1,063 Matching Annotations
  1. Mar 2023
    1. The advent of computer technology facilitated the assembly of the Demotic Dictionary, which unlike its older sister, the Chicago Assyrian Dictionary, could be organized electronically rather than on index cards.

      The Chicago Demotic Dictionary compiled by the Oriental Institute at the University of Chicago was facilitated by computers compared with the Chicago Assyrian Dictionary which relied on index cards.

    1. Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.

      Google translation:

      The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.


      While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?

      Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.

      One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?

      What are the second and third order effects of this phenomenon?

      An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.

    2. Die so angelegten Zettel wurden lithographisch jeweils 40mal kopiert. Sodann wurde für jedes auf dem Zettel verzeichnete ägyptische Wort eine solche Kopie herangezogen, das jeweilige Wort in der Textabschrift rot unterstrichen, und die Lautfolge des Wortes, wie man sie damals zu kennen glaubte, in der gebräuchlichen ägyptologischen Umschrift in der rechten oberen Ecke des Zettels notiert. Die so vorbereiteten Zettel wurden dann alphabetisch und unter Trennung der Homonyme nach Wörtern in eigens für das Wör terbuch angefertigte Zettelkästen einsortiert. Dabei wurden von vornherein bestimmte Sondergruppen, die für das Wörterbuch selbst nur von begrenztem Interesse waren, neben dem lexikalischen Hauptalphabet separat gestellt, so vor allem die Namen von Personen, Königen, Göttern und Orten. Aus diesen Nebenprodukten der Verzettelung entstand z.B. Hermann Rankes maßgebliches Lexikon der ägyptischen Personennamen.

      Once made, the initial note excerpts were copied 40 times using a lithography process. Then each word in the original slip was underlined in red on respective copies to be filed away alphabetically. At the top right corner of each slip was written down the phonetic sound of the rubricated word's Egyptian transcription. Within the collection certain special words were also separated for the names of people, kings, gods, and places to allow for additional study.


      Talk about a problem of multiple storage!!

    1. At present I am using index cards as to index the books (and documents saved on the computer).

      u/zleonska in discussing their paper notebook commonplace practice reports that finding their material within multiple notebooks isn't difficult but that, like W. Ross Ashby, they use index cards to index their commonplaces.

    1. Stroebe, Lilian L. “Die Stellung Des Mittelhochdeutschen Im College-Lehrplan.” Monatshefte Für Deutsche Sprache Und Pädagogik, 1924, 27–36. https://www.jstor.org/stable/44327729

      The place of Middle High German in the college curriculum<br /> Lilian L. Stroebe<br /> Monthly magazines for German language and pedagogy (1924), pp. 27-36

      ... of course to the reading material. Especially in the field of etymology it is easy to stimulate the pupils' independence. For years I have had each of my students create an etymological card dictionary with good success, and I see that at the end of the course they have this card box ...

    1. Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.

      Original .pdf converted with docdrop.org for OCR annotation on 2023-03-24.

      annotation target: urn:x-pdf:3c1f14d64c91cf4b513efa16df4ed90d

      Annotations: https://hypothes.is/users/chrisaldrich?q=url%3Aurn%3Ax-pdf%3A3c1f14d64c91cf4b513efa16df4ed90d

    1. Shaw-Walker. Flexowriter File-Desks. Accessed March 24, 2023. http://archive.org/details/TNM_Flexowriter_File-Desks_-_Shaw-Walker_20171021_0001.

      An interesting in-desk filing system for punched cards. Interesting I've not seen anything like this prior for a mini card index maintained in an office desk drawer.

      Perhaps such a system wouldn't have been as easily accessible for use on a daily basis versus potentially more portable small systems that could have been transferred from desk to desk (person to person).

    1. 9/8b2 "Multiple storage" als Notwendigkeit derSpeicherung von komplexen (komplex auszu-wertenden) Informationen.

      Seems like from a historical perspective hierarchical databases were more prevalent in the 1960s and relational databases didn't exist until the 1970s. (check references for this historically)

      Of course one must consider that within a card index or zettelkasten the ideas of both could have co-existed in essence even if they weren't named as such. Some of the business use cases as early as 1903 (earlier?) would have shown the idea of multiple storage and relational database usage. Beatrice Webb's usage of her notes in a database-like way may have indicated this as well.

    1. Die vermutlich zwischen 1952 und Anfang 1997 entstandenen Aufzeichnungen, mithilfe derer Luhmann die Ergebnisse seiner exzessiven und interdisziplinär breit angelegten Lektüre systematisch organisiert hat, dokumentieren die Theorieentwicklung auf eine einzigartige Weise, so dass man die Sammlung auch als eine intellektuelle Autobiographie verstehen kann.

      The researchers at the Niklas Luhmann-Archive studying Niklas Luhmann's Zettelkasten consider that "the collection can be understood as an intellectual autobiography" (translation mine) even though his slips were generally undated.

    1. I also “thread” index cards, particularly when they’re all associated with the same journal article or book chapter (or book). Note that I number my index cards “1/“, “2/“, until I know the total number of cards I will use. To store them, I collate them with a paper clip.
    1. How do you store and classify index cards? I usually have boxes that fit my index cards, and add a plastic tab with the reference in Author (Date) format. Other people use different classification systems (by keyword, by topic, by author). I just recommend that the process be consistent across.

      Pacheco-Vega stores his card with plastic tabs labeled by the references rather than by keyword or topic.

      He does recommend consistency in filing though.

    2. Hawk Sugano has shared his Pile of Index Cards (PoIC) method as well.

      Interesting to see a passing mention of Hawk Sugano's Pile of Index Cards here in a note taking context rather than a productivity one.

    3. I will share my processes to take notes using different methods. The very first method I use is the Index Cards Method.

      Professor Raul Pacheco-Vega calls his note taking process the "Index Cards Method" and only subtly differentiates it from Niklas Luhmann's zettelkasten method.

    1. Since Luhmann’s system of the slip box is well-known, Ahrens’ valuable contribution lies less in providing an innovative technique of note-taking and the organization of academic writing, but more in reflecting critically on the very nature of writing as a medium of knowledge generation.

      I think that by saying "Luhmann's system of the slip box is well-known", Stephanie Schiller is not talking about his specific box or his specific method, but the broader rhetorical method of the ars excerpendi and note taking in general. There isn't a whole lot of evidence to indicate that, except for a small segment of sociologists who may have know his work, that Luhmann's slip box was specifically well known at all up to the point of Ahrens' book.

    1. http://www.shopbrodart.com/Library-School-Furniture/Adult-and-Teen-Furniture/Computer-Furniture/Card-Catalog-Trays-and-Cabinets/_/Brodart-Wood-Charging-Trays/?q=tray&s=MToyNTY6NDo6Ojo6OjA6

      Brodart Mini Single Charging Tray Mini single charging tray with 600-card capacity More Info Price: $76.76

      • Adjustable steel follower block with automatic lock
      • Felt pads on tray bottom protect desktop
      • Mini charging tray fits on your lap
      • 4"H x 4"W x 8"D
      • Holds 600 5"H x 3"W cards
      • Includes antimicrobial finish
      • Made in the USA

      This could be used for a modern day Memindex box for portrait oriented 3 x 5" index cards.

    1. Seen in a Hoskins business equipment advertisement in Business magazine (1903) for card index:

      YOUR BUSINESS AT YOUR FINGER ENDS

      Close to the phrase "at your finger tips". Would it have appeared before or after this?

      Business: The Magazine for Office, Store and Factory. Vol. 16. Business Man’s Publishing Company, 1903. https://www.google.com/books/edition/Business/QKaxezfHjL0C?hl=en&gbpv=0.

    1. General instructions for using a Memindex

      HOW IT IS USED <br /> Things to be done today, jot on face card. Things to be done tomorrow or next Friday, jot on card for that day. Things to keep before you until done, jot on opposite front card. A matter for January 10th jot on a short card put under the band till you return to your desk, then file next to card for January 10th when it will come out and refresh your memory.

      Things to be done when in New York or Chicago jot on card "N" or "C." The new address of Mr. Jones, under "J." Ideas on advertising jot on card tabbed "adv." Things for your clerk to do, on his card , etc., etc. Retire today's card tonight, carrying forward things not completed and put next card in the file in has proved that almost back of pocket case. The alphabet enables one to index all jottings for instant reference. This system is very comprehensive yet perfectly simple. You soon the learn to depend on it every hour of every day.

      Within the general instructions in a 1904 Memindex advertisement (next to an ad for "Genuine Edison Incandescent Lamps") we see the general ideas of indexing things into the future and carrying undone tasks forward, just as is done in the bullet journal method.

  2. books.googleusercontent.com books.googleusercontent.com
    1. 2 3-4 x 4 3-4 inches in size, made of seal grain , real sealor Russia leather, in a thoro

      Memindex dimensions mentioned in a 1904 advertisement<br /> cards: 2 3/4 x 4 1/2 inches<br /> case: 2 3/4 x 4 3/4 inches

    2. mindex.THIS is the name Howard L. Wilson, of Rochester, N.Y.,hasgivenhisvestpocket cardsystem.Itisa

      Geyers Stationer. “Memindex Advertisement.” Geyer’s Stationer: Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades, September 15, 1904. https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0

      Howard L. Wilson of Rochester, NY named his vest pocket card index system the Memindex.

    1. Poem from the inside back cover of a 1913 Memindex Catalog:

      JUST JOT IT DOWN.

      If you’re going to meet a man<br /> Jot it down<br /> If you’ve got a little plan<br /> Jot it down<br /> If you never can remember<br /> Your requirements for September<br /> ’Till October or November<br /> Jot ’em down.

