to organizing far-right extremists and 00:09:16 anti-immigration groups and they'll still exist they will still keep organizing but it is going to be a lot less energy it is going to be more underground and it is going to wait until there's 00:09:28 another moment of political eruption when they'll come back again this has been the history for decades that this movement as i mentioned in the beginning goes back decades uh at least to the 1960s as a pretty 00:09:40 consistent movement with the same heroes and figures continuously over time and it has had moments where it went underground and has had moments where it was out in public with thousands of people 00:09:52 marching in the streets and whatever happens next it's still going to be there it's still going to be a concern it's still going to be recruiting people talking to people on the internet and in person and that's what we need to be watching 00:10:04 out for

cancer can be insidious

around that same time i got a call from my daughter you know leave it to your kids and she said you know mom it's 00:03:48 just that all the problems we're dealing with in the world right now are insidious and um you know it came up last night siva was talking about the insidiousness 00:04:01 of the facebook problem and and this was an unlocker for me of what what does it mean for something to be insidious so i looked it up and i started to 00:04:14 explore and it turns out that insidious is defined and i think this is from the you know the oxford on the internet not the original but um that there's proceeding in a gradual 00:04:27 subtle way but with very harmful effects in other words there's something that's that's gathering combining in an unseen way that's leading to danger

a permanent note (according to Ahrens) is actually the name for both "zettels" (what Ahrens calls "the main notes in the slip box," or what many are now calling "zettels") and literature notes.

And a theory of "multilayered social worlds", when fully developed, can be a helpful tool in understanding why, in modern Europe, certain phenomena became common enough to catch the attention of physicians, scientists, artists and philosophers. In a current unpublished work, STP suggests that, if the logic of affinity is properly conceptualized, both in terms of its essentially paraconsistent properties as a social logic and in terms of its historical presentation throughout very different societies, one arrives at the conclusion that modern families – in the sense of nuclear familiar units composed of heterossexual parents and their children – do not logically form a basic "atom of kinship" in Levi-Strauss' sense. That is, in modern capitalist societies, the logic of affinity is not composed in such a way as to form a world of its own, it has little synthetic power. In fact, the logic of affinity is most consistent within capitalist worlds at the points where it is tasked with "stitching together" dynamics dominated by property and value – at the point of contact between family and the production of independent adult workers, or at the intersection between affinity and the State, where the nation-form is born, etc. Because capitalist structures do not respect the internal logic of kinship – which would allow people to socially map not only those that are part of their families and those who are not, but also those that occupy strangely indeterminate positions in this social fabric – it is up to individuals themselves, as they grow up, to develop ways to supplement to this fractured logic. This is what Lacan called the "individual myth of the neurotic": how, in order to become persons  , we must supplement our social existence before other people with an invisible partnership with an "Other", a figure that helps us determine how to distinguish these indeterminate elements of affinity logic and that capitalist sociality does not help to propagate in a consistent and shared way.

It may be necessary to kill half of the Filipinos in order that the remaining half of the population may be advanced to a higher plane of life than their present semi-barbarous state affords.

Categories mean determination of internal structure less flexibility, especially “in the long run“ of knowledgemanagement and storage

Constitutional Convention was called in 1875

Convention

I am Cuauhtémoc

I am the masses of my people and I refuse to be absorbed.                I am Joaquín.The odds are greatbut my spirit is strong,                        my faith unbreakable,                        my blood is pure.I am Aztec prince and Christian Christ.                I SHALL ENDURE!                I WILL ENDURE!

I am Joaquín,who bleeds in many ways.The altars of Moctezuma                I stained a bloody red.        My back of Indian slavery                Was stripped crimson        from the whips of masters        who would lose their blood so pure        when revolution made them pay,standing against the walls of Retribution.

What we ultimately should care about is being able to use our knowledge to produce something new, whatever that may be. To not merely reproduce you must understand the material. And understanding requires application, a hermeneutic principle that particularly Gadamer worked out extensively. If you really want to measure your level of understanding, you should try to apply or explain something to yourself or someone else.

