LLMs are pretty good at picking up the style in your repo. So keeping it clean and organized already helps.

The point of having style guidelines is to have a common vocabulary of coding so people can concentrate on what you’re saying rather than on how you’re saying it. We present global style rules here so people know the vocabulary, but local style is also important.

pour la rédaction d’un appel d’offres pour

sont alors prévus entre 250 et 300 postes informatiques dotés de scanners, d’imprimantes et d’OCR, mis à disposition dans les carrels individuels du futur site de Tolbiac. Les postes doivent être munis de logiciels du marché pour la structuration des textes, l’indexation et la visualisation du corpus, l’annotation, l’extraction, le rapprochement et la gestion de la base de textes. Il est prévu pour l’année 1995

Henry Dreyfuss designed the style 3, 5 and 6 cases. The style 4 is a modification of style 3 and may also have been designed by Dreyfuss.

minmatar: #653834 gallente: #366565 caldari: #4a6c7f amarr: #7f6c50

macOS: Drag and drop a Adobe Swatch Exchange (.ase) or Color List (.clr) file onto the Dock icon to convert it to a Simple Color Palette format. You can also right-click the file in Finder and open with the app. iOS: Tap an Adobe Swatch Exchange (.ase) or Color List (.clr) file in the file picker in the app to convert it to Simple Color Palette format. macOS: Drop a .color-palette file onto the window to add the colors to the palette.

EditorConfig helps maintain consistent coding styles for multiple developers working on the same project across various editors and IDEs.

Prettier intentionally doesn’t support any kind of global configuration. This is to make sure that when a project is copied to another computer, Prettier’s behavior stays the same. Otherwise, Prettier wouldn’t be able to guarantee that everybody in a team gets the same consistent results.

he Web, sadly, defaults to 8 spaces which is an abomination for every snippet of code that would ike to be instantly readable on Mobile Phones too browsers don't provide a tab size setting anywhere (last time I've checked) to override that horrifying 8 spaces legacy nobody wants or need since tabs were invented

I was pretty anti-tabs for the longest time, until I heard the best argument for them, accessibility. Tabs exist for indentation customization, and this is exactly what is needed for people with impaired sight. IMO, this is a pretty good argument for moving towards tabs.

But when did art start leaping off gallery walls?

Kultur ist vor allem Einheit des künstlerischen Stiles in allen Lebensäusserungen eines Volkes. Vieles Wissen und Gelernthaben ist aber weder ein nothwendiges Mittel der Kultur, noch ein Zeichen derselben und verträgt sich nöthigenfalls auf das beste mit dem Gegensatze der Kultur, der Barbarei, das heisst: der Stillosigkeit oder dem chaotischen Durcheinander aller Stile.

something like Gangam Style has been viewed to the tune of like almost or over two billion times and when you just when you count just the data coming out of Google servers let alone all the links we're dealing with something close to 500 pedabytes of data that's a lot for a video right I mean this is clearly an issue there's no reason we should be moving around all of this data constantly through the network

One might think at first that it was a Universal Lawthat all Writing or Speaking should be so clear as tobe transparent. And yet, as we have seen, no readerof Carlyle can doubt that a great deal of his Forcewould be gone if one made his Writings transparent.If one took some of Carlyle's most typical works andparaphrased them in simple English, the effect wouldnot be a quarter as good as it is.

as Vigour, but the two generally go hand in hand.

As to the other extreme, it is a questionwhether a sentence can be too clear, whether the Ideacan be too simply expressed ; and, if we once admitthat Carlyle's writings produced a greater effect anda better effect than they would have done if they hadbeen perfectly clear, then we must admit that forcertain purposes absolute Clearness is a Fault.

No Writer seems to be going off the point, and tobe violating the Law of ' Unity ' and Economy, morethan Carlyle does. As we read his "Frederick theGreat", the characters at first appear to us to have nomore connexion with one another than the characters

we write functions as functionName rather than functionName(); the latter ismore common, but people don’t use objectName{} for objects or arrayName[] for arrays,and the empty parentheses makes it hard to tell whether we’re talking about “the functionitself” or “a call to the function with no parameters”

We do want to avoid going around in circles on matters of style, and there has historically been a ton of discussion on Meta about what kinds of style edits are appropriate and what variation in style is acceptable. But in general, an author whose post is edited can expect to be out-voted - especially when the edit has a basis in policy. In short, these changes were not simply about "style", but about the site's goals for clarity, focus, precision and overall quality.