      If you’ve got a note to pay<br /> Jot it down<br /> If its due the first of May<br /> Jot it down<br /> If collections are so slow<br /> That to meet the note you know<br /> You must dun old Richard Roe<br /> Jot it down

      If you have a happy thought<br /> Jot it down<br /> If there’s something to be bought<br /> Jot it down<br /> Whether duty calls or pleasure<br /> If you’re busy or at leisure<br /> It will help you beyond measure<br /> Jot it down

      If there’re facts that you’d retain<br /> Jot ’em down<br /> If you’ve got to meet a train<br /> Jot it down<br /> If at work or only play<br /> If at home or far away<br /> In the night or in the day<br /> Jot it down

    2. c.1913 Wilson Memindex Desk Organzier Catalog Price List Booklet Rolodex Prequel

      In a 1913 catalog for the Wilson Memindex, the company suggested putting to do items and one's schedule on one side of the card and potentially keeping one's accounts or a diary on the reverse side.

    1. TheGlobeWernicke Vertical FilingCabinets aremadeformosteverysizeofcommercialpapermanufacturedandin-cludeBill,Letter,Cap,Report,Document,and Card Indexfiles.

      Noticing that while other filing companies have smaller half or quarter page ads in System, Globe-Wernicke Co. has a full page add for their filing cabinets.

    2. STANDARD INDEX CARD CO.

      Fascinating to see the 8 various types of hole punches different card index systems may have used on their index card filing cabinets.

      Advertisement from System, December 1906:

      CARD INDEX SYSTEM <br /> If you are using Card Systems, as manufacturers we are in a position to save money for you on these supplies. We make suggestions to anyone desiring to install labor-saving-money- making Card Systems.<br /> Cards supplied for all makes of cabinets.<br /> Write for prices and estimates.<br /> STANDARD INDEX CARD CO.,<br /> 707-09 Arch St., Phila., Pa.

    3. he Automatic File & Index Co.
    4. TheCalculagraph

      Beyond having people make direct copies of cards by hand or using carbon paper, The Calculagraph Company manufactured a copying machine for duplicating data.

      There is an accompanying picture (which I haven't copied here). Advertisement from 1906 System Magazine:

      The Calculagraph<br /> Makes individual records of actual<br /> working time on separate cards<br /> which may be used interchangeably<br /> for Cost Accounting, for Pay-rolls and<br /> for a number of other purposes with-<br /> out copying or transcribing a single<br /> figure, by simply assorting the cards<br /> and adding the records directly from<br /> their faces.<br /> A card containing all the work<br /> records of one man for a week may<br /> be useful for pay-roll purposes, but it<br /> is utterly worthless for learning the<br /> cost of products, until all the items<br /> have been copied or transcribed for<br /> classification.<br /> The Calculagraph requires a large<br /> number of cards in a factory employ-<br /> ing several hundred persons, but it<br /> Saves Clerical Labor. (In one<br /> factory it saves $150.00 per week).<br /> Cards Are Cheaper Than Labor<br /> The Calculagraph Makes No<br /> Clerical Errors.<br /> Let us send you our printed matter.<br /> CALCULAGRAPH COMPANY<br /> 1414 JEWELERS BUILDING, NEW YORK CITY

    5. ARDS CAN BE USEDINSOMEBRANCH OF YOUR BUSINESS

      INDEX CARDS CAN BE USED IN SOME BRANCH OF YOUR BUSINESS<br /> We have eight very useful forms. You can use one or more to good advantage and profit. Let us send you the Samples?<br /> UNITED STATES CARD INDEX CO.<br /> Office and Factory: 112 Liberty Street, NEW YORK<br /> Also send for our Priced Sample Set 'E' which includes all rulings, grades and weights of Index Cards and Guides.'

    6. Federal Steel FixtureCompany

      Federal Steel Fixture Company manufactured a variety of steel office furniture including desks, cabinets, lockers, filing cabinets, shelving, and card cabinets.

    7. TheSateliteCombinationCard IndexCabinetandTelephoneStand

      A fascinating combination of office furniture types in 1906!

      The Adjustable Table Company of Grand Rapids, Michigan manufactured a combination table for both telephones and index cards. It was designed as an accessory to be stood next to one's desk to accommodate a telephone at the beginning of the telephone era and also served as storage for one's card index.

      Given the broad business-based use of the card index at the time and the newness of the telephone, this piece of furniture likely was not designed as an early proto-rolodex, though it certainly could have been (and very well may have likely been) used as such in practice.


      I totally want one of these as a side table for my couch/reading chair for both storing index cards and as a temporary writing surface while reading!


      This could also be an early precursor to Twitter!

      Folks have certainly mentioned other incarnations: - annotations in books (person to self), - postcards (person to person), - the telegraph (person to person and possibly to others by personal communication or newspaper distribution)

      but this is the first version of short note user interface for both creation, storage, and distribution by means of electrical transmission (via telephone) with a bigger network (still person to person, but with potential for easy/cheap distribution to more than a single person)

    8. Memindex

      Let YOUR MIND GO FREE Do not tax your brain trying to re- member. Get the MEMINDEX HABIT and you can FORGET WITH IMPUNITY. An ideal reminder and handy system for keeping all memoranda where they will appear at the right time. Saves time, money, opportunity. A brain saver. No other device answers its purpose. A Great Help for Busy Men, Used and recommended by Bankers, Man- ufacturers, Salesmen, Lawyers, Doctors, Merchants, Insurance Men, Architects, Ed- ucators, Contractors, Railway Managers Engineers, Ministers, etc., all over the world. Order now and get ready to Begin the New Year Right. Rest of '06 free with each outfit. Express prepaid on receipt of price. Personal checks accepted

      Also a valuable card index for desk use. Dated cards from tray are carried in the handy pocket case, 2 to 4 weeks at a time. To-day's card always at the front. No leaves to turn. Helps you to PLAN YOUR WORK WORK YOUR PLAN ACCOMPLISH MORE You need it. Three years' sales show that most all business and professional men need it. GET IT NOW. WILSON MEMINDEX CO. 93 Mills St., Rochester, N. Y.

      Interesting that the use of the portmanteau memindex (as memory + index) for a card index being used to supplement one's memory. It can't go unnoticed that the Wilson Memindex Co. was manufacturing and selling these as early as 1906, several decades before Vannevar Bush's use of the word Memex which seems derivative and removes more of the traces of index from the root.

      Note the use of card sizes 2 3/4 x 4 1/2" and 3 x 5 1/2" for this system.

    9. 312 Oak Midget Tray WWeesCoverEquipped same as]No.324,price.55CTohold cards14x3.No.423.Equippedasabove,tohold65Ccards 24x4, priceNo. 533. Standard size.to hold card 3x5, equip-ped as above,price..........No. 7- Nickel ....PrepaidinU. S.onreceiptofpriceNo. 324OakMidgetTraytheCoverWeis75cNo. 644. To hold cards4x6,equipped$1.10(StyleNos.312,423.533and644)asabove......(Style No. 324,213.335and446.)Send for catalog showing many other time-saving office devices. Our goods are soldyour dealer does not carry our line we can supply you direct from the factory.To hold cards 24x4. lengthof tray2%in..equippedwithAtoZindexand100record cards 45cNo. 213. To hold cards 14x3in,, lenght of tray 24in..equipped asabove40cNo.335.Standardsize,tohold3x5 cards.equipped asabove50c80cNo. 446. To hold 4x6 cards,equipped asabove.Any of these trays sent pre-paid in U. S. on receipt ofpriceby stationers everywhere. IfNo. 6 Union St.The WeisManufacturing Co.,Monroe,Mich.,U. S.A.Please mention SYSTEM when writing to advertisers

      Notice the 1 1/4" x 3" cards, 2 1/4 x 4" cards in addition to the 3 x 5" and 4 x 6".

    10. AndMr.H. BeebeofChicago,using butonedrawer,says:"IthasmademekeepappointmentsandlayoutmyworktoincreasethethingsIcandoinaday."

      And Mr. H. Beebe of Chicago, using but one drawer, says: "It has made me keep appointments and lay out my work to increase the things I can do in a day. "

    11. W.K.Kellogg,President ofthe ToastedCornFlakeCompanyandalliedBattleCreekinterestsusing 640 drawers,says:"Ourbusiness involvesthehandling ofavastamountofdetail.Thedaily mailsometimescontainsthousandsofletters.IdonotknowhowallthesedetailscouldpossiblyhavebeenhandledwithoutShaw-WalkerSystems.

      In the December 1906 issue of System, a magazine which would eventually become Bloomberg Business Week), W. K. Kellogg, the President of the Toasted Corn Flake Company is quoted touting the invaluable nature of the Shaw-Walker filing system at a time when his company was using 640 drawers of their system.

    12. Also saves balf the time in filing correspondence , enabling one girlto do the work of two. This saving alone will quickly pay installationexpense.

      Example of sales touting productivity in a filing system.

      Note also the specific gendering of the clerk here in 1906.

    1. 1930s Wilson Memindex Co Index Card Organizer Pre Rolodex Ad Price List Brochure

      archived page: https://web.archive.org/web/20230310010450/https://www.ebay.com/itm/165910049390

      Includes price lists

      List of cards includes: - Dated tab cards for a year from any desired. - Blank tab cards for jottings arranged by subject. - These were sold in 1/2 or 1/3 cut formats - Pocket Alphabets for jottings arranged by letter. - Cash Account Cards [without tabs]. - Extra Record Cards for permanent memoranda. - Monthly Guides for quick reference to future dates. - Blank Guides for filing records by subject.. - Alphabet Guides for filing alphabetically.

      Memindex sales brochures recommended the 3 x 5" cards (which had apparently been standardized by 1930 compared to the 5 1/2" width from earlier versions around 1906) because they could be used with other 3 x 5" index card systems.

      In the 1930s Wilson Memindex Company sold more of their vest pocket sized 2 1/4 x 4 1/2" systems than 3 x 5" systems.

      Some of the difference between the vest sized and regular sized systems choice was based on the size of the particular user's handwriting. It was recommended that those with larger handwriting use the larger cards.

      By the 1930's at least the Memindex tag line "An Automatic Memory" was being used, which also gave an indication of the ubiquity of automatization of industrialized life.

      The Memindex has proved its success in more than one hundred kinds of business. Highly recommended by men in executive positions, merchants, manufacturers, managers, .... etc.

