1,358 Matching Annotations
  1. Jun 2023
    1. (1:21:20-1:39:40) Chris Aldrich describes his hypothes.is to Zettelkasten workflow. Prevents Collector's Fallacy, still allows to collect a lot. Open Bucket vs. Closed Bucket. Aldrich mentions he uses a common place book using hypothes.is which is where all his interesting highlights and annotations go to, unfiltered, but adequately tagged. This allows him to easily find his material whenever necessary in the future. These are digital. Then the best of the best material that he's interested in and works with (in a project or writing sense?) will go into his Zettelkasten and become fully fledged. This allows to maintain a high gold to mud (signal to noise) ratio for the Zettelkasten. In addition, Aldrich mentions that his ZK is more of his own thoughts and reflections whilst the commonplace book is more of other people's thoughts.

    1. if you aren't in those spaces you're oblivious to just how powerful this is
      • Evangelical Christian media
        • has a very lot of vested interest in media
        • because evangelicals are all about spreading the message
        • and growing their population
    1. I would advise you to read with a pen in your hand, and enter in a little book short hints of what you find that is curious or that may be useful; for this will be the best method of imprinting such particulars in your memory, where they will be ready either for practice on some future occasion if they are matters of utility, or at least to adorn and improve your conversation if they are rather points of curiosity.

      Benjamin Franklin letter to Miss Stevenson, Wanstead. Craven-street, May 16, 1760.

      Franklin doesn't use the word commonplace book here, but is actively recommending the creation and use of one. He's also encouraging the practice of annotation, though in commonplace form rather than within the book itself.

    1. I always like to point to a text that changed my thinking about this question, and that’s Kathleen Yancey’s “Writing in the 21st Century.” It basically states that students are writing more than ever before. If you were to challenge a group of students (which I have) to document how many text messages, TikTok, IG posts, Facebook posts, tweets, emails they send out in a day, the sheer volume of writing is staggering. Why we don’t value that writing in academia is the question for me.

      interesting point! some other things in my head:

      1) in addition to our increased writing endeavors, we've also been engaging in extensive reading as well, but our reading material has evolved beyond books, encompassing the plethora of content available in the vast expanse of cyberspace

      2) and while the quantity of reading has expanded significantly, it is equally intriguing to recognize that the nature of these texts has shifted towards shorter formats—tweets, ig post captions, microblogs, etc

      3) AND lastly, the act of reading has swiftly evolved into the realm of listening, with the emergence of podcasts, audiobooks, listenable videos, and similar forms of content consumption

    1. The books on the shelves have largely turned into wallpaper as students and faculty have become more comfortable with digital formats.
    2. All digital transitions have had losers, some of whom we may care about more than others. Musicians seem to have a raw deal in the streaming age, receiving fractions of pennies for streams when they used to get dollars for the sales of physical media. Countless regional newspapers went out of business in the move to the web and the disappearance of lucrative classified advertising. The question before society, with even a partial transition to digital books, is: Do we want libraries to be the losers?

      Will libraries have the same problems with the digital transition that music and journalism have had?

  2. May 2023
    1. Grading guidelines New. Item is brand new, unused and unmarked, in flawless condition. Protective wrapping should be intact. No blemishes on the outside cover. Stickers/marks indicating it may be “bargain” or “remainder” should not be considered new. Used: Like New. Item has very few defects and looks as good as new. Some minor blemishes and/or remainder marks are acceptable for this condition.   Dust cover/outside case (if applicable) should be intact.   Pages: No marking or highlighting of any kind. Shrink wrap: May be opened or missing for standard bound items. Loose leafs should be shrink wrapped to ensure all pages are present. Supplemental materials: (e.g.) CDs, DVDs, access codes should be unused. Used: Very Good. Items may have some minor defects such as marks, wear, bends, spine and page creases. Dust covers/outside case may be missing. Supplemental materials: May be missing. Water/stains: No water damage or stains of any kind acceptable in this condition. Pages: Very minor writing or highlighting (a few pages) OK. Personalization: No library labels acceptable in this condition. Name written inside OK. Binding/covers: Minimal blemishes and slight defects acceptable. No missing or loose pages. Loose leafs should be wrapped or rubber banded together and all pages must be present. Used: Good. Items with moderate wear and tear. Binding and pages should be intact. Covers: Can have curl and small creases. Moderate scuff marks or small cut OK. Corners: Can have some damage, light (1-2 inches) peeling OK, some (25%) bend OK. Pages: Minor highlighting (~20%) OK. Dog ear folds on page corners OK. Water/Stains: No visible water/spill damage. Minimal stains OK. Supplements: Can be missing/opened, unless the ISBN is a stand alone access card or a bundle edition (book with access code). Personalization: Name written inside or library labels OK. Binding: Moderate wear is OK, no loose pages. Loose leafs should be wrapped or rubber banded together and all pages must be present. Used: Acceptable. Items with more than moderate wear and tear. Binding and pages should be intact. Pages: Should be readable. Moderate highlighting and writing OK (more than ~20%). Water/Stains: Minor water/spill damage OK. Binding: Heavy wear OK, must still be intact, no loose or missing pages. Used: Unacceptable. Cover: Cover not intact. Cuts going through the cover into multiple pages. Page damage: Lines unreadable from highlighting. Page completely torn (part of page is missing) or major partial tear (high probability that normal wear and tear during next usage will result in part or all of page falling out). Water damage: Pages swollen, major wrinkling, excessive stains, major discoloration or moldy (foxing). Mismatch ISBN: Submitted ISBN does not match ISBN of what was received. Stickers or Tape: Used deliberately to hide markings specific to instructor, international, and sample editions, which are all deemed unacceptable. Rebound items. Binding: Pages are separating from binding or have been fixed with tape.
    1. I recommend the large, squared-grid Moleskine to serve as the journal. I like the quality, aesthetic and the history of a Moleskine. The back pocket serves as a wallet and holds a few Frictionless Capture Cards in case I need to pass on a note to someone.

      https://web.archive.org/web/20210725221408/https://squareup.com/market/frictionless/capture-cards

      Link is dead. What were these exactly? Sounds a tool in a waste book setting.

    1. https://brettterpstra.com/2012/05/29/frictionless-capture-cards/

      Brett Terpstra was a Frictionless Capture Card fan, especially for quick capture and he used them in a waste book-like fashion. He indicated that he usually transferred the data to a digital location, but kept the cards as backups filed by alphabetical subject line in a Vaultz card index.

    1. unemployed diaries - ep. 01 - book haul, my commonplace notebook system

      found via Richard Carter

      Really nice example of someone using colour-coding and marginal notes/cross-references in a (paper) commonplace book. (My link skips the first 09:20 of the video, which comprises a book unboxing and notebook description.) #PKM<br /> cc. @chrisaldrich https://youtu.be/90gb7Eo8uMk?t=560

    1. Let us take down one of those old notebooks which we have all, at one time or another, had a passion for beginning. Most of the pages are blank, it is true; but at the beginning we shall find a certain number very beautifully covered with a strikingly legible hand-writing. Here we have written down the names of great writers in their order of merit; here we have copied out fine passages from the classics; here are lists of books to be read; and here, most interesting of all, lists of books that have actually been read, as the reader testifies with some youthful vanity by a dash of red ink. —“Hours in a Library”
    1. In the 20th century it mostly came to be regarded like graffiti: something polite and respectful people did not do.AdvertisementContinue reading the main storyPaul F. Gehl, a curator at the Newberry, blamed generations of librarians and teachers for “inflicting us with the idea” that writing in books makes them “spoiled or damaged.”
    2. association copies — books once owned or annotated by the authors

      An association copy is a copy of a book which belonged to the author or someone connected to them or a copy of a book that once belonged to someone particularly associated with its contents, often annotated.


      I've got association copies of some information theory texts...

  3. Apr 2023
    1. Hutchins, Robert M., Mortimer J. Adler, and William Gorman, eds. The Great Ideas: A Syntopicon of Great Books of the Western World, Volume II, Man to World. 1st ed. Vol. 3. 54 vols. The Great Books of the Western World. Chicago, IL: Encyclopædia Britannica, Inc., 1952.

