- Aug 2024
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github.com github.com
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This seems to be more than just a thin wrapper like https://github.com/rainerschuster/final-form-material-ui was. I kind of prefer the simplicity of focus of final-form-material-ui.
This appears to be attempting to do too much. Though if it gives you exactly what you want, great.
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github.com github.com
- Jul 2024
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journals.sagepub.com journals.sagepub.com
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The premise we explore in this article is that we would arrive at better ToCs, which more effectively support evaluation in complex environments, when we1.Begin with systems mapping, and then2.Recast the system map into the form of a traditional ToC.
for - participatory system mapping - start with system mapping - then recast in form of Theory of Change
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tmurphy.physics.ucsd.edu tmurphy.physics.ucsd.edu
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It seems ludicrous to imagine that these vitalresources incapable of further expansionwould become essentially free of charge.
for - question - transition - from capitalism to a form of socialism?
question - capitalism to a form of socialism? - To say it seems ludicrous is an opinion that makes sense from a traditional capitalists perspective - From a socialist perspective, it seems feasible - Nothing is free of charge, however, even in socialism, there is always some price an individual must pay, it's more about the incentive structure that differentiates the two - capitalism - polarized towards self-centric perspective - socialism -balanced self-and-other perspective
adjacency - between - capitalism - socialism - differing perspective on self/other worldview - adjacency relationship - While capitalism relies on a self-centric perspective, socialism relies on a more balanced self/other perspective
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docdrop.org docdrop.org
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most of the great religions in the world have been attempts to to restrain or reform uh human nature or at least uh channel our worst impulses into something 01:10:48 more productive or higher something loftier um and in this this is exactly what we need here it's something that will create a form of altruism which doesn't only extend to people we see around us now but extends 01:11:00 to the future generations
for - rapid whole system change - need for something that will create a new form of altruism - Ronald Wright - transition - requires an experience of re-awakening transition - need for a new religion? Deep Humanity?
comment 10 July 2024 - Deep Humanity is our attempt at this. It is not a religion, however. It is humanity, but in the deepest sense, so it is accessible to anyone in our species. Our tagline has been - Rekindling wonder in an age of crisis - However, this morning an adjacency occurred:
adjacency - between - familiarity - wonder - adjacency relationship - Familiarity hides wonder - Richard Dawkins said: - There is an anaesthetic of familiarity, - a sedative of ordinariness - which dulls the senses and hides the wonder of existence. - For those of us not gifted in poetry, - it is at least worth while from time to time - making an effort to shake off the anaesthetic. - What is the best way of countering the sluggish habitutation brought about by our gradual crawl from babyhood? - We can't actually fly to another planet. - But we can recapture that sense of having just tumbled out to life on a new world - by looking at our own world in unfamiliar ways. - That is, when a type of experience becomes familiar through repeated sensory episodes, - we lose the feeling of wonder we had when we initially experienced it - It's much like visiting a place for the very first time. We are struck with a sense of wonder because everything is unpredictable, in a safe way. We have no idea what's around the next corner. It's a surprise. - However, once we live there, and have traced that route hundreds of times, we have transformed that first magical experience into mundane experience. - So it is with everything that makes us human, with all the foundational things about reality that we learned from the moment we were born. - They have all become jaded. We've forgotten the awe of those first experiences in this reality: - our first experience of our basic senses - our first breath of air, instead of amniotic fluid - our first integration of multiple sensory experiences into a cohesive whole - the birth of objectification - the very first application of objectification to form the object we called mOTHER - the Most significant OTHER - our first encounter with the integration of multiple sensory stimuli associated with each object we construct - our first encounter with auditory human, speech symbols - our first experience with object continuity - how objects still exist even if they disappear from view momentarily - do we remember freaking out when mOTHER disappeared from view momentarily? - our first ability to communicate with mOTHER through speech symbols - our first encounter with ability to control our bodies through our own volition - our first encounter with gravity, the pull towards the ground - our first encounter with a large bright sphere suspended in the sky - our first encounter with perspective, how objects change size in our field of view as they get nearer or farer - etc... - What's missing now, is that we have repeated all these experiences so many times, that the feeling of awe no longer emerges with life - To generate awe, the repertoire of existing experiences is insufficient - now we have to create NEW experiences, we have to create novelty - Mortality Salience can help jolt us out of this fixation on novelty, and remind us of the sacred that is already here all the time - For, what happens at the time of death? All the constructions we have taken for granted in life disappear all at once, or perhaps some before others - Hence, we begin to re-experience them as relative, as constructions, and not absolutes - All living organisms have their own unique umwelt - These umwelts are all expressions of the sacred, sensing itself in different ways
- What is required is a kind of awakening, or re-awakening
- When religions do their job, it gives us a framework to engage in a shared sense of the sacred, of wonder in the mundane
- In a sense, Deep Humanity is identifying that most vital commonality in all religions and seeing all their diverse intersectionalities in simply being deeply human
- We awakened once, when we were born into the world
- then we fell asleep through the dream of familiarity
- Now, we have to collectively re-awaken to the wonder we all experienced in that initial awakening experience as newborns
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that calls for a new form of altruism plus a new form of asceticism
for - rapid whole system change - a new form of asceticism - Ronald Wright - Give me liberty or give me death - degrowth challenges
rapid whole system change - a new form of asceticism - We need something that can be higher than stripping away many of the liberties we take for granted? - This will be challenging because the American dream is based on the feeling and phrase "Give me liberty or give me death!"
Tags
- transition - requires an experience of re-awakening
- Give me liberty or give me death - degrowth challenges
- transition - need for a new kind of religion? Deep Humanity?
- rapid whole system change - need for something that will create a new form of altruism - Ronald Wright
- rapid whole system change - a new form of asceticism - Ronald Wright
Annotators
URL
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codes.ohio.gov codes.ohio.gov
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(1) The filing by a registered elector of a written request with a board of elections or the secretary of state, on a form prescribed by the secretary of state and signed by the elector, that the registration be canceled. The filing of such a request does not prohibit an otherwise qualified elector from reregistering to vote at any time.
The only true protest vote.