      Notice the gendering of users specifically as men here.

      Features: - Sunday cards were sold separately and by my reading were full length tabs rather than 1/6 tabs like the other six days of the week - Lids were custom fit to the bases and needed to be ordered together - The Memindex Jr. held 400 cards versus the larger 9 inch standard trays which had space for 800 cards and block (presumably a block to hold them up or at an angle when partially empty).

      The Memindex Jr., according to a price sheet in the 1930s, was used "extensively as an advertising gift".

      The Memindex system had cards available in bundles of 100 that were labeled with the heading "Things to Keep in Sight".

    1. The width of the drawers of both McDowell & Craig and Steelcase desks is just wide enough to accommodate two rows of 4 x 6" index cards side by side with enough space that one might insert a sizeable, but thin divider between them

      I suspect that this is a specific design choice in a world in which card indexes often featured in the office environment of the mid-twenty first century.

      Were other manufacturers so inclined to do this? Is there any evidence that this was by design? Did people use it for this? Was there a standard drawer width?

      The metal inserts to section off the desk drawer area could have also been used for this sort of purpose and had cut outs to allow for expanding and contracting the interior space.

      Keep in mind that some of these tanker desks were also manufactured with specific spaces or areas intended for typewriters or for storing them.

    1. How does a zettelkasten differ from a card index?A zettelkasten is a type of note-taking system that originated in Germany and is typically used for knowledge management and creative writing. While a card index is a similar system, there are some key differences between the two.Structure: A zettelkasten is a hierarchical system of notes, where each note is linked to other notes through a system of cross-referencing. This means that each note can be linked to multiple other notes in a non-linear way. A card index, on the other hand, is typically organized in a linear fashion, with each card representing a discrete piece of information.Contextual linking: In a zettelkasten, notes are linked to other notes based on their context and relevance, rather than by a predetermined system of organization. This allows for more creative and flexible connections between ideas, and can help to generate new insights and connections. A card index, on the other hand, is typically organized based on a pre-defined system of categories or tags.Purpose: While both systems can be used for a variety of purposes, a zettelkasten is often used specifically for knowledge management, research, and creative writing. It is designed to help users capture and organize their ideas, and to facilitate the development of new insights and connections. A card index, on the other hand, can be used for a wider range of purposes, including contact management, recipe organization, and more.Overall, a zettelkasten and a card index are both useful note-taking systems, but they differ in terms of structure, contextual linking, and purpose. A zettelkasten is typically more flexible and creative, while a card index is more structured and organized.

      https://sharegpt.com/c/0mrnsgg

      Not a half bad answer...

    1. Can I use a card index for note taking?Yes, you can certainly use a card index for note-taking. Card indexes have been a popular method of note-taking for many years and can be very effective. Here are a few tips to get you started:Choose the right size of card index: Card indexes come in various sizes, so choose one that is comfortable for you to handle and store.Use cards of the same size: Using cards of the same size ensures that they will fit into your index box or file and that they will be easy to handle.Choose a system for organizing your cards: You can organize your cards alphabetically, by subject, by date, or any other system that works for you.Use one card per idea or topic: To keep your notes organized and easy to find, use one card per idea or topic.Keep your notes brief and to the point: Use brief notes that summarize the key points of your topic. This will make it easier to review your notes and find the information you need.Review your notes regularly: Review your notes regularly to keep the information fresh in your mind and to make sure you haven't missed anything important.Overall, a card index can be a very effective method of note-taking, as long as you develop a system that works for you and use it consistently.

      https://shareg.pt/th2DNz0

      Q: Can I use a card index for note taking?

      Compare with: https://hypothes.is/a/HTqQPrksEe2XdQcSVvzXLQ

    1. Yes, you can definitely use a card index for note-taking. In fact, many people find card indexes to be a useful and convenient tool for organizing and storing notes. Here are some tips for using a card index for note-taking:Choose a system: Decide on a system for organizing your cards. You could organize them alphabetically, by topic, by date, or by any other method that works for you.Choose the size of cards: Choose the size of cards that works best for your needs. Common sizes include 3" x 5", 4" x 6", and 5" x 8".Use one card per idea: Write one idea or piece of information on each card. This will help keep your notes organized and easy to reference.Include keywords: Include keywords on each card to make it easier to find relevant information later.Use dividers: Use dividers to separate different topics or sections in your card index. This will help keep your notes organized and easy to navigate.Carry it with you: A card index is a portable tool, so you can take it with you wherever you go. This makes it easy to take notes on the go and to refer to your notes when you need them.Overall, a card index can be a useful and efficient tool for note-taking, especially if you prefer a physical, tangible way of organizing and storing information.

      Q: Can I use a card index for note taking?

      ChatGPT does a reasonable bit of advice on how one would use a card index for note taking.

    1. In der aktuellen Folge „research_tv“ der Universität Bielefeld erklären Professor Dr. André Kieserling, Johannes Schmidt und Martin Löning, wie sie sich der so genannten „intellektuellen Autobiographie“ Luhmanns annähern.

      Translation:

      In the current episode "research_tv" of Bielefeld University, Professor Dr. André Kieserling, Johannes Schmidt and Martin Löning how they approach Luhmann's so-called “intellectual autobiography”.

      !!

    1. Analog Supplies

      I should mention that the Stockroom Plus 4 x 6" cards I got a while back are great with even my juiciest fountain pens. They're some of the least expensive gridded cards I've been able to find and are a fraction of the cost of the Exacompta.

    1. Definitely Exacompta. The color grid cards in 3x5 and 4x6 are fountain pen friendly and delightful to use.

      u/abbienormal, u/Alan_Shutko, u/CynTut all recommend Exacompta cards for fountain pen friendly use.

      4x6": - Goulet Pens - White Graph $9.00 - White lined $9.00 - White blank $9.00 - Pastel graph $13.50 - Flotsam and Fork Pastel graph $9.50 - Anderson Pens $13.50 (multi-color) - JetPens Pastel graph $14.50 - Amazon White(?) grid $19.96

      • Kokuyo
        • may be close in size but A or B style sizing
  3. Feb 2023
    1. What screenwriting books recommend note cards for drafting/outlining? Do any go beyond the general outlining advice?

      What is the overlap of this sort of writing practice with comedians who had a practice of writing jokes on index cards? (Ronald Reagan, Phyllis Diller, etc.?

    2. https://www.youtube.com/watch?v=mwKjuBvNi40

      Ben Rowland uses index cards to outline the plot of his screenplays. This is a common practice among screenwriters. Interestingly he only uses it for plot outlining and not for actual writing the way other writers like Vladimir Nabokov may have. Both Benjamin Rowland and Duston Lance Black use cards for outlining but not at the actual writing stage.

    1. <small><cite class='h-cite via'> <span class='p-author h-card'>Billy Oppenheimer</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>

      Nothing stupendous here. Mostly notes on cards and then laid out to outline. Most of the writing sounds like it happens at the transfer stage rather than the card and outline stage.

      This process seems more akin to that of Victor Margolin than Vladimir Nabokov.

    2. NOW I SAY, "OKAY, THIS IS DONE." I READ IT. IT FEELS LIKE A MOVIE. AND I'M GONNA PUT IT IN THE BOX. AND I'M GONNA PUT IT IN THE BOX IN THIS ORDER, AND THIS IS THE ORDER THAT I'M GONNA WRITE IT IN IN MY FIRST DRAFT. OVER THE NEXT NUMBER OF WEEKS, I START WRITING. WHAT I'VE BEEN DOING, I'VE BEEN SEEING THE SCENES IN MY HEAD FOR SO LONG AT THIS POINT THAT IT'S ALMOST LIKE JUST REGURGITATION. LIKE, I'M JUST GETTING OUT. AND I CALL IT MY VOMIT DRAFT. #

      Dustin Lance Black's "vomit draft" is similar to Mozart's peeing his music out like a cow. His method is also similar to Victor Margolin who's gone over the material several times by the time he's finally writing out his draft.

    1. If you want one final piece of (unsolicited) advice: if you bulk-import those Kindle highlights, please do not try to create literature Zettels out of everything. I did it and I DO NOT RECOMMEND. It was just too much work to rehash stuff that I had already (kind of) assimilated. Reserve that energy to write permanent notes (you probably know much more than you give yourself credit for) and just use the search function (or [^^]) to search for relevant quotes or notes. Only key and new papers/chapters you could (and should, I think) take literature notes on. Keep it fun!

      Most veteran note takers will advise against importing old notes into a new digital space for the extra amount of administrative overhead and refactoring it can create.

      Often old notes may be: - well assimilated into your memory already - poorly sourced or require lots of work and refactoring to use or reuse them - become a time suck trying to make them "perfect"

      Better advice is potentially pull them into your system in a different spot so they're searchable and potentially linkable/usable as you need them. If this seems like excessive work, and it very well may be, then just pull in individual notes as you need or remember them.

      With any luck the old notes are easily searchable/findable in whichever old system they happen to be in, so they're still accessible.


      I'll note here the conflicting definitions of multiple storage in my tags to mean: - storing a single note under multiple subject headings or index terms - storing notes in various different (uncentralized locations), so having multiple different zettelkasten at home/office, storing some notes in social media locations, in various notebooks, etc. This means you have to search across multiple different interfaces to find the thing you're looking at.

      I should create a new term to distinguish these two, but for now they're reasonably different within their own contexts that it's not a big problem unless one or the other scales.

    2. I find it very tiring haha. As I said in another comment, processing a single chapter can take me a full day or two. However, I keep reminding myself that I would rather spend a day processing a chapter well, and have literature notes to serve me a lifetime (potentially, at least), rather than reading a chapter in two hours and not remember a single thing the next day. When I REALLY need a reminder of this, I just look at my "Backlog" folder which contains old "notes" that are now pretty much useless: I didn't use a reference manager consistently during my first two years of PhD so there are a lot of citations which are unreliable; I didn't really summarise texts, I only read them and highlighted; I didn't use the cloud for a long time, so I lost a lot of notes; and I didn't have Obsidian, so a lot of my notes are just contained within the context of the place I read them, rather than being connected. Seeing three years worth of useless materials, and knowing that I read a couple hundred of articles/chapters but I have nothing to show for it, that makes me more patient when writing my literature notes now. However I also find it very exciting that I can future-proof some of my notes. I feel like I'm working for my future self.

