18,755 Matching Annotations
  1. Jan 2023
    1. More news organizations will realize they are in the business of impact, not eyeballs

      https://www.niemanlab.org/2022/12/more-news-organizations-will-realize-they-are-in-the-business-of-impact-not-eyeballs/

      Journalistic outlets should be in the business of creating impact and not scrounging merely for eyeballs and exposure.

      Exposure may be useful for advertising revenue with respect to surveillance capitalism, but if you're not informing along the way, not making a measurable impact, then you're not living, not making a change.

    1. TIPOFF was created in 1987 for the express purpose of using biographic information drawn from intelligence products for watchlisting purposes. In 1987 TIPOFF began keeping track of suspected terrorists literally with a shoebox and 3 by 5 cards. Since then the program has evolved into a sophisticated interagency counterterrorism tool specifically designed to enhance the security of our nation's borders.
    1. After Ahrens' book I see an awful lot of people talking about "processing" books. There are too many assumptions about what this can mean and this hides many levels of inherent work involved in analyzing and synthesizing knowledge. I would suggest that we're better off talking about reading them, annotating, excerpting, and thinking about them, or maybe writing about and combining them with other knowledge than "processing" them.

    2. The first book I’m processing is Descartes’ Meditations on First Philosophy, which seemed appropriate.

      https://dice.camp/@brennenreece/109622279965144935

      example of someone "processing" a book and doing so in the context of having read Ahrens

    1. reply to u/shibbywiggy on https://www.reddit.com/r/antinet/comments/zzlje4/what_makes_this_special_for_me/

      In his book Sönke Ahrens mentions the Zeigarnik effect and that it works for the slip box method in much the same way that Zeigarnik works for David Allen's GTD, but to my knowledge he wasn't making any sort of attempt to integrate GTD with the slipbox there. Where are you drawing this inference with respect to his work?

      I've noticed the "frankenbaby" phenomenon too and have called it zettelkasten overreach in the past. HawkExpress' original Pile of Index Cards is the closest I've seen to pure GTD with index cards.

    2. Sanke and others seem to try to integrate GTD (Getting Things Done) into the Zettlekasten, thus making a frankenbaby. Having a frankenbaby of my own I shall throw no stones. But GTD is about making this same decision, and being specific about taking in ideas and deciding what to do with it. Without this self-discipline, self-awareness, neither GTD nor Zettlekasten are useful.

      Example of someone who's also noticed the idea of "zettelkasten overreach" though they call it "frankenbaby".

    1. I've seen a bunch of people sharing this and repeating the conclusion: that the success is because the CEO loves books t/f you need passionate leaders and... while I think that's true, I don't think that's the conclusion to draw here. The winning strategy wasn't love, it was delegation and local, on the ground, knowledge.

      This win comes from a leader who acknowledges people in the stores know their communities and can see and react faster to sales trends in store... <br /> —Aram Zucker-Scharff (@Chronotope@indieweb.social) https://indieweb.social/@Chronotope/109597430733908319 Dec 29, 2022, 06:27 · Mastodon for Android

      Also heavily at play here in their decentralization of control is regression toward the mean (Galton, 1886) by spreading out buying decisions over a more diverse group which is more likely to reflect the buying population than one or two corporate buyers whose individual bad decisions can destroy a company.

      How is one to balance these sorts of decisions at the center of a company? What role do examples of tastemakers and creatives have in spaces like fashion for this? How about the control exerted by Steve Jobs at Apple in shaping the purchasing decisions of the users vis-a-vis auteur theory? (Or more broadly, how does one retain the idea of a central vision or voice with the creative or business inputs of dozens, hundreds, or thousands of others?)

      How can you balance the regression to the mean with potentially cutting edge internal ideas which may give the company a more competitive edge versus the mean?

    2. creative fields like music and writing live and die based on creativity, not financial statements and branding deals.
    3. “I don’t think books are overpriced.”
    4. “There is no substitute for good decisions at the top—and no remedy for stupid ones.”
  2. Dec 2022
    1. In anthropology, Verstehen has come to mean a systematic interpretive process in which an outside observer of a culture attempts to relate to it and understand others.

      Verstehen seems to have a similar semantic meaning for an "outsider" making an attempt to understand different (indigenous) ways of knowing.

    2. Verstehen (German pronunciation: [fɛɐˈʃteːən], lit. transl. "to understand"), in the context of German philosophy and social sciences in general, has been used since the late 19th century – in English as in German – with the particular sense of the "interpretive or participatory" examination of social phenomena.[1] The term is closely associated with the work of the German sociologist Max Weber, whose antipositivism established an alternative to prior sociological positivism and economic determinism, rooted in the analysis of social action.[2] In anthropology, Verstehen has come to mean a systematic interpretive process in which an outside observer of a culture attempts to relate to it and understand others.
    1. we need to consider how the architecture might make the UX suck.

      Architecture can make UX suck.

    2. Conway’s Law is sometimes referred to as “shipping your org chart”. If you’ve been in professional software development for a while, you’ve likely come to respect its power and inevitability. How your team is structured is always visible in the product you produce, and that can often be a bad thing for users. It’s the weird cracks of inconsistency and disconnectedness within a user application that makes you wonder if two parts of the app were made by two different companies.