    1. Hutchins, Robert M., Mortimer J. Adler, and William Gorman, eds. The Great Ideas: A Syntopicon of Great Books of the Western World, Volume I, Angel to Love. 1st ed. Vol. 2. 54 vols. Great Books of the Western World. Chicago, IL: Encyclopædia Britannica, Inc., 1952.

    1. Rebinding a book for more margin space? .t3_12noly2._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I was thinking about cutting a book's spine and gluing the pages against bigger notebooks to get more margin space to write in with a heat erasable pen. Maybe I could combine this with antinet Zettlekasten cards somehow.That way, I can bring a chapter with me at a time more portably, and erase all the way to notes when I'm done by putting it in the oven.Thing is, I thought I'd do a search to find how someone else did this, but there's nothing on YouTube.Did I miss something?

      reply to u/After-Cell at https://www.reddit.com/r/antinet/comments/12noly2/rebinding_a_book_for_more_margin_space/

      The historical practice of "interleaved books" was more popular in a bygone era. If you search you can find publishers that still make bibles this way, but it's relatively rare now.

      Given the popularity and ease of e-books and print on demand, you could relatively easily and cheaply get an e-book and reformat it at your local print shop to either print with larger margins or to add blank sheets every other page to have more room for writing your notes. For some classic texts (usually out of copyright) you can "margin shop" for publishers that leave more marginal space or find larger folio editions (The Folio Society, as an example) for your scribbles if you like.

      Writing your notes on index cards with page references is quick and simple. These also make good temporary bookmarks. Other related ideas here: https://hypothes.is/users/chrisaldrich?q=tag:%22interleaved%20books%22


      Have I just coined "margin shopping"?

    1. reply to u/noobinPython at https://www.reddit.com/r/Zettelkasten/comments/12rfku6/how_has_the_zettelkasten_system_changed_the_way/

      Historically there is the popular idea of a waste book, which originally comes from double entry accounting, in which one might keep quick scribbled notes and ephemera. Upon reaching a quiet space for work and reflection one would then transcribe all the most important ideas into a more permanent place in their commonplace book or zettelkasten. I suspect this historical practice is part of where Ahrens came up with the often used terms "fleeting notes" and "permanent notes" which serve the same purpose.

      I follow this practice and either have a small pocket notebook (usually a small Field Notes) or an index card at hand for writing things down throughout the day. Then every evening or every few days at worst, I transcribe/rewrite the idea.

      As examples, Georg Christoph Lichtenberg's Waste Books were ultimately published and were highly influential. Isaac Newton developed his version of the Calculus in his waste book.

    1. Die Republica Interviewt David Van Reybrouck zu seinem Buch über Indonesien und die indonesische Unabhängigkeit. Die Dekolonisierung Indonesiens war eine Initialzündung für viele Länder mit Wirkungen bis hin zur europäischen Einigung. Van Reybrouck fordert dazu auf sie vor dem Hintergrund der gegenwärtigen Kolonisierung in Verbindung mit der Klimakrise zu verstehen. Er weist auch auf die #GlobalAssembly-Bewegung hin. https://www.repubblica.it/venerdi/2023/04/10/news/revolusi_indonesia_nascita_stato_moderno_libro_david_van_reybrouck-395034373/?ref=RHLM-BG-I387467671-P1-S1-T1

    1. My biggest realization recently is to do whatever the opposite of atomicity is.

      Too many go too deep into the idea of "atomic notes" without either questioning or realizing their use case. What is your purpose in having atomic notes? Most writing about them online talk about the theoretical without addressing the underlying "why".

      They're great for capturing things on the go and having the ability to re-arrange and reuse them into much larger works. Often once you've used them a few times, they're less useful, specially for the average person. (Of course it's another matter if you're an academic researcher, they're probably your bread and butter.) For the beekeepers of the world who need some quick tidbits which they use frequently, then keeping them in a larger outlined document or file is really more than enough. Of course, if you're creating some longer book-length treatise on beekeeping, then it can be incredibly helpful to have them at atomic length.

      There's a spectrum from the small atomic note to the longer length file (or even book). Ask yourself, "what's your goal in having one or the other, or something in between?" They're tools, choose the best one for your needs.

  4. books.google.com books.google.com
    1. Two page spread of Life Magazine article with the title "The 102 Great Ideas" featuring a photo of 26 people behind 102 card indexes with categorized topical labels from Angel to Will.

    2. LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948. https://books.google.com/books?id=p0gEAAAAMBAJ&pg=PA92&source=gbs_toc_r&cad=2#v=onepage&q&f=false. Google Books.

      Provides an small example of "the great conversation" on the equality of men and women.

    3. Amidst a number of very gendered advertisements in issue 4 of volume 24 of LIFE magazine from 1948 is a short piece on the pending release of The Encyclopædia Britannica's Great Books of the Western World.

      The piece starts out talking about the 432 classical works written by 71 men and highlights the fact that "Woman, not a main idea, is included [with] in [the topical category] Family Man and Love." The piece goes on by way of example of the work to excerpt portions on Idea number 51: "Man". To show the flexibility of the included Syntopicon categorization they elaborate with 15 excerpted passages from authors from Plato to Freud on Idea 51, subdivision 6b: "Men and Women: their equality or inequality".

      It provides a fantastic mini-study on the emerging conversation on gender studies as seen in a mainstream magazine in 1948.


      Were there any follow up letters to the editor on this topic in subsequent issues? How was this broader piece received with respect to the idea of gender at the time?

    4. A staff of at least 26 created the underlying index that would lay at the heart of the Great Books of the Western World which was prepared in a rented old fraternity house on the University of Chicago campus. (p. 93)

    1. Oakeshott saw educationas part of the ‘conversation of mankind’, wherein teachers induct their studentsinto that conversation by teaching them how to participate in the dialogue—howto hear the ‘voices’ of previous generations while cultivating their own uniquevoices.

      How did Michael Oakeshott's philosophy overlap with the idea of the 'Great Conversation' or 20th century movement of Adler's Great Books of the Western World.

      How does it influence the idea of "having conversations with the text" in the annotation space?

    1. Compared to this structure that offers actualizable connection possibilities, the relevance of the actual content of the note subsides. Much of it quickly becomes useless or is unusable for a concrete occasion. That is true for both collected quotes, which are only worth collecting when they are exceptionally concise, and for your own thoughts.

      Luhmann felt that quotations aren't worth collecting unless they were "exceptionally concise, and for your own thoughts."

    2. A Zettelkasten that is constructed based on our instructions can achieve high independence. There may be other ways to achieve this goal. The described reduction to a fixed-placement (but merely formal) order, and the corresponding combination of order and disorder, is at least one of them.

      The structural components of Luhmann's zettelkasten which allow for "achieving high independence" are also the same structures found in an indexed commonplace book: namely fixed placement (formally by the order in which things are found and collected) as well as combinations of order and disorder (the methods by which they can be retrieved and read).

    3. Similarly, you must give up the assumption that there are privileged places, notes of special and knowledge-ensuring quality. Each note is just an element that gets its value from being a part of a network of references and cross-references in the system. A note that is not connected to this network will get lost in the Zettelkasten, and will be forgotten by the Zettelkasten.

      This section is almost exactly the same as Umberto Eco's description of a slip box practice:

      No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them. -- Umberto Eco. Foucault's Pendulum

      See: https://hypothes.is/a/jqug2tNlEeyg2JfEczmepw


      Interestingly, these structures map reasonably well onto Paul Baran's work from 1964: Paul Baran's graphs for Centralized, Decentralized, and Distributed systems

      The subject heading based filing system looks and functions a lot like a centralized system where the center (on a per topic basis) is the subject heading or topical category and the notes related to that section are filed within it. Luhmann's zettelkasten has the feel of a mixture of the decentralized and distributed graphs, but each sub-portion has its own topology. The index is decentralized in nature, while the bibliographical section/notes are all somewhat centralized in form.

      Cross reference:<br /> Baran, Paul. “On Distributed Communications: I. Introduction to Distributed Communications Networks.” Research Memoranda. Santa Monica, California: RAND Corporation, August 1964. https://doi.org/10.7249/RM3420.

  5. Mar 2023
    1. The ability to intentionally and strategically allocateour attention is a competitive advantage in a distracted world. Wehave to jealously guard it like a valuable treasure.