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substack.com substack.com
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Someone once said that at least one in five people are writing a novel. I barely know anyone who isn’t. It is still a prestigious form. And so, despite social media – the junk food of communication – literature continues to adapt to the contemporary mood. Where there is digital overload, people are returning to this more relaxed, nutritious analogue mode - reading words on a page.
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- Jun 2024
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coevolving.com coevolving.com
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the language provides the framework for using the patterns as a program to create form. But he aims for semantics, allegory, and poetics, as well as the aspects of language that generate feelings, emotions, a sense of order — all of which extend beyond the structural, topological and syntactic aspects of his program.
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- Apr 2024
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en.wikipedia.org en.wikipedia.org
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European Union
This is the description of a union of countries
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Annotators
URL
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- Jan 2024
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www.youtube.com www.youtube.com
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my visual cortex loves the point-symmetric "tunnel visions" from 1:50<br /> aka: visual cortex form constants, resonance between external and internal patterns<br /> this is also why kids in school are forced to write on "lined paper" aka "ruled paper"...
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www.internetsociety.org www.internetsociety.org
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A simple survey should be offered during the unsubscribe process to allow customers to provide feedback about why they are leaving.
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- Dec 2023
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Glossary of some important musical terms
Tags
- phrase-cadence
- mode-rhythmic
- mode-ekmelic
- texture-polyphony
- modes
- hypermode
- modes-heptatonic
- dissonance
- phrase
- melody
- tempo
- modes-monotonic
- dynamics
- harmony
- melodic-intonation
- tonality
- source:nikolsky-glossary
- meter
- diatony
- mesotony
- instrumentation
- diatonic-modes
- interval-class
- texture-part-vs-voice
- texture
- melodic-inclination
- form
- modality
- phrasing
- modes-diatonic
- consonance
- register
- modes-pentatonic
- texture-voluminousness
- multitony
- modes-tritonic
- modes-octatonic
- modes-tetratonic
- dissonance-harmonic
- AOEs
- monody
- rhythm-class
- modal-harmony
- mode-hemiolic
- consonance-melodic
- tone-class
- motif
- monophony
- rhythm
- mode-khasmatonal
- heterophony
- mode-timbral
- tonal-gravity
- articulation
- dissonance-melodic
- phrase-climax
- tonicity
- modes-hexatonic
- double-note
- pitch-class
Annotators
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inst-fs-iad-prod.inscloudgate.net inst-fs-iad-prod.inscloudgate.net
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https://docdrop.org/pdf/The-Art-of-Poetry-How-to-Read-a-Poem-rpbin.pdf/
The Art of Poetry - How to Read a Poem Wolosky 2001
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- Nov 2023
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The primary determinants of musica l foml in tonal music were tonality and theme, withcontrast of tonalities being a generally stronger force than contrast of themes. The declinein tonality as an organizing force has often led to a greater reliance on thematic contrast;but in many pieces, themes, in the sense of melodies, pla ya small or nonex istent part. Themost obvious example is electronic music, where texture, register, dynami cs, and especial MIy timbre are usua ll y more important as shaping elements than themes are. Rhythmic ac-ti vity is another organiz in g factor
In the 20th and 21st centuries, tonality as organising force is being replaced with temporal and timbral style elements such as texture, register, dynamics, and timbre.
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markgrabe.substack.com markgrabe.substack.com
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Grabe, Mark. “Student and Professional Note-Taking.” Substack newsletter. Mark’s Substack (blog), November 10, 2023. https://markgrabe.substack.com/p/student-and-professional-note-taking?publication_id=1857743&utm_campaign=email-post-title&r=77i35.
Educator Mark Grabe looks at some different forms of note taking with respect to learning compared lightly with note taking for productivity or knowledge management purposes.
Note taking for: - learning / sensemaking - personal knowledge management - productivity / projects - thesis creation/writing/other creative output (music, dance, etc.)
Not taken into account here is the diversity of cognitive abilities, extent of practice (those who've practiced at note taking for longer are likely to be better at it), or even neurodiversity, which becomes an additional layer (potentially noise) on top of the research methodologies.
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- Oct 2023
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docs.google.com docs.google.com
- Sep 2023
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www.reddit.com www.reddit.com
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I don't know why I can't do Evergreen and Atomic Notes.. .t3_16r8k0b._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }
reply to u/SouthernEremite at https://www.reddit.com/r/Zettelkasten/comments/16r8k0b/i_dont_know_why_i_cant_do_evergreen_and_atomic/
If you're not using your notes to create or write material and only using them as a form of sensemaking, then perhaps you don't need to put as much work or effort into the permanent notes portion of the work? Ask yourself: "Why are you taking notes? What purpose do they serve?" Is the form and level you're making them in serving those purposes? If not, work toward practicing to make those two align so that your notes are serving an actual purpose for you. Anything beyond this is make-work and you could spend your time more profitably somewhere else.
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www.dropbox.com www.dropbox.com
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CATEGORlf S OF JAZZ CUMPOSIT ION
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MODAL JAZZ COMPOSlTlON G HARMONY
MODAL JAZZ COMPOSlTlON & HARMONY Miller, R 1996
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www.bbc.com www.bbc.com
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Culture
bbc.com form fields have associated labels. Good practice is to provide clear and visible labels for form fields.
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docdrop.org docdrop.org
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Blues and Song Form
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viva.pressbooks.pub viva.pressbooks.pub
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In a blues song with a sung text, the lyrics consist of a line that is repeated, then followed by a contrasting line (aab). The melody often follows this structure as well. Blues melodies often leave large gaps to allow for call-and-response between the melodic instrument and other instruments. The blues scale is like a minor pentatonic scale with an additional chromatic passing tone: do–me–fa–fi–sol–te (^1−↓^3−^4−↑^4−^5−↓^7)(1^−↓3^−4^−↑4^−5^−↓7^)(\hat1-\downarrow\hat3-\hat4-\uparrow\hat4-\hat5-\downarrow\hat7). The blues scale can be rotated to begin on its second note, creating a major blues scale: do–re–ri–mi–sol–la (^1−^2−↑^2−^3−^5−^6)(1^−2^−↑2^−3^−5^−6^)(\hat1-\hat2-\uparrow\hat2-\hat3-\hat5-\hat6).