      A partial answer to note taking why.

    1. implemented on index cards

      Interesting to see a somewhat out of place link to Pile of Index Cards system here.

      Given the 2015 date of the post this could be a part of the small distribution of the 2006 idea into the conversation a decade later.

    1. Reagan’s Note Card Treasures<br /> by John H. Fund <br /> at August 10, 2011, 12:00 AM<br /> (accessed:: 2023-02-23 12:25:06)

      archived copy: https://web.archive.org/web/20151017020314/http://spectator.org/articles/37399/reagans-note-card-treasures

    2. WHILE REAGAN was governor, I will never forget his taking time out of his schedule after a television taping to show me—a 15-year-old high school student—how he could instantly arrange his packs of anecdote-filled index cards into a speech tailor-made for almost any audience. I still use a variation of Reagan’s system to construct my own speeches.

      John H. Fund wrote that while he was a a 15-year old high school student, Reagan taught him how he arranged his index card-based notes to tailor-make a speech for almost any audience. In 2011, Fund said he still used a variation of Reagan's system for his own speeches.

    3. As one looks at the yellowing speech cards, one can see Reagan was always careful to include the documentation and source at the top. In his shorthand, you can see him quoting Thomas Jefferson: “If a nation expects to be ignorant & free in a state of civilizations, it expects what never was & what never will be.”

      On many quote-based cards, Reagan was careful to cite his sources.

    4. Indeed, Martin Anderson, Reagan’s former domestic policy adviser, says that Reagan’s system did wonders for his ability to give speeches. Reagan was able to approach a lectern with no sign anywhere of a prepared speech. Only those seated on the stage behind him could see his left hand drop into his suitcoat pocket and pull out a neat, small packet of cards and slip off the elastic band with his right hand as he set the cards down. And as for helping him in preparing the speech material, “his system was unrivaled,” Anderson remembers. “Before the speech Reagan would pore over the packs of cards, then pluck a few cards from one pack, a few from another, and combine them. In a matter of minutes, he would create an entirely new speech. The system was as flexible as a smooth gold chain.”
    5. He compiled hundreds of them over the course of his career. Some were lost or given away as souvenirs, but 91 were recently discovered at the Reagan Library, stored in boxes that contained the contents of Reagan’s desk at his Los Angeles office on the day he died in June 2004.

      Ronald Reagan compiled hundreds of index card-based notes over his career. Some were lost or given away as souvenirs, but 91 we discovered at the Reagan library (circa 2011). They were discovered among boxes which contained the contents of his Los Angeles office desk after his death in June 2004,

    6. One of his secrets was a stack of 4 x 6 inch note cards that he compiled over the span of four decades.

      Though other sources like the CBS News article look like 3 x 5" index cards, John Hunt indicates that Ronald Reagan used 4 x 6" inch cards for his notes.

    1. Ronald Reagan's index cards of one-liners at 2014-07-20 <br /> (accessed:: 2023-02-23 11:41:42)

      archived version: https://web.archive.org/web/20200305070906/https://www.cbsnews.com/pictures/ronald-reagans-index-cards-of-one-liners/12/


      ᔥ Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

    2. Ronald Reagan Presidential Foundation & Library

      One of Ronald Reagan's Index cards with four bullet-pointed one-liners has the annotation "(over)" written on the bottom which indicates that he wrote on both sides of his cards.

      If he was keeping these in clear plastic sheets in a binder, this would have been easy to see the opposite sides.

      Were all of his cards double-sided? This particular example seems to be a list of one liners which may have been used in the same speech (or timeframe) and thus served solely as a reminder of the jokes to be told.

    3. "You can talk to any number of President Reagan's speechwriters over the years, and when they might hand him a speech, the speeches would come back with a quote, or an expression or a joke that they hadn't seen before," John Heubusch, executive director of the Reagan Library, told CBS News' Mo Rocca.
    4. It turns out he had a secret arsenal: stacks of 3x5 index cards filled with one-liners, which he kept in his desk to append to speeches.

      Ronald Reagan used 3 x 5" index cards.

    1. Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

      Kuehn felt that Ronald Regan's note taking "does not seem like a good system. In fact, it's hardly any system at all..."

    1. Lustig, Jason. “‘Mere Chips from His Workshop’: Gotthard Deutsch’s Monumental Card Index of Jewish History.” History of the Human Sciences, vol. 32, no. 3, July 2019, pp. 49–75. SAGE Journals, https://doi.org/10.1177/0952695119830900

      Cross reference preliminary notes from https://journals.sagepub.com/doi/abs/10.1177/0952695119830900

      Finished reading 2023-02-21 13:04:00

      urn:x-pdf:6053dd751da0fa870cad9a71a28882ba

    2. As a graduate student, hemaintained a card index of his own. When Marcus’s friends wrote of his travels abroad,they declared that ‘When we think of that card index by now we shudder. What propor-tions it must have assumed’. 18

      Example of a student who saw/learned/new a zettelkasten note taking method from a teacher.

    3. Simultaneously, it showcases how little actually has changed with therise of digital platforms, where some scholars have sought to build software edifices toemulate card index systems or speak of ‘paper-based tangible interfaces’ for research(Do ̈ring and Beckhaus, 2007; Lu ̈decke, 2015).

      Döring, T. and Beckhaus, S. (2007) ‘The Card Box at Hand: Exploring the Potentials of a Paper-Based Tangible Interface for Education and Research in Art History’. Proceedings of the First International Conference on Tangible and Embedded Interaction, Baton Rouge, Louisiana, February 15-17, 2007. New York, ACM, pp. 87–90.

      Did they have a working system the way Ludeke did?

    4. Card indexes were a tool to manage information overloadand enabled one to move and recombine letters, words and ideas – which led WalterBenjamin to describe the explosion of the book into its fundamental components,recorded on cards, so that they could be recombined (Benjamin, 2016[1986]: 43).
    5. Beyond the realm of historians, advocates called card indexes ‘the only portable,elastic, simple, orderly and self-indexing way of keeping records’, and the practice wascommon enough that Gustave Flaubert parodied the unending and ultimately futilepursuit of all knowledge in his 1881 satire Bouvard et Pe ́cuchet (Dickinson, 1894).
    6. Fred Morrow Flingwrote effusively of the ‘manifest advantages’ of the ‘card system of note taking’

      from<br /> Fling, F. M. (1920) The Writing of History: An Introduction to Historical Method. New Haven: Yale University Press.

    7. 20th-century enterprises like Herbert Field’s‘Concilium Bibliographicum’, a system of zoological research
    8. Deutsch’s close friendJoseph Stolz, writing of the Chicago rabbi Bernard Felsenthal (1822–1908) who hadpenned a history of that city’s Jews and was instrumental in the 1892 formation of theAmerican Jewish Historical Society, noted that Felsenthal ‘was not the systematic orga-nizer who worked with a stenographer and card-index’ (Stolz, 1922: 259).

      Great example of a historian implying the benefit of not only a card index, but of potentially how commonplace it was to not only have one, but to have stenographers or secretaries to help manage them.

      Link this to the reference in Heyde about historians and others who were pushed to employ stenographers or copyists to keep their card indexes in order.


      Given the cost of employing secretaries to manage our information, one of the affordances that computers might focus on as tools for thought is lowering the barrier for management and maintenance. If they can't make this easier/simpler, then what are they really doing beyond their shininess? Search is obviously important in this context.

      What was the reference to employing one person full time to manage every 11 or 12 filing cabinets' worth of documents? Perhaps Duguid in the paper piece?

    1. To cover my knowledge management process would distract you from what works for you. Your question needs more context to be actionable.TL;DR; Whichever knowledge management system gets you paid.I've got 13 notes with the term "knowledge management," 15 with "information gathering," and 7 with "strategic intelligence." Without finishing a MOC, here's off the top of my head:Have a purpose or reason for learning.Ask helpful questions that solve problems.Answer questions as stand-alone notes.Learn from primary sources. Even boring ones.Take notes for your intended audience.Serve a specific audience (get paid.)Write about what people care about.Become a subject matter expert in target areas.Deliver what you know as a service first.Build on your strengths. Knowledge is cheap.It's not a process. More like tips. If demand exists, I'll write a book on the topic in a few years. Might be a good podcast topic.“No man but a blockhead ever wrote, except for money.” -- Samuel Johnson, The Life of Samuel JohnsonRemember, there is no shortage of knowledge. Managing information is like masturbation; it feels good but doesn't do much. Focus on making information drive goal achievement.

      Some useful and solid advice here.

    2. https://www.reddit.com/r/ObsidianMD/comments/zb4okr/map_of_18237_files_more_than_22_years_of_writing/

      u/jwhco has ~5,000 index cards and 18,237 files (presumably mostly note-based text files, though some mentioned are papers, articles, etc.) over the span of 22 years.

    1. we have preserved Eco’s handwritten index cardresearch system in all its detail, precisely because it is the soulof How to Write a Thesis.
    2. he research skills that Eco teaches areperhaps even more relevant today. Eco’s system demandscritical thinking, resourcefulness, creativity, attention todetail, and academic pride and humility; these are preciselythe skills that aid students overwhelmed by the ever-grow-ing demands made on their time and resources, and confusedby the seemingly endless torrents of information availableto them.

      In addition to "critical thinking, resourcefulness, creativity, attention to detail, and academic pride and humility", the ability to use a note card-based research system like Umberto Eco's is the key to overcoming information overload.

    3. Things were changing quickly.Eco’s methods of organizing and filing information werestill effective, but word processors and the Internet werebeginning to offer exciting alternatives to long-establishedresearch and writing techniques.