      It would seem that the word treasure here is being used to modify one's attention. Historically in books about "knowledge work" or commonplacing, the word was used with respect to one's storehouse of knowledge itself and not one's attention. Some of the effect is the result of the break in historical tradition being passed down from one generation to another. It's also an indication that the shift in value has moved not from what one knows or has, but that the attention itself is more valued now, even in a book about excerpting, thinking, and keeping knowledge!

      Oh how far we have fallen!

      It's also an indication of the extremes of information overload we're facing that the treasure is attention and not the small tidbits of knowledge and understanding we're able to glean from the massive volumes we face on a daily basis.

    1. Or, we canpicture ourselves collecting bones, breaking and roastingthem, and then boiling them for hours or days in a stockpot to release the nutritious and tasty marrow.

      We can imagine mining the information we encounter, following veins and seams underground, then smelting and refining the ore into useful metals. Occasionally we might come across gems that are nearly perfect when we discover them, perhaps needing only a bit of cutting and setting to reveal their beauty. But mostly the work involves patience and effort, as we go through the steps of finding, collecting, refining, and concentrating information from a raw material into exactly what we need for our structure

      I love these two new clever metaphors (mining and refining and cooking) for note taking for building knowledge. They're a welcome addition to the older and more classical metaphor of bees (Latin: apes) collecting pollen to make honey in the commonplace tradition.

    1. Die Erfahrungen Ermans und seiner Mitarbeiter lehren nur zu deutlich, dass die Buchform der Präsentation eines solchen Materialbestands durchaus nicht entgegenkommt.

      For some research the book form is just not conducive to the most productive work. Both the experiences of Beatrice Webb (My Apprenticeship, Appendix C) and Adolph Erman (on Wb) show that database forms for sorting, filtering, and comparing have been highly productive and provide a wealth of information which simply couldn't be done otherwise.

    1. Oxford English Dictionary first attests 'commonplace' (from the Latin 'locus communis') asnoun in 1531 and a verb in 1656; 'excerpt' (from the Latin 'excerpere') as a verb in 1536 and anoun in 1656.

      The split between the ideas of commonplace book and zettelkasten may stem from the time period of the Anglicization of the first. If Gessner was just forming the tenets of a zettelkasten practice in 1548 and the name following(?) [what was the first use of zettelkasten?] while the word commonplace was entering English in 1531 using a book format, then the two traditions would likely have been splitting from that point forward in their different areas.

    1. At present I am using index cards as to index the books (and documents saved on the computer).

      u/zleonska in discussing their paper notebook commonplace practice reports that finding their material within multiple notebooks isn't difficult but that, like W. Ross Ashby, they use index cards to index their commonplaces.

    1. Google Books .pdf document equivalence problem #7884

      I've noticed on a couple of .pdf documents from Google books that their fingerprints, lack thereof, or some other glitch in creating document equivalency all seem to clash creating orphans.

      Example, the downloadable .pdf of Geyer's Stationer 1904 found at https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0 currently has 109 orphaned annotations caused by this issue.

      See also a specific annotation on this document: https://hypothes.is/a/vNmUHMB3Ee2VKgt4yhjofg

    1. In 1886, during a lecture on the "pleasure of reading," the British scientist, politician, and man of letters John Lubbock spoke of his wish for "a list of a hundred good books"; in the absence of such, he offered his own selection.
    1. Lisa Jacobs, the founder and chief executive of Imagine It Done, a home organization service in New York City, said that out of hundreds of projects in the past few years, she can recall only three requests to organize books. In one of those examples, the arranged books were treated as a backdrop — to be admired, but not read. “The clientele that has collected books through the years are not as numerous for us,” she said.

      Any book collector worth their salt will already have in mind the way they want their collection arranged. Only someone who wants to use it as wallpaper would have a service arrange it.

      I wonder what the other two cases were?

    1. In a postwar world in which educational self-improvement seemed within everyone’s reach, the Great Books could be presented as an item of intellectual furniture, rather like their prototype, the Encyclopedia Britannica (which also backed the project).

      the phrase "intellectual furniture" is sort of painful here...

    1. This is the Deluxe edition of the Great Books of the Western World. There are three versions of the set. the least expensive was cloth-bound. That was the original version published in 1952. In the 1970's a tan edition was issued that was more expensive. The problem is that the binding tends to chip and crack unless it was kept in a dark, refrigerated closet. This set, which is half bound in black Fabricoid (imitation Morocco leather) and half in cloth was the most expensive of the three, costing upwards of $1800 in the mid-Eighties, and the most durable with gilt tops.

      1952, 1970s, 1980s editions and their differences.

    1. https://www.youtube.com/watch?v=RJVHhwyx-Cg

      An overly complex method of commonplacing, though oddly with absolutely no mention of indexing of any sort.

      reply: <br /> If academia doesn't work out, then perhaps you could shill for "Big Notebook"? Seriously though, this is a pretty heavy/complex method of commonplacing. Do you index any/all of it somehow so you can find the pieces you know you've worked through in the past? A card index perhaps? John Locke's commonplacing method? I do something similar, but use slips or index cards the way Wittgenstein or Walter Benjamin did.... Perhaps one day I'll go more visual like https://www.denizcemonduygu.com/philo/browse/ ?

  6. Feb 2023
    1. Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

      Kuehn felt that Ronald Regan's note taking "does not seem like a good system. In fact, it's hardly any system at all..."

    1. One online company, Books by the Foot, offers to ‘curate a library that matches both your personality and your space’, promising to provide books ‘based on colour, binding, subject, size, height, and more to create a collection that looks great’.
    2. Unlike books, tablets do not offer a medium for demonstrating taste and refinement. That is why interior decorators use shelves of books to create an impression of elegance and refinement in the room.
    3. If Seneca or Martial were around today, they would probably write sarcastic epigrams about the very public exhibition of reading text messages and in-your-face displays of texting. Digital reading, like the perusing of ancient scrolls, constitutes an important statement about who we are. Like the public readers of Martial’s Rome, the avid readers of text messages and other forms of social media appear to be everywhere. Though in both cases the performers of reading are tirelessly constructing their self-image, the identity they aspire to establish is very different. Young people sitting in a bar checking their phones for texts are not making a statement about their refined literary status. They are signalling that they are connected and – most importantly – that their attention is in constant demand.
    1. Beginner question .t3_112wup1._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I see that a lot of people have the main categories as natural sciences. Social sciences etcCan I switch it toReligionActivitiesFoodOrganizationMad weird thoughtsCommunication

      reply to u/Turbulent-Focus-1389 at https://www.reddit.com/r/antinet/comments/112wup1/beginner_question/

      I'd recommend you do your best to stay away from rigid category-like classifications and see what develops. For specifics see: https://boffosocko.com/2023/01/19/on-the-interdisciplinarity-of-zettelkasten-card-numbering-topical-headings-and-indices/

      If it's easier to conceptualize, think of it all like a map which may have place names, but also has numerical coordinates. Sometimes a specific name like Richard Macksey's house is useful, but other times thinking about a specific coordinate and the general neighborhoods around them will be far more useful in your community development plan. A religion-only neighborhood without religious activities, religious food, religious organization or communication will be a a sad one indeed. If you segregate your communities, they're likely not to be very happy places for co-mingling of ideas and the potential resultant creativity you'll get out of them.

      Bob Doto also suggests a similar philosophy in some of his work, particularly with respect to folgezettel: https://writing.bobdoto.computer/zettelkasten/

      I'll note that this is an incredibly hard thing to do at the start, but it's one which you may very well wish you had done from the beginning.

    1. Writers struggled with the fickle nature of the system. They often spent a great deal of time wading through Wordcraft's suggestions before finding anything interesting enough to be useful. Even when writers struck gold, it proved challenging to consistently reproduce the behavior. Not surprisingly, writers who had spent time studying the technical underpinnings of large language models or who had worked with them before were better able to get the tool to do what they wanted.

      Because one may need to spend an inordinate amount of time filtering through potentially bad suggestions of artificial intelligence, the time and energy spent keeping a commonplace book or zettelkasten may pay off magnificently in the long run.