      The design of a product can often reflect, and not often in a good way, the nature and structure of the team(s) which made it.

    3. my strong sense is that we’re currently papering over major UX problems that are linked to core architectural properties.
    1. Tom MacWright, a software developer in Brooklyn, has firsthand experience with the pitfalls of ActivityPub. As an experiment, he tried to turn his photo blog into an actor that could be followed by users via their Mastodon accounts. It worked in the end—and you can search for @photos@macwright.com from your Mastodon instance to follow his photography—but it wasn't easy.

      Example of how ActivityPub standards don't work in practice, in part because Mastodon is an 800 pound gorilla which actively flauts or adds their own "standards".

    2. "Queer people built the Fediverse," she said, adding that four of the five authors of the ActivityPub standard identify as queer. As a result, protections against undesired interaction are built into ActivityPub and the various front ends. Systems for blocking entire instances with a culture of trolling can save users the exhausting process of blocking one troll at a time. If a post includes a “summary” field, Mastodon uses that summary as a content warning.
    3. Vulnerable users increasingly felt the effects of Karl Popper's Paradox of Tolerance, that if we include in a more tolerant discussion those who are less tolerant, they will prevent the discussion from being fully open. (Thus, in Popper's view, some level of "intolerance towards intolerance" must be exercised even by the tolerant.)
    4. If you want to see what an activity stream looks like, and your browser renders JSON nicely, just grab a random outbox and have a look.)

      https://botsin.space/users/grigornaregatsi/outbox?page=true

    1. #selbsthilfegruppeZK

      hashtag for a self-help zettelkasten group

    2. Am 4.1.23 werden wir ab 18 Uhr online mit den anderen Teilnehmern besprechen, wie wir das Format weiter entwickeln wollen. Wir haben es schon einmal Zettelcast getauft, ein (verteilter) Podcast rund um Zettelkästen.

      https://t73f.de/blog/2022/zettelcast/

      Detlef Stern, Klaus Kusanowsky and others are doing a distributed podcast cleverly called Zettelcast on 2023-01-04 starting at 18:00.

    1. https://mochi.cards

      <small><cite class='h-cite via'> <span class='p-author h-card'>Fernando Borretti</span> in Unbundling Tools for Thought (<time class='dt-published'>12/29/2022 15:59:17</time>)</cite></small>

    1. https://tellico-project.org/

      Tellico<br /> Collection management software, free and simple

      <small><cite class='h-cite via'> <span class='p-author h-card'>Fernando Borretti</span> in Unbundling Tools for Thought (<time class='dt-published'>12/29/2022 15:59:17</time>)</cite></small>

    1. https://borretti.me/article/unbundling-tools-for-thought

      He covers much of what I observe in the zettelkasten overreach article.

      Missing is any discussion of exactly what problem he's trying to solve other than perhaps, I want to solve them all and have a personal log of everything I've ever done.

      Perhaps worth reviewing again to pull out specifics, but I just don't have the bandwidth today.

    1. The intercalary month or epagomenal days[1] of the ancient Egyptian, Coptic, and Ethiopian calendars are a period of five days in common years and six days in leap years in addition to those calendars' 12 standard months, sometimes reckoned as their thirteenth month. They originated as a periodic measure to ensure that the heliacal rising of Sirius would occur in the 12th month of the Egyptian lunar calendar but became a regular feature of the civil calendar and its descendants. Coptic and Ethiopian leap days occur in the year preceding Julian and Gregorian leap years.
    1. Splooting, or more technically heat dumping, is a process through which animals stretch their hind legs back and lie on cooler surfaces to reduce their body heat. It’s commonly done by squirrels and sometimes, by dogs, and it’s no reason for concern, it’s just a sign that the animal is hot and trying to cool off.
    1. https://www.youtube.com/watch?v=XPuqBdPULx4

      Mostly this is a lot of yammering about what is to come and the trials and tribulations it's taken him to get set up for making the video tutorials. Just skip to the later videos in the series.

      He did mention that he would be giving a sort of "peep show" of his note taking method, though he didn't indicate whether or not we might be satisfied with it. This calls to mind Luhmann's quote about showing his own zettelkasten being like a pornfilm, but somehow people were left disappointed.

      cross reference: https://hyp.is/GFj15IcbEe21OIMwT2TOJA/niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8-3_V

    2. Klaus Kusanowsky uses the ideas of witchcraft or fascination to describe the sort of magic created by zettelkasten use. [0:09:15]

    1. 9/8,3 Geist im Kasten? Zuschauer kommen. Sie bekommen alles zusehen, und nichts als das – wie beimPornofilm. Und entsprechend ist dieEnttäuschung.

      https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8-3_V

      I've read and referenced this several times, but never bothered to log it into my notes.

      Sasha Fast's translation:

      Ghost in the box? Spectators visit. They get to see everything, and nothing but that - like in a porn movie. And the disappointment is correspondingly high.

    1. Asian Memory Methods : Secret Memory Techniques, Kyoto 1771

      reply to LynneKelly at https://forum.artofmemory.com/t/asian-memory-methods-secret-memory-techniques-kyoto-1771/79217

      Thanks for this Lynne! I've ordered a copy.