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Another essential part of blues phrase structure is the notion of call-and-response, a feature likely inherited from the work songs of enslaved Africans and African Americans. The vocal, lyricized melody takes on the role of the “call” while an instrumental filler takes on the role of the “response.” Notice that in “Gulf Coast Blues,” each lyric labeled with an a is sung entirely and exclusively in the first two measures of the phrase. Example 3 annotates a transcription of “Gulf Coast Blues” to show this call-and-response relationship.
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docdrop.org docdrop.org
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The poetic structure: it is undoubtedly a structure made of three lines of fourbars each but its organization differs on the levels of prosody, melody, andharmony.The prosodic structure: AAB generally. The phrase (either sung or spoken)during the first line is repeated in the second line and a second phrasefollows in the third line.9The melodic structure: AAB but often AA’B. The same melodic phrase usuallyis repeated but may be subject to variation.The harmonic structure: ABC. As seen above, the three lines have been differentfrom each other right from the most original chord changes. The first linestarts with I, the second with IV, and the third with V
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synthetic bioengineering provides a really astronomically large option space for new bodies and new minds that don't have 00:04:28 standard evolutionary backstories
- for: cultural evolution, cumulative cultural evolution, CCE, bioengineering, novel life form, culturally evolved life, bioethics, progress trap, progress trap - bioengineering, progress trap - genetic engineering
- comment
- cultural evolution, which itself emerges from biological evolution is acting upon itself to create new life forms that have no evolutionary backstory
- this is tantamount to playing God
- progress traps often emerge out of the large speed mismatch between cultural and biological/genetic evolution.
- Nowhere is this more profound than in bioengineering of new forms of life with no evolutionary history
- This presents profound ethical challenges
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github.com github.com
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I highly recommend using GET forms to implement this as SvelteKit will intercept and retain client-side navigation on form submission. https://kit.svelte.dev/docs/form-actions#get-vs-post Submitting the form will update the URL with the search parameters matching the input names and values.
```html
<form action="/baz"> <label> Query <input name="query"> </label> <label> Sort <input name="sort"> </label> <label> Order <input name="order"> </label> <label> Page <input name="page"> </label> </form>```
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Annotators
URL
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- Aug 2023
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joyofcode.xyz joyofcode.xyz
- Jul 2023
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docdrop.org docdrop.org
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- for: inner/outer transformation, transformation, rapid whole system change,
- Title
- The Human Form Divine
- Speaker
- Timothy Morton
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wicg.github.io wicg.github.io
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```idl dictionary NavigatorUABrandVersion { DOMString brand; DOMString version; };
dictionary UADataValues { DOMString architecture; DOMString bitness; sequence<NavigatorUABrandVersion> brands; DOMString formFactor; sequence<NavigatorUABrandVersion> fullVersionList; DOMString model; boolean mobile; DOMString platform; DOMString platformVersion; DOMString uaFullVersion; // deprecated in favor of fullVersionList boolean wow64; };
dictionary UALowEntropyJSON { sequence<NavigatorUABrandVersion> brands; boolean mobile; DOMString platform; };
[Exposed=(Window,Worker)] interface NavigatorUAData { readonly attribute FrozenArray<NavigatorUABrandVersion> brands; readonly attribute boolean mobile; readonly attribute DOMString platform; Promise<UADataValues> getHighEntropyValues (sequence<DOMString> hints ); UALowEntropyJSON toJSON (); };
interface mixin NavigatorUA { [SecureContext] readonly attribute NavigatorUAData userAgentData ; };
Navigator includes NavigatorUA; WorkerNavigator includes NavigatorUA; ```
Tags
- http:header=sec-ch-ua-full-version
- http:header=sec-ch-ua-form-factor
- http:header=sec-ch-ua-platform
- http:header=sec-ch-ua-mobile
- http:header=user-agent
- http:header=sec-ch-ua-arch
- mobile
- http:header=sec-ch-ua-full-version-list
- wikipedia:en=HTTP_Client_Hints
- http
- http:header=sec-ch-ua
- conneg
- http:header=sec-ch-ua-platform-version
- http:header=accept-ch
- http:header=sec-ch-ua-wow64
- http:header=sec-ch-ua-model
- http:header=sec-ch-ua-bitness
- cito:cites=urn:ietf:rfc:8942
Annotators
URL
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en.wikipedia.org en.wikipedia.org
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In the West, the primary impact of the idea has been on literature rather than science: "stream of consciousness as a narrative mode" means writing in a way that attempts to portray the moment-to-moment thoughts and experiences of a character. This technique perhaps had its beginnings in the monologues of Shakespeare's plays and reached its fullest development in the novels of James Joyce and Virginia Woolf, although it has also been used by many other noted writers.[184]
Using stream of consciousness for writing, as a narrative form (for me, this portrays more authenticity, maybe even a way to communicate inspirations as it first strook the person, without filter).