Here’s a basic hermeneutic insight for you: interpretation requires a form of application which renews the interpretandum by engaging it in a new context. Yes, “something in it anarchives” itself, but that’s also the seed for the old to enter into something new and to stay “alive”.

Constitutional Convention in 1875

the essay Of the Plurality of Worlds (1853), in which he argued against the probability of life on other planets

Whewell was one of the Cambridge dons whom Charles Darwin met during his education there, and when Darwin returned from the Beagle voyage he was directly influenced by Whewell, who persuaded Darwin to become secretary of the Geological Society of London. The title pages of On the Origin of Species open with a quotation from Whewell's Bridgewater Treatise about science founded on a natural theology of a creator establishing laws:[33] But with regard to the material world, we can at least go so far as this—we can perceive that events are brought about not by insulated interpositions of Divine power, exerted in each particular case, but by the establishment of general laws.

His best-known works are two voluminous books that attempt to systematize the development of the sciences, History of the Inductive Sciences (1837) and The Philosophy of the Inductive Sciences, Founded Upon Their History (1840, 1847, 1858–60). While the History traced how each branch of the sciences had evolved since antiquity, Whewell viewed the Philosophy as the "Moral" of the previous work as it sought to extract a universal theory of knowledge through history. In the latter, he attempted to follow Francis Bacon's plan for discovery. He examined ideas ("explication of conceptions") and by the "colligation of facts" endeavored to unite these ideas with the facts and so construct science.[11] This colligation is an "act of thought", a mental operation consisting of bringing together a number of empirical facts by "superinducing" upon them a conception which unites the facts and renders them capable of being expressed in general laws.[22]

He corresponded with many in his field and helped them come up with neologisms for their discoveries. Whewell coined, among other terms, scientist,[2] physicist, linguistics, consilience, catastrophism, uniformitarianism, and astigmatism;[3] he suggested to Michael Faraday the terms electrode, ion, dielectric, anode, and cathode.[4][5]

t that meeting—held in secret—Virginia’s Edmund Randolph began by outlining the deficiencies of the confederated form of government, and in turn what a national government should do: provide security against foreign invasion; settle quarrels between the states; promote commerce; pushback on encroachments from the state; wield power over the states.

what it means to be human and in our own humanness explore how do we fit into an every changing, evolving environment in a transforming world and universe. What does it mean to be human.  It appears to be forgotten in this world we live in. A quote from a recent article which I wrote "Recreating a  world of wonder" "But, somehow, we have lost our sense of wonder, buried our curiosity, and gravitated into a quagmire of deception, misbelief, and angry fear, fed to us by those who wish to control everything, as if that were even possible."

“zeugma” is the use of the same word in two different senses in the same sentence: “he caught a fish, and a cold”.

What is Image Masking? Image masking is a technique used in photo editing to isolate or remove specific parts of an image. This is often done by creating a mask, which is a grayscale image that defines which parts of the original image should be visible and which should be hidden. With image masking, you can selectively hide or reveal parts of an image, making it an essential tool for photo editing. It allows you to remove backgrounds, change colors, and multiple composite images together to create a single image.

A long alphanumeric ID is an immediate indicator that a train of thought has been developing.

Ranters, a radical working-class antinomian movement that twogenerations before had openly preached the abolition of privateproperty and existing sexual morality.

Is Muni, is the Sage, the true Recluse! He who to none and nowhere overbound By ties of flesh, takes evil things and good Neither desponding nor exulting, such Bears wisdom’s plainest mark!

