1478-1518, Notebook of Leonardo da Vinci (''The Codex Arundel''). A collection of papers written in Italian by Leonardo da Vinci (b. 1452, d. 1519), in his characteristic left-handed mirror-writing (reading from right to left), including diagrams, drawings and brief texts, covering a broad range of topics in science and art, as well as personal notes. The core of the notebook is a collection of materials that Leonardo describes as ''a collection without order, drawn from many papers, which I have copied here, hoping to arrange them later each in its place according to the subjects of which they treat'' (f. 1r), a collection he began in the house of Piero di Braccio Martelli in Florence, in 1508. To this notebook has subsequently been added a number of other loose papers containing writing and diagrams produced by Leonardo throughout his career. Decoration: Numerous diagrams.

Da Vinci composed a collection of hundreds of papers from 1478 and 1518 which are now bound in the Codex Arundel, named for the Earl of Arundel who acquired it in the 17th century.

Ronald Reagan compiled hundreds of index card-based notes over his career. Some were lost or given away as souvenirs, but 91 we discovered at the Reagan library (circa 2011). They were discovered among boxes which contained the contents of his Los Angeles office desk after his death in June 2004,

Though other sources like the CBS News article look like 3 x 5" index cards, John Hunt indicates that Ronald Reagan used 4 x 6" inch cards for his notes.

Ronald Reagan's index cards of one-liners at 2014-07-20 <br /> (accessed:: 2023-02-23 11:41:42)

archived version: https://web.archive.org/web/20200305070906/https://www.cbsnews.com/pictures/ronald-reagans-index-cards-of-one-liners/12/

ᔥ Manfred Kuehn in Ronald Reagan's Notecards at 2015-01-25<br /> (accessed:: 2023-02-23 11:34:10)

Need to verify this again before we publish.

[Cicero], and Harry Caplan (1896-1980). Ad C. Herennium de Ratione Dicendi (Rhetorica Ad Herennium). Loeb Classical Library, 403. Harvard University Press, 1964.

Jan Wagenaar's four leather-bound commonplace books are housed in the Special Collections of the Leiden University Library inventoried as "Adversaria of mixed content."

They contain excerpts in French, English, and Hebrew and are arranged by topical heading.

The LibNFT Project: Leveraging Blockchain-Based Digital Asset Technology to Sustainably Preserve Distinctive Collections and Archives

CNI Fall 2022 Project Briefings

YouTube recording

K. Matthew Dames, Edward H. Arnold Dean, Hesburgh Libraries and University of Notre Dame Press, University of Notre Dame, President, Association of Research Libraries

Meredith Evans, President, Society of American Archivists

Michael Meth, University Library Dean, San Jose State University

Nearly 12 months ago, celebrities relentlessly touted cryptocurrency during Super Bowl television ads, urging viewers to buy now instead of missing out. Now, digital currency assets like Bitcoin and Ethereum are worth half what they were this time last year. We believe, however, that the broader public attention on cryptocurrency’s volatility obscures the relevance and applicability of non-fungible tokens (NFTs) within the academy. For example, Ingram has announced plans to invest in Book.io, a company that makes e-books available on the blockchain where they can be sold as NFTs. The famed auction house Christie’s launched Christie’s 3.0, a blockchain auction platform that is dedicated to selling NFT-based art, and Washington University in St. Louis and the University of Wyoming have invested in Strike, a digital payment provider built on Bitcoin’s Lightning Network. Seeking to advance innovation in the academy and to find ways to mitigate the costs of digitizing and digitally preserving distinctive collections and archives, the discussants have formed the LibNFT collaboration. The LibNFT project seeks to work with universities to answer a fundamental question: can blockchain technology generally, and NFTs specifically, facilitate the economically sustainable use, storage, long-term preservation, and accessibility of a library’s special collections and archives? Following up on a January 2022 Twitter Spaces conversation on the role of blockchain in the academy, this session will introduce LibNFT, discuss the project’s early institutional partners, and address the risks academic leaders face by ignoring blockchain, digital assets, and the metaverse.

https://www.nli.org.il/en/discover/archives/archives-list

Archive listing for Goitein's papers at NLI.

https://www.youtube.com/watch?v=WIfH-iSGa5M

2021-05-12

Dr. Hanan Harif started out as a Geniza scholar but is now a biographer of Shlomo Dov Goitein.