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TEXTURE AS A FORM DETERMINANT
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SECTIONAL VARIATIONS
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NONTHEMATIC DELINEATORS OF MUSICAL FORM
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FORM IN TWENTIETH-CENTURY MUSIC
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CHROMATICISM AND MUSICAL FORM
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docdrop.org docdrop.org
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n comparing themarabi harmonic structure and its seminalposition in vernacular jazz improvisatory practice in South Africa to that of the AfricanAmerican blues in its relationship to jazz, Ballantine explained its basis ‘on a cyclicpattern’ as ‘stretch[ing] over four measures, with one measure for each of the followingchords: I – IV - I 6/4 - V’ (Ballantine 1993:26)
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bafybeihzua2lldmlutkxlie7jfppxheow6my62x2qmywif2wukoswo5hqi.ipfs.w3s.link bafybeihzua2lldmlutkxlie7jfppxheow6my62x2qmywif2wukoswo5hqi.ipfs.w3s.link
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forms might be asso-ciated with structures
- comment
- A Deep Humanity analog to the word "structure" is the word "pattern"
- Hence we have the equivalency:
- platonic form = structure = pattern
- and the author's prior statement that
- These mental and subsequently materialized ideas then
- have the potential to
- influence the physical world and to
- feedback into the mental world to produce additional structure and
- physical material
- influence the physical world and to
- is equivalent to Indyweb / Deep Humanity statement that
- individual and collective learning are deeply entangled
- cumulative cultural evolution is mediated through this entanglement
- that is best represented by the idea of dependent origination
- individuals articulate ideas and externally present them to other consciousnesses
- a multi-meaningverse exists whenever social learning occurs and
- multiple perspectives, multiple meaningverses converge
- each individual perspective surfaces their own adjacencies of ideas drawn from their own salience landscape
- which in turn emerge from their own respective unique lebenswelt
- We might also say that to the degree that internal patterns of the symbolosphere correlate with external patterns of the physiosphere, then
- that is the degree to which the universal pattern manifests in both nature nature and in human nature
- since humans (human nature) are an expression of nature (nature nature), we should not expect otherwise
- comment
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www.tutorialspoint.com www.tutorialspoint.com
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ven belo
اقا دقت کن که من form در یک جلسه قبل گفتم حالا اومده تو صفحه student.html یک فرم گذاشته که تو فرمش گفته بفرس به result (البته من تو digital occean خوندم که باید بفرسته به همون جایی که ازش form را گرفته و این برام عحیبه) به هر حال در result گفته با post بگیر و اطلاعات را از طریق request.form بگیر و حالا با صفحه result اون اطلاعات را به کاربر نشون بده. خیلی ساده و قشنگ
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www.digitalocean.com www.digitalocean.com
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Inside
شاهکارش برای Handle کردن FORM. خیلی خووبه یاد بیگیر
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The most important thing to know about this form is that it performs a POST request to the same route that generated the form.
این فرم POST Request را میفرسته به همون URL که این Form را Generate کرده. دقتم داشته باش که این فیلد ها را بعدا میشه در Object به نام Form گرفت و اسمشم همونایی که در Attribute به نام name گذاشتیم که اینجا language و Framework است
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To de
جالبه برای درست کردن Form اومده هر دو تابع GET و POST را گذاشته و اینجوری تو موقع Get که فرم را میفرسته
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Form data
از اینجا در مورد object به نام Form توزیح می دهد که اطلاعاتی که تو اطلاعاتی که در From و در تابع POST میفرستی میاد در Object به نام Form
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- Jun 2023
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docdrop.org docdrop.orgJazz Theory10
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With the exception of the blues, the rhythm changes progression is probably the mostimportant chord progression in jazz. The term “rhythm changes” refers to a 32-bar AABAform based on the harmonic structure of “I Got Rhythm” by George and Ira Gershwin.The song appeared in the Aarons and Freedley production Girl Crazy (1930) andoriginally featured a 34-bar AABA form with a two-bar extension in the last A section.The two-bar extension was eventually cut and the chord changes of the last A sectionreplicated those from the second A. A newly composed line based on the rhythm changesprogression is known as a contrafact. The enormous popularity of rhythm changes hasbeen well documented by an ever-increasing number of composed contrafacts andrecordings
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“Moose the Mooche” features a 32-bar AABA form.3 The first A section is harmonicallyopen and ends on a ii 7–V7 in m. 8. The second A features a full-cadential closure on I inm. 16. The bridge cycles through a cycle of dominant 7ths progression and interruptsthe form on V 7 in m. 24. The final A section is harmonically closed but, in order to allowfor the circularity of the chorus improvisation, it features a Imaj7–VI 7–ii7–V7 turnaroundprogression (or any acceptable substitute variant).The tonic is prolonged in mm. 1–4 and then morphed into a V 7/IV in m. 5. The tonicprolongation takes the form of an idiomatic Imaj 7–vi7–ii7–V7 progression, which lendsitself to a variety of harmonic substitutions. The subdominant controls mm. 5–6 and iscapable of many surface realizations. Next, mm. 7–8 proceed to the dominant, which canalso be idiomatically expanded, transformed, and/or confirmed. The A section of rhythmchanges is also known as an eight-bar blues because it contains the harmonic paradigmof the blues: tonic in m. 1, subdominant in m. 6, and dominant in m. 8.4 This foreshortenedblues preserves the structural weight of the fundamental chords, as the tonic controls thelongest span (mm. 1–4), the subdominant occupies the shorter span (mm. 6–7), and thedominant (m. 8) becomes subject to various harmonic modifications
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The solo is unified through the use of similar melodic devices at the same locations withinthe form. For instance, in mm. 4, 12, and 28 of the form, Jones frequently employs adom7(≥5) chord (mm. 4, 12, 36, 92, 100, and 108).
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Chapter 23 examines the 32-bar ABAC form and its two tonal variants: on-tonic and off-tonic. As an example of this formal design, “All Of You” is analyzed
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Chapter 22 undertakes a study of song forms and its most common type: the 32-barAABA. Two tonal variants, on-tonic and off-tonic, are examined and, as an example ofthe on-tonic AABA formal design, “Have You Met Miss Jones?” is analyzed.
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hapter 24 provides a list of standard tunes with extended and unusual formal designs.As an example of the extended form, “Dream Dancing” is analyzed
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Chapter 18 provides an analysis of Charlie Parker’s “Confirmation” as a representativecomposition from the Bebop Era. It offers a transcription of the solo by the pianist HankJone
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Chapter 19 provides an analysis of Charlie Parker’s “Moose the Mooche” and Hank Jones’simprovised solo on the tune. This chapter also proposes a pedagogy of rhythm changesimprovisation.
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The blues is an American art form. Originally, blues were primarily sung, with one of theobjectives being to tell a story as vividly as possible. To tell stories, blues singers usedsimple repeated phrases charged with a variety of expressive devices. The ability to tell thestory from one’s perspective came to represent blues performance practice in particular,and jazz improvisation in general. The familiar saying that “your solo should tell a story”takes on a completely different meaning when we consider whence it came and howintricate life’s stories can really be. Early blues practitioners were unconstrained by theform of the blues as the duration of improvised lyrics often influenced the length of
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Chapter 9 discusses the most important form in jazz, the blues, examines the structureof the blues scale, and provides chord–scale relationships for the basic and minor bluesprogressions
Tags
- jse-for-32-bar-ABAC
- source:terefenko
- form-unification
- form-AABA-34-bar
- ABAC-song-form
- AABA-song-form
- moose-the-mooch
- harmonic-progression-rhythm-changes
- blues-8-bar
- generic-blues
- bebop
- I-got-rhythm
- jazz-standard
- form-rhythm-changes
- melody
- chords-dom7(#5)
- harmony
- form-blues
- conrafact-pieces-I-got-rhythm
- AABA
- form-&-harmony
- rhythm
- blues
- chord-scale-theory
- scales-blues
- confirmation
- contrafact
- form
- jse-for-32-bar-AABA
- harmony-&-form
Annotators
URL
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docdrop.org docdrop.orgview1
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Circles and Time: A Theory of StructuralOrganization of Rhythm in African Music
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web.hypothes.is web.hypothes.is
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I always like to point to a text that changed my thinking about this question, and that’s Kathleen Yancey’s “Writing in the 21st Century.” It basically states that students are writing more than ever before. If you were to challenge a group of students (which I have) to document how many text messages, TikTok, IG posts, Facebook posts, tweets, emails they send out in a day, the sheer volume of writing is staggering. Why we don’t value that writing in academia is the question for me.
interesting point! some other things in my head:
1) in addition to our increased writing endeavors, we've also been engaging in extensive reading as well, but our reading material has evolved beyond books, encompassing the plethora of content available in the vast expanse of cyberspace
2) and while the quantity of reading has expanded significantly, it is equally intriguing to recognize that the nature of these texts has shifted towards shorter formats—tweets, ig post captions, microblogs, etc
3) AND lastly, the act of reading has swiftly evolved into the realm of listening, with the emergence of podcasts, audiobooks, listenable videos, and similar forms of content consumption
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docdrop.org docdrop.org
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Motivic Devices and the Rudiments of Form
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docdrop.org docdrop.orgJazz1
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docdrop.org docdrop.org
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docdrop.org docdrop.orgUntitled1
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MELODIC STRUCTURES»
https://docdrop.org/pdf/Bergonzi1992Melodic_Structures-4edv1_ocr.pdf/?src=ocr
Melodic Structures (Vol 1) Bergonzi, J 1994
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- May 2023
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www.mendeley.com www.mendeley.com
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‘stretch[ing]overfourmeasures,withonemeasureforeachofthefollowingchords:I–IV-I6/4-V’(Ballantine1993:26).
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www.mtosmt.org www.mtosmt.org
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Circles and Time: A Theory of Structural Organization of Rhythm in African Music
cannot mark up text in frames - hence the markup on the referencing toc page
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open.spotify.com open.spotify.com
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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open.spotify.com open.spotify.com
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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viva.pressbooks.pub viva.pressbooks.pub
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Sentence and sequence in a binary piece
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open.spotify.com open.spotify.com
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Schubert Symphony No 3 II
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open.spotify.com open.spotify.com
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Schubert Piano Sonata No. 1 in D.137 in E II Andante
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open.spotify.com open.spotify.com
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J.S. Bach BWV1002 Violin Partita No. 1 Sarabande
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open.spotify.com open.spotify.com
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Haydn Piano Sonata no 37 (theme)
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open.spotify.com open.spotify.com
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Binary form exercises - audio 1 (Schubert Acht Ecossiasen No 3 (starts at 1:07)
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viva.pressbooks.pub viva.pressbooks.pub
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Binary form exercises
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www.mendeley.com www.mendeley.com
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The ABAC Song Form
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The AABA Song Form
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www.mendeley.com www.mendeley.com
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Inside Improvisation - Melodic Structures, is the first in a series of books which describe a simple and pragmatic approach to improvisation.
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viva.pressbooks.pub viva.pressbooks.pub
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Phrase-Level Forms
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- Apr 2023
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www.schoolofmotion.com www.schoolofmotion.com
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(6-10+ minutes) engaging videos that appear to do well on YouTube
This number(6-10minutes) is appealing to most viewers as it is concise and delivers a information in short bursts. It is ideal for quick tutorials, news and entertainment.
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- Mar 2023
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remix.run remix.run
Tags
Annotators
URL
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bootstrap-vue.org bootstrap-vue.org
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<b-form-invalid-feedbac
خیلی جالبته که از این میشه برای feedback استفاده کرد
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- Feb 2023
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bootstrap-vue.org bootstrap-vue.org
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button-variant
برای تعیین نوع اون رنگ به کار میره و خیلی جالبه
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locales
با تعیین کردن نوع local میتونی نوع تقویمی که انتخاب کردی را بزنی. جالبه فارسی خیلی خوب handle می کنه.
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button-only pr
این prop برای تعیین اینکه بتونی اون متن داخل فیلد را عوض کنی و فقط با زدن اون دکمه اون modal باز بشه
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size p
این prop برای تعیین size اون دکمه به کار می رود.
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hidden
موقع بسته شدن پنجره اطلاعات
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input
موقع ورود اطلاعات
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- Jan 2023
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hypothes.is hypothes.is假设1
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个人学习可能取决于他人行为的主张突出了将学习环境视为一个涉及多个互动参与者的系统的重要性
Tags
Annotators
URL
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- Dec 2022
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archive.pinupmagazine.org archive.pinupmagazine.org
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Through her writing Easterling often forces architects to re-envision their role in the making of space around the world, extolling the virtues of knowing how versus knowing what. She also encourages them to consider creating “active forms” — time-released protocols that manage spatial levers, exchanges, and switches — in addition to “object forms,” or what we commonly think of as buildings.
[[Active form]] consist of dispositions that materialize as new forms.
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www.reddit.com www.reddit.com
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His note taking technique has a high distraction potential and is time consuming.
highlight from https://www.reddit.com/user/ManuelRodriguez331/ <br /> https://www.reddit.com/r/Zettelkasten/comments/zigwo3
Anecdotal evidence of how some might view zettelkasten note-taking practices, particularly when they have no end goal or needs in mind.
Form follows function
/comment/izs0u3b/?utm_source=reddit&utm_medium=web2x&context=3
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- Nov 2022
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bootstrap-vue.org bootstrap-vue.org
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on
این جا یه مفهومی داره به نام type که خب این میتونه email یا number یا چیزهای مختلفی باشه
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- Oct 2022
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www.reddit.com www.reddit.com
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His social theory, developed over thirty years, owes a massive intellectual debt to the work of the English philosopher and mathematician George Spencer-Brown. Spencer-Brown's work of algebraic locic, Laws of Form (1969), was a minor cult hit in the 1970s
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- Sep 2022
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www.learnwithjason.dev www.learnwithjason.dev
Tags
Annotators
URL
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Local file Local file
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IntertextsAs Jonathan Culler writes: “Liter-ary works are not to be consideredautonomous entities, ‘organicwholes,’ but as intertextual con-structs: sequences which havemeaning in relation to other textswhich they take up, cite, parody,refute, or generally transform.” ThePursuit of Signs (Ithaca, NY: CornelUniversity Press, 1981), 38.
Throughout Rewriting: How To Do Things With Texts (Utah State University Press, 2006) Joseph Harris presents highlighted sidebar presentations he labels "Intertexts".
They simultaneously serve the functions of footnotes, references, (pseudo-)pull quotes, and conversation with his own text. It's not frequently seen this way, but these intertexts serve the function of presenting his annotations of his own text to model these sorts of annotations and intertextuality which he hopes the reader (student) to be able to perform themselves. He explicitly places them in a visually forward position within the text rather than hiding them in the pages' footnotes or end notes where the audience he is addressing can't possibly miss them. In fact, the reader will be drawn to them above other parts of the text when doing a cursory flip through the book upon picking it up, a fact that underlines their importance in his book's thesis.
This really is a fantastic example of the marriage of form and function as well as modelling behavior.
cc: @remikalir
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docdrop.org docdrop.org
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there's actually at least one other science fiction book from the 50s written by alice mary norton who used to 00:07:07 write under andre norton pseudonym who talked about a relatively similar concept in the time traders although the idea here was a little bit different here the author explained that pretty much all the signs of modern civilization are going to be completely 00:07:20 erased by the time the next glacial period begins in other words everything you see around you all the cities all the technology every major building every major structure we've ever built will basically be gone there will be no 00:07:33 signs of it left and within just a few million years there will be no one to tell the story and that's of course not really far from the truth as a matter of fact that's exactly what the scientists in this hypothesis propose and explain as well and that's of course why it 00:07:46 makes it so difficult to either prove or disprove this we currently have no idea if any of this is correct here i actually wanted to show you this beautiful illustration by one of the authors we basically have no idea if back in the 00:07:58 day when the dinosaurs were around they also had some kind of a super intelligent species that would drive their own versions of cars have their own versions of smartphones and eventually result in their own demise over time all of this would be gone to 00:08:11 history because of the way that geology works on our planet but in this paper the scientists decided to actually work out any potential ideas or experiments we can conduct on the planet to try to find out if this actually existed and if 00:08:25 it was possible in the past
!- similar to : common speculation of extinct civilization in Earth's history - Many people have thought about this possibility - Planet of the apes storyline was premised on this - Analog in spiritual practice, practicing emptiness and the Heart Sutra - form is emptiness, emptiness is form - individuality is all lost when we die and are endlessly recycled into other parts of the universe
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- Aug 2022
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stackoverflow.com stackoverflow.com
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```js (function () { var html = document.documentElement.innerHTML;
/** * the iframe's onload event is triggered twice: once when appending it to the document, * and once when the form finishes submitting and the new URL is loaded */ var loaded = 0; var iframe = document.createElement('iframe'); // unique name, to make sure we don't create any conflicts with other elements on the page iframe.name = 'bookmarklet-' + Math.floor((Math.random() * 10000) + 1); iframe.style.display = 'none'; iframe.onload = function () { // remove the iframe from the document on the second firing of the onload event if (++loaded == 1) { return; } // you can also alert('Done!') here :) document.body.removeChild(iframe); }; var form = document.createElement('form'); form.method = "POST"; form.action = "http://requestb.in/sbnc0lsb?nocache=" + Math.random(); form.target = iframe.name; var textarea = document.createElement('textarea'); textarea.name = 'source'; textarea.value = html; form.appendChild(textarea); iframe.appendChild(form); document.body.appendChild(iframe); form.submit();
})(); ```
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- Jul 2022
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www.judithragir.org www.judithragir.org
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First we have to understand that the opposites need each other, revolve around each other, actually make one complete dynamic. Form is on the left and emptiness is on the right of the chart. Form needs emptiness and emptiness needs form. They are actually not separated but intellectually we conceive them as separate and opposite.
Explanation of Trungpa Rinpoche's Diamond Sliver
Form and Emptiness need each other to exist and be understood. Let's unpack this. All forms can be broken down further and further into smaller and smaller bits...in the quantum mechanical limits, into emptiness. At the micro level, it is so tiny, it is no longer recognizable as form. And all this quantum mechanical soup is what makes up all forms.
So the above is a statement using science, one perspective, which is also a position so also incomplete.It (science) is also propositional.
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- Jun 2022
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docs.angularjs.org docs.angularjs.org
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Lots of info on form validation
Tags
Annotators
URL
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webflow.com webflow.com
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Webflow MultiStep Form - DEMO 2
- Webflow Showcase Link: https://webflow.com/website/Advanced-Form-with-Multi-Steps-and-Conditional-Logic
- View in Webflow Designer: Link here
- Live Site Link: https://sketchzlab-test-1.webflow.io
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Webflow MultiStep Form - DEMO
.
- Webflow Showcase Link: https://webflow.com/website/Multi-Step-Form-with-Input-Validation
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View In Webflow Designer: Link Here
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Live Site Link: https://brota-msf.webflow.io/variant-b
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Webflow MultiStep Form - CODE GENERATOR
Live Site: https://advanced-forms.webflow.io/
Github Documentation: https://github.com/brotame/multi-step-form
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webflow.com webflow.com
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Form Validation
- Webflow Edit Link: https://webflow.com/website/Easy-Form-Validation
- Live Page: https://easy-form-validation.webflow.io/
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dogtrax.edublogs.org dogtrax.edublogs.org
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I have not been doing deep dive writing about the topics that I have long centered this blog around — teaching, writing, music, art, collaborations, etc.
Maybe it is time to put on the journalist hat and write some long form essays that take a whole summer to write. Perhaps a research paper on teacher 'burnout"? I would love to read that.
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- Apr 2022
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twitter.com twitter.com
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(20) James 💙 Neill—😷 🇪🇺🇮🇪🇬🇧🔶 on Twitter: “The domain sending that fake NHS vaccine consent hoax form to schools has been suspended. Excellent work by @martincampbell2 and fast co-operation by @kualo 👍 FYI @fascinatorfun @Kit_Yates_Maths @dgurdasani1 @AThankless https://t.co/pbAgNfkbEs” / Twitter. (n.d.). Retrieved November 22, 2021, from https://twitter.com/jneill/status/1442784873014566913
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docdrop.org docdrop.org
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All of the major books that were to follow – Sade /Fourier / Loyola (1997), The Pleasure of the Text (1975), RolandBarthes by Roland Barthes (1977), A Lover’s Discourse (1990), andCamera Lucida (1993) – are texts that are ‘plural’ and ‘broken’, andwhich are ‘constructed from non-totalizable fragments and fromexuberantly proliferating “details”’ (Bensmaïa, 1987: xxvii-xxxviii).In all of the above cases the fragment becomes the key unit ofcomposition, with each text structured around the arrangement ofmultiple (but non-totalisable) textual fragments.
Does the fact that Barthes uses a card index in his composition and organization influence the overall theme of his final works which could be described as "non-totalizable fragments"?
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- Mar 2022
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impedagogy.com impedagogy.com
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call and response
A Poem for The Minds Within instead of A Poem for Two Voices…. Clever Terry, as always.
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- Feb 2022
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blogs.baruch.cuny.edu blogs.baruch.cuny.eduUntitled1
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nd wat
"clay" elicits ideas of rebirth and reformation; a new shape, a new you.
"wattle" as well--is symbolically laden with anatomy connotations, but also can be reference to twings, and other images of nature.
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- Dec 2021
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blogs.dickinson.edu blogs.dickinson.edu
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.
The rhyme scheme in each stanza is AAAABCCCB.
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.
Each stanza is 9 lines long.
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- Oct 2021
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twitter.com twitter.com
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Prof. Gavin Yamey MD MPH. (2021, September 28). Bogus, damaging “consent form” being peddled over in the UK. Ugh. The anti-vaccine movement is trying every grotesque tactic under the sun. [Tweet]. @GYamey. https://twitter.com/GYamey/status/1442821619068686338
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- Sep 2021
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wtfforms.com wtfforms.com
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css-tricks.com css-tricks.com
- Aug 2021
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www.codica.com www.codica.com
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Work From Home Trends: Future of Remote Working in Post Covid-19 WorldDmitry ChekalinChief Executive OfficerTrendsHomeBlogTechnologyWork From Home Trends: Future of Remote Working in Post Covid-19 WorldFeb 10, 202111 min readGlobal lockdown due to Covid-19 made companies extensively shift to working from home. Apparently, telecommuting integration turns out to be deeper than we all expected. It is clear now that online work from home is going to be the “new normal” in 2021 and beyond. As such, to stay on track, you need to keep your eye on upcoming changes. In this article, we collected the main remote work trends to help you better adapt to the post-pandemic era. Here, you will also learn the key reasons why remote working is the future.
Global lockdown due to Covid-19 made companies extensively shift to working from home. Apparently, telecommuting integration turns out to be deeper than we all expected.
It is clear now that online work from home is going to be the “new normal” in 2021 and beyond. As such, to stay on track, you need to keep your eye on upcoming changes.
In this article, we collected the main remote work trends to help you better adapt to the post-pandemic era. Here, you will also learn the key reasons why remote working is the future.
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- Jun 2021
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inst-fs-iad-prod.inscloudgate.net inst-fs-iad-prod.inscloudgate.net
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I feel like I may have just stumbled on a back alley book club on design.
It's digital books+Hypothes.is+Fight Club...
The rules of Back Alley Book Club:
- We don't talk about Back Alley Book Club.
- We don't talk about Back Alley Book Club.
...
- If this is your first night at Back Alley Book Club, you have to annotate.
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- Apr 2021
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stackoverflow.com stackoverflow.com
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I also added --return and used long options, to make this command a little less inscrutable:
first sighting: "inscrutable" Nice word!
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www.hooktheory.com www.hooktheory.com
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Intro
must be Verse
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Chorus
must be Bridge
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Pre-Chorus
must be Chorus
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Intro –> Verse Pre-Chorus –> Chorus Chorus –> Bridge Bridge –> Pre-Chorus
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- Mar 2021
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css-tricks.com css-tricks.com
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Positively indicate valid input values Let users know a field has been entered correctly. The browser can give us this information through the :valid CSS selector:
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tylergaw.com tylergaw.com
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Having them in a physical form is good for my soul.
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- Feb 2021
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github.com github.com
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Almost always form objects wrap existing model or two.
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github.com github.com
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The outcome returned by .run can be used in forms as though it were an ActiveModel object.
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You can also create a form object by calling .new on the interaction.
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github.com github.com
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ActiveModel::Form happened because the "tableless model" presented in RailsCast 219 wasn't as powerful as the "real deal" from RailsCast 193.
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railscasts.com railscasts.com
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So how are we going to create a model that doesn’t have a database table behind it? There are several potential solutions including various plugins but we’re going to use the method described in an entry on the Code Tunes blog. This shows a techinque that involves overriding a couple of methods in an ActiveRecord model and then manually defining the columns in the model file rather than in the database table. In our Recommendation model we’ll add in the two overridden methods and then use the column class method to define the columns in a similar way to how they’re defined in a migration file.
Does this still work in Rails 6? I wonder.