      Esparmer is correct that research and writing did change with the advent of word processors and the internet in the 1990s and early 2000s (p xi), but these were primarily changes to the front and the back of the process. Esparmer and far too many others seem to miss the difference in which affordances were shifting here. The note taking and organization portions still remained the same, so Eco's advice is still tremendously important. Even if one were to do long form notes in notebook format or in digital documents, they would profitably advised to still properly cross-index their notes or have them in a form that allows them to rearrange them most simply with respect to the structuring and creative processes.

      Losing the ability to move ideas around easily, restructure them, link them together and outline them was a tremendous blow in going from the old methods to the new digital ones.

      Did we accidentally become enamored of the new technologies and forget that their affordances didn't completely replace those of the old methods?

    1. Doch als er richtig zu zählen begann, wurde ihm klar, dass es wohl weit mehr sind. Luhmann hatte für die Niederschrift seiner Gedanken keine festen Karteikarten benutzt, sondern normales Papier, das er in Din-A6-Stücke schnitt und dicht an dicht in die Kästen quetschte.

      Instead of using pre-made stiff index cards, Luhmann used standard paper which he cut up into DIN A6 sized slips which he packed into his drawers. Schmidt had trouble removing slips from some of the boxes because they were packed so tightly.

    2. Exactly how much space would be saved writing on standard paper versus index cards in a collection as large as Luhmann's?

    1. “...it can be very useful for coming up with ideas out of thin air, essentially. All you need is a little bit of seed text, maybe some notes on a story you've been thinking about or random bits of inspiration and you can hit a button that gives you nearly infinite story ideas.”- Eugenia Triantafyllou

      Eugenia Triantafyllou is talking about crutches for creativity and inspiration, but seems to miss the value of collecting interesting tidbits along the road of life that one can use later. Instead, the emphasis here becomes one of relying on an artificial intelligence doing it for you at the "hit of a button". If this is the case, then why not just let the artificial intelligence do all the work for you?

      This is the area where the cultural loss of mnemonics used in orality or even the simple commonplace book will make us easier prey for (over-)reliance on technology.


      Is serendipity really serendipity if it's programmed for you?

    2. Wordcraft shined the most as a brainstorming partner and source of inspiration. Writers found it particularly useful for coming up with novel ideas and elaborating on them. AI-powered creative tools seem particularly well suited to sparking creativity and addressing the dreaded writer's block.

      Just as using a text for writing generative annotations (having a conversation with a text) is a useful exercise for writers and thinkers, creative writers can stand to have similar textual creativity prompts.

      Compare Wordcraft affordances with tools like Nabokov's card index (zettelkasten) method, Twyla Tharp's boxes, MadLibs, cadavre exquis, et al.

      The key is to have some sort of creativity catalyst so that one isn't working in a vacuum or facing the dreaded blank page.

    3. In addition to specific operations such as rewriting, there are also controls for elaboration and continutation. The user can even ask Wordcraft to perform arbitrary tasks, such as "describe the gold earring" or "tell me why the dog was trying to climb the tree", a control we call freeform prompting. And, because sometimes knowing what to ask is the hardest part, the user can ask Wordcraft to generate these freeform prompts and then use them to generate text. We've also integrated a chatbot feature into the app to enable unstructured conversation about the story being written. This way, Wordcraft becomes both an editor and creative partner for the writer, opening up new and exciting creative workflows.

      The sense of writing partner here is similar to that mentioned by Niklas Luhmann in Communicating with Slip Boxes: An Empirical Account (1981), though in his case his writing partner was a carefully constructed database archive of his past notes.

      see: Luhmann, Niklas. “Kommunikation mit Zettelkästen: Ein Erfahrungsbericht.” In Öffentliche Meinung und sozialer Wandel / Public Opinion and Social Change, edited by Horst Baier, Hans Mathias Kepplinger, and Kurt Reumann, 222–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1981. https://doi.org/10.1007/978-3-322-87749-9_19.<br /> translation at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm.

    1. Stettler, Lucia. “Geheime Gästekartei überlebt Hotelbrand – und birgt Zündstoff.” Schweizer Radio und Fernsehen (SRF), April 8, 2021, sec. Kultur. https://www.srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff.

      <small><cite class='h-cite via'> <span class='p-author h-card'>ManuelRodriguez331</span> in Advantages of Analog note taking : Zettelkasten (<time class='dt-published'>02/07/2023 08:33:25</time>)</cite></small>

    2. Wie durch ein Wunder blieben vier Holzkisten mit hochbrisantem Inhalt verschont. Sie waren zum Zeitpunkt des Infernos in einem anderen Gebäude eingelagert. Sie enthielten 20'000 Gästekarten, die Concierges und Rezeptionisten zwischen 1920 und 1960 heimlich geführt hatten.

      srf.ch/kultur/gesellschaft-religion/brisanter-fund-geheime-gaestekartei-ueberlebt-hotelbrand-und-birgt-zuendstoff

      Google translate:

      four wooden boxes with highly explosive contents were spared. They were stored in a different building at the time of the inferno. They contained 20,000 guest cards that concierges and receptionists had kept secretly between 1920 and 1960.

      The Grandhotel Waldhaus burned down in 1989, but saved from the inferno were 20,000 guest cards with annotations about them that were compiled between 1920 and 1960.

    3. At the Grandhotel Waldhaus in Vulpera, Switzerland concierges and receptionists maintained a business-focused zettelkasten of cards. In addition to the typical business function these cards served denoting names, addresses, and rooms, the staff also made annotations commenting on the guests and their proclivities.

      The old Grandhotel Waldhaus in Vulpera attracted the noble and the rich from all over the world to the Lower Engadine. R GULER

      1:

      2:

      3:

      4:

      5:

      6:

    4. Die Klientel bewegte sich unter ihresgleichen und hatte keine Ahnung, dass der höfliche Concierge an der Rezeption heimlich seinem Ärger Luft machte – mittels giftiger Kommentare: «Ganz grober Kerl; treibt es arg mit den Weibern», «Grosser Protz à la Neureich», «Rappenspalter», «blöde Ziege» oder «Beisszange».

      Google translate:

      The clientele moved among their own kind and had no idea the polite concierge at the front desk was secretly venting his anger with venomous comments: 'Very rude fellow; does it badly with the women", "Big Protz à la Neureich", "Rappensplitter", "Stupid Goat" or "Tongs".

  4. Jan 2023
    1. This sort of policy matches closely to the model page zettelkasten.de which has also a strong focus on memorizing information and excludes secondary elements like vegan food and doing sport for no reason.This is factually incorrect.

      reply to u/FastSascha at https://www.reddit.com/r/Zettelkasten/comments/10nolg3/comment/j6naobz/?utm_source=reddit&utm_medium=web2x&context=3

      Let those who have not folded an index card to use it as a fork for eating food (vegan or otherwise), throw the first pack of index cards.

      Is this the correct zettelkasten translation of John 8:7? Should I number this ZKII, 9/8k?🗃️😉

    1. This seems to have an interesting relation to the tradition of wassailers and "luck visitors" traditions or The Christmas Mummers (1858). The song We Wish You a Merry Christmas (Roud Folk Song Index #230 and #9681) from the English West Country (Cornwall) was popularized by Arthur Warrell (1883-1939) in 1935. It contains lyrics "We won't go until we get some" in relation to figgy pudding and seems very similar in form to Mari Lwyd songs used to gain access to people's homes and hospitality. An 1830's version of the song had a "cellar full of beer" within the lyrics.

      I'm curious if the Roud Folk Song Index includes any Welsh songs or translations that have similar links? Perhaps other folk song indices (Child Ballads?) may provide clues as well?

    1. This was not at all unusual during the 1970s. Many people and organizations that had to keep track of a large amount of data used primarily index cards to keep things organized.

      Manfred Kuehn indicates that keeping track of information on note cards was "not unusual during the 1970s".

    2. I accumulated altogether between 5.000 and 6.000 note cards from 1974 to 1985, most of which I still keep for sentimental reasons and sometimes actually still consult.

      Manfred Kuehn's index card commonplace from 1974 - 1985


      At 5 - 6,000 cards in 11 years from 1974 to 1985, Kuehn would have made somewhere in the neighborhood of 1.25 - 1.49 note per day.

    1. Avoid both very long andvery short paragraphs: the length should usually vary from150 to 860 words. Attend carefully to the unity and correctstructure of the paragraph.

      His description of paragraphs from 150 to 350 words is interesting with respect to the amount of material that will fit on a 3x5" inch card during the note taking process.

    1. What's this trick with the knitting needle? It sounds cool. How do you do it so you don't just run into the unpunched ones and get stopped?

      reply to u/stjeromeslibido at https://www.reddit.com/r/antinet/comments/10lqfsn/comment/j63y2k9/?utm_source=reddit&utm_medium=web2x&context=3

      Every card has holes pre-punched into it in exactly the same place (see the photo in the original post at the top) so that one might put a knitting needle (or other thin instrument) through the whole deck in each of the positions. Then one should decide on what each hole's meaning will be by position.

      As an example, imagine you're using your cards in a rolodex fashion and you want to distinguish the six categories: family, friends, service providers, neighbors, co-workers, and organizations/businesses. For family members you cut/remove the additional paper between the first hole (representing "family") and the edge of the paper. You do the same thing for all the other cards based on their respective categories. So, for example, your brother Joe who lives across the street from you and works with you at the office in the family business would have cuts removed for positions 1, 4, and 5. For an entity that fits all six categories, cuts would be made such that the sheet would no longer stay in u/I-love-teal (the original poster's) six ring binder notebook.

      At the end of the year you want to send Christmas cards to your friends, family and neighbors, so you put the knitting needles into position 1 and pull up separating your family out, then you repeat for positions 4 and 5 until you have your full list. (Pro tip: you probably wouldn't want to pull them out of the deck completely, but might rather pull them up and set them at a 90 degree angle thus preventing you from needing to do the work of refiling them all in a particular order.)