How To Find Your Style

Find Your Fashion Style In 3 Steps (an evidence based guide)

Place a space before and after () when used with if, for, or while.

In code, use comments to explain the “why” not the “what” or “how”.

Schuller differentiates between thewestern and African understandings of polyrhythmic playing by stating that westernmusicians generally see polyrhythm as two or more rhythmic patterns played simultaneouslybut always resolving or meeting at the start and ending of phrases, bar lines and other centralpoints in the music. In contrast, “African music” reveals a far more intricate, extended,“polymetrically organized” understanding of polyrhythms, in which the individual rhythmicphrases hardly ever, and sometimes never coincide vertically (Schuller 1968, 11). These twointerpretations of polyrhythm are apparent in much U.S.-American jazz and can be seen toshift closer to the African approach in the later styles of jazz through the rhythmiccontributions of musicians such as John Coltrane, Tony Williams and Miles Davis. KeithWaters states that polyrhythm and polymeter, which he terms “metrical conflict”, were a keyfeature of music performed and recorded by the Miles Davis Quintet from 1965 to 1968(Waters 2011, 68).In terms of the use of polyrhythm in Western music from the pre-jazz era, Schuller citesCharles Ives as the only European composer who experimented with polymetric andpolyrhythmic structures, stating as an example Ives’s Fourth Symphony. Gridley deviatesfrom Schuller by suggesting that polyrhythms were used in European folk and concert musicin America for a long time before the jazz era came about but were not as prominent as inAfrican music (Gridley 1999, 45). He acknowledges the African ancestry of polyrhythms asoriginating from combinations of rhythms which can be heard in ragtime music. He definespolyrhythms as “the sounding of some rhythms that have a basis of two pulses while

Polyrhythms and Polymeter

If there’s only an asterisk: Click the style name, then move the pointer over the style name in the Paragraph Styles pop-up menu. Click the arrow that appears, then choose Redefine from Selection.

In the West, the primary impact of the idea has been on literature rather than science: "stream of consciousness as a narrative mode" means writing in a way that attempts to portray the moment-to-moment thoughts and experiences of a character. This technique perhaps had its beginnings in the monologues of Shakespeare's plays and reached its fullest development in the novels of James Joyce and Virginia Woolf, although it has also been used by many other noted writers.[184]

“Hemingway read Garnett’s Dostoyevsky and he said it influenced him,” he continued. “But Hemingway was just as influenced by Constance Garnett as he was by Fyodor Dostoyevsky. Garnett breaks things into simple sentences, she Hemingwayizes Dostoyevsky, if you see what I mean.”

we

Chapter 26 provides an analysis of Lennie Tristano’s “Line Up.” Based on this analysis,specific elements of his style of improvisation are codified

In Prelude IV, Kapustin intensifies the Garner strumming effect by instructingthat the chords can be arpeggiated, simulating jazz guitar. Another aspect of Garner’sstyle, the offbeat “kicks” from the bass end of the keyboard, are also captured in bars 2and 4 of ex. 13.21

FUSION, CROSSOVER, AND CATEGORIZATION .

TWO WORLDS COLLIDE ..

Garner-style Chords

Style

Each volume was bound andnumbered, and the set was titled whatwe had ended so many of our letters

a bundle of cards withwarm words as palpable as the straw-berry cream cake, for which I lusted

OVIDstill had some fangs,

Citing the work of a number of prominent scholars on the style of kwela she states, “Academics who have written about kwela have been no more precise, or more in agreement with one another, about the boundaries of this musical style” (Allen 1993, 58).

n Pascal’s definition of style: ‘the manner in which a work of art is executed [...] which is orientated towards relationships rather than meanings, [...] it may be used to denote music characteristic of an individual composer, of a period, of a geographical area or centre, or of a society or social function’ (Pascal, 2001).

especially frightening was how hishair lay flat on his pale forehead

Ivan Ilyich sensed it, drovethe thought of it away, but it would go on, and it would come and standdirectly in front of him and look at him, and he would be durilbstruck,the light would go ?ut in his eyes, and he would again begin asking himself: - "Can it alone be true?"

As his wife became more irritable and demanding

His eyeswere tearful and such as are found in impure boys of thirteen or fourteen

noticing that the table was threatened with �sh

(generally the whole drawing room was filled withknickknacks and furniture)

snap.

The ‘top level’ category was too fixed, and it was hard to know when you needed a new category i.e. 1004 versus 1003/3.

Every visual creative work is a manifestation of the character of thedesigner.

The resulting International Style leapt from Europe to the United States, spreading valuesof neutrality, objectivity, and rationality expressed through tightly gridded layouts andrestricted typography.

turned revolutIonary avant-garde Ideals Into forMal Method–ologIes, detachIng desIgn froM a dIsruptIve aesthetIc agenda.

A movementcalled the New Typography emergedfrom the Bauhaus

Woit does not, for the most part, follow the death march of proposition, lemma, proof. He writes in the style of a theoretical physicist.

Since there is no measurable performance advantage for either, any time (however marginal) spent thinking or talking about a choice between the two is wasted. When you prefer single quoted strings, you have to think when you need interpolation. When you use double quoted strings, you never have to think. (I'd also add, anecdotally, that apostrophes are more prevalent in strings than double quotes, which again means less thinking when using double-quoted strings.) Therefore always using double-quoted strings results in the least possible wasted time and effort.

La gente se enfocó mas en el brillo que en la substancia.

Editorial Style Guide

When he was coming up as a writer, the author and journalist Rex Murphy would write out longhand favorite poems and passages. He was asked, what’s that done for you? “There’s an energy attached to poetry and great prose,” Murphy said. “And when you bring it into your mind, into your living sensibility, by some weird osmosis, it lifts your style or the attempts of your mind.” When you read great writing, when you write down a great line or paragraph, Murphy continues, “somehow or another, it contaminates you in a rich way. You get something from it—from this osmotic imitation—that will only take place if you lodge it in your consciousness.”

David Brooks talks about what he calls the “theory of maximum taste.” It’s similar to what Murphy is saying. “Exposure to genius has the power to expand your consciousness,” Brooks writes. “If you spend a lot of time with genius, your mind will end up bigger and broader than if you [don’t].”

I don't like the first syntax because then you have weird looking code due to all the leading whitespace, and you lose a lot of real estate.

Aligning everything with however long the method name is makes every indention different. belongs_to :thing, class_name: 'ThisThing', foreign_key: :this_thing_id has_many :other_things, class_name: 'ThisOtherThing', foreign_key: :this_other_thing_id validates :field, presence: true Compared to the following, which all align nicely on the left. belongs_to :thing, class_name: 'ThisThing', foreign_key: :this_thing_id has_many :other_things, class_name: 'ThisOtherThing', foreign_key: :this_other_thing_id validates :field, presence: true

This one bugs me a lot, but honestly, I don't like either style of the "normal method calls" above. I'm definitely voting to change the rule, but I'd also recommend trying to use the following syntax. In my opinion, it's the best of both worlds. a_relatively_long_method_call( :thing, :another_thing ) Or, if there are a lot or arguments, or the arguments are long: a_relatively_long_method_call( :a_long_argument, :another_long_argument, :a_third_long_argument )

Prefer alias when aliasing methods in lexical class scope as the resolution of self in this context is also lexical, and it communicates clearly to the user that the indirection of your alias will not be altered at runtime or by any subclass unless made explicit.

For example, whereas C programmers have argued for years about where to put their brackets, and whether code should be indented with tabs or spaces, both Rust and Go eliminate such issues completely by using a standard formatting tool (gofmt for Go, rustfmt for Rust) which rewrites your code automatically using the canonical style. It’s not that this particular style is so wonderful in itself: it’s the standardisation which Rust and Go programmers appreciate.

2012. Microsoft Writing Style Guide. https://docs.microsoft.com/en-us/style-guide/welcome/.

Während es schon im ersten Jahrzehnt des 20. Jahrhunderts Pläne für eine weitereRationalisierung der Katalogisierung durch die Einführung des Zetteldruck derpreußischen (wissenschaftlichen) Bibliotheken gab, entstand ab 1919 auf der Seiteder öffentlichen Bibliotheken die „deutsche Büchereihandschrift“.Die von Erwin Ackerknecht entworfene Schreibanleitung diente primär dazu,noch handschriftlich geführten Katalogen ein einheitliches, leserliches Schriftbildzu geben. Als Ausgangsschrift wählte er von daher die „Latein-Schreibschrift“,die im Gegensatz zur damals gebräuchlichen Sütterlin-Kurrentschrift leichter zulesen war.

Ackerknecht, Erwin: Deutsche Büchereihandschrift: mit 21 Tafeln. - 3. Aufl., Berlin1948.

theGerman library handwriting style invented by E. Ackerknecht is recommended in order toensure equal handwriting style.

Selections from CarlyleEdited by H. W. BOYNTON. i2mo, cloth, 288 pages. Price, 75 cents.

Mechanical form.Use standard size (8t/,xll in.) type-writer pa er or the essay paper in standard use a t the in-stitution. %or typing, use an unruled bond paper of goodquality, such as “Paragon Linen” or “Old Hampshire Mills.”At the left of the page leave a margin of 1% to l’/e inches;and a t the top, bottom, and right of the page, a margin of1 inch. Write only on one side of the paper. In ty in thelines should be double-spaced. Each chapter shouyd feginon a new page. Theses for honors and degrees must be typed;other essays may be typed or legibly written in ink. Whetherthe essay is typed or written, the use of black ink is prefer-able. The original typewritten copy must be presented. Incase two copies of a thesis are required, the second copymust be the first carbon and must be on the same quality ofpaper as the original.

Zn&tence on good style. Reasonable care in follow-ing these suggestions with regard to style is essential tothe production of an acceptable essay, and neglect of themwill affect unfavorably the grade to be assigned.

FACTORY-INSPIRED STYLING

When you read widely, your brain is exposed to different ways in which a sentence or paragraph is written. There are patterns in the use of nouns, pronouns, verbs and other parts of speech; there are patterns in syntax and in sentence variation; and there are patterns in sound devices, such as alliteration and assonance. You can annotate these with different symbols or colors, and develop understanding as patterns emerge, and style emerges from patterns. To read like a writer, you need to annotate like one, too.

在選詞上一開始會有過於主觀或是太日常的詞彙出現，降低了論文

The adjective “well-known” seems to be too subjective and exaggerative. The modified statement is more objective and realistic, which is more suitable in academic writing.

The “academic flavor” tastes different from our daily communication and literary works. I can still remember I used the word “at the first brush” in my RA, however, this word is an informal expression. I was advised to remove the word. What I learned is that the words in the paper need to be formal and rigorous to give the paper an academic flavor.

In Wise’s version, the very walls of the gym are hot with passion, painted a furious red, and the dancing itself, unlike that in Spielberg’s film, is blatantly erotic

with a voice both powerful and delicate.

Welling and swelling I bear in the tide.

I rise

I very much agree with you that the “American” practice of forcing punctuation inside a close quote is absurd.

Style Tiles

raison d’être

The typographer must take the greatest care to study how his work is read and ought to be read.

En dashes, which are about the width of an upper-case N, are often mistaken for hyphens. But, traditionally, en dashes function as a kind of super hyphen. They’re meant to give you a little extra glue when you have a compound modifier that includes a multi-word element that can’t easily be hyphenated. For example, the phrase Elvis Presley–style dance moves uses an en dash because Elvis-Presley-style dance moves is awkward; “Elvis Presley” isn’t a compound modifier, so hyphenating it looks odd. But, keep in mind, not all readers will notice en dashes or understand what they mean. Sometimes, it’s better to simply reword the phrase. Elvis Presley–style dance moves or: dance moves like Elvis Presley’s pre–World War II buildings or: buildings constructed before World War II En dashes are also used to show ranges of numbers, such as times, page numbers, or scores (I’ll schedule you from 4:30–5:00). But, outside of formal printed publications, this type of en dash is commonly replaced with a simple hyphen.