In the 1920s Goitein published his only play Pulcellina about a Jewish woman who was burned at the stake in France in 1171.

Had a friendship with Levi Billig (1897-1936)

You know very well the verse on Tabari that says: 'You wrote history with such zeal that you have become history yourself.' Although in your modesty you would deny it, we suggest that his couplet applies to yourself as well." —Norman Stillman to S.D. Goitein in letter dated 1977-07-20

Norman Stillman was a student of Goitein.

What has Hanan Harif written on Goitein? Any material on his Geniza research and his note cards? He addressed some note card material in the Q&A, but nothing direct or specific.

Goitein's Mediterranean Society project was from 1967-1988 with the last volume published three years after his death. The entirety of the project was undertaken at University of Pennsylvania.

The India Book, India Traders was published in 2007 (posthumously) as a collaboration with M.A. Friedman.

Goitein wrote My Life as a Scholar in 1970, which may have some methodological clues about his work and his card index.

He also left his diaries to the National Library of Israel as well and these may also have some clues.

His bibliography is somewhere around 800 publications according to Harif, including his magnum opus.

Harif shows a small card index at 1:15:20 of one of Goitein's collaborators (and later rival) Professor Eliasto (unsure of this name, can't find direct reference?). Harif indicates that the boxes are in the archives where he's at (https://www.nli.org.il/en/discover/archives/archives-list ? though I don't see a reasonable name/materials there, so perhaps it's at his home at Rothberg International School of the Hebrew University of Jerusalem).

https://genizalab.princeton.edu/about/history-princeton-geniza-lab/text-searchable-database

Mark R. Cohen and A. L. Udovitch made the arrangements for copies of S.D. Goitein's card index, transcriptions and photocopies of fragments to be made and kept at Princeton before the originals were sent to the National Library of Israel. This repository was the birth of the Princeton Geniza Lab.

Following his death in 1985, S.D. Goitein's papers, including his zettelkasten, were sent to the National Library of Israel in Jerusalem where they can still be accessed.

https://catalog.altadenalibrary.org/cgi-bin/koha/opac-detail.pl?biblionumber=162348&query_desc=

https://catalog.altadenalibrary.org/cgi-bin/koha/opac-detail.pl?biblionumber=160362&query_desc=

Social media should be comprised of people from end to end. Corporate interests inserted into the process can only serve to dehumanize the system.

Robin Sloan is in the same camp as Greg McVerry and I.

Plato. Euthyphro. Apology. Crito. Phaedo. Phaedrus. Translated by Harold North Fowler. Loeb Classical Library 36. Cambridge, MA: Harvard University Press, 1914. https://www.loebclassics.com/view/LCL036/1914/volume.xml.

https://www.modernlibrary.com/top-100/100-best-nonfiction/

What a solid looking list of non-fiction books.

Dilemma: Do I use this unofficial library with its really nice idiomatic API or the official library (https://github.com/mailgun/mailgun-ruby) with its inferior API?

I wish this one was still/better maintained because I'd much rather use this API, like: @mailgun.lists.create "devs@your.mailgun.domain" @mailgun.lists.list @mailgun.lists.find "devs@your.mailgun.domain"

but it's not maintained, and looks like it doesn't have the word events in the source at all, so it's missing any way to use the Events API. :(

I went through some of the pieces in the collection. It is important to give a platform to the voices that are missing from the conversation usually.

Just a few similar initiatives that you might want to check out:

Storycorps - people can record their stories via an app

Project Voice - spoken word poetry

Living Library - sharing one's story

Freedom Writers - book and curriculum based on real-life stories

also:

Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it. —Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

They also suggest that due to the relative low cost of books, it's easier to justify writing in them, though they carve out an exception for the barbarism of scribbling in library books.