      Obviously if you have multi-row edge punches or dozens of edge notches you can discern a lot more categories or data types using basic logic. Just abstract this to your particular note card system. Herman Hollerith used this in early versions of the U.S. Census in the late 1800s and it and variations were used heavily in early computer programming applications.

      A variation of this sort of trick can also be done by coloring in (or not) the edges of parts of your cards as well. See for example the general suggestions in these photos which help to layout the idea of the "Pile of Index Card" system used back in 2006 with respect to Getting Things Done (GTD) philosophy:

      On my mathematics specific notes which I generally put on graph paper cards, I use colored edge "notches" like these to represent broad categories like theorems, proofs, definitions, corollaries, etc. or method of proof (induction, direct, contradiction, contraposition, construction, exhaustion, probabilistic, combinatorial, etc.) This makes finding specific cards a bit easier as I tip through various sections.

      A historian might use colored edges to visually label dates by decades or centuries depending on the timespan of their studies. The uses can be endless and can be specific to your field of study or needs.

      Some might also attach the idea of tags/categories to the colors of their cards, so you might use white cards for ideas which are your own, yellow cards which are quotes of others' material, blue cards which represent synopses of other's ideas, etc. One might also profitably use a multi-pen with different colored inks to represent these sorts of meta-data as well.

      The variations are endless...

    1. Browsing through Walten’s notes also helped Jagersma to get to know the pamphleteer better, even though he is been dead for three hundred years. “The Memoriaelen say a lot about him. I could read how Walten did his research, follow his fascinations, and see the ideas for pieces he was not able to work out anymore. In a way, these two notebooks are a kind of self-portrait.”
    2. In the process, her notes become very personal. “The more personal, the more valuable,” says Fraza. “The way in which you link your ideas is what makes your knowledge base unique.”
    1. If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens.

      The index is the place for categorization. Now the questions is how deep is good enough to categorize.

    1. I came here looking for the glycemic index for bananas to see if this might explain a friends delayed reaction to consuming high amounts of salicylate. That is, the pain they experienced as a burn in the mouth/tongue only occurred after consuming a banana. A prior search tentatively suggested that spikes in insulin (which occur with foods high in glycemic index and glycemic load) can cause inflammation to the affected region which sends white blood cells as a response and can cause swelling and increased sensitivity to pain.

    1. He saw that her suitcase had shoved all his trays of slips over to one side of the pilot berth.They were for a book he was working on and one of the four long card-catalog-type trays wasby an edge where it could fall off. That's all he needed, he thought, about three thousand four-by-six slips of note pad paper all over the floor.He got up and adjusted the sliding rest inside each tray so that it was tight against the slipsand they couldn't fall out. Then he carefully pushed the trays back into a safer place in therear of the berth. Then he went back and sat down again.It would actually be easier to lose the boat than it would be to lose those slips. There wereabout eleven thousand of them. They'd grown out of almost four years of organizing andreorganizing and reorganizing so many times he'd become dizzy trying to fit them all together.He'd just about given up.

      Worry about dropping a tray of slips and needing to reorganize them.

    1. Around 1956: "My next task was to prepare my course. Since none of the textbooks known to me was satisfactory, I resorted to the maieutic method that Plato had attributed to Socrates. My lectures consisted essentially in questions that I distributed beforehand to the students, and an abstract of the research that they had prompted. I wrote each question on a 6 × 8 card. I had adopted this procedure a few years earlier for my own work, so I did not start from scratch. Eventually I filled several hundreds of such cards, classed them by subject, and placed them in boxes. When a box filled up, it was time to write an article or a book chapter. The boxes complemented my hanging-files cabinet, containing sketches of papers, some of them aborted, as well as some letters." (p. 129)

      This sounds somewhat similar to Mark Robertson's method of "live Roaming" (using Roam Research during his history classes) as a teaching tool on top of other prior methods.

      link to: Roland Barthes' card collection for teaching: https://hypothes.is/a/wELPGLhaEeywRnsyCfVmXQ

    1. I make a habit of outlining chapters in Obsidian as it allows me to structure them with indented bullet points, and to link individual bullet points to supporting notes, including notes on original sources. I also make the bullet points into checkboxes, so I can check them off as I make my way through the outline as I’m drafting the actual chapter.
    1. Anybody using this approach to manage contacts? How?

      reply to IvanFerrero at https://forum.zettelkasten.de/discussion/1740/anybody-using-this-approach-to-manage-contacts-how#latest

      Many of the digital note taking tools that run off of text allow you to add metadata to your basic text files (as YAML headers, inline with a key:: value pair, or via #tags). Many of them have search functionality or use other programmatic means like query blocks, DataView, DataViewJS, etc. for doing queries on your files to get back lists, tables, charts, etc. of the data you're looking for.

      The DataView repository has some good examples of how this works with something like Obsidian. Fortunately if you're using simple text files you can usually put them into one or more platforms to get the data and affordances you want out of them individually.

      As an example, I have a script block in my daily note in Obsidian for birthdays in my notes that fall on today's date:

      ```dataview LIST birthday FROM "Lists/People" WHERE birthday.day = date(2023-01-18).day ```

      If I put the text birthday:: 1927-12-08 into a note about Niklas Luhmann, his name and birthday would appear in my daily note on his birthday. One can use similar functionality to create tables of books they read with titles, authors, ratings, dates read, etc. or a variety of other data input which parses through your plaintext files. Services like Obsidian, Logseq, et al. are getting better about allowing these types of programmatic searches for users without backgrounds in programming and various communities usually provide help for pre-made little snippets like the one above that one can cut and paste into their notes to get the outputs that they need. Another Obsidian based example that uses text files for tracking academic journal articles can be found at https://nataliekraneiss.com/your-academic-reading-list-in-obsidian/; I'm sure there are similar versions for other text-based platforms.

      In pre-digital times, for a manual version of a rolodex like this in paper, one could use different color cards as pseudo-tags (doctors are on yellow cards, family members on blue cards, friends on green cards, etc.) or adding edge notches or even tabs to represent different types of metadata. See for example the edge colored cards in Hawkexpress' Pile of Index Cards: https://www.flickr.com/photos/hawkexpress/albums/72157594200490122

    1. How do you maintain the interdisciplinarity of your zettlekasten? .t3_10f9tnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.

      If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.

      If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.

      The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.

      Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.

      If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.

      It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)

      In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!

    1. One even better plan is to get regular library index cards and, afterthe lecture is fairly well learned, transfer the points underlined to them, onecard to a lecture. These cards can be carried about and studied at oddmoments. One is enabled by their use to get the perspective view of thelecture which brings out the sense of values which one loses when onestudies the notes in their mass of detail only. With the skeleton in mindone has little difficulty in recalling the details .

      Here again he comes close to some of the methods and ideas of having flashcards for spaced repetition, but isn't explicitly aware of the words or techniques. Note that he also doesn't use the word flashcard. When was the word first used?

      Rewriting things as flashcards also tends to be a part of the spaced repetition itself.

      By cutting the notes up he's specifically decontextualizing them so as to make one's memory be better tested in coming up with the solutions/answers as they are more likely to appear on a test, decontextualized from the original lecture.

    1. For some scholars, it is critical thatthis new Warburg obsessively kept tabs on antisemitic incidents on the Easternfront, scribbling down aphorisms and thoughts on scraps of paper and storingthem in Zettelkasten that are now searchable.

      Apparently Aby Warburg "obsessively kept" notes on antisemitic incidents on the Eastern front in his zettelkasten.


      This piece looks at Warburg's Jewish identity as supported or not by the contents of his zettelkasten, thus placing it in the use of zettelkasten or card index as autobiography.


      Might one's notes reflect who they were as a means of creating both their identity while alive as well as revealing it once they've passed on? Might the use of historical method provide its own historical method to be taken up on a meta basis after one's death?

    1. May 19, 2004 #1 Hello everyone here at the forum. I want to thank everyone here for all of the helpful and informative advice on GTD. I am a beginner in the field of GTD and wish to give back some of what I have received. What is posted below is not much of tips-and-tricks I found it very helpful in understanding GTD. The paragraphs posted below are from the book Lila, by Robert Pirsig. Some of you may have read the book and some may have not. It’s an outstanding read on philosophy. Robert Pirsig wrote his philosophy using what David Allen does, basically getting everything out of his head. I found Robert Pirsigs writing on it fascinating and it gave me a wider perspective in using GTD. I hope you all enjoy it, and by all means check out the book, Lila: An Inquiry Into Morals. Thanks everyone. arthur

      Arthur introduces the topic of Robert Pirsig and slips into the GTD conversation on 2004-05-19.

      Was this a precursor link to the Pile of Index Cards in 2006?

      Note that there doesn't seem to be any discussion of any of the methods with respect to direct knowledge management until the very end in which arthur returns almost four months later to describe a 4 x 6" card index with various topics he's using for filing away his knowledge on cards. He's essentially recreated the index card based commonplace book suggested by Robert Pirsig in Lila.

    1. After browsing through a variety of the cards in Gertrud Bauer's Zettelkasten Online it becomes obvious that the collection was created specifically as a paper-based database for search, retrieval, and research. The examples and data within it are much more narrowly circumscribed for a specific use than those of other researchers like Niklas Luhmann whose collection spanned a much broader variety of topics and areas of knowledge.

      This particular use case makes the database nature of zettelkasten more apparent than some others, particularly in modern (post-2013 zettelkasten of a more personal nature).

      I'm reminded here of the use case(s) described by Beatrice Webb in My Apprenticeship for scientific note taking, by which she more broadly meant database creation and use.

    1. Her work on borrowed function words was so far manifest in her Konkordanz der nichtflektierten griechischen Wörter im bohairischen Neuen Testament, Göttinger Orientforschungen VI/6, Wiesbaden: Harrassowitz 1975, the tip of the iceberg as we know now.

      Gertrud Bauer used her zettelkasten on Coptic and Greek to write Konkordanz der nichtflektierten griechischen Wörter im bohairischen Neuen Testament, Göttinger Orientforschungen VI/6, Wiesbaden: Harrassowitz 1975, a work on borrowed function words.

    1. Index card carrying case

      Try Kaitiaki or Rite in the Rain. If you search for "index card wallet" you'll likely find a variety of others, including some custom made versions on sites like Etsy. 3 x 5" are relatively common, but 4 x 6" are much harder to come by.

    1. Expansion is led by focus. By taking time to edit, carve up, and refactor our notes, we put focus on ideas. This starts the Great Wheel of Positive Feedback. All hail to the Great Wheel of Positive Feedback.

      How can we better thing of card indexes as positive feedback mechanisms? Will describes it as the "Great Wheel of Positive Feedback" which reminds me a bit of flywheels for storing energy for later use.

    1. CREATE INDEX Statement

      ABOUT INDEXES *indexes can make queries faster, much like looking for a term in the index of a textbook instead of skimming through all the pages in the book to find all the references to the term. However, indexes take storage space and the DBMS must maintain the index as rows are inserted, updated and deleted in the table.

    1. The array subscript numbers are written within square brackets. By default PostgreSQL uses a one-based numbering convention for arrays, that is, an array of n elements starts with array[1] and ends with array[n].
    1. Many of the topic cards served as the skeleton for Mediterranean Society and can be usedto study how Goitein constructed his magnum opus. To give just one example, in roll 26 wehave the index cards for Mediterranean Society, chap. 3, B, 1, “Friendship” and “InformalCooperation” (slides 375–99, drawer 24 [7D], 431–51), B, 2, “Partnership and Commenda”(slides 400–451, cards 452–83), and so forth.

      Cards from the topically arranged index cards in Goitein's sub-collection of 20,000 served as the skeleton of his magnum opus Mediterranean Society.

    2. Goitein’s index cards can be divided into two general types: those thatfocus on a specific topic (children, clothing, family, food, weather, etc.) andthose that serve as research tools for the study of the Geniza. 48
    3. It is, however, important to keep in mind that, reflecting the trajectory ofGoitein’s study of the Geniza, there are often two sets of cards for a givensubject, one general and one related to the India Book.44

      Goitein, “Involvement in Geniza Research,” 144.

      Goitein's cards are segmented into two sets: one for subjects and one related to the India Book.

    4. About twenty thousand of those cards are 3 × 5 inches and seven thousand 5 × 8 inches.

      Goitein's zettelkasten is comprised of about 20,000 3 x 5" index cards and 7,000 5 x 8" index cards.

      Link to: https://hypothes.is/a/TEiQ5H1rEe2_Amfzi4XXmg

      While not directly confirmed (yet), due to the seeming correspondence of the number of cards and their corpus descriptions, it's likely that the 20,000 3 x 5" cards were his notes covering individual topics while the 7,000 5 x 8" cards were his notes and descriptions of a single fragment from the Cairo Geniza.

    5. In some cases, not unlike his Geniza subjects, Goitein wrotehis notes on pieces of paper that were lying around. To give but one example, a small noterecords the location of the index cards for “India Book: Names of Persons” from ‘ayn to tav:“in red \\ or Gray \\ box of geographical names etc. second (from above) drawer to the left ofmy desk 1980 in the left right steelcabinet in the small room 1972” is written on the back ofa December 17, 1971, note thanking Goitein for a box of chocolate (roll 11, slide 503, drawer13 [2.1.1], 1191v).

      In addition to writing on cards, Goitein also wrote notes on pieces of paper that he happened to have lying around.

    6. Until the development of new digital tools, Goitein’s index cards providedthe most extensive database for the study of the documentary Geniza.

      Goitein's index cards provided a database not only for his own work, but for those who studied documentary Geniza after him.

    1. While Clang has historically been faster than GCC at compiling, the output quality has lagged behind. As of 2014, performance of Clang-compiled programs lagged behind performance of the GCC-compiled program, sometimes by large factors (up to 5.5x),[28] replicating earlier reports of slower performance.[26] Both compilers have evolved to increase their performance since then, with the gap narrowing: Comparisons in November 2016 between GCC 4.8.2 versus clang 3.4, on a large harness of test files shows that GCC outperforms clang by approximately 17% on well-optimized source code. Test results are code-specific, and unoptimized C source code can reverse such differences. The two compilers thus seem broadly comparable.[30][unreliable source] Comparisons in 2019 on Intel Ice Lake has shown that programs generated by Clang 10 has achieved 96% of the performance of GCC 10 over 41 different benchmarks (while winning 22 and losing 19 out of them).[29]

      Clang is faster than GCC because it uses LLVM as its underlying compiler infrastructure. LLVM has a highly optimised code generation approach that makes it very efficient in terms of both space and time. In addition, Clang also contains several optimisation passes (such as global optimisations and link-time optimisation) that improve the generated code further.

    1. TIPOFF was created in 1987 for the express purpose of using biographic information drawn from intelligence products for watchlisting purposes. In 1987 TIPOFF began keeping track of suspected terrorists literally with a shoebox and 3 by 5 cards. Since then the program has evolved into a sophisticated interagency counterterrorism tool specifically designed to enhance the security of our nation's borders.
  5. Dec 2022
    1. I’m a screenwriter. One of the reasons I use Obsidian is the ability to hashtag. It sounds so simple, but being able to tag notes with #theme or #sceneideas helps create linkages between notes that would not otherwise be linked. My ZK literally tells me what the movie is really about.

      via u/The_Bee_Sneeze

      Example of someone using Obsidian with a zettelkasten focus to write screenplays.

      Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?

    1. The drawers are jammed with jokes typed on 4-by-6-inch cards — 52 drawers, stacked waist-high, like a card catalog of a certain comedian’s life’s work, a library of laughs.

      Joan Rivers had an index card catalog with 52 drawers of 4-by-6-inch index cards containing jokes she'd accumulated over her lifetime of work. She had 18 2 drawer stackable steel files that were common during the mid-1900s. Rather than using paper inserts with the label frames on the card catalogs, she used a tape-based label maker to designate her drawers.

      Scott Currie, who worked with Melissa Rivers on a book about her mother, Joan Rivers, at the comedian’s former Manhattan office. Many of her papers are stored there.Credit...Hiroko Masuike/The New York Times


      Note carefully that the article says 52 drawers, but the image in the article shows a portion of what can be surmised to be 18 2-drawer cabinets for a total of 36 drawers. (14 2-drawer cabinets are pictured, but based on size and perspective, there's one row of 4 2-drawer boxes not shown.)

    1. For example I had a few notes on principles of modern cryptography that came in handy when I had to write a paper about a related topic for my studies. But these cases were rare at best, most of these notes were never looked at again.

      The one shining moment in the whole essay and they don't seem to realize where the benefit or use actually was. They finally had a reason to have taken notes and the ideas shone here. But they've written off the tools because they didn't understand when to use them.

      Hammers are cool, but unless you're a professional carpenter, you don't carry it around all the time and use it constantly to hammer things. The same is true of note taking as a tool. You might use it regularly if you're a writer or an academic perhaps, but for hourly use in your day-to-day? Almost definitely not.

    1. Goitein accumulated more than 27,000 index cards in his research work over the span of 35 years. (Approximately 2.1 cards per day.)

      His collection can broadly be broken up into two broad categories: 1. Approximately 20,000 cards are notes covering individual topics generally making of the form of a commonplace book using index cards rather than books or notebooks. 2. Over 7,000 cards which contain descriptions of a single fragment from the Cairo Geniza.

      A large number of cards in the commonplace book section were used in the production of his magnum opus, a six volume series about aspects of Jewish life in the Middle Ages, which were published as A Mediterranean Society: The Jewish communities of the Arab World as Portrayed in the Documents of the Cairo Geniza (1967–1993).

    2. https://genizalab.princeton.edu/resources/goiteins-index-cards

      <small><cite class='h-cite via'> <span class='p-author h-card'>u/Didactico</span> in Goitein's Index Cards : antinet (<time class='dt-published'>12/15/2022 23:12:33</time>)</cite></small>

  6. www.sanduskycabinets.com www.sanduskycabinets.com
    1. http://www.sanduskycabinets.com/flipbook/?page=2

      According to Sandusky customer service, most of the Buddy Products line was discontinued in 2019 and remaining portions were sold to https://www.metalcabinetstore.com/ which may or may not have them.

    2. http://www.sanduskycabinets.com/flipbook/?page=2

      Page 2 of the Sandusky Lee / Sandusky Buddy catalog indicates that page 52 has File Card Storage Boxes, but the page doesn't exist in this version of the 2020 catalog.

    1. Zettelkasten, which in American English means notebox, and in Euro-pean English translates to slip box.

      What really supports this distinction? The closest historical American English translation is probably "card index" from the early 1900s while the broader academic historical translation is "slip box".

    1. https://edward-slingerland.medium.com/there-is-only-one-way-to-write-a-book-637535ef5bde

      Example of someone's research, note taking, and writing process using index cards.

      Broadly, this is very similar to the process used by Ryan Holiday, Robert Green, and Victor Margolin.

      While he can't recall the name of the teacher, he credits his 7th grade English teacher (1980-1981) for teaching him the method.


      Edward Slingerland is represented by Brockman Inc.

    2. That sounds challenging, of course, but I find that the writing, at this stage, is actually relatively easy: the card organization has already done most of the work. The cards tell the story, you now just need to (skillfully!) weave them together.

      Anecdotal evidence that the final "writing" portion of a card index process is "relatively easy" as the majority of the work has already been done.

    3. This is the absolute hardest part of the writing process, in my mind. The most exciting, too, because you’re never quite sure where it’s going to end up.

      Anecdotal evidence that categorizing and arranging index cards/ideas for a writing project for subsequent writing is one of the most difficult portions of the process.

      Niklas Luhmann subverted portions of this by pre-linking his ideas together either in threads or an outline form as he went.

    4. I’ve also got a vague sense in my head of how they should be organized — that is, what the structure of the book is going to be. This is generally when I write the formal book proposal. I know enough about the topic, now, that I have a good idea of what my central arguments are going to be and how I am going to organize the chapters.