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github.com github.com
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An additional usecase is where we would like to update multiple records
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Why process, not save? This is entirely up to you. However, it's good to stay consistent across your team so there's no confusion. I began using save but found there are some cases for forms where you aren't saving anything, such as when you are just triggering a job or push-notification. I found using process fits more cases so that's what I use. This is also typically the only method that is public on my forms.
process is a good name, but I think this is evidence that this object is not the form object itself, but a form processor (as I like to call it) or a "workflow" object (like https://github.com/gogogarrett/reform_example/blob/master/app/forms/workflows/user_workflow.rb), which wraps a form object.
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I've been over the use case for form objects in this post on moving away from fat models but wanted to go into more detail on how and why I use them here. I really believe in the utility of these objects; their ability to abstract and isolate logic in a simple and effective manner is unmatched, IMO.
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The basic classification of a form object is a class that contains writable attributes, validations and logic to persist the attributes to ActiveRecord objects. These forms can also include other side-effects like background job triggers, emails, and push-notifications etc. The simplest way to understand the concept is to think of them as a representation of a controller action where all of the business logic that happens in that controller action is abstracted into a form object.
This definition may be a bit too broad. Others (like Reform) define it to have smaller scope — only the part where it persists/validates attributes. The other side effects might be better to put in a different location, like the controller action, or a service/processor object that has a form object.
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10.11.66.200 10.11.66.200
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Direct Express Dispute Processing PO Box 540190 Omaha, NE 68154-0190
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disputes@my.usdirectexpress.com
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+1-650-242-4112
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- Jan 2021
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Change any of the <option> by double clicking on the number.
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Join Our Community
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- Nov 2020
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github.com github.com
- Oct 2020
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stackoverflow.com stackoverflow.com
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I use a mutator and use it's changeValue function to 'change' the value of the relevant field (I supply the same value). This in turn notifies all relevant parties of the change to the form's state, and a validation is triggered.
Nearly duplicate annotation here: https://hyp.is/I2t56hjLEeuPXIsZG-jYog/xtzmf.csb.app/
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Some user experience issue with the proposed solution: This won't show up the inline field error message if you just hit on submit and other fields already contained errors since the code on the onSubmit won't be hit
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This is for a time picker. If you're picking times for today, you may pick a time that is 15 minutes from now. It's valid now because it's currently in the future. If you don't touch the form for the next 20 minutes then click submit, the submission should be prevented because your selected time is now 5 minutes in the past.
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codesandbox.io codesandbox.io
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Meat:
validate={values => formValidation.validateForm(values)}
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www.basefactor.com www.basefactor.com
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Form Validation
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Form State Management
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return { type: "COUNTRY_BLACK_LIST", succeeded, message: succeeded ? "" : "This country is not available" }
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It is easily extensible (already implemented Final Form and Formik plugin extensions).
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React Final Forms is a great library, an enhanced version of Redux Form
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If you want to implement a form with a superb User Experience, you have to take care of many variables:
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Form validation can get complex (synchronous validations, asynchronous validations, record validations, field validations, internationalization, schemas definitions...). To cope with these challenges we will leverage this into Fonk and Fonk Final Form adaptor for a React Final Form seamless integration.
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Just let the user fill in some fields, submit it to the server and if there are any errors notify them and let the user start over again. Is that a good approach? The answer is no, you don't want users to get frustrated waiting for a server round trip to get some form validation result.
Tags
- react-final-form
- fonk (form validation library)
- integration
- form validation library
- can't keep entire system in your mind at once (software development) (scope too large)
- user experience
- interoperability
- final-form
- form validation
- difficult/hard problem
- Formik
- too hard/difficult/much work to expect end-developers to write from scratch (need library to do it for them)
- comparison
- complexity
- evaluating software options
- a lot of things to consider
- extensibility
- bad user experience
- nice API
- form design
- adapter
- easy to get wrong
Annotators
URL
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lemoncode.github.io lemoncode.github.ioFonk1
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Fonk is framework extension, and can be easily plugged into many libraries / frameworks, in this documentation you will find integrations with:
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xtzmf.csb.app xtzmf.csb.app
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github.com github.com
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stackoverflow.com stackoverflow.com
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final-form.org final-form.org
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Vue Final Form A form state management system for Vue that uses Final Form under the hood.
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github.com github.com
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const field = state.fields[name] if (field) { field.data = { ...field.data, ...data } }
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final-form.org final-form.org
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codesandbox.io codesandbox.io
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codesandbox.io codesandbox.io
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codesandbox.io codesandbox.io
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codesandbox.io codesandbox.io
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formvalidation.io formvalidation.io
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Add new plugin Recaptcha3Token that sends the reCaptcha v3 token to the back-end when the form is valid
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github.com github.com
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stackoverflow.com stackoverflow.com
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that a better and cleaner approach would be to use computed properties and a validation library that is decoupled for the UI (like hapi/joi).
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sveltesociety.dev sveltesociety.dev
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Doesn't handle:
- blur/touched
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codesandbox.io codesandbox.io
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codesandbox.io codesandbox.io
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Is that expected behavior or am I doing something wrong?
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codesandbox.io codesandbox.io
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even simpler example than the https://codesandbox.io/s/github/final-form/react-final-form/tree/master/examples/simple?from-embed=&file=/index.js it was based on
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github.com github.com
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codesandbox.io codesandbox.io
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This demonstrates how FieldArray re-renders (field subscription fires) even when changing unrelated field. Wat?
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- Sep 2020
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codesandbox.io codesandbox.io
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Although, meta.valid works, meta.active, meta.dirty, meta.touched, meta.visited never change from false.
See also: https://github.com/final-form/react-final-form-arrays/issues/147
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final-form.org final-form.org
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Keep in mind that the values in meta are dependent on you having subscribed to them with the subscription prop.
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codesandbox.io codesandbox.io
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final-form.org final-form.org
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I love how they have this example with plain JS to show how slim and simple it can be even when not using react and react-final-form. It demystifies things so you can see how it works and how it would be if not using React (which in turn helps you appreciate what react/react-final-form do for you).
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github.com github.com
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github.com github.com
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you may specify only the form state that you care about for rendering your gorgeous UI. You can think of it a little like GraphQL's feature of only fetching the data your component needs to render, and nothing else.
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final-form.org final-form.org