Genealogy Garage: Researching at the Huntington Library

• Julie Huffman jhuffman@lapl.org (host)
• Stephanie Arias
• Anne Blecksmith
• Li Wei Yang
• Clay Stalls cstalls@huntington.org

ECPP

• Early California Population Project: Database of Baptism, Marriage, and Burial Records from California Missions
  • https://huntington.org/early-california-population-project
  • Tips https://researchguides.huntington.org/ecpp/tips
• Family Histories: A guide to resources for family history research at The Huntington Library
  • https://researchguides.huntington.org/familyhistories

Huntington Library

Visit checklist

• Create a library account via Aeon: https://aeon.huntington.org
• Request rare materials via Aeon: https://researchguides.huntington.org/aeon
• Review Reading Room policies and Conditions of Use: https://researchguides.huntington.org/usingthelibrary/usingthelibrary
• Schedule an appointment: https://huntingtonlibrary.libcal.com

Library of Congress' role in archiving twitter

Gen-Z expectations are complicated

The Gen-Z generation have notably different expectations about data privacy than previous generations. "Libraries" wasn't among the industry that showed up in their survey results. That Gen-Z expects privacy built in makes that factor a less differentiating characteristic as compared to older generations. It might also be harder to get trust back from members of the Gen-Z population if libraries surprise those users with data handling practices that they didn't expect.

https://www.fastcompany.com/90806657/z-library-ebook-piracy-shut-down-alternatives

https://library.harvard.edu/collections/reading-harvard-views-readers-readership-and-reading-history

Reading: Harvard Views of Readers, Readership, and Reading History<br /> Exploring the intellectual, cultural, and political history of reading as reflected in the historical holdings of the Harvard's libraries.

https://catalog.huntington.org/record=b1792186

Is it possible that this miscellany collection is of a zettelkasten nature?

Found via a search of the Huntington Library for Frederic L. Paxson's zettelkasten

Where did Turner's note cards and files end up? Are they housed at the Huntington Library? What other evidence or indication is there that this was an extensive zettelkasten practice here?

Substitute “library” for “hospital”

In an alternate universe: “A Midwestern library system is treating its use of Google and Facebook web tracking technologies as a data breach, notifying 3 million individuals that the computing giants may have obtained search and borrowing histories.”

Coining "TALLO" (Taking Academic Law

Libraries Online)

The [[Controlled Digital Lending]] theory was first proposed as a way for academic law libraries to form a consortium to share the expense of collection-building.

Linked from Strategies for Collaboration: Opportunities and Challenges to Build the Future We Need | ICOLC Website.

https://hobohm.edublogs.org/2013/03/15/zettelkasten-maschinen-der-phantasie/

Short blogpost about the Marbach 2013 zettelkasten exhibition with a few photos:

Hebrew University Jewish mysticism scholar Gershom Scholem's zettelkasten has its own reading room at the National Library of Israel.

Gershom Scholem (1897-1982)

Sisto, M.C. Publishing and Library E-Lending: An Analysis of the Decade Before Covid-19. Pub Res Q 38, 405–422 (2022). https://doi.org/10.1007/s12109-022-09880-7

https://archive.org/details/chamberlain-card-file.-kem-mur/mode/2up

Circa late 2011, he's positing Luhmann had 35,000 cards and not 90,000.

Jules Verne used index cards. Joachim Jungius is said to have had 150,000 cards.

https://web.archive.org/web/20060309154747/http://www.levenger.com/PAGETEMPLATES/PRODUCT/Product.asp?Params=Category=17-722|PageID=4035|Level=2-3

Tillman, Ruth Kitchin. Indispensable, Interdependent, and Invisible: A Qualitative Inquiry into Library Systems Maintenance. College and Research Libraries Journal. January 2023

Author's accepted manuscript copy

Libraries are community centers, public infrastructure. Vgl the networked agency work with Fers regional libraries in Fryslan "Impact Through Connection" https://www.zylstra.org/blog/2017/03/more-fun-than-annual-class-trip-making-at-school-some-first-observations/

Direct gratitude from library readers vs impact of organisational work in the face of climate urgency seems an asymmetrical comparison. Recognisable though. Perhaps 'bullshit job' feelings come from working immersed in bureaucratic/process logic while aiming to change it, whereas the joy comes from being immersed in human logic of work ('the high of...'). Vgl. [[Logica van bureaucratie vs mensen 20220813074112]] Does this help me [[Het Reboot gevoel vaker hebben 20161023145654]]? Phrasing it as injecting human logic into a place where process logic is otherwise dominant?

Highlighted portion is a quