https://www.hjkeen.net/halqn/index.htm

https://www.hjkeen.net/halqn/index.htm

A great example of an online commonplace book prominently featuring quotes with an index featuring authors, titles, categories, and even translators. Even more interesting, it looks like it's hand built using a large table.

At the end of the 18th century, John Bell (1745–1831), an English publisher published notebooks with the title Bell’s Common-Place Book, Formed generally upon the Principles Recommended and Practised by Mr Locke. The notebooks commonly included 550 pages, of which eight pages included instructions on John Locke's indexing method.

Link to: - Didn't Erasmus Darwin use one of these?!

"arks of study" being used as early data chests or stores is a fascinating conceptualization

[[similies]]

I was really hoping for so much more in this essay on the combinatorial creativity, espcially since the author threw the idea into the title. The real meat must be in the two linked articles about Seneca and Einstein.

There is a slight mention of combinatorics in the justaposition of pieces within one's commonplace book, and a mention that these books may date back to the 12th century where they were probably more influenced by the combinatoric creativity of Raymond Lull. It's still an open question for me just how far back the idea of commonplaces goes as well as how far back Lull's combinatoric pieces go...

Indices are certainly an old construct. One of the oldest structured examples in the note taking space is that of John Locke who detailed it in Méthode nouvelle de dresser des recueils (1685), later translated into English as A New Method of Organizing Common Place Books (1706).

Previously commonplace books had been structured with headwords done alphabetically. This meant starting with a preconceived structure and leaving blank or empty space ahead of time without prior knowledge of what would fill it or how long that might take. By turning that system on its head, one could fill a notebook from front to back with a specific index of the headwords at the end. Then one didn't need to do the same amount of pre-planning or gymnastics over time with respect to where to put their notes.

This idea combined with that of Konrad Gessner's design for being able to re-arrange slips of paper (which later became index cards based on an idea by Carl Linnaeus), gives us an awful lot of freedom and flexibility in almost any note taking system.

Building blocks of the note taking system

• atomic ideas
• written on (re-arrangeable) slips, cards, or hypertext spaces
• cross linked with each other
• cross linked with an index
• cross linked with references

are there others? should they be broken up differently?

Godfathers of Notetaking

• Aristotle, Cicero (commonplaces)
• Seneca the Younger (collecting and reusing)
• Raymond Llull (combinatorial rearrangements)
• Konrad Gessner (storage for re-arrangeable slips)
• John Locke (indices)
• Carl Linnaeus (index cards)

Ownership of the data is important. One could certainly set up their own Hypothes.is server if they liked.

I personally take the data from my own Hypothes.is account and dump it into my local Obsidian.md vault for saving, crosslinking, and further thought.

List of some affordance of digital note taking over handwriting: * search * sharing * backups (copies) * editing * linking (automatic?) * syncing to multiple spaces for ease of use

7 Tim Ferriss, Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers (New York: HarperCollins, 2017), 421.

relate this to Eminem's "stacking ammo".

Does the system really do each of these? Writing things down for our future selves is the thing that makes ideas concrete, not the system itself. Most notebooks don't reveal new associations, we actively have to do that ourselves via memory or through active search and linking within the system itself. The system may help, but it doesn't automatically create associations nor reveal them. By keeping our ideas in one place they do incubate to some extent, but isn't the real incubation taking place in a diffuse way in our minds to come out later?

Based on Tiago Forte's definition of a second brain the primary distinction from a commonplace book is solely that it is digital.

Note here that he explicitly defines a second brain as being private. Historically commonplace books were private affairs though there are examples of them being shared from person to person as well as examples that have been printed.

Tiago Forte directly equates a "digital commonplace book" with his concept of a "Second Brain" in his book Building a Second Brain.

Why create a new "marketing term" for something that should literally be commonplace!

Commonplace books were popularized in the late 1400s/early 1500s in handbooks by Desiderius Erasmus, Philip Melanchthon, Rudolphus Agricola, and others along with the rise and accessibility of printed books.

Would have been nice to have some more background and history on their development and evolution. Mentions of florilegia, vade mecum, others perhaps? Other cultures?

Notice the creation myth being born here? Does he really believe that no one has noticed this before?

What about all the handbook writers who encouraged commonplacing in the 1500s, much less their predecessors?

experimented with every tool, trick, and technique available today for making sense of information. This book distills the very best insights I’ve discovered from teaching thousands of people around the world how to realize the potential of their ideas.

All this work just for this? When some basic reading of historical note taking, information management, and intellectual history would have saved him the time and effort? Looking through the references I'm not seeing much before even 2010, so it seems as if he's spent most of his time reinventing the wheel.

Marketing speech to convert an old idea (commonplacing) into a new siloed service one needs to pay for.

Some great marketing copy, but I'm anticipating a book that is going to lay out some general techniques that go under the topic of commonplace book, a concept that goes back over 2,000 years. This is the opposite of revolutionary.

Forte, Tiago. Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential. Atria Books, 2022. https://www.simonandschuster.com/books/Building-a-Second-Brain/Tiago-Forte/9781982167387.

A wonderful resource of quotation related material online.

https://3stages.org/quotes/index.html

I thought I'd bookmarked this before, but apparently not in my notebook. Example of an explicit online commonplace book, primarily with quotes from J. Jacobs' reading.

https://www.reddit.com/r/commonplacebook/comments/ugqnle/whats_your_opinion_on_the_note_card_system_do_you/

For commonplace items, I've found notebooks with good indices more valuable. Note cards are better if you're taking atomic notes that you plan on actively reusing in your writing work which is more of a zettelkasten feature/functionality cards are easier to move around, re-arrange, and create outlines for your writing when you get to that point. Historically it was the ability to re-arrange and reuse one's commonplace items that helped to spawn and popularize the idea of zettelkasten, which are often more frequently used by writers, researchers, and academics for creating new content. Historically it was the ability to re-arrange and reuse one's commonplace items that helped to spawn and popularize the idea of zettelkasten, which are often more frequently used by writers, researchers, and academics for creating new content.

Some of the difference can be personal choice, practicality, ease-of-use, and the functionality you hope to get out of one method or the other. Honestly there's no reason you couldn't do both if you chose, but it may help to have a common index which will allow you to search for and find things you need. A set of useful historical examples can be found in the mid-twentieth century comedians including Bob Hope (pages he kept in files), Phyllis Diller (index cards), Joan Rivers (index cards), and actor/politician Ronald Reagan who maintained what some might call a commonplace book of quotes which he kept on index cards, but held in a notebook-like binder similar to a photo album with pages that he could place the cards in, but still allow him to move them around (both from slot to slot, or move whole pages at a time). The loosest system I've yet seen is that of Eminem who kept ideas and lyrics written on hotel stationery or random slips of paper which he kept wholly unorganized and unindexed in a cardboard box in a method he called "stacking ammo." Do what you think will work best for you and try it out for a while. You can always change methods later on if your needs change.

This is a stunning quote with respect to the idea of note taking and creating connections between pieces of information or knowledge.

It's highlighted to an even greater degree that this quote appears in someone's online digital commonplace book!

There is a heavy availability heuristic at play here. Most people in the recent/modern PKM space are enamored with the idea of zettelkasten and no one (or very few) have delved in more deeply to the history to uncover more than Luhmann. There definitely are many, many more. If we expand the circle to include looser forms like the commonplace book then we find that nearly every major thinker since the Renaissance kept some sort of note taking system and it's highly likely that their work was heavily influenced by their notes, notebooks, and commonplace books.

Hell, Newton invented the calculus in his waste book, a form of pre-commonplace book from which he apparently never got his temporary notes out into a more personal permanent form.

A short trip to even the scant references on the Wikipedia pages for commonplace book and zettelkasten will reveal a fraction of the extant examples.

This is all too correct. Sadly the older methods for writing, note taking, thinking, and memory have fallen by the wayside, so most literate moderns don't have the tradition most of (elite educated) Western culture has had for the past 2000+ years. The long tradition of commonplace books and their related versions including waste books, florilegium, sudelbücher, scholia, glossae, notebooks, anthologies, sylvae, table books, vade mecum, memoranda books, diaries, miscellanies, pocket books, thesauruses, etc. underlines your thesis well. The Zettelkasten, exactly like almost all of these others, is simply an iteration of the commonplace book instantiated into index card form. One of the reasons that Umberto Eco's advice on writing seems so similar to the zettelkasten method is that he was a medievalist scholar who was aware of these long traditions of writing, note taking, and memory and leveraged these for himself, though likely in a slightly different manner. Would anyone suggest that he didn't have a voluminous output or an outsized impact on society and culture? If one really wants to go crazy on the idea of backlinks and the ideas of creativity and invention, perhaps they ought to brush up on their Catalan and read some Ramon Llull? He was an 11th century philosopher and polymath who spent a lot of time not only memorizing much of his personal knowledge, but who invented combinatorial creative methods for juxtaposing his volumes of information to actively create new ideas. I guarantee no backlinking system held a match to his associative methods. Now if someone wanted to mix some mysticism into the fray, then perhaps there might be a competition... Many who are now writing so positively about Zettelkasten or backlinks are doing so in much the same way that humanist scholars like Desiderius Erasmus, Rodolphus Agricola, and Philip Melanchthon did when writing about and re-popularizing commonplace books in the 1500s. The primary difference being that the chance that they leave as lasting a legacy is much smaller. Worse many of them are crediting Luhmann for the actual invention of the Zettelkasten when his is but one instantiation on a long evolution of many note taking devices over literal millennia. I'm still waiting for folks to spend more time talking about Carl Linnaeus' revolutionary invention and use of the index card. Or John Locke's system for creating a new indexing system for commonplace books. Generally we don't talk about these innovations because their users spent more of their time using their systems to get other more important things done for their legacies. In the end, the message seems clear, anyone can be incredibly productive; most of it boils down to having some sort of system of reading, thinking, note taking, and new production and sticking with it for a while. Have a system; use your system; evolve it slowly to work well for you and the way you think and work.

tagged

https://ifttt.com/explore/make-inspiration-notebook

IFTTT.com sent out a marketing email today in which one of the five major headlines was "Automated Notebook": "Your Ideas and Inspiration in one place" with a big "Explore" button that goes to https://ifttt.com/explore/make-inspiration-notebook

Eddy, Matthew Daniel (anticipated 2022). Media and the Mind: Art, Science, and Notebooks as Paper Machines, 1700-1830. University of Chicago Press. https://press.uchicago.edu/ucp/books/book/chicago/M/bo173084820.html

https://x28newblog.wordpress.com/2022/05/08/curating-my-blog-archive/

I like the overall look and effect done here to create a table of contents in WordPress, but it seems like some quirky gymnastics to pull it off. How might this be done in a more straightforward way? Are there any plugins for WordPress that could create a page that keeps the categories and the descriptions? And particularly a page that primarily only shows articles and not other content types?

Link this to my work on my own index at https://boffosocko.com/about/index/

https://arush.io/

Example of a personal website indicating that it's a commonplace book. (Highly likely through my own influence.)

OPDS Endpoint: http://www.feedbooks.com/catalog.atom

https://www.latimes.com/entertainment-arts/story/2022-05-02/neal-adams-crusty-bunkers-burbank

https://www.theverge.com/2022/5/2/23053408/amazon-epub-kindle-ereader-file-format-kf8

https://shop.boox.com/

https://www.themarginalian.org/2012/11/19/joan-didion-on-keeping-a-notebook/

A nice little advertisement for Joan Didion's essay "On Keeping a Notebook". Mostly it's pull quotes from the piece without any additional commentary. I've downloaded a copy of the book to read the piece in full myself.

Some scholars study annotations as part of material culture. Are they leaving out too much by solely studying those physically left in the books about which they were made, or should we instead also be looking at other sources like commonplace books, notebooks, note cards, digital spaces like e-readers that allow annotation, social media where texts are discussed, or even digital marginalia in services like Hypothes.is or Perusall?

Some of these forms of annotation allow a digital version of cut and paste which doesn't cause damage to the original text, which should be thought of as a good thing though it may separate the annotations from the original physical object.

Semantic networks and functions in intelligence.

To add to statistical ML

Innate ...

https://gobookmart.com/10-short-and-easy-to-read-books-that-will-help-beginners-start-reading/

https://gobookmart.com/10-ways-to-minimise-distractions-while-reading/

https://gobookmart.com/how-to-read-books-more-deeply-and-intricately/

https://gobookmart.com/indian-mythological-fiction-books-that-are-best-among-the-rest/

In an interview with Le Monde in 1973, Barthes indicated that while his note taking practice was somewhat akin to that of a commonplace book where one might collect interesting passages, or quotations, he was also specifically writing down ideas which came to him, but doing so in "in the rhythm of a sentence, so that from that moment on, things are already taking on an existence as writing." This indicates that he's already preparing for future publications in which he might use those very ideas and putting them into a more finished form than most might think of when considering shorter fleeting notes used simply as a reminder. By having the work already done, he can easily put his own ideas directly into longer works.

Was there any evidence that his notes were crosslinked or indexed in a way so that he could more rapidly rearrange his ideas and pre-written thoughts to more easily copy them into longer articles or books?

https://gobookmart.com/new-marketing-books-to-understand-marketing-in-a-different-way/

Examples of notes focusing on one's original ideas and reflections rather than excerpts of others' works.

This quote is worth looking up and checking its context. Particularly I'm interested to know if the purpose of summarizing the source is to check one's understanding of the ideas as is done in the Feynman technique, or if the purpose is a reminder summary of the piece itself?

Link to Ahrens mentions of this technique for checking understanding. (Did he use the phrase Feynman in his text?)

Simply the word abridgement here leads me to wonder:

Was the continual abridgement of texts and excerpting small pieces for later use the partial cause of the loss of the arts of memory? Ars excerpendi ad infinitum? It's possible that this, with the growth of note taking practices, continual information overload, and other pressures for educational reform swamped the prior practices.

For evidence, take a look at William Engel's work following the arts of memory in England and Europe to see if we can track the slow demise by attrition of the descriptions and practices. What would such a study show? How might we assign values to the various pressures at play? Which was the most responsible?

Could it have also been the slow, inexorable death of many of these classical means of taking notes as well? How did we loose the practices of excerpting for creating new ideas? Where did the commonplace books go? Where did the zettelkasten disappear to?

One author, with a carefully honed practice and the extant context of their life writes some brief notes which get passed along to their students or which are put into a new book that misses a lot of their existing context with respect to the new readers. These readers then don't know about the attrition happening and slowly, but surely the knowledge goes missing amidst a wash of information overload. Over time the ideas and practices slowly erode and are replaced with newer techniques which may not have been well tested or stood the test of time. One day the world wakes up and the common practices are no longer of use.

This is potentially all the more likely because of the extremely basic ideas underpinning some of memory and note taking. They seem like such basic knowledge we're also prone to take them for granted and not teach them as thoroughly as we ought.

How does one juxtapose this with the idea of humanist scholars excerpting, copying, and using classical texts with a specific eye toward preventing the loss of these very classical texts?

Is this potentially the idea of having one's eye on a particular target and losing sight of other creeping effects?

It's also difficult to remember what it was like when we ourselves didn't know something and once that is lost, it can be harder and harder to teach newcomers.

Compare this with her paper: Blair, Ann. “Note Taking as an Art of Transmission.” Critical Inquiry 31, no. 1 (September 2004): 85–107. https://doi.org/10.1086/427303.

Where she footnotes:

Francis Bacon compared one of his notebooks to a merchant’s waste book; see Brian Vickers, introduction to Francis Bacon, Francis Bacon, ed. Vickers (Oxford, 1996), p. xliii.

and linked note: https://hypothes.is/a/DSCwQjrVEeyv8U-0GOufYQ

Compare this with the waste book tradition in accounting.

Early modern reference works, handbooks, and pedagogical practices created a sort of standardized set of subject headings amongst note takers.

A similar sort of effort could have been seen in the blogosphere of the early 2000s in which Technorati and their search functionality may have helped to standardize some of these same sorts of taxonomic issues within their product which was widely used at the time.

This makes me wonder if it would be a useful product to have a highly linked note collection to sell to others in a modern context? It could be done entirely in text files for compatibility with Roam Research, Obsidian, Logseq, et al. Ideally it would be done in a more commonplace way with quotes and interlinked and could be expanded upon by the purchaser.

This same sort of quote is often repeated in the present while vitiating against the corporate publishers who own most of research publishing and charge for it dearly.

Compare this idea to the recent descriptions of modern homes using books solely for decoration or simply as "wallpaper".

Prior to the flourishing of reference materials, Peter Abelard (1079-1142) had articulated the idea of "the multitude and diversity of authoritative opinion" to be found in available material. How was one to decide which authority to believe in a time before the scientific method?

link to https://hypothes.is/a/oMSaKLb2EeyXOE_0Yh1Chw

https://www.nytimes.com/2022/03/22/magazine/commonplace-books-recommendation.html

An interesting essay centering the idea of a commonplace book, but without describing a particular use case.

Why did she keep it? How is she actually using it? There is an analogy of it with a diary, but it feels like the writer is keeping one, but not actively using it for anything but nostalgic purposes.

Why not get more out of it?

Here's an example of someone using photos on their phone and email in the vein of a waste book.

https://readlists.jim-nielsen.com/

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Jim Nielsen</span> in (Re)Introducing Readlists (<time class='dt-published'>03/25/2022 23:09:14</time>)</cite></small>

https://blog.jim-nielsen.com/2021/reintroducing-readlists/

Web serendipity has struck again. I was just looking for a tool that would do this very thing and so missed Readlists as a service.

Fun to see Jeremy Keith's book featured here.

George is asking a good question here and one I've even asked myself, but doesn't seem to have spent any time looking at intellectual history.

Almost all great thinkers were not only significant writers as well, but most, at least in Western culture, kept significant notes of their work, had a commonplace book(s), waste books, sudelbücher, zettelkasten, etc.

Of course most were also fairly wealthy and had the free time to be able to do their work which also helped to tip the balance in their favor.

Some discussion of doing research on zettelkasten methods and workflows.

What do note taking methods and processes look like for individual people?

What questions would one ask for this sort of research in an interview setting (compared to how one would look at extant physical examples in document-based research)? #openquestions

Link this to the work of Earle Havens on commonplace books through portions of history.

Even in the western tradition, the earliest methods of mnemonics tied ideas to locations, from whence we get the ideas of loci communes (in Latin) and thence commonplaces and commonplace books. The idea of loci communes was koinos topos in Greek from whence we have derived the word 'topic'.

Was this a carryover from other local oral traditions or a new innovation? Given the prevalence of very similar Indigenous methods around the world, it was assuredly not an innovation. Perhaps it was a rediscovery after the loss of some of these traditions locally in societies that were less reliant on orality and moving towards more reliance on literacy for their memories.

How much history is covered here?

Will mnemotechniques be covered here? Spaced repetition? Note taking methods in the commonplace book or zettelkasten traditions?

He's using his Field Notes notebooks as waste books and transcribing the important pieces into other places as necessary.

He also indicates that he's taking brief, reminder notes (or fleeting notes) contemporaneously and then expanding upon them later as necessary.

https://book.micro.blog/

https://groktiddlywiki.com/read/

Example of a blog being used as a source of material for creating new ideas.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Learning Commons </span> in Annotating a text - The Lion, The Witch and The Wardrobe - LibGuides at Mater Christi College (<time class='dt-published'>02/24/2022 13:46:42</time>)</cite></small>

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Learning Commons </span> in Annotating a text - The Lion, The Witch and The Wardrobe - LibGuides at Mater Christi College (<time class='dt-published'>02/24/2022 13:46:42</time>)</cite></small>

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Learning Commons </span> in Annotating a text - The Lion, The Witch and The Wardrobe - LibGuides at Mater Christi College (<time class='dt-published'>02/24/2022 13:46:42</time>)</cite></small>

https://bookmarks.reviews/

https://pennmaterialtexts.org/homepage

How awesome looking is this? Note the regular online meetings/presentations and the backlog of videos on their YouTube channel: https://www.youtube.com/channel/UC8Ng6px3fgc4Yjw-en1GcsA

https://en.wikipedia.org/wiki/S._(Dorst_novel)?

This was mentioned to me at an IndieWebCamp event today.

Seems interesting with respect to the meta portions of books.

Looks like the sort of thing that @remikalir and @anterobot may be interested in.

This is a pretty cool looking project for language learning.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Manny Rayner </span> in Manny Rayner’s review of Abécédaire le petit prince | Goodreads (<time class='dt-published'>02/18/2022 11:40:10</time>)</cite></small>

We have been doing some work recently to make LARA support picture-based texts, and this is our first real example: a multimodal French alphabet book based on Le petit prince. If you're a fan of the book and beginner level in French, you might find it fun! Start Chrome or Firefox and go here.

There's a set of 26 pages, one for each letter, and each page comes in three versions. In the Semantic version, you can click on the picture and hear the word spoken in French; hovering gives you a translation. In the Phonetic version, you can hover over the word and spell though it one letter group at a time. Clicking on a letter group will play the sound and show you other words where that sound occurs. In the Examples version, you'll see a French sentence from Le petit prince which uses the word, annotated with audio and translations both for the individual words and for the sentence as a whole.

The screenshot above illustrates. The D word is dessins ("drawings"). This is the Phonetic version: I've just clicked on the letter group in, and it's played the sound /ɛ̃/, the nasalised vowel that this letter group usually represents in French, and shown me that the same sound also occurs in invisible ("invisible") and jardin ("garden"). If you go to the Examples version, you see the sentence Mon dessin ne représentait pas un chapeau. ("My drawing wasn't supposed to be a hat") from the first chapter of the book.

Comments will be very welcome! We're thinking of doing more of these and want to know where we can improve things.

I can't help but think, what if one used their own collected corpus of ideas based on their ever-growing commonplace book to create a text generator? Then by taking notes, highlighting other work, and doing your own work, you're creating a corpus of material that's imminently interesting to you. This also means that by subsuming text over time in making your own notes, the artificial intelligence will more likely also be using your own prior thought patterns to make something that from an information theoretic standpoint look and sound more like you. It would have your "hand" so to speak.

because, of course, you've got to read the digital version of this book!

Proofreading while rewriting, structuring, or doing the thinking or creative parts of writing is a form of bikeshedding. It is easy to focus on the small and picayune fixes when writing, but this distracts from the more important parts of the work which really need one's attention to be successful.

Get your ideas down on paper and only afterwards work on proofreading at the end. Switching contexts from thinking and creativity to spelling, small bits of grammar, and typography can be taxing from the perspective of trying to multi-task.

Link: Draft #4 and using Webster's 1913 dictionary for choosing better words/verbiage as a discrete step within the rewrite.

Linked to above: Are there other dictionaries, thesauruses, books of quotations, or individual commonplace books, waste books that can serve as resources for finding better words, phrases, or phrasing when writing? Imagine searching through Thoreau's commonplace book for finding interesting turns of phrase. Naturally searching through one's own commonplace book is a great place to start, if you're saving those sorts of things, especially from fiction.

Link this to Robin Sloan's AI talk and using artificial intelligence and corpuses of literature to generate writing.

what they mean.

When quoting material it should have great phrasing and reasonable stand-alone meaning. Preferably the source or person being quoted should have stature or gravitas with respect to the idea at hand. Quotes should recall the classical idea of sententiae as imagined by Aristotle and Quintilian and seen throughout the commonplace book tradition.

The point of good tools of thought is to allow one to keep track of the ever increasing flood of information that also allows them to juxtapose or combine ideas in novel and interesting ways. Further, this should provide them with a means of generating and then improving upon their new ideas.

In the late 1700's Vienna there were reports of coachmen using books to patch bad roads.

Sacrilege!

catalog, until a successor card catalog comes along in 1848. Only the<br /> absence of a bound repertory allows the paper slip aggregate to answer all inquiries about a book ’ s whereabouts after 1781. Thus, a failed undertaking tacitly turns into a success story.

The Josephinian card index was created, in part on the ideas of Konrad Gessner's slip method, by accumulating slips which could be rearranged and then copied down permanently. While there was the chance that the original cards could be disordered, the fact that the approximately 300,000 cards in 205 small boxes were estimated to fill 50 to 60 folio volumes with time and expense to print it dissuaded the creation of a long desired compiled book of books. These problems along with the fact that new books being added later was sure to only compound problems of having a single reference. This failure to have a bound catalog of books unwittingly resulted in the success of the index card catalog.

This reorganization of library books and location systems with the change of library directors in the late 1700s sounds similar to the sorts of standards problems today.

https://xkcd.com/927/

Robin Sloan has a waste book practice where he takes his notes in small Field Note notebooks and transcribes them into nvAlt. When he's done, he throws away the notebook.

Cicero (1930). Pro Quinto Roscio comoedo oratio,"The Speeches". Translated by Freese, John Henry. Cambridge, Massachusetts. pp. 278–81.

(Not sure if I had this in my notes already from other reading, but adding again just in case.)

Especially love:

I don’t want to be anyone’s homework. I don't want my book to be broccoli. —Viet Thanh Nguyen

This is an unfortunate side effect of novels assigned for reading in school.

—Viet Thanh Nguyen

https://smithery.com/2022/01/14/making-the-most-of-moments-that-matter/

A company created a custom commonplace book for attendees of a conference. Not sure how they tummeled people into using them in interesting ways though.

Could also have done something along the lines of a sketchnote process as well. I liked their idea of having stickers to place in these as well, though that's more of a scrapbook process...

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Tom Critchlow </span> in Tom Critchlow on Twitter: "Love this meditation from @willsh on building artefacts, commonplace books, and more: https://t.co/zJmkMcaUN2 (and look at those physical keys they forged for a workshop!!!!)" / Twitter (<time class='dt-published'>01/22/2022 23:05:44</time>)</cite></small>

Indication here of digital platforms like Delicious, Tumblr, and Pinterest standing in for digital commonplace books.

In Notre-Dame de Paris (1831) Victor Hugo depicts a scholar holding his first printed book. He turns away from his manuscripts to look at the cathedral and says "This will kill that" (Ceci tuera cela). Similarly the printed book made it far less necessary to store one's knowledge into cathedrals of memory.

https://archive.org/details/bub_gb_IgMVAAAAQAAJ/page/n107/mode/2up

Page 90-91 of De arte excerpendi shows the exact same index scheme for commonplace books suggested by John Locke in 1685 (French) and later .published as A new method of making common-place-books (1706, in English).

In early modern Europe the system of excerpting from reading material was called adversaria or lemmata.

65 Johann Benedict Metzler, Artificium excerpendi genuinum dictus Die rechte Kunst zu excer-piren (Leipzig, 1709), 23–4; 30; 91–2

Is there really any mathematical difference between alphabetical order and a numerical decimal order? Can't they be shown to be one-to-one and onto?

To a layperson they may seem different...

Placcius, De arte excerpendi, 84–5;

Just Christoph Udenius, Excerpendi ratio nova (Nordhausen, 1687), 62–3; Placcius, De arte excerpendi, 84–5; Drexel, Aurifodina, 135.

What earlier suggestions might there have been for creating indices for commonplaces?

Interesting that he makes no reference to the commonplace book or zettelkasten traditions—particularly because we know he (later?) had an extensive system of index cards.

Adler is analogizing friendship to books here.

Published in 1941, this article precedes the beginning of the project of publishing the Great Books of the Western World for Encyclopedia Britannica, so Adler isn't just writing this from a marketing perspective.

https://en.wikipedia.org/wiki/Great_Books_of_the_Western_World

What an awesome little site. Sadly no RSS to make it easy to follow, so bookmarking here.

I like that she's titled her posts feed as a "notebook": https://telepathics.xyz/notebook. There's not enough content here (yet) to make a determination that they're using it as a commonplace book though.

Someone in the IndieWeb chat pointed out an awesome implementation of "stories" she's got on her personal site: https://telepathics.xyz/notes/2020/new-york-city-friends-food-sights/

I particularly also like the layout and presentation of her Social Media Links page which has tags for the types of content as well as indicators for which are no longer active.

This makes me wonder if I could use tags on some of my links to provide CSS styling on them to do the same thing for inactive services?

Jeremy Norman, an antiquarian bookseller, indicates that his website is written in much the same manner as John Locke's commonplace book.

https://notebook.wesleyac.com/how-to-pirate-ebooks/

https://barnsworthburning.net/

Cory Doctorow calls his blog and its archives his "outboard brain".

On why Cory Doctorow keeps a digital commonplace book.

Cory Doctorow's commonplace makes it easier to search, quote, and reuse in his process of synthesis.

<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>John Philpin</span> in // John Philpin (<time class='dt-published'>01/05/2022 22:55:00</time>)</cite></small>

Some of this critique relates to my classification about the sorts of notes that one takes. Some are more important or valuable than others.

Some are for recall and later memory, some may be collection of ideas, but the highest seems to be linking different ideas and contexts together to create completely new and innovative ideas. If one is simply collecting sententiae and spewing them back out in reasonable contexts, this isn't as powerful as nurturing one's ideas to have sex.