    2. “...it can be very useful for coming up with ideas out of thin air, essentially. All you need is a little bit of seed text, maybe some notes on a story you've been thinking about or random bits of inspiration and you can hit a button that gives you nearly infinite story ideas.”- Eugenia Triantafyllou

      Eugenia Triantafyllou is talking about crutches for creativity and inspiration, but seems to miss the value of collecting interesting tidbits along the road of life that one can use later. Instead, the emphasis here becomes one of relying on an artificial intelligence doing it for you at the "hit of a button". If this is the case, then why not just let the artificial intelligence do all the work for you?

      This is the area where the cultural loss of mnemonics used in orality or even the simple commonplace book will make us easier prey for (over-)reliance on technology.


      Is serendipity really serendipity if it's programmed for you?

    1. Neben den Methoden herkömmlicher Recherche werden daher normalerweise Zettelkästen angelegt, in denen auf Karteikarten notiert ist, was ständig zitiert werden muss. Studenten erproben dies oft zum ersten mal intensiv für ihre Diplomarbeit. Nach Schlagworten und Autoren werden Notizen alphabetisch geordnet und was in den Kasten einsortiert wurde, kann man auch wieder herausholen.

      Google translate:

      In addition to the methods of conventional research, card boxes are usually created in which index cards are used to record what needs to be constantly quoted. Students often try this out intensively for their diploma thesis for the first time. Notes are sorted alphabetically according to keywords and authors, and what has been sorted into the box can also be taken out again.

      An indication from 2001 of the state of the art of zettelkasten written in German. Note that the description is focused more on the index card or slip-based version of a commonplace book sorted alphabetically by keywords and authors primarily for quoting. Most students trying the method for the first time are those working on graduate level theses.

    1. Categories mean determination of internal structure less flexibility, especially “in the long run“ of knowledgemanagement and storage

      The fact that Luhmann changed the structure of his zettelkasten with respect to the longer history of note taking and note accumulation allowed him several useful affordances.

      In older commonplacing and slip box methods, one would often store their notes by topic category or perhaps by project. This mean that after collection one had to do additional work of laying them out into some sort of outline to create arguments and then write them out for publication. This also meant that one was faced with the problem of multiple storage or copying out notes multiple times to file under various different subject headings.

      Luhmann overcame both of these problems by eliminating categories and placing ideas closest to their most relevant neighbor and numbering them in a branching fashion. Doing this front loads some of the thinking and outlining work which would often be done later, though it's likely easier to do when one has the fullest context of a note after they've made it when it is still freshest in their mind. It also means that each note is linked to at least one other note in the system. This helps notes from being lost and allows a simpler indexing structure whereby one only needs to use a few index entries to get close to the neighborhood of an idea as most other related ideas are likely to be nearby within a handful or more of index cards.

      Going from index to branches on the tree is relatively easy and also serves the function of reminding one of interesting prior reading and ideas as one either searches for specific notes or searches for placing future notes.

      When it comes to ultimately producing papers, one's notes already have a pre-arranged sort of outline which can then be more easily copied over for publication, though one can certainly still use other cross-links and further rearranging if one wishes.

      Older methods focused on broad accretion of materials into subject ordered piles while Luhmann's practice not only aggregated them, but slowly and assuredly grew them into more orderly trains of thought as he collected.

      Link to: The description in Technik des wissenschaftlichen Arbeitens (section 1.2 Die Kartei) at https://hypothes.is/a/-qiwyiNbEe2yPmPOIojH1g which heavily highlights all the downsides, though it doesn't frame them that way.

    1. Also, what’s a good book to start with if I want to read more James Tate? Thank you for your music and its endless place in my life. 21 u/dcberman David Berman Jul 15 '19 Thank you. With Tate just go get "Selected Poems". It changed my thinking as sure as the Butthole Surfers did* I recomend reading the last three chapters of Otto Rank's Art and Artist, especially "the artist's fight with art".
    2. My only question: What is one book or record that has moved you emotionally in the past year? PS: I read somewhere you weren't much of a movie guy. I'm not either. But, I recommend watching Paris, Texas starring Harry Dean Stanton (if you haven't seen it already). It reminded me of you and your writing. Cheers. 15 u/dcberman David Berman Jul 15 '19 Diary of a Man in Despair by Friedrich Reck-Malleczewin. A for me, heretofore unseen view of Germany in the thirties and forties by a bavarian "landed aristocrat" choking down extravagant contempt while he watches it all go to hell.
    3. Also, do you have any book recommendations for someone about to start college? 72 u/dcberman David Berman Jul 15 '19 edited Jul 15 '19 I'm with-holding. ​ ​ Poetics of Space by Gaston Bachelard Dog Soldiers by Robert Stone Anatomy of Melancholy by Robert Burton Complete Emily Dickinson
    4. What is your favorite book/novel? Do you have any recommendations for us? 26 u/dcberman David Berman Jul 15 '19 Ill recommend a Robert Stone short story i go back to re-read every year at least once. https://www.newyorker.com/magazine/1987/06/08/helping-2

      David Berman on a fave book.

    1. With a category you can just bypass idea-connection and jump right to storage.

      Categorizing ideas (and or indexing them for search) can be useful for quick bulk storage, but the additional work of linking ideas to each other with in a Luhmann-esque zettelkasten can be more useful in the long term in developing ideas.

      Storage by category means that ideas aren't immediately developed explicitly, but it means that that work is pushed until some later time at which the connections must be made to turn them into longer works (articles, papers, essays, books, etc.)

  7. Jan 2023
    1. Goethe, Johann Wolfgang von. Maxims and Reflections. Penguin Classics. Penguin Books, 1998.

      urn:x-pdf:577d8c2ae537c748bc9ae3d1e12ecb38

    2. Goethe's Maxims and Reflections represents a commonplace book of sorts.

      Who numbered the maxims though? Was it Goethe or someone after him?

      (stray note on a slip of paper dated 2022-10-27)

    1. http://bactra.org/

      An interesting raw html-based website that also serves the functions of notebook and to some extent a digital commonplace.

      Cosma Shalizi is a professor in the statistics department at CMU.

    1. https://www.youtube.com/watch?v=NPqjgN-pNDw


      When did the switch in commonplace book framing did the idea of "second brain" hit? (This may be the first time I've seen it personally. Does it appear in other places?) Sift through r/commonplace books to see if there are mentions there.


      By keeping one's commonplace in an analog form, it forces a greater level of intentionality because it's harder to excerpt material by hand. Doing this requires greater work than arbitrarily excerpting almost everything digitally. Manual provides a higher bar of value and edits out the lower value material.

    1. In the end I decided: everyone hates a long essay; everyoneloves a short book. Why not turn the essay into a freestanding workand let it stand on its own merits?And that is what I have done.

    Tags

    Annotators

    1. I accumulated altogether between 5.000 and 6.000 note cards from 1974 to 1985, most of which I still keep for sentimental reasons and sometimes actually still consult.

      Manfred Kuehn's index card commonplace from 1974 - 1985


      At 5 - 6,000 cards in 11 years from 1974 to 1985, Kuehn would have made somewhere in the neighborhood of 1.25 - 1.49 note per day.

    1. I've decided I don't care (too much) where new notes go .t3_10mjwq9._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/jackbaty at https://www.reddit.com/r/antinet/comments/10mjwq9/ive_decided_i_dont_care_too_much_where_new_notes/

      u/jackbaty, If it doesn't make sense for you (yet, or for your specific needs), you can always follow in the footsteps of the hundreds of thousands who used a topical subject heading method of the commonplace book before Luhmann's example shifted the space over the last decade. If it worked for Francis Bacon, you'll probably be alright too... (See: https://boffosocko.com/2022/06/10/reframing-and-simplifying-the-idea-of-how-to-keep-a-zettelkasten/)

      I find that sometimes, it is useful to bank up a few dozen cards before filing/linking them together. Other times I'll file them by category in a commonplace book like system to ruminate a bit only later to move them to a separate Luhmann-esque zettelkasten area where they're more tightly linked with the ideas around them. After you've been doing it a while, it will be easier to more tightly integrate the three-way conversation or argument you're having between yourself, your card index, and the sources you're thinking about (or reading, watching, listening to). You mention that "my brain needs at least some level of structure", and I totally get it, as most of us (myself included) are programmed to work that way. I've written some thoughts on this recently which may help provide some motivation to get you around it: https://boffosocko.com/2023/01/19/on-the-interdisciplinarity-of-zettelkasten-card-numbering-topical-headings-and-indices/

      It helps to have a pointed reason for why you're doing all this in the first place and that reason will dramatically help to shape your practice and its ultimate structure.

    1. Browsing through Walten’s notes also helped Jagersma to get to know the pamphleteer better, even though he is been dead for three hundred years. “The Memoriaelen say a lot about him. I could read how Walten did his research, follow his fascinations, and see the ideas for pieces he was not able to work out anymore. In a way, these two notebooks are a kind of self-portrait.”
    2. And the third category is for things that inspire me but that I don’t yet know exactly how to use. This category is actually the most interesting.”

      Many people collect notes that they're not sure what to do with or even where to put them. Neuroscience student and researcher Charlotte Fraza keeps her version of these notes in a category of "things that inspire me, but I don't yet know exactly how to use. She feels that compared to the other categories of actionable specific use and sources, this inspiration category is the most interesting to her.

    3. He also collected facts about all kinds of people, including his enemies. For example, he took note of any gossip about conservative ministers who disagreed with him. He recorded their visits to prostitutes in his Memoriaelen.
    4. In Walten’s two notebooks, referred to as Memoriaelen, Jagersma discovered a lot of details about the pamphleteer’s life. “These notebooks look a bit like the Moleskine notebooks that we know today,” says Jagersma, “but thicker, and bound in parchment.” In the more than five hundred pages, Walten collected all kinds of information. Jagersma lists the categories: “Personal anecdotes, philosophical and theological reflections, ideas, incursions, medical recipes, accounts of alchemical experiments, but also departure and arrival dates of the trekschuit (sail- or horse-drawn boat). The notebooks also contain lists of books he still wanted to read.”
    5. Delicate and precise, neatly arranged in alphabetical lemmas. I stumbled across the manuscripts in the Special Collections of the Leiden University Library, where they were listed in the inventory as ‘Adversaria of mixed content’. Without further explanation, except that their author was Jan Wagenaar. This eighteenth-century author was a household name in his time, writing about history, theology, and politics. Now here I was, looking at the notes he had used to write all those books, sermons, and pamphlets.The four leather-bound volumes contained pages and pages of lemmas on a variety of topics, from ‘concubines’ to ‘thatched roofs in the cities of Holland’. The lemmas included excerpts from a variety of texts, including snippets in French, English and Hebrew. This was how Wagenaar tried to organise his information flows, subsequently using this information to produce new texts.

      Jan Wagenaar's four leather-bound commonplace books are housed in the Special Collections of the Leiden University Library inventoried as "Adversaria of mixed content."

      They contain excerpts in French, English, and Hebrew and are arranged by topical heading.

    1. Cite these as Book/Book Section as appropriate. If you need to specify that it is an ebook (most citation styles don’t require this—there isn’t a real difference from a physical book), specify that in Extra like this:Medium: Kindle ebook

      https://forums.zotero.org/discussion/77941/the-best-way-to-cite-ebooks-currently

      To sub-specify an ebook as opposed to a physical book in Zotero, in the Extra section, add a note like Medium: Kindle .mobi.

    1. https://press.princeton.edu/series/ancient-wisdom-for-modern-readers

      This appears like Princeton University Press is publishing sections of someone's commonplace books as stand alone issues per heading where each chapter has a one or more selections (in the original language with new translations).

      This almost feels like a version of The Great Books of the Western World watered down for a modern audience?

    1. How do you maintain the interdisciplinarity of your zettlekasten? .t3_10f9tnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.

      If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.

      If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.

      The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.

      Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.

      If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.

      It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)

      In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!

    1. it maybe well to take the notes directly in the text book, either on the margins,between the leaves, or on insert-leaves which book-shops sell for that pu

      "insert-eaves" !!

      I've heard of interleaved books, but was unaware of the practice of book shops selling "insert-leaves" being specifically sold for the purpose of inserting notes into books.

    1. PeterSmith.Org is my commonplace book, covering teaching, research, technology, and whatever else takes my fancy. This site is in a constant state of development and 'becoming'.

      Peter Smith calls his website his commonplace book.

    1. to heaven. I see that if my facts were sufficiently vital and significant,—perhaps transmuted more into the substance of the human mind,—Ishould need but one book of poetry to contain them all.

      I have a commonplace-book for facts and another for poetry, but I find it difficult always to preserve the vague distinction which I had in my mind, for the most interesting and beautiful facts are so much the more poetry and that is their success. They are translated from earth

      —Henry David Thoreau February 18, 1852

      Rather than have two commonplaces, one for facts and one for poetry, if one can more carefully and successfully translate one's words and thoughts, they they might all be kept in the commonplace book of poetry.

    2. Finally, I should say that this abridgment does not claim to beobjective. I chose passages for inclusion not necessarily because oftheir importance to Thoreau’s biography, or to cultural or naturalhistory, but because I liked them: the book is shaped by my personalproclivities as much as by anything else—a preference for berryingover fishing, owls over muskrats, ice over sunsets, to name a few atrandom.

      Fascinating to think that Damion Searls edited this edition of Thoreau's journals almost as if they were his (Searls') own commonplace book of Thoreau's journals themselves.

      Very meta!

    3. Like any journal, Thoreau’s is repetitive, which suggests naturalplaces to shorten the text but these are precisely what need to be keptin order to preserve the feel of a journal, Thoreau’s in particular. Itrimmed many of Thoreau’s repetitions but kept them wheneverpossible, because they are important to Thoreau and because theyare beautiful. Sometimes he repeats himself because he is drafting,revising, constructing sentences solid enough to outlast the centuries.

      Henry David Thoreau repeated himself frequently in his journals. Damion Searls who edited an edition of his journals suggested that some of this repetition was for the beauty and pleasure of the act, but that in many examples his repetition was an act of drafting, revising, and constructing.


      Scott Scheper has recommended finding the place in one's zettelkasten where one wants to install a card before writing it out. I believe (check this) that he does this in part to prevent one from repeating themselves, but one could use the opportunity and the new context that brings them to an idea again to rewrite or rework and expand on their ideas while they're so inspired.


      Thoreau's repetition may have also served the idea of spaced repetition: reminding him of his thoughts as he also revised them. We'll need examples of this through his writing to support such a claim. As the editor of this volume indicates that he removed some of the repetition, it may be better to go back to original sources than to look for these examples here.

      (This last paragraph on repetition was inspired by attempting to type a tag for repetition and seeing "spaced repetition" pop up. This is an example in my own writing practice where the serendipity of a previously tagged word auto-populating/auto-completing in my interface helps to trigger new thoughts and ideas from a combinatorial creativity perspective.)

    4. Sometimes, Isuspect, he copied his own words because he liked to copy: no one’scommonplace books could run to a million words—those are just theones that survive, in addition to a two-million-word Journal, andenormous quantities of other writing—without a sheer love of sittingwith pen in hand, a printed book and a blank page both open before

      him.

    5. Jan. 22. To set down such choice experiences that my own writingsmay inspire me and at last I may make wholes of parts. Certainly it isa distinct profession to rescue from oblivion and to fix the sentimentsand thoughts which visit all men more or less generally, that thecontemplation of the unfinished picture may suggest its harmoniouscompletion. Associate reverently and as much as you can with yourloftiest thoughts. Each thought that is welcomed and recorded is anest egg, by the side of which more will be laid. Thoughts accidentallythrown together become a frame in which more may be developedand exhibited. Perhaps this is the main value of a habit of writing, ofkeeping a journal,—that so we remember our best hours and stimulateourselves. My thoughts are my company. They have a certainindividuality and separate existence, aye, personality. Having bychance recorded a few disconnected thoughts and then brought theminto juxtaposition, they suggest a whole new field in which it waspossible to labor and to think. Thought begat thought.

      !!!!

      Henry David Thoreau from 1852

    1. May 19, 2004 #1 Hello everyone here at the forum. I want to thank everyone here for all of the helpful and informative advice on GTD. I am a beginner in the field of GTD and wish to give back some of what I have received. What is posted below is not much of tips-and-tricks I found it very helpful in understanding GTD. The paragraphs posted below are from the book Lila, by Robert Pirsig. Some of you may have read the book and some may have not. It’s an outstanding read on philosophy. Robert Pirsig wrote his philosophy using what David Allen does, basically getting everything out of his head. I found Robert Pirsigs writing on it fascinating and it gave me a wider perspective in using GTD. I hope you all enjoy it, and by all means check out the book, Lila: An Inquiry Into Morals. Thanks everyone. arthur

      Arthur introduces the topic of Robert Pirsig and slips into the GTD conversation on 2004-05-19.

      Was this a precursor link to the Pile of Index Cards in 2006?

      Note that there doesn't seem to be any discussion of any of the methods with respect to direct knowledge management until the very end in which arthur returns almost four months later to describe a 4 x 6" card index with various topics he's using for filing away his knowledge on cards. He's essentially recreated the index card based commonplace book suggested by Robert Pirsig in Lila.

    1. Ryan Randall @ryanrandall@hcommons.socialEarnest but still solidifying #pkm take:The ever-rising popularity of personal knowledge management tools indexes the need for liberal arts approaches. Particularly, but not exclusively, in STEM education.When people widely reinvent the concept/practice of commonplace books without building on centuries of prior knowledge (currently institutionalized in fields like library & information studies, English, rhetoric & composition, or media & communication studies), that's not "innovation."Instead, we're seeing some unfortunate combination of lost knowledge, missed opportunities, and capitalism selectively forgetting in order to manufacture a market.

      https://hcommons.social/@ryanrandall/109677171177320098

    1. Many of the topic cards served as the skeleton for Mediterranean Society and can be usedto study how Goitein constructed his magnum opus. To give just one example, in roll 26 wehave the index cards for Mediterranean Society, chap. 3, B, 1, “Friendship” and “InformalCooperation” (slides 375–99, drawer 24 [7D], 431–51), B, 2, “Partnership and Commenda”(slides 400–451, cards 452–83), and so forth.

      Cards from the topically arranged index cards in Goitein's sub-collection of 20,000 served as the skeleton of his magnum opus Mediterranean Society.

    2. Goitein’s index cards can be divided into two general types: those thatfocus on a specific topic (children, clothing, family, food, weather, etc.) andthose that serve as research tools for the study of the Geniza. 48
    3. It is, however, important to keep in mind that, reflecting the trajectory ofGoitein’s study of the Geniza, there are often two sets of cards for a givensubject, one general and one related to the India Book.44

      Goitein, “Involvement in Geniza Research,” 144.

      Goitein's cards are segmented into two sets: one for subjects and one related to the India Book.

    1. Books and Presentations Are Playlists, so let's create a NeoBook this way.

      https://wiki.rel8.dev/co-write_a_neobook

      A playlist of related index cards from a Luhmann-esque zettelkasten could be considered a playlist that comprises an article or a longer work like a book.

      Just as one can create a list of all the paths through a Choose Your Own Adventure book, one could do something similar with linked notes. Ward Cunningham has done something similar to this programmatically with the idea of a Markov monkey.

    1. https://onyxboox.com/boox_nova3

      @adamprocter @chrisaldrich i really like my boox nova3 color – it’s ✌️ just ✌️ a color-paper android device with a custom integrated launcher/ereader software but it can have f-droid or play store sideloaded on to it. i mostly use it with koreader+wallabag but there surely is an RSS or NNW client that works decently on it in B/W mode via rrix Jan 03, 2023, 12:47 https://notes.whatthefuck.computer/objects/0f1ffdd4-4e27-4962-ae53-0c039494bef9

  8. Dec 2022
    1. I’m a screenwriter. One of the reasons I use Obsidian is the ability to hashtag. It sounds so simple, but being able to tag notes with #theme or #sceneideas helps create linkages between notes that would not otherwise be linked. My ZK literally tells me what the movie is really about.

      via u/The_Bee_Sneeze

      Example of someone using Obsidian with a zettelkasten focus to write screenplays.

      Thought the example appears in r/Zettelkasten, one must wonder at how Luhmann-esque such a practice really appears?

    1. I'm a multi-media artist, so I have many ideas about fashion pieces, artworks, music, etc. that i'd want to make. Would I plug in these ideas as 'fleeting notes' until they're more cemented? would you recommend I keep separate my 'original' ideas and the ZK note-taking system?

      I gave some examples of uses in arts/media a while back that you might find interesting for your use case: https://www.reddit.com/r/antinet/comments/xdrb0k/comment/iofo5vv/?utm_source=reddit&utm_medium=web2x&context=3

      In particular, a more commonplace book approach or something along the lines of Chapter 6 of Twyla Tharpe's book may be more useful or productive for your use case.

    1. My day to day notebook is a soft 5 inch by 3.5 inch pocket notebook as shown below. I use a mechanical pencil when out and about (no breakage or sharpening) and take a small eraser (in this case an eraser shaped like Lego). This book is good for notes and ideas. Notice I cross them out when I have acted on them in some way (done the work, or given up on the idea). The goal of the daily notebook is to eventually throw it away (not save it). So all work needs to move out and I need to be able to know it has been moved.
    1. “The florilegium was a type of ‘double memory’ towhich scholars could resort anytime their personal memory failed, the filingcabinet behaves as a true communication partner with its own idiosyncrasiesand its own opinions.”31

      I'll have to look into this argument as it feels dramatically false to me.

      The only way I can see this is if one only uses their commonplace for excerpts and no other notes, a pattern which may have been the case for some, but certainly not all.

    2. Yet, there are shortcomings of commonplace books. They embody that of a“subsidiary memory,” whereas the Antinet is more than this. The Antinet isa second mind, an equal.

      Why though? The slight difference in form doesn't account for any differences claimed here.

    3. The limitations of commonplacebooks centers around the following: they only enable short-term knowledgedevelopment. They do not cater to allowing thoughts to evolve over time,infinitely. They do not allow for the infinite internal branching and expansionof ideas.

      sigh

      This is untrue in practice. They can evolve, they just do so in different ways. Prior to Luhmann's example, they have done so for centuries.

    1. Although some of them took a lot of time to create (I literally wrote whole book summaries for a while), their value was negligible in hindsight.

      What was the purpose of these summaries? Were they of areas which weren't readily apparent in hindsight? Often most people's long summaries are really just encapsulalizations of what is apparent from the book jacket. Why bother with this? If they're just summaries of the obvious, then they're usually useless for review specifically because they're obvious. This is must make-work.

      You want to pull out the specific hard-core insights that weren't obvious to you from the jump.

      Most self-help books can be motivating while reading them and the motivation can be helpful, but generally they will only contain one or two useful ideas

    1. Presumed to have been written in the fifth century Stobaeus compiled an extensive two volume manuscript commonly known as The Anthologies of excerpts containing 1,430 poetry and prose quotations of works of which only 315 are still extant in the 21st century.[10]

      footnote: Moller, Violet (2019). The Map of Knowledge (1st ed.). Doubleday. p. 3. ISBN 978-0-385-54176-3.

      I wrote this snippet yesterday.

    1. Goitein accumulated more than 27,000 index cards in his research work over the span of 35 years. (Approximately 2.1 cards per day.)

      His collection can broadly be broken up into two broad categories: 1. Approximately 20,000 cards are notes covering individual topics generally making of the form of a commonplace book using index cards rather than books or notebooks. 2. Over 7,000 cards which contain descriptions of a single fragment from the Cairo Geniza.

      A large number of cards in the commonplace book section were used in the production of his magnum opus, a six volume series about aspects of Jewish life in the Middle Ages, which were published as A Mediterranean Society: The Jewish communities of the Arab World as Portrayed in the Documents of the Cairo Geniza (1967–1993).

    1. important works like Galen’s On Demonstration, Theophrastus’ OnMines and Aristarchus’ treatise on heliocentric theory (which mighthave changed the course of astronomy dramatically if it hadsurvived) all slipped through the cracks of time.
    2. In the latefifth century, a man called Stobaeus compiled a huge anthology of1,430 poetry and prose quotations. Just 315 of them are from worksthat still exist—the rest are lost.
    3. Moller, Violet. The Map of Knowledge: A Thousand-Year History of How Classical Ideas Were Lost and Found. 1st ed. New York: Doubleday, 2019. https://www.penguinrandomhouse.com/books/546484/the-map-of-knowledge-by-violet-moller/.

    1. Three editions were published by Conrad Gessner (Zurich, 1543; Basle, 1549; Zurich; 1559),

      Konrad Gessner published three editions of Stobaeus' Anthology (Zurich, 1543; Basel, 1549; and Zurich, 1559).

      He would thus have had this as an example of a compilation of excerpts at his disposal and as an example for his own excerpting work.

    1. On my own website(s) I'm looking to write more content and share more of my experiences. I'm at a time in my life that documenting what is going on so I can recall things easier would be helpful, a place to publicly share my notes in hopes that it will help someone else.

      Hints of personal website as commonplace book.

    1. My freely downloadable Beginning Mathematical Logic is a Study Guide, suggesting introductory readings beginning at sub-Masters level. Take a look at the main introductory suggestions on First-Order Logic, Computability, Set Theory as useful preparation. Tackling mid-level books will help develop your appreciation of mathematical approaches to logic.

      This is a reference to a great book "Beginning Mathematical Logic: A Study Guide [18 Feb 2022]" by Peter Smith on "Teach Yourself Logic A Study Guide (and other Book Notes)". The document itself is called "LogicStudyGuide.pdf".

      It focuses on mathematical logic and can be a gateway into understanding Gödel's incompleteness theorems.

      I found this some time ago when looking for a way to grasp the difference between first-order and second-order logics. I recall enjoying his style of writing and his commentary on the books he refers to. Both recollections still remain true after rereading some of it.

      It both serves as an intro to and recommended reading list for the following: - classical logics - first- & second-order - modal logics - model theory<br /> - non-classical logics - intuitionistic - relevant - free - plural - arithmetic, computability, and incompleteness - set theory (naïve and less naïve) - proof theory - algebras for logic - Boolean - Heyting/pseudo-Boolean - higher-order logics - type theory - homotopy type theory

  9. Nov 2022
    1. I believe Victor Margolin when he says that he developed his own system. That's what I did in the years before people started widely discussing personal knowledge systems online. Nobody taught me how to do it when I was in college. @chrisaldrich repeatedly tries to connect everyone's knowledge practices to an ongoing tradition that stretches back to commonplace books, but he overstates it. There is such a thing as independent development of a personal knowledge system. I know it because I've lived it. It's not so difficult that it requires extraordinary genius.

      Reply to Andy https://forum.zettelkasten.de/discussion/comment/16865#Comment_16865

      Andy, I'll take you at your word. You're right that none of it requires extraordinary genius--though many who seem to exhibit extraordinary genius do have variations of these practices in their lives, and the largest proportion of them either read about them or were explicitly taught them.

      With these patterns and practices being so deeply rooted in our educational systems for so long (not to mention the heavy influences of our orality and evolved thinking apparatus even prior to literacy), it's a bit difficult for many to truly guarantee that they've done these things independently without heavy cultural and societal influence. As a result, it's not a far stretch for people to evolve their own practices to what works for them and then think that they've invented something new. The common person may not be aware of the old ideas of scala naturae or scholasticism, but they certainly feel them in their daily lives. Commonplacing is not much different.

      By analogy, Elon Musk might say he created the Tesla, but it's a far bigger stretch for him to say that he invented a new means of transportation, or a car, or the wheel when we know he's swimming in a culture rife with these items. Humans are historically far better at imitation than innovation. If people truly independently developed systems like these so many times, then in the evolutionary record of these practices we should expect to see more diversity than we do in practice. We might expect to see more innovation than just the plain vanilla adjacent possible. Given Margolin's age, time period, educational background, and areas of expertise, there is statistically very little chance that he hadn't seen or talked about versions of this practice with several dozens of his peers through his lifetime after which he took that tacit knowledge and created his own explicit version which worked for him.

      Historian Keith Thomas talks about some of these traditions which he absorbed himself without having read some of the common advice (see London Review of Books https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary). He also indicates that he slowly evolved to some of the often advised practices like writing only on one side of a slip, though, like many, he completely omits to state the reason why this is good advice. We can all ignore these rich histories, but we'll probably do so at our own peril and at the expense of wasting some of our time to re-evolve the benefits.

      Why are so many here (and in other fora on these topics) showing up regularly to read and talk about their experiences? They're trying to glean some wisdom from the crowds of experimenters to make improvements. In addition to the slow wait for realtime results, I've "cheated" a lot and looked at a much richer historical record of wins and losses to gain more context of our shared intellectual history. I'm reminded of one of Goethe's aphorisms from Maxims and Reflections "Inexperienced people raise questions which were answered by the wise thousands of years ago."

  10. learn-ap-southeast-2-prod-fleet01-xythos.content.blackboardcdn.com learn-ap-southeast-2-prod-fleet01-xythos.content.blackboardcdn.com
    1. We find favorwith Mortimer J. Adler’s stance, from 1940,that “marking up a book is not an act ofmutilation but of love.”18

      also:

      Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it. —Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

      They also suggest that due to the relative low cost of books, it's easier to justify writing in them, though they carve out an exception for the barbarism of scribbling in library books.

    1. https://www.youtube.com/watch?v=2ueMHkGljK0

      Robert Greene's method goes back to junior high school when he was practicing something similar. He doesn't say he invented it, and it may be likely that teachers modeled some of the system for him. He revised the system over time to make it work for himself.


      • [x] Revisit this for some pull quotes and fine details of his method. (Done on 2022-11-08)
    2. Robert Greene: (pruriently) "You want to see my index cards?"<br /> Brian Rose: (curiously) Yeah. Can we?? ... This is epic! timestamp

    1. Inevitably, I read and highlight more articles than I have time to fully process in Obsidian. There are currently 483 files in the Readwise/Articles folder and 527 files marked as needing to be processed. I have, depending on how you count, between 3 and 5 jobs right now. I am not going to neatly format all of those files. I am going to focus on the important ones, when I have time.

      I suspect that this example of Eleanor Konik's is incredibly common among note takers. They may have vast repositories of collected material which they can reference or use, but typically don't.

      In digital contexts it's probably much more common that one will have a larger commonplace book-style collection of notes (either in folders or with tags), and a smaller subsection of more highly processed notes (a la Luhmann's practice perhaps) which are more tightly worked and interlinked.

      To a great extent this mirrors much of my own practice as well.

    1. A commonplace book is what a provident poet cannot subsist without, for this proverbial, reason, that "great wits have short memories;" and whereas, on the other hand, poets, being liars by profession, ought to have good memories; to reconcile these, a book of this sort, is in the nature of a supplemental memory, or a record of what occurs remarkable in every day's reading or conversation. There you enter not only your own original thoughts, (which, a hundred to one, are few and insignificant) but such of other men, as you think fit to make your own, by entering them there. For, take this for a rule, when an author is in your books, you have the same demand upon him for his wit, as a merchant has for your money, when you are in his. By these few and easy prescriptions, (with the help of a good genius) it is possible you may, in a short time, arrive at the accomplishments of a poet, and shine in that character[3].

      "Nullum numen abest si sit prudentia, is unquestionably true, with regard to every thing except poetry; and I am very sure that any man of common understanding may, by proper culture, care, attention, and labour, make himself whatever he pleases, except a good poet." Chesterfield, Letter lxxxi.

      See also: https://en.m.wikisource.org/wiki/Page:The_Works_of_the_Rev._Jonathan_Swift,_Volume_5.djvu/261 as a source


      Swift, Jonathan. The Works of the Rev. Jonathan Swift. Edited by Thomas Sheridan and John Nichols. Vol. 5. 19 vols. London: H. Baldwin and Son, 1801.

    1. Oppenheimer, Billy. “The Notecard System: Capture, Organize, and Use Everything You Read, Watch, and Listen To.” Billy Oppenheimer (blog), August 26, 2022. https://billyoppenheimer.com/notecard-system/.

    2. Ronald Reagan notecard

    3. He has a warehouse of notecards with ideas and stories and quotes and facts and bits of research, which get pulled and pieced together then proofread and revised and trimmed and inspected and packaged and then shipped.

      While the ancients thought of the commonplace as a storehouse of value or a treasury, modern knowledge workers and content creators might analogize it to a factory where one stores up ideas in a warehouse space where they can be easily accessed, put into a production line where those ideas can be assembled, revised, proofread, and then package and distributed to consumers (readers).

      (summary)

    4. In this article, I am going to explain my adapted version of the notecard system.

      Note that he explicitly calls out that his is an adapted version of a preexisting thing--namely a system that was taught to Ryan Holiday who was taught by Robert Greene.

      Presumably there is both some economic and street cred value for the author/influencer in claiming his precedents.

      It's worth noting that he mentions other famous users, though only the smallest fraction of them with emphasis up front on his teachers whose audience he shares financially.

    5. The Notecard System

      This is almost pitched as a product with the brand name "The Notecard System".

    1. "If the Reagans' home in Palisades (Calif.) were burning," Brinkley says, "this would be one of the things Reagan would immediately drag out of the house. He carried them with him all over like a carpenter brings their tools. These were the tools for his trade."

      Another example of someone saying that if their house were to catch fire, they'd save their commonplace book (first or foremost).

  11. Oct 2022
    1. ‘What tho’ his head be empty, provided his common-place book be full?’ sneered Jonathan Swift.
    2. I feel sympathy for Robert Southey, whose excerpts from his voracious reading were posthumously published in four volumes as Southey’s Common-Place Book. He confessed in 1822 that,Like those persons who frequent sales, and fill their houses with useless purchases, because they may want them some time or other; so am I for ever making collections, and storing up materials which may not come into use till the Greek Calends. And this I have been doing for five-and-twenty years! It is true that I draw daily upon my hoards, and should be poor without them; but in prudence I ought now to be working up these materials rather than adding to so much dead stock.
    3. Before the Xerox machine, this was a labour-intensive counsel of perfection; and it is no wonder that many of the great 19th-century historians employed professional copyists.

      According to Keith Thomas, "many of the great 19th-century historians employed professional copyists" as a means of keeping up with filing copies of their note slips under multiple subject headings.

    4. As the historian Thomas Fuller remarked, ‘A commonplace book contains many notions in garrison, whence the owner may draw out an army into the field on competent warning.’
    5. Another help to the memory is the pocketbook in which to enter stray thoughts and observations: what the Elizabethans called ‘tablets’.

      Elizabethans called pocketbooks or small notebooks "tablets."

    1. http://drummer.this.how/AndySylvester99/Andy_Zettelkasten.opml

      Andy Sylvester's experiment in building a digital zettelkasten using OPML and tagging. Curious to see how it grows and particularly whether or not it will scale with this sort of UI? On first blush, the first issue I see as a reader is a need for a stronger and immediate form of search.

      RSS feeds out should make for a more interesting UI for subscribing and watching the inputs though.

  12. www.indxd.ink www.indxd.ink
    1. https://www.indxd.ink/

      A digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional).

      It emails you weekly text updates, so you've got a back up of your data if the site/service disappears.

      This could potentially be used by those who have analog zettelkasten practices, but want the digital search and some back up of their system.


      <small><cite class='h-cite via'> <span class='p-author h-card'>sgtstretch </span> in @Gaby @pimoore so a good friend of mine makes [INDXD](https://www.indxd.ink/) which is for indexing analog notebooks and being able to find things. I don't personally use it, but I know @patrickrhone has written about it before. (<time class='dt-published'>10/27/2022 17:59:32</time>)</cite></small>

    1. https://www.youtube.com/watch?v=mI3yiPA6npA

      Generally interesting and useful, but is broadly an extended advertisement for JetPens products.

      Transparent sticky notes allow one to take notes on them, but the text is still visible through the paper.

      One can use separate pages to write notes and then use washi tape to tape the notes to the page in a hinge-like fashion similar to selectively interleaving one's books.

    1. Very nice to differentiate between core notes (notes that we have worked a lot on) and peripheral notes.

      Very nice to differentiate between core notes (notes that we have worked a lot on) and peripheral notes.

      — Bianca Pereira | PKM Coach and Researcher (@bianca_oli_per) October 24, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      Coming from the Strange New Worlds Plugin, Bianca Pereira defines core notes (those worked on and thus likely of more value) versus peripheral notes.

      Core notes have a similar connotation to so-called permanent notes while peripheral notes have connection to fleeting notes, though peripheral notes would seem to have a higher connotation of value than fleeting notes.

      Some of this is similar to my commonplacing practice and collection versus my more focused Luhmann-esque zettelkasten practice.

    1. I might even say the best books are the best books because they stubbornly defy being reduced to a synopsis and some notes. Another way of saying that is, great books have so much in them that many different people with many different interests can all find something they’ll value in their pages.

      This might be said of art, design, or any pursuit. Any design might comprise hundreds of design decisions. The more there are, the more depth to the design, the more facets of the problem space it has examined, the more knowledge it may contain, the more potential to learn.

    1. Laudator Temporis Acti

      https://laudatortemporisacti.blogspot.com/

      Michael Gilleland is an antediluvian, bibliomaniac, and curmudgeon.

      The title of the blog and Gilleland's calling himself a curmudgeon calls to mind Horace...

    1. "In the event of a fire, the black-bound excerpts are to be saved first," instructed the poet Jean Paul to his wife before setting off on a trip in 1812.

      Writer Jean Paul on the importance of his Zettelkasten.

    1. What if something happened to your box? My house recently got robbed and I was so fucking terrified that someone took it, you have no idea. Thankfully they didn’t. I am actually thinking of using TaskRabbit to have someone create a digital backup. In the meantime, these boxes are what I’m running back into a fire for to pull out (in fact, I sometimes keep them in a fireproof safe).

      His collection is incredibly important to him. He states this in a way that's highly reminiscent of Jean Paul.

      "In the event of a fire, the black-bound excerpts are to be saved first." —instructions from Jean Paul to his wife before setting off on a trip in 1812 #

    1. Does anyone else work in project-based systems instead? .t3_y2pzuu._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/m_t_rv_s__n https://www.reddit.com/r/Zettelkasten/comments/y2pzuu/does_anyone_else_work_in_projectbased_systems/

      Historically, many had zettelkasten which were commonplace books kept on note cards, usually categorized by subject (read: "folders" or "tags"), so you're not far from that original tradition.

      Similar to your work pattern, you may find the idea of a "Pile of Index Cards" (PoIC) interesting. See https://lifehacker.com/the-pile-of-index-cards-system-efficiently-organizes-ta-1599093089 and https://www.flickr.com/photos/hawkexpress/albums/72157594200490122 (read the descriptions of the photos for more details; there was also a related, but now defunct wiki, which you can find copies of on Archive.org with more detail). This pattern was often seen implemented in the TiddlyWiki space, but can now be implemented in many note taking apps that have to do functionality along with search and tags. Similarly you may find those under Tiago Forte's banner "Building a Second Brain" to be closer to your project-based/productivity framing if you need additional examples or like-minded community. You may find that some of Nick Milo's Linking Your Thinking (LYT) is in this productivity spectrum as well. (Caveat emptor: these last two are selling products/services, but there's a lot of their material freely available online.)

      Luhmann changed the internal structure of his particular zettelkasten that created a new variation on the older traditions. It is this Luhmann-based tradition that many in r/Zettelkasten follow. Since many who used the prior (commonplace-based) tradition were also highly productive, attributing output to a particular practice is wrongly placed. Each user approaches these traditions idiosyncratically to get them to work for themselves, so ignore naysayers and those with purist tendencies, particularly when they're new to these practices or aren't aware of their richer history. As the sub-reddit rules indicate: "There is no [universal or orthodox] 'right' way", but you'll find a way that is right for you.

    1. Francis Bacon once remarked that "some booksare to be tasted, others to be swallowed, and some few to bechewed and digested."
    1. Check out the Zettelkasten (https://en.wikipedia.org/wiki/Zettelkasten). It may be similar to what you're thinking of. I use a digital one (Foam), and it's absolutely awesome. It's totally turned how I do my work for school on its head.

      reply to https://www.reddit.com/user/kf6gpe/

      Thanks. Having edited large parts of that page, and particularly the history pieces, I'm aware of it. It's also why I'm asking for actual examples of practices and personal histories, especially since many in this particular forum appear to be using traditional notebook/journal forms. :)

      Did you come to ZK or commonplacing first? How did you hear about it/them? Is your practice like the traditional commonplacing framing, closer to Luhmann's/that suggested by zettelkasten.de/Ahrens, or a hybrid of the two approaches?