However, it is often impossible to detect bottleneck events from song diversity due to the continued action of drift or withdrawal of learning

First, I am a big fan of Chris’ posts. He is our best historian. Second, I did not challenge his ideas but asked for clarification about some terms which I believe are of general interest. Chris is well-positioned to answer my questions. Third, statistical mechanics is more about microscopic systems that do not evolve. As we know, ideas (from concepts to theories) evolve and generally emerge from previous ideas. Emergence is the key concept here. I suggested Phenomics as a potential metaphor because it represents well the emergence of some systems (phenotypes) from pre-existing ones (genotypes).

the manner in which knowledge is acquired, communicated and shared is internal to the nature of knowledge itself, and that the metaphysics of personhood needs to countenance the formation of reason if we are to understand how rationality and animality are united in the human person.

education is not a merely contingent addition to the human life-form. Education is reason’s vehicle.

why exactly education should matter to philosophy. The reason is that education makes us what we are. Human beings do not enter the world with their rational powers ‘up and running’. Those powers are actualised in the child in a process of formation, or education in the broadest sense

likely raise environmental concerns.

The three levels of oppression—interpersonal, institutional, and internalized—are linked with each other and all three feed off of and reinforce each other. In other words, all three levels of oppression work together to maintain a state of oppression.

5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

After this stands an altar of Heracles surnamed Parastates (Assistant); there are also altars of the brothers of Heracles

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both. Some say that it was built by Idaean Heracles, others by the local heroes two generations later than Heracles.

The god sits on a throne, and he is made of gold and ivory. On his head lies a garland which is a copy of olive shoots. In his right hand he carries a Victory, which, like the statue, is of ivory and gold; she wears a ribbon and – on her head – a garland. In the left hand of the god is a scepter, ornamented with every kind of metal, and the bird sitting on the scepter is the eagle. The sandals also of the god are of gold, as is likewise his robe. On the robe are embroidered figures of animals and the flowers of the lily.

Its height up to the pediment is sixty-eight feet, its breadth is ninety-five, its length two hundred and thirty. The architect was Libon, a native. The tiles are not of baked earth, but of Pentelic marble cut into the shape of tiles. The invention is said to be that of Byzes of Naxos, who they say made the images in Naxos on which is the inscription:–

[5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

After this stands an altar of Heracles surnamed Parastates (Assistant); there are also altars of the brothers of Heracles

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both.

The god sits on a throne, and he is made of gold and ivory. On his head lies a garland which is a copy of olive shoots. In his right hand he carries a Victory, which, like the statue, is of ivory and gold; she wears a ribbon and – on her head – a garland. In the left hand of the god is a scepter, ornamented with every kind of metal, and the bird sitting on the scepter is the eagle. The sandals also of the god are of gold, as is likewise his robe. On the robe are embroidered figures of animals and the flowers of the lily. [5.11.2] The throne is adorned with gold and with jewels, to say nothing of ebony and ivory. Upon it are painted figures and wrought images. There are four Victories, represented as dancing women, one at each foot of the throne, and two others at the base of each foot.

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:– Pheidias, son of Charmides, an Athenian, made me. The temple is in the Doric style, and the outside has columns all around it. It is built of native stone.

[5.15.1] XV. Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both.

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:– Pheidias, son of Charmides, an Athenian, made me. The temple is in the Doric style, and the outside has columns all around it. It is built of native stone.

Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece. In the building is an altar to all the gods in common. Now return back again to the Altis opposite the Leonidaeum.

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both. Some say that it was built by Idaean Heracles, others by the local heroes two generations later than Heracles

Within the Altis there is also a sacred enclosure consecrated to Pelops, whom the Eleans as much prefer in honor above the heroes of Olympia as they prefer Zeus over the other gods. To the right of the entrance of the temple of Zeus, on the north side, lies the Pelopium. It is far enough removed from the temple for statues and other offerings to stand in the intervening space, and beginning at about the middle of the temple it extends as far as the rear chamber. It is surrounded by a stone fence, within which trees grow and statues have been dedicated.

The god sits on a throne, and he is made of gold and ivory. On his head lies a garland which is a copy of olive shoots. In his right hand he carries a Victory, which, like the statue, is of ivory and gold; she wears a ribbon and – on her head – a garland. In the left hand of the god is a scepter, ornamented with every kind of metal, and the bird sitting on the scepter is the eagle. The sandals also of the god are of gold, as is likewise his robe. On the robe are embroidered figures of animals and the flowers of the lily.

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:–

The order of the games in our own day, which places the sacrifices to the god for the pentathlum and chariot-races second, and those for the other competitions first, was fixed at the seventy-seventh Festival.

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both.

The temple is in the Doric style, and the outside has columns all around it.

In this room they entertain the winners in the Olympic games.

Outside the Altis there is a building called the workshop of Pheidias, where he wrought the image of Zeus piece by piece.

treasury of the Sicyonians is an altar of Heracles

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both

Within the Altis there is also a sacred enclosure consecrated to Pelops, whom the Eleans as much prefer in honor above the heroes of Olympia as they prefer Zeus over the other gods. To the right of the entrance of the temple of Zeus, on the north side, lies the Pelopium. It is far enough removed from the temple for statues and other offerings to stand in the intervening space, and beginning at about the middle of the temple it extends as far as the rear chamber. It is surrounded by a stone fence, within which trees grow and statues have been dedicated.

I know that the height and breadth of the Olympic Zeus have been measured and recorded; but I shall not praise those who made the measurements, for even their records fall far short of the impression made by a sight of the image.

The god sits on a throne, and he is made of gold and ivory. On his head lies a garland which is a copy of olive shoots. In his right hand he carries a Victory, which, like the statue, is of ivory and gold; she wears a ribbon and – on her head – a garland. In the left hand of the god is a scepter, ornamented with every kind of metal, and the bird sitting on the scepter is the eagle. The sandals also of the god are of gold, as is likewise his robe. On the robe are embroidered figures of animals and the flowers of the lily. [5.11.2] The throne is adorned with gold and with jewels, to say nothing of ebony and ivory. Upon it are painted figures and wrought images. There are four Victories, represented as dancing women, one at each foot of the throne, and two others at the base of each foot

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:– Pheidias, son of Charmides, an Athenian, made me. The temple is in the Doric style, and the outside has columns all around it. It is built of native stone. [5.10.3] Its height up to the pediment is sixty-eight feet, its breadth is ninety-five, its length two hundred and thirty. The architect was Libon, a native. The tiles are not of baked earth, but of Pentelic marble cut into the shape of tiles. The invention is said to be that of Byzes of Naxos, who they say made the images in Naxos on which is the inscription:–

To the right of the entrance of the temple of Zeus, on the north side, lies the Pelopium. It is far enough removed from the temple for statues and other offerings to stand in the intervening space, and beginning at about the middle of the temple it extends as far as the rear chamber. It is surrounded by a stone fence, within which trees grow and statues have been dedicated.

The temple and the image were made for Zeus from spoils, when Pisa was crushed in war by the Eleans,20 and with Pisa such of the subject peoples as conspired together with her. The image itself was wrought by Pheidias, as is testified by an inscription written under the feet of Zeus:– Pheidias, son of Charmides, an Athenian, made me. The temple is in the Doric style, and the outside has columns all around it. It is built of native stone. [5.10.3] Its height up to the pediment is sixty-eight feet, its breadth is ninety-five, its length two hundred and thirty. The architect was Libon, a native. The tiles are not of baked earth, but of Pentelic marble cut into the shape of tiles. The invention is said to be that of Byzes of Naxos, who they say made the images in Naxos on which is the inscription:–

After this stands an altar of Heracles surnamed Parastates (Assistant); there are also altars of the brothers of Heracles

Within the Altis there is also a sacred enclosure consecrated to Pelops, whom the Eleans as much prefer in honor above the heroes of Olympia as they prefer Zeus over the other gods. To the right of the entrance of the temple of Zeus, on the north side, lies the Pelopium. It is far enough removed from the temple for statues and other offerings to stand in the intervening space, and beginning at about the middle of the temple it extends as far as the rear chamber. It is surrounded by a stone fence, within which trees grow and statues have been dedicated.

. The god sits on a throne, and he is made of gold and ivory. On his head lies a garland which is a copy of olive shoots. In his right hand he carries a Victory, which, like the statue, is of ivory and gold; she wears a ribbon and – on her head – a garland. In the left hand of the god is a scepter, ornamented with every kind of metal, and the bird sitting on the scepter is the eagle. The sandals also of the god are of gold, as is likewise his robe. On the robe are embroidered figures of animals and the flowers of the lily.

[5.16.1] XVI. It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it. The Elean account says that it was the people of Scillus, one of the cities in Triphylia, who built the temple about eight years after Oxylus came to the throne of Elis. The style of the temple is Doric, and pillars stand all round it. In the rear chamber one of the two pillars is of oak. The length of the temple is one hundred and sixty-nine feet, the breadth sixty-three feet, the height not short of fifty feet. Who the architect was they do not relate.

In the temple of Hera is an image of Zeus, and the image of Hera is sitting on a throne with Zeus standing by her, bearded and with a helmet on his head. They are crude works of art. The figures of Seasons next to them, seated upon thrones, were made by the Aeginetan Smilis.41 Beside them stands an image of Themis, as being mother of the Seasons. It is the work of Dorycleidas, a Lacedaemonian by birth and a disciple of Dipoenus and Scyllis.

It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it.

In the temple of Hera is an image of Zeus, and the image of Hera is sitting on a throne with Zeus standing by her, bearded and with a helmet on his head. They are crude works of art. The figures of Seasons next to them, seated upon thrones, were made by the Aeginetan Smilis.41 Beside them stands an image of Themis, as being mother of the Seasons. It is the work of Dorycleidas, a Lacedaemonian by birth and a disciple of Dipoenus and Scyllis.

TEMPLE OF OLYMPIAN HERA [5.16.1] XVI. It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it.

What the Eleans call the pillar of Oenomaus is in the direction of the sanctuary of Zeus as you go from the great altar. On the left are four pillars with a roof on them, the whole constructed to protect a wooden pillar which has decayed through age, being for the most part held together by bands.

There is also a chest made of cedar, with figures on it, some of ivory, some of gold, others carved out of the cedar-wood itself. It was in this chest that Cypselus, the tyrant of Corinth, was hidden by his mother when the Bacchidae were anxious to discover him after his birth.

It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it.

At least one prominenthistorian of European political thought has indeed suggested thatsome of the democratic forms later developed by Enlightenmentstatesmen in the North Atlantic world most likely were first debutedon pirate ships in the 1680s and 1690s:

one reason the Golden Age of Piracy remains the stuff oflegend is that pirates of that age were so skilled at manipulatinglegends; they deployed wonder-stories—whether of terrifyingviolence or inspiring ideals—as something very much like weaponsof war, even if the war in question was the desperate and ultimatelydoomed struggle of a motley band of outlaws against the entireemerging structure of world authority at the time.

One might call pirate legends, then, the most importantform of poetic expression produced by that emerging North Atlanticproletariat whose exploitation laid the ground for the industrialrevolution.

It was Eric Williams (Capitalism and Slavery) who first developed the idea thatEuropean slave plantations in the New World were, in effect, the first factories; theidea of a “pre-racial” North Atlantic proletariat, in which these same techniques ofmechanization, surveillance, and discipline were applied to workers on ships, waselaborated by Peter Linebaugh and Marcus Rediker (The Many-Headed Hydra).

Our species faces two great tasks in the next few centuries. Our first task is to make human brotherhood effective and permanent. Our second task is to preserve and enhance the rich diversity of Nature in the world around us. Our new understanding of biological and cultural evolution may help us to see more clearly what we have to do.

developed the technology for sequencing ancient DNA degraded and contaminated with modern DNA. They have succeeded in sequencing accurately the genomes of our Neanderthal cousins who lived in Europe about fifty thousand years ago. They also sequenced genomes of our own species who lived in Europe around the same time, and genomes of a third species, called Denisovans because they were found in Denisova cave in Siberia. He published the story of the sequencing and the surprising results in his book, Neanderthal Man: In Search of Lost Genomes, in 2014.

Wells's biggest work is Outline of History, published in 1920, a picture of cultural evolution as the main theme of history since the emergence of our species.

Motoo Kimura, author of the book, The Neutral Theory of Molecular Evolution, published in 1983, more than a hundred years after Darwin's masterpiece.

After the discovery of the structure of DNA molecules by Crick and Watson in 1953, Kimura knew that genes are molecules, carrying genetic information in a simple code. His theory applied only to evolution driven by the statistical inheritance of molecules. He called it the Neutral Theory because it introduced Genetic Drift as a driving force of evolution independent of natural selection.

Sewall Wright, then 98 years old but still in full possession of his wits. He gave me a first-hand account of how he read Mendel's paper and decided to devote his life to understanding the consequences of Mendel's ideas. Wright understood that the inheritance of genes would cause a fundamental randomness in all evolutionary processes. The phenomenon of randomness in evolution was called Genetic Drift. Kimura came to Wisconsin to learn about Genetic Drift, and then returned to Japan. He built Genetic Drift into a mathematical theory which he called the Neutral Theory of Molecular Evolution.

Darwin knew nothing of genes. He was unaware of the work of Gregor Mendel, the Austrian monk who worked in his monastery garden and did experiments on the inheritance of pod-color in peas. Mendel discovered that heritable traits such as pod-color are inherited in discrete packages which he called genes. Any act of sexual reproduction of two parents with different genes results in offspring with a random distribution of the parental genes. Heredity in any population is a random process, resulting in a redistribution of genes between parents and offspring. The numbers of genes of various types are maintained on the average from generation to generation, but the numbers in each individual offspring are random. Mendel made this discovery and published it in the journal of the Brünn Natural History Society, only seven years after Darwin published The Origin of Species. Mendel had read Darwin's book, but Darwin never read Mendel's paper. In 1866, the year when Mendel's paper was published, Darwin did a very similar experiment, using snap-dragons instead of peas, and testing the inheritance of flower-shape instead of pod-color. Like Mendel, he bred three generations of plants, and observed the ratio of normal-shaped to star-shaped flowers in the third generation. Unlike Mendel, he had no understanding of the mathematics of statistical variations. He used only 125 third-generation plants and obtained a value of 2.4 for the ratio of normal to star-shaped offspring. This result did not suggest any clear picture of the way flower-shapes are inherited. He stopped the experiment and explored the question no further. Darwin did not understand that he would need a much larger sample to obtain a statistically significant result. Mendel understood statistics. His sample was sixty-four times larger than Darwin's, so that his statistical uncertainty was eight times smaller. He used 8023 plants. Mendel's essential insight was to see that sexual reproduction is a system for introducing randomness into inheritance. In peas as in humans, inheritance is carried by genes that are handed down from parents to offspring. His simple theory of inheritance carried by genes predicted a ratio of three between green and yellow pods in the third generation. He found a ratio of 3.01 with the big sample. This gave him confidence that the theory was correct. His experiment required immense patience, continuing for eight years with meticulous attention to detail. Every plant was carefully isolated to prevent any intruding bee from causing an unintended fertilization. A monastery garden was an ideal place for such experiments. Unfortunately, his experiments ended when his monastic order promoted him to the rank of abbot. Obedient to his vows, he ceased to be an explorer and became an administrator. His life-work lay hidden in an obscure German-language journal in Brünn, the city that later became Brno and is now in the Czech Republic.

In the Pirandello play, "Six Characters in Search of an Author", the six characters come on stage, one after another, each of them pushing the story in a different unexpected direction. I use Pirandello's title as a metaphor for the pioneers in our understanding of the concept of evolution over the last two centuries. Here are my six characters with their six themes. 1. Charles Darwin (1809-1882): The Diversity Paradox. 2. Motoo Kimura (1924-1994): Smaller Populations Evolve Faster. 3. Ursula Goodenough (1943- ): Nature Plays a High-Risk Game. 4. Herbert Wells (1866-1946): Varieties of Human Experience. 5. Richard Dawkins (1941- ): Genes and Memes. 6. Svante Pääbo (1955- ): Cousins in the Cave. The story that they are telling is of a grand transition that occurred about fifty thousand years ago, when the driving force of evolution changed from biology to culture, and the direction changed from diversification to unification of species. The understanding of this story can perhaps help us to deal more wisely with our responsibilities as stewards of our planet.

Biological and Cultural Evolution Six Characters in Search of an Author

that will be my second point and it's something that is not often mentioned capitalism the capitalism that we have known in the 00:47:54 last 30 40 years overcome the climate crisis that the capitalism helped create it's a rhetorical question but it also makes sense because if the answer is no 00:48:06 then we're wasting our time

what do I say to these young activists that I train around the world when they come to me and they say are you okay with putting the the CEO of 00:42:38 one of the largest oil companies in the world in as the president of the cop is that really okay well it's not whether he's a nice guy or not or whether he's intelligent 00:42:51 the appearance of a conflict of interest undermines confidence at a time when climate activists around the world and I'm partly speaking for them right here on this stage have come to the conclusion that the people in Authority 00:43:04 are not doing their job there's a lot of blah blah blah as Greta says there are a lot of words and there are some meaningful commitments but we are still failing badly we need to have a super 00:43:17 majority process instead of unanimity in the cop we cannot let the oil companies and gas companies and petrol States tell us what is permissible in the last cop we were not allowed to even discuss 00:43:30 scaling down oil and gas can't discuss it a lot of the ndcs weren't even called for are we going to be able to discuss face scaling down oil and gas in the next cop

you're a Native American and also president of the National Congress of American Indians

What's this trick with the knitting needle? It sounds cool. How do you do it so you don't just run into the unpunched ones and get stopped?

个人学习可能取决于他人行为的主张突出了将学习环境视为一个涉及多个互动参与者的系统的重要性

She was openly critical of the Supreme Court’s decision in Brown vs. Board of Education, which declared racial segregation of public schools unconstitutional. “When Brown comes out, her point is ‘I don’t want to have to force someone to associate with me,’” Strain says. Today she would probably be considered a libertarian.

“She is likely our earliest Black female ethnographic filmmaker,” says Strain, who also teaches documentary history at Wesleyan University.

Presidential Address at the Centenary Conference of the British Association for the Advancement of Science in 1931.

human-devised measures of time hold within them powerful political and economic forces they track people within the patterns of activity they become habituated to machine time measured and parceled out by industrial society

‘Running on Emptiness – The Pathology of Civilisation’John Zerzan (2002) All religions have problems with ‘unbelievers’, but that response is insignificant compared to their visceral hatred of ‘apostates’.

Basil Lanneau Gildersleeve, "Brief Mention," American Journal of Philology 20.1 (1899) 108-113 (at 108): With all our advance in scientific astronomy, the average modern man is not so familiar with the sky as was his antique brother, and some of the blunders in modern works of fiction that are scored from time to time in scientific journals would hardly have been possible for a ploughman of antiquity, not to say a sailor. The world needs every now and then a reminder that the modern head holds different things from the ancient brain-pan, not necessarily more.

Slack teams as well.

As British philosopher Galen Strawson recently put it, to imagine that one can travel from insensate matter to a being capable of discussing the existence of insensate matter in a mere two jumps is simply to make emergence do too much work.

emergentism. The argument here is that once a certain level of complexity is reached, there is a kind of qualitative leap where completely new sorts of physical laws can “emerge”—ones that are premised on, but cannot be reduced to, what came before.

But in the new full-blown capitalist version of evolution, where the drive for accumulation had no limits, life was no longer an end in itself, but a mere instrument for the propagation of DNA sequences—and so the very existence of play was something of a scandal.

To exercise one’s capacities to their fullest extent is to take pleasure in one’s own existence, and with sociable creatures, such pleasures are proportionally magnified when performed in company. From the Russian perspective, this does not need to be explained. It is simply what life is. We don’t have to explain why creatures desire to be alive. Life is an end in itself. And if what being alive actually consists of is having powers—to run, jump, fight, fly through the air—then surely the exercise of such powers as an end in itself does not have to be explained either. It’s just an extension of the same principle.

Kropotkin’s actual argument is far more interesting. Much of it, for instance, is concerned with how animal cooperation often has nothing to do with survival or reproduction, but is a form of pleasure in itself. “To take flight in flocks merely for pleasure is quite common among all sorts of birds,” he writes. Kropotkin multiplies examples of social play: pairs of vultures wheeling about for their own entertainment, hares so keen to box with other species that they occasionally (and unwisely) approach foxes, flocks of birds performing military-style maneuvers, bands of squirrels coming together for wrestling and similar games

Spencer, in turn, was struck by how much the forces driving natural selection in On the Origin of Species jibed with his own laissez-faire economic theories. Competition over resources, rational calculation of advantage, and the gradual extinction of the weak were taken to be the prime directives of the universe.

Since 2015 a digitalized card index of Greek functionwords in Coptic is available online (as part of the DDGCL)

Tami Gottschalk,

Sometimes, Isuspect, he copied his own words because he liked to copy: no one’scommonplace books could run to a million words—those are just theones that survive, in addition to a two-million-word Journal, andenormous quantities of other writing—without a sheer love of sittingwith pen in hand, a printed book and a blank page both open before

The moral vocabulary that climate activists and public health professionals use is not able to activate the moral and political imagination that effective ecological and health governance require. To respond to the recurring crises that are coming, the governance of complex societies must be able to reach the tap roots latent in their own moral ethos, politics, and motivational structures.

The freedom objection to effective climate governance says that we must make a tragic choice on behalf of freedom. We must choose the loss of some present and future lives in order to preserve a way of life, the lynchpins of which are individual freedom, private property, steep social and monetary inequality, economic growth, and energy-intensive production and consumption. Yet the lives some would choose to lose need not be lost if the right and the good—living up to the best in our humanity and being morally responsible—were seen in new ways.

our crisis in democracy—a system dominated by big money, special interests, and the “tyranny of me”—impact and morph into our crisis in sustainability.

May 19, 2004 #1 Hello everyone here at the forum. I want to thank everyone here for all of the helpful and informative advice on GTD. I am a beginner in the field of GTD and wish to give back some of what I have received. What is posted below is not much of tips-and-tricks I found it very helpful in understanding GTD. The paragraphs posted below are from the book Lila, by Robert Pirsig. Some of you may have read the book and some may have not. It’s an outstanding read on philosophy. Robert Pirsig wrote his philosophy using what David Allen does, basically getting everything out of his head. I found Robert Pirsigs writing on it fascinating and it gave me a wider perspective in using GTD. I hope you all enjoy it, and by all means check out the book, Lila: An Inquiry Into Morals. Thanks everyone. arthur

In summer 2010, Professor Peter Nagel of Bonn forwarded seven cardboard boxes full of lexicographical slips to the DDGLC office, which had been handed over to him in the early '90s by the late Professor Alexander Böhlig.

The original slips have been scanned and slotted into a database replicating the hierarchical structure of the original compilation. It is our pleasure to provide a new lexicographical tool to our colleagues in Coptology, Classical Studies, and Linguistics, and other interested parties.

The huge collection of lexicographical slips underlying this publication was produced in the '70s and '80s for Prof. Alexander Böhlig's loanword project at the University of Tuebingen.