      I've been working on-again, off-again at learning Japanese and spent quite a while looking at mnemonic techniques with respect to it and kanji in particular. I've done a reasonably thorough, though not exhaustive search on the topic with respect to titles in English.

      I had come across Rowley's book along with a few others, though generally they've only got a few hundred examples, usually meant for early learners. One of my favorite more comprehensive texts was:

      Henshall, Kenneth G. A Guide to Remembering Japanese Characters. 1st ed, 7th Printing. Tokyo, Japan: Charles E. Tuttle Company, Inc., 1988.

      It is much more comprehensive and has some incredibly useful descriptions of kanji, how they relate to other kanji (pictographically), as well as additional subtle meanings and what I would almost call "mini-stories" about the words, origins and their development over time, which for me made them much easier to recall and use. These descriptions also included some scholarly mentions as well as interesting Japanese historical and cultural context that also slowly build up to something bigger over time. He cleverly links and interlinks various words together to build up meanings over time as well. In addition to this, he included specific mnemonic phrases to make the kanji easier to remember. (Many of these become cumulative and rely on knowledge of previous words and pictograms.) I'll note that later editions were somewhat similar, but the incredibly rich stories were significantly pared down or removed making them less valuable, at least to me. He covers 1,945 kanji including those up to the sixth grade and general use kanji which he individually numbers within the text (so one could also more easily create and cross link them within their own memory palace/journey/songline.) Given the relationship of Japanese with Chinese, perhaps similar texts may exist for Chinese?

      As an illustrative example of the work in the text, here's a link to a picture from a random page of the book: https://boffosocko.com/wp-content/uploads/2022/12/wp-1672269705369-scaled.jpg that may be helpful.

    1. Bendat, Julius S. Principles and Applications of Random Noise Theory. John Wiley & Sons, Inc., 1958.

      My copy of this book from 1958 has a table of contents with numberings for chapter, section, and subsections.

      Eg: 1.2-1 Constant Parameter Linear Systems

    1. Humphreys, James E. Introduction to Lie Algebras and Representation Theory. Graduate Texts in Mathematics, 9.0. Springer, 1972. is one of the first Springer texts in my collection which has a Luhmann-esque sort of numbering system in its table of contents. Surely there must be earlier others though?

    1. https://www.youtube.com/watch?v=oYycpKcUhc4

      We need more social acceptability for neurodivergence in much the way we accept the use of eyeglasses without attaching a social stigma to it.

      What ways is this like exacerbating the stigmas of racism and institutionalized racism? How can we break down these broader barriers without othering people?

    1. https://www.youtube.com/watch?v=VFs3_COOMp8

      He opens up saying that he uses some small plastic containers for mushrooms that he got from the supermarket for storing his notes/slips! This is definitely a unique form of zettelkasten box!


      He talks about the benefits and some of the joys of using analog practices, particularly in analogy to music and arts.


      "meine kleine zettelkasten show" sounds like it ought to be a Mozart compisition like Eine Kleine Nachtmusik

    2. https://youtu.be/VFs3_COOMp8?t=1130

      He mentions (not seriously) getting into a spat with his wife who threatens to throw his zettelkasten out the window as a means of retaliation! 🤣

    3. https://youtu.be/VFs3_COOMp8?t=1103

      Mention of worry over losing a zettelkasten due to fire or water damage, versus digital loss due to electric/power failure.

      Hard drive failure and lack of back ups are also a problem.

    1. <small><cite class='h-cite via'> <span class='p-author h-card'> Chuck Grimmett</span> in 40 Questions for 2022 (<time class='dt-published'>12/27/2022 20:27:38</time>)</cite></small>

    1. I’m a screenwriter. One of the reasons I use Obsidian is the ability to hashtag. It sounds so simple, but being able to tag notes with #theme or #sceneideas helps create linkages between notes that would not otherwise be linked. My ZK literally tells me what the movie is really about.

      via u/The_Bee_Sneeze

      Example of someone using Obsidian with a zettelkasten focus to write screenplays.

      Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?

    2. Is the ZK method worth it? and how it helped you in your projects? .t3_zwgeas._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionI am new to ZK method and I'd like to use it for my literature review paper. Altho the method is described as simple, watching all those YT videos about the ZK and softwares make it very complex to me. I want to know how it changed your writing??

      reply to u/Subject_Industry1633 at https://www.reddit.com/r/Zettelkasten/comments/zwgeas/is_the_zk_method_worth_it_and_how_it_helped_you/ (and further down)

      ZK is an excellent tool for literature reviews! It is a relative neologism (with a slightly shifted meaning in English over the past decade with respect to its prior historical use in German) for a specific form of note taking or commonplacing that has generally existed in academia for centuries. Excellent descriptions of it can be found littered around, though not under a specific easily searchable key word or phrase, though perhaps phrases like "historical method" or "wissenschaftlichen arbeitens" may come closest.

      Some of the more interesting examples of it being spelled out in academe include:

      For academic use, anecdotally I've seen very strong recent use of the general methods most compellingly demonstrated in Obsidian (they've also got a Discord server with an academic-focused channel) though many have profitably used DevonThink and Tinderbox (which has a strong, well-established community of academics around it) as much more established products with dovetails into a variety of other academic tools. Obviously there are several dozens of newer tools for doing this since about 2018, though for a lifetime's work, one might worry about their longevity as products.

    3. Your story is familiar to many and I was in the same position as you until recently. It’s an example of people believing in the Collector’s Fallacy: https://zettelkasten.de/posts/collectors-fallacy/I’d recommend that article as a good reason for others to adopt the active approach of ZK, rather than the passive approach of collecting articles and mostly not reading them.

      What does the collector's fallacy really relate to?

      If you're collecting material you're not processing and either linking/tagging for future active use, then yes, it's definitely a fallacy. Collecting articles and tidbits that you don't read and don't use, at least in the moment is a massive waste.

      But if, instead, you're collecting tidbits of context and examples over time, say like historian Keith Thomas (? double check this reference, but I think it was him in his essay Working Methods (LRB, 2010)) describes, and then linking them into some sort of larger thesis or puzzling out some pattern between and amongst those examples, then you're collecting correctly and productively.

    1. When writing history, there are rules to be followed and evidence to be respected. But no two histories will be the same, whereas the essence of scientific experiments is that they can be endlessly replicated.

      A subtle difference here between the (hard) sciences and the humanities. Every human will bring to bear a differently nuanced perspective.

    2. I am a lumper, not a splitter.
    3. The last thing one will find in this kind of social-cultural history is the allegedly knock-down evidence of statistics, but the wholly justified implication is that these matters are best understood with the aid of what German social scientists and theorists call the faculty of verstehen.
    1. Linking two notes .t3_zwkkm9._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } questionHello,I'm probably bad at searching, but I haven't been able to find an answer to this question: how to link two notes. Some sources show a direct hyperlink in one of the notes to another, while others talk about using a third note that explains the link. Any advice?Thanks,ManyNothings.

      reply to u/ManyNothings at https://www.reddit.com/r/Zettelkasten/comments/zwkkm9/linking_two_notes/

      I've seen more sources that suggest creating a link and then adding a quick note for the reason if it isn't obvious. Bob Doto does something like this if I recall correctly. I'm curious what specific sources you've seen that suggest a third note? I want to look at those and their reasoning.

    1. Finished the manuscript - do you go back to the notes?

      reply to u/lichtbogen at https://www.reddit.com/r/Zettelkasten/comments/zwp4a2/finished_the_manuscript_do_you_go_back_to_the/

      A few potentially interesting examples from my notes:

      Hans Blumenberg had a habit of striking out note cards either once or twice in red ink as a means of indicating to himself that he had used them in his writing work. He also wrapped them up and hid them away to prevent the risk of over-using his ideas in publications. [#]

      He was also cognizant of the potential of over-use of ideas in his own work and in at least one case accused Montaigne of having over used a Lucretius quote to illustrate a small point rather than saving it for a major point in his argument on the failure of states where Blumenberg thought it was "compulsory". [#]

      Much like Umberto Eco (How to Write a Thesis), in the closing paragraphs of his essay The Card-File System of Note-Taking, historian Jacques Goutor finally indicates that note cards can potentially be reused for multiple projects because each one "contains a piece of information which does not depend on a specific context for its value." While providing an example of how this might work, he goes even further by not only saying that "note-cards should never be discarded" but that they might be "recycled" by passing them on to "another interested party" while saying that their value and usefulness is dependent upon how well they may have adhered to some of the most basic note taking methods. (p35)

      ---

      Helbig, Daniela K. “Life without Toothache: Hans Blumenberg’s Zettelkasten and History of Science as Theoretical Attitude.” Journal of the History of Ideas 80, no. 1 (2019): 91–112. https://doi.org/10.1353/jhi.2019.0005.

      Goutor, Jacques. The Card-File System of Note-Taking. Approaching Ontario’s Past 3. Toronto: Ontario Historical Society, 1980. http://archive.org/details/cardfilesystemof0000gout.

    1. Sharing the works of Frank Bisse

      reply to: https://www.reddit.com/r/antinet/comments/zo96qs/sharing_the_works_of_frank_bisse/

      I'm curious where you found the surname Bisse? Frank gives his name as Frank Antonson in his first video and uses it in places throughout some of the videos and references I've found. It's also the name used in this relatively good overview of his work: https://www.azcentral.com/story/news/nation/2017/08/18/z-youtube-retired-humanities-teacher/553192001/. I know he used the pen name Wedge in the past, so perhaps Bisse is just another of his pen names?

      I'm also curious where you've pulled the idea that "All videos have the numbering of the cards as the prefix in the video title." In 7.106.1 of 5 State of the School 2019, at the opening of the video he describes his numbering system: 7.106.1 is shorthand for 7th year, 106th day, video number 1. This seems to be a chronological numbering for tracking things and not a relational sort of numbering often seen in zettelkasten contexts. When describing his index cards he indicates that he hasn't opened or looked through them in decades. If someone finds more evidence of his use of cards, I'd love pointers to those videos.

    2. In one of his videos Frank called himself Mr. A. which I suspect is a reference to his name Frank Antonson and not Frank Bisse. Not sure where Bisse came from as I've only seen it on this page. It also appears in this document he references in another video with his co-author: https://drive.google.com/file/d/1cE-Ku9nqmidD-IfIXDmRgsJ6PAwZGR06/view

    3. All videos have the numbering of the cards as the prefix in the video title.
    1. The drawers are jammed with jokes typed on 4-by-6-inch cards — 52 drawers, stacked waist-high, like a card catalog of a certain comedian’s life’s work, a library of laughs.

      Joan Rivers had an index card catalog with 52 drawers of 4-by-6-inch index cards containing jokes she'd accumulated over her lifetime of work. She had 18 2 drawer stackable steel files that were common during the mid-1900s. Rather than using paper inserts with the label frames on the card catalogs, she used a tape-based label maker to designate her drawers.

      Scott Currie, who worked with Melissa Rivers on a book about her mother, Joan Rivers, at the comedian’s former Manhattan office. Many of her papers are stored there.Credit...Hiroko Masuike/The New York Times


      Note carefully that the article says 52 drawers, but the image in the article shows a portion of what can be surmised to be 18 2-drawer cabinets for a total of 36 drawers. (14 2-drawer cabinets are pictured, but based on size and perspective, there's one row of 4 2-drawer boxes not shown.)

    1. https://www.target.com/p/6qt-clear-storage-box-white-room-essentials-8482/-/A-80162146

      6qt Clear Storage Box White - Room Essentials™<br /> Outside Dimensions: 13 1/2" x 8 1/8" x 4 5/8"<br /> Interior Dimensions at bottom: 11 1/2" x 6 3/8" x 4 3/8"<br /> Ideal for a variety of basic and lightweight storage needs, for use throughout the home<br /> Opaque lid snaps firmly onto the base and provides a grip for easy lifting<br /> Clear base allows contents to easily be viewed and located<br /> Indexed lids allow same size storage boxes to neatly stack upon each other<br /> BPA-free and phthalate-free<br /> Proudly made in the USA

      Specifications<br /> Closure Type: Snap<br /> Used For: Organizing<br /> Capacity (Volume): 6 Quart<br /> Features: Portable, Lidded, Nesting, Stackable<br /> Assembly Details: No Assembly Required<br /> Primary item stored: Universal Storage<br /> Material: Plastic<br /> Care & Cleaning: Spot or Wipe Clean<br /> TCIN: 80162146<br /> UPC: 073149215284<br /> Item Number (DPCI): 002-02-9534<br /> Origin: Made in the USA<br /> Description<br /> Organize, sort and contain! The Room Essentials 6 Quart Storage Box is ideal for a variety of basic and lightweight household storage needs, helping to keep your living spaces neat. The clear base allows contents to be easily identified at a glance, while the opaque lid snaps firmly onto the base to keep contents contained and secure. Stack same size containers on top of each other for efficient use of vertical storage space. When storing items away, use good judgment and don’t overload them or stack them too high; be mindful of the weight in each box and place the heaviest box on the bottom. This storage box is ideal for sorting and storing shoes, accessories, crafts and other small items around the home and fits conveniently on 16" wire closet shelving, bringing order to closets. The overall assembled dimensions of this item are 13 1/2" L x 8 1/8" W x 4 5/8" H.

      Examples of this and similar products in use as a box for zettelkasten: - https://photos.google.com/share/AF1QipN5GmVoIhCwma1czj27bXlVDKIUfbOU3a91dYuPBNZaGsEhcZYllmotxup6OxUHhA?pli=1&key=RlhXMTM0WUpuQ2hlQkdDNzA0S1BmNzVQblo4Ti1n - https://imgur.com/a/rW8TZKt

    1. Password Requirements12 characters1 special symbol1 capital letter1 digit

      https://www.reddit.com/avatar/claim

      Reddit blockchain vault for avatars

      First time a service I've used has encouraged a blockchain vault for any reason. Here they're giving away a free avatar which I'm supposed to save in my vault, so obviously it's very valuable. (meh!)

    1. https://www.youtube.com/playlist?list=PLuJbg6eLC7Y3M9cFmc6QkDmP6z9FMIi_i

      I made it through the first four and a bit, but wasn't quite sure what was going on at all to be interested to continue on... Still not sure what the point was...

    1. https://www.youtube.com/playlist?list=PLuJbg6eLC7Y3shnika1fdfHifoUPOeEp7

      Frank was a middle grades teacher before retiring and now teaches a school online. He's done so for 7+ years starting at the 7th/8th grade level and moving upward each year.

    1. I'll make the libertarian argument here: Everybody has the right to mess up his or her own life.

      The libertarian credo: Everyone has the right to mess up their own life.

    1. I'm a multi-media artist, so I have many ideas about fashion pieces, artworks, music, etc. that i'd want to make. Would I plug in these ideas as 'fleeting notes' until they're more cemented? would you recommend I keep separate my 'original' ideas and the ZK note-taking system?

      I gave some examples of uses in arts/media a while back that you might find interesting for your use case: https://www.reddit.com/r/antinet/comments/xdrb0k/comment/iofo5vv/?utm_source=reddit&utm_medium=web2x&context=3

      In particular, a more commonplace book approach or something along the lines of Chapter 6 of Twyla Tharpe's book may be more useful or productive for your use case.

    1. Spend some time with Arc, the new browser from The Browser Company of New York.

      https://arc.net/

      First I've heard of this.