      At what point in the process does one have a conceptualization for the overall outline of what they're writing?

      In cases where it's earlier than others, then heavy linking and organization may not be as necessary.

    5. I continued to use this analog method right up through my Ph.D. dissertation and first monograph. After a scare in the early stages of researching my second monograph, when I thought all of my index cards had been lost in a flood, I switched to an electronic version: a Word doc containing a table with four cells that I can type or paste information into (and easily back up).
    6. I have a very specific method for organizing my research and thoughts whenever I’m writing anything longer than a short article. I learned this method from a teacher in middle school, and I cannot imagine how a human being could write a book any other way.

      Example of someone who learned an index card based commonplace book method for note taking and writing.

    1. https://www.youtube.com/watch?v=b-Wp0sLpnMY

      PVA Glue used in bookbinding, but isn't inexpensive.

      • Tacky glue - okay
      • rubber cement - not great
      • elmer's glue - not great, tears esp. for 2 layers
      • Mod podge - pulls nicely and strong
      • mod podge hard shell - cracks, not great
      • PVA Glue - the best of the group

      Recommendations in order: PVA, Tacky Glue, Mod Podge (regular)

      Brush on top edge and do two coats. Don't get it down between sheets.

  7. Nov 2022
    1. Victor Margolin's note taking and writing process

      • Collecting materials and bibliographies in files based on categories (for chapters)
      • Reads material, excerpts/note making on 5 x 7" note cards
        • Generally with a title (based on visual in video)
        • excerpts have page number references (much like literature notes, the refinement linking and outlining happens separately later in his mapping and writing processes)
        • filed in a box with tabbed index cards by chapter number with name
        • video indicates that he does write on both sides of cards breaking the usual rule to write only on one side
      • Uses large pad of newsprint (roughly 18" x 24" based on visualization) to map out each chapter in visual form using his cards in a non-linear way. Out of the diagrams and clusters he creates a linear narrative form.
      • Tapes diagrams to wall
      • Writes in text editor on computer as he references the index cards and the visual map.

      "I've developed a way of working to make this huge project of a world history of design manageable."<br /> —Victor Margolin

      Notice here that Victor Margolin doesn't indicate that it was a process that he was taught, but rather "I've developed". Of course he was likely taught or influenced on the method, particularly as a historian, and that what he really means to communicate is that this is how he's evolved that process.

      "I begin with a large amount of information." <br /> —Victor Margolin

      "As I begin to write a story begins to emerge because, in fact, I've already rehearsed this story in several different ways by getting the information for the cards, mapping it out and of course the writing is then the third way of telling the story the one that will ultimately result in the finished chapters."<br /> —Victor Margolin

    1. A quick and dirty guide to choosing "slow carbs" (low GLI) and "fast carbs" (high GLI). Purportedly, insulin spikes (from high GLI foods) and prevent amino acids from entering the blood brain barrier. Need to fact-check this

    1. Fifty years ago, coinciding with the centennial of the release of Darwin’s manuscript, author Morse Peckham collected all six editions into a single “variorum” text. Peckham painstakingly created a reference system that denotes the modifications and changes between editions. The text was created by Peckham’s careful enumeration of every sentence from every edition, copied onto index cards; from these cards, he carefully assembled them into a final text.
    1. https://www.youtube.com/watch?v=2ueMHkGljK0

      Robert Greene's method goes back to junior high school when he was practicing something similar. He doesn't say he invented it, and it may be likely that teachers modeled some of the system for him. He revised the system over time to make it work for himself.


      • [x] Revisit this for some pull quotes and fine details of his method. (Done on 2022-11-08)
    2. Origin of Robert Greene's (May 14, 1959 - ) note taking system using index cards:<br /> Greene didn't recall a specific origin of his practices, but did mention that his mom found some index cards at his house from a junior high school class. (Presuming a 12 year old 7th grader, this would be roughly from 1971.) Ultimately when he wrote 48 Laws of Power, he was worried about being overwhelmed with his notes and ideas in notebooks. He naturally navigated to note cards as a solution.

      Uses about 50 cards per chapter.

      His method starts by annotating his books as he reads them. A few weeks later, he revisits these books and notes to transfer his ideas to index cards. He places a theme on the top of each card along with a page number of the original reference.

      He has kept much the same system as he started with though it has changed a bit over time.

      You're either a prisoner of your material or a master of your material.

      This might not be the best system ever created, but it works for me.

      When looking through a corpus of cards for a project, Robert Greene is able to make note of the need to potentially reuse a card within a particular work if necessary. The fact that index cards are inherently mobile within his projects make them easy to move and reuse.

      I haven't heard in either Robert Greene or Ryan Holiday's practices evidence that they reuse notes or note cards from one specific project to the next. Based on all the evidence I've seen, they maintain individual collections for each book project for which they're developing.

      [...] like a chameleon [the index card system is] constantly changing colors or [like] something that's able to change its shape at will. This whole system can change its shape as I direct it.

    3. Robert Greene: (pruriently) "You want to see my index cards?"<br /> Brian Rose: (curiously) Yeah. Can we?? ... This is epic! timestamp

    1. You should also be able to placethe book even more accurately than before in your mental cardcatalogue, for further reference if the occasion should everarise.

      use of "mental card catalogue" as memory

    1. A commonplace book is what a provident poet cannot subsist without, for this proverbial, reason, that "great wits have short memories;" and whereas, on the other hand, poets, being liars by profession, ought to have good memories; to reconcile these, a book of this sort, is in the nature of a supplemental memory, or a record of what occurs remarkable in every day's reading or conversation. There you enter not only your own original thoughts, (which, a hundred to one, are few and insignificant) but such of other men, as you think fit to make your own, by entering them there. For, take this for a rule, when an author is in your books, you have the same demand upon him for his wit, as a merchant has for your money, when you are in his. By these few and easy prescriptions, (with the help of a good genius) it is possible you may, in a short time, arrive at the accomplishments of a poet, and shine in that character[3].

      "Nullum numen abest si sit prudentia, is unquestionably true, with regard to every thing except poetry; and I am very sure that any man of common understanding may, by proper culture, care, attention, and labour, make himself whatever he pleases, except a good poet." Chesterfield, Letter lxxxi.

      See also: https://en.m.wikisource.org/wiki/Page:The_Works_of_the_Rev._Jonathan_Swift,_Volume_5.djvu/261 as a source


      Swift, Jonathan. The Works of the Rev. Jonathan Swift. Edited by Thomas Sheridan and John Nichols. Vol. 5. 19 vols. London: H. Baldwin and Son, 1801.

    1. From the beginning I found myself deeply challenged and stuck — freaked out by the blank page. So I started to use my skills as a filmmaker. I note-carded it. I had the notes above my computer, and I got to do a little “X” when I finished the draft of a chapter; it was this really satisfying moment.

      Erin Lee Carr talks about using index cards to write a book about her father, but her practice sounds more like index cards with headings as a means of structuring a story and not actually writing the entire work out on cards.

    2. <small><cite class='h-cite via'> <span class='p-author h-card'>Billy Oppenheimer</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>

    1. Ronald Reagan notecard

    2. One of the big lies notetakers tell themselves is, “I will remember why I liked this quote/story/fact/etc.”

      Take notes for your most imperfect, forgetful future self. You're assuredly not only not going to remember either the thing you are taking notes for in the first place, but you're highly unlikely to remember why you thought it was interesting or intriguing or that clever thing you initially thought of at the same time.

      Capture all of this quickly in the moment, particularly the interesting links to other things in your repository of notes. These ideas will be incredibly difficult, if not impossible, for one to remember.

    3. He has a warehouse of notecards with ideas and stories and quotes and facts and bits of research, which get pulled and pieced together then proofread and revised and trimmed and inspected and packaged and then shipped.

      While the ancients thought of the commonplace as a storehouse of value or a treasury, modern knowledge workers and content creators might analogize it to a factory where one stores up ideas in a warehouse space where they can be easily accessed, put into a production line where those ideas can be assembled, revised, proofread, and then package and distributed to consumers (readers).

      (summary)

    4. If you are like Lebron James or Paul Simon, if you were born with a gift for recall, you might not need a note-taking system.

      I would suggest that this is wholly wrong as both of the memories described are honed for specific situations and not broadly applicable.

      Even those with good natural memories as well as those with significant mnemonic practices can benefit from a structured note taking practice.

    5. In this article, I am going to explain my adapted version of the notecard system.

      Note that he explicitly calls out that his is an adapted version of a preexisting thing--namely a system that was taught to Ryan Holiday who was taught by Robert Greene.

      Presumably there is both some economic and street cred value for the author/influencer in claiming his precedents.

      It's worth noting that he mentions other famous users, though only the smallest fraction of them with emphasis up front on his teachers whose audience he shares financially.

    6. The Notecard System

      This is almost pitched as a product with the brand name "The Notecard System".

    1. "If the Reagans' home in Palisades (Calif.) were burning," Brinkley says, "this would be one of the things Reagan would immediately drag out of the house. He carried them with him all over like a carpenter brings their tools. These were the tools for his trade."

      Another example of someone saying that if their house were to catch fire, they'd save their commonplace book (first or foremost).

    1. It's not an exaggeration: Nearly every dollar I've made in my adult life was earned first on the back or front (or both) of an index card.Everything I do, I do on index cards.
    1. https://www.instagram.com/p/CeWV6xBuZUN/?hl=en

      Ryan Holiday in the past has made custom 4 x 6" index cards for taking notes for his individual projects.

      Pictured: A custom slip with 11 light gray lines, small margins all around, and at the top the printed words: "Courage. Temperance. Justice. Wisdom."

      <small><cite class='h-cite via'> <span class='p-author h-card'>Billy Oppenheimer, research assistant to Ryan Holiday</span> in The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To - Billy Oppenheimer (<time class='dt-published'>11/03/2022 16:53:44</time>)</cite></small>

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      I used to do this sort of practice before, but I used buckslips instead.