    2. I want to insist on an amateur internet; a garage internet; a public library internet; a kitchen table internet.

      Social media should be comprised of people from end to end. Corporate interests inserted into the process can only serve to dehumanize the system.


      Robin Sloan is in the same camp as Greg McVerry and I.

    1. A provocation is a statement that we know is wrong or impossible but used to create new ideas.

      The idea of expressing the worst possible idea first in brainstorming can often often be helpful.

      Example: when brainstorming restaurant suggestions for a group, suggest McDonalds first to subtly pressure people to create better ideas to prevent the lowest common denominator from winning.

    2. Critics have characterized lateral thinking as a pseudo-scientific concept, arguing de Bono's core ideas have never been rigorously tested or corroborated.[4]

      Melechi, Antonio (11 June 2020). Weintraub, Pam (ed.). "Lateral thinking is classic pseudoscience, derivative and untested". Aeon Essays. Aeon.co.

    3. The term was first used in 1967 by Maltese psychologist Edward de Bono in his book The Use of Lateral Thinking.
    4. Lateral thinking is a manner of solving problems using an indirect and creative approach via reasoning that is not immediately obvious.
    1. Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.[1][2] Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms.
    1. Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.
    1. https://adjacentpossible.substack.com/p/designing-a-workflow-for-thinking

      Quick preface of Steven Johnson's forthcoming series of essays on thinking strategies.

    2. So I’ve started a routine where every few years, I block out a couple of days to sit down and review all my idea tools—and other rituals of how I structure my creative thinking— to see if there's something that can be improved upon.

      As a strategy for avoiding shiny object syndrome, one can make a routine of making a "creative inventory" of one's tools.

      There is generally a high switching cost, so tools need to be an order of magnitude more useful, beneficial, or even fun to make it worthwhile.

    3. In my line of work as a writer, there’s a near endless stream of new applications coming out that touch different stages in my workflow: e-book readers, notetaking apps, tools for managing PDFs, word processors, bibliographic databases. The problem is that it’s very tricky to switch horses midstream with these kinds of tools, which means you have a natural tendency to get locked into a particular configuration, potentially missing out on better approaches.

      Steven Johnson indicates that it can be difficult to change workflows, tools, apps, etc.

    4. On Twitter a few days ago, Dave Winer shared this review from 1983 of his early application ThinkTank, which Infoworld dubbed “an idea processor.” That’s maybe too close to “word processor,” but it gets at the core concept: software that helps you generate ideas, remix them into new combinations. Software that serves as a seedbed for your ideas.

      idea processor as an extension of the idea of word processor

    5. I quickly found myself in the ironic situation of spending so much time building a tool to help with my schoolwork that I stopped actually doing my schoolwork.

      Early example of being overwhelmed by one's tool.

    6. There’s an old joke about the Velvet Underground that I think is attributed to Brian Eno: only thirty thousand people bought the first VU album, but everyone who bought it went on to form their own band.
    1. I’m reminded of an old poem by Bertolt Brecht, which my Viennese grandmother, the daughter of a lifelong socialist and union man, taught me. It’s called “Questions From a Worker Who Reads”:

      Bertolt Brecht has a poem "Questions From a Worker Who Reads" which points out how necessary societies are to their great accomplishments which can't ever be solely attributed to kings and leaders as if there is only a "Great Man theory of history".

    2. At its most tame, Ancient Apocalypse simply reinforces a deeply conservative understanding of human history. Conservative, yes, because despite Hancock’s claim to challenge every orthodoxy going, his ideas—like those of Ignatius Loyola Donnelly, Erich von Däniken, and other so-called “pseudo-archaeologists”—rest on a baseline assumption that technology should always be advancing in linear fashion, from primitive simplicity to modern complexity.

      There is a broad, conservative baseline assumption within much of archaeology that technology always proceeds in a linear fashion from primitive simplicity to modern complexity.

      Archaeologists and historians need to watch carefully for this cognitive bias.

    3. Petrie was also a eugenicist, who believed in the improvement of society through selective “breeding-out” of intellectually inferior races. While revealing evidence for the foundations of ancient Egypt, he attributed it on biometric grounds to a “New Race” of invaders from outside Africa, opening a space of the imagination that has since come to be filled by all manner of theories about the “alien” architects of ancient civilizations. It started with the “race science” that is part and parcel of archaeology’s own problematic history.
    4. The study of Egypt “before the pharaohs” was pioneered in the late 19th and early 20th centuries by a British archaeologist called William Matthew Flinders Petrie, familiar to generations of students as “the father of archaeological science.”
    1. Increasing your use of tools without increasing your exposure to distractions is a great way to increase your abilities and get a lot more done.
    2. Good stationary is a cheap vice.
    3. My day to day notebook is a soft 5 inch by 3.5 inch pocket notebook as shown below. I use a mechanical pencil when out and about (no breakage or sharpening) and take a small eraser (in this case an eraser shaped like Lego). This book is good for notes and ideas. Notice I cross them out when I have acted on them in some way (done the work, or given up on the idea). The goal of the daily notebook is to eventually throw it away (not save it). So all work needs to move out and I need to be able to know it has been moved.
    4. If we consider organizations (universities, corporations, governments and so on) as organisms (a view I do not agree with) we can argue some increase in intelligence and institutional memory through record keeping and information technology. But, in my opinion, organizations don’t have significant emergent reasoning capabilities that aren’t really more properly attributed to their members.

      What does Hidalgo have to say with respect to this quote? Can we push this argument?

    1. I think one of the the things that 00:00:27 really separates us from the high primates is that we're tool builders and I read a a study that measured the efficiency of locomotion for various species on the planet the Condor used 00:00:41 the least energy to move a kilometer and humans came in with a rather unimpressive showing about a third of the way down the list it was not not too proud of a showing for the crown of 00:00:53 creation so that didn't look so good but then somebody at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle and a man on a bicycle or human on a bicycle 00:01:07 blew the Condor away completely off the top of the charts and that's what a computer is to me what a computer is to me is it's the most remarkable tool that we've ever come up with and it's the 00:01:19 equivalent of a bicycle for our minds

      Cleaned up quote:

      I think one of the [the] things that really separates us from the high primates is that [uh] we're tool builders. And I read a [uh] study that measured the efficiency of locomotion for various species on the planet. The Condor used the least energy to move a kilometer and [uh] humans came in with a rather unimpressive showing about a third of the way down the list. It was not [not] too proud of a showing for the crown of creation. So [uh] that didn't look so good, but then somebody at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle. And a man on a bicycle or human on a bicycle blew the Condor away—completely off the top of the charts and that's what a computer is to me. [uh] What a computer is to me is: it's the most remarkable tool that we've ever come up with and it's the equivalent of a bicycle for our minds.<br /> —Steve Jobs in Memory & Imagination: New Pathways to the Library of Congress. Documentary. Krainin Productions, 1990.

      Snippet from full documentary: https://www.youtube.com/watch?v=ob_GX50Za6c

    1. But Thamus replied, " Most ingenious Theuth, oneman has the ability to beget arts, but the ability tojudge of their usefulness or harmfulness to their usersbelongs to another ; and now you, who are the fatherof letters, have been led by your affection to ascribeto them a power the opposite of that which theyreally possess. For this invention will produce for-getfulness in the minds of those who learn to use it,because they will not practise their memory. Theirtrust in writing, produced by external characterswhich are no part of themselves, will discourage theuse of their own memory within them. You haveinvented an elixir not of memory, but of reminding ;and you offer your pupils the appearance of wisdom,not true wisdom, for they will read many thingswithout instruction and will therefore seem to knowmany things, when they are for the most part ignorant

      and hard to get along with, since they are not wise, but only appear wise." pp 563-564

    2. Plato. Euthyphro. Apology. Crito. Phaedo. Phaedrus. Translated by Harold North Fowler. Loeb Classical Library 36. Cambridge, MA: Harvard University Press, 1914. https://www.loebclassics.com/view/LCL036/1914/volume.xml.

    1. In advance of deleting my Twitter account, I made this web page that lets you search my tweets, link to an archived version, and read whole threads I wrote.https://tinysubversions.com/twitter-archive/I will eventually release this as a website I host where you drop your Twitter zip archive in and it spits out the 100% static site you see here. Then you can just upload it somewhere and you have an archive that is also easy to style how you like it.

      https://friend.camp/@darius/109521972924049369

    1. Anatolia was a major focus of the Abbasids’ search for ancientGreek texts in the ninth century.
    2. Ephesus was cut off from trade and communication (today it isseveral miles inland); by the thirteenth century, it was all butdeserted.

      The river mouth at Ephesus gradually filled with silt and eventually "moved" the location several miles inland. As a result, over time it went from a thriving port city to a nearly deserted town by the thirteenth century as the result of being cut off from trade and communication.

    3. InAD 117, a great library was built there in honour of the Romansenator Celsus, who was buried in a mausoleum beneath it. Thisimpressive building housed 12,000 scrolls, making it the third largestcollection, after those of Alexandria and Pergamon.
    4. the local healer, or wise man or woman, whowould have particular knowledge of local plants and herbalremedies. This knowledge was oral, however, and its practitioners,for the most part, were illiterate.

      Example of an implicit bias against orality out of ignorance

    5. With medicine, the story was slightly different because of theconstant and urgent need for it. Medical knowledge was alwaysuseful, always relevant, so books on medicine were constantly indemand, and would have been available in the majority of libraries inlate antiquity.

      Transmission of medical knowledge has a more immediate and direct application for people; as a result it may tend to be transmitted more faithfully either in written or oral forms. The written record of medical scrolls from antiquity were in constant demand.

    6. Paper was imported to Europe before the fourteenth century, often fromDamascus, hence it was known as “charta damascena.” It was expensive,but, as production developed in Europe, the price fell and it graduallyreplaced parchment.
    7. If we narrow the process oftransmission down to a single, hypothetical strand, it is feasible thatPtolemy originally wrote The Almagest on a papyrus scroll insecond-century Alexandria. That scroll would have had to berecopied at least twice for it to survive until the sixth century, at whichpoint it might well have been copied onto parchment and bound intoa book. This, too, would need to be recopied every few hundredyears to ensure that it survived (again assuming that it escaped theusual pests, damage and disasters) and was available to scholars in1500. It is therefore likely that The Almagest had to be recopied atthe very least five times during the period 150–1500.
    8. Atbest, papyrus only lasts for a couple of hundred years before the textneeds to be recopied onto a new scroll.
    9. In 523, Cassiodorus was appointed magister officiorum (chiefadvisor) to the Ostrogothic King of Italy, Theodoric, taking over fromthe only other major scholar in Italy at that time, Ancinius ManliusSeverinus Boethius (480–524).
    1. FOSSDLE Commons (new OER Foundation project) https://social.fossdle.org/ 4 OERu https://mastodon.oeru.org/ 6 Open EdTech https://openedtech.social/ 8 Fossodon (open source) https://fosstodon.org/ 1 Wikis World (wiki enthusiasts) https://wikis.world 1
    1. The “Net” in “Antinet”

      There's so little substance here in the "net" portion, why include it other than as something that seemingly concludes the name?

    2. Before we move on, there’s one last thing you should know. It pertains tothe net in Antinet.

      wordiness

    3. but you’re welcome to use whateverterminology you like best.

      why isn't this the case in the other definitions provided? note types, slipbox vs card index, etc.?

    4. Later we’ll be exploring the tree structure of Luhmann’s Zettelkasten inmore detail. We’ll be exploring how to think of it. More practically, we’ll beexploring how to leverage it to help you develop and evolve your knowledgeover time.

      Later, later, later....

      this paragraph adds little

    5. rather, it’s about exploration, as one scholar putit. The tree structure of the Zettelkasten enables meaningful exploration, asAlberto Cevolini points out: “secondary memories themselves have an innerorder that allows for exploration.”52

      Who is the first scholar? Or is this just an inadvertent duplication of the same fact?

    6. We’ll go into detail on this later on in the book; but

      delete

    7. Let’s not get carried away, however. Let’s jump back to the question: howare we to think of Luhmann’s notebox system?It’s actually quite simple, and I’ll share with you precisely how you shouldthink of the Zettelkasten in just a moment.

      Stop asking questions and then putting them off. These sentences do nothing to support the present flow of the argument... why not push them to later when you're ready to make the argument?

    8. In brief, Luhmann’s notebox system was not dynamic and fluid. Yet it wasnot one of order, either.

      I don't trust these claims any further than I can throw them.

    9. It was with this in mind that Luhmann crafted hisnotebox system.

      this argument is not based in evidence<br /> We don't know that he actually crafted his system. We can certainly say as is the case for most that once using it, he certainly evolved it.

    10. Much about numeric-alpha addresses willbe covered later on in this book.

      Seems like 10% of the book is sentences like this putting of details until later...

    11. as long as you operate within theframework of the four principles I’m introducing now

      Thus far, Scheper has only been making the argument to do as I say because I know best. He's not laying out the reasons or affordances that justify this approach.

      In this second principle it's ostensibly just "the possibility of linking", but this was broadly done previously using subject headings or keywords along with indices and page numbers which are logically equivalent to these note card addresses.

    12. even Socrates himself, we learnby way of his followers, derided the emerging popularity of taking physicalnotes.

      I recall portions about Socrates deriding "writing" as a mode of expression, but I don't recall specific sections on note taking. What is Ann Blair's referent for this?

      The "emerging popularity of taking physical notes" seems not to be in evidence with only one exemplar of a student who lost their notes within the Blair text.

    13. There’s magic within the analog medium incapable of beingreproduced in digital tools.

      A side reference here to magic, but he defers what this is... why mention it if you're not going to back it up here?

    14. TRUE

      why keep harping on this framing?

    15. “The florilegium was a type of ‘double memory’ towhich scholars could resort anytime their personal memory failed, the filingcabinet behaves as a true communication partner with its own idiosyncrasiesand its own opinions.”31

      I'll have to look into this argument as it feels dramatically false to me.

      The only way I can see this is if one only uses their commonplace for excerpts and no other notes, a pattern which may have been the case for some, but certainly not all.

    16. Dutchhumanist, Desiderius Erasmus

      not an appositive phrase, no comma

    17. Yet, there are shortcomings of commonplace books. They embody that of a“subsidiary memory,” whereas the Antinet is more than this. The Antinet isa second mind, an equal.

      Why though? The slight difference in form doesn't account for any differences claimed here.

    18. The limitations of commonplacebooks centers around the following: they only enable short-term knowledgedevelopment. They do not cater to allowing thoughts to evolve over time,infinitely. They do not allow for the infinite internal branching and expansionof ideas.

      sigh

      This is untrue in practice. They can evolve, they just do so in different ways. Prior to Luhmann's example, they have done so for centuries.

    19. it’s time to belaborthis matter further

      must we?

    20. The reason slip is translated from zettel stems from a translation defining itas a slip of paper. In popular English-German translation dictionaries, slip ofpaper remains listed but is no longer used as the preferred definition.21 Themost widely used and arguably the “best among all” translation sources isone that does not hold slip as the most correct term for zettel.22 It holds thatthe most correct translation for the term zettel is simply a note.

      There's a lot of semantics here, but for what reason? What cause?

    21. The term Zettelkasten in American English translates to notebox. The termnotebox is the shortened form of a “notecard box.” Zettel is the German wordfor note, and kasten is the German word for box

      We've really waited until page 109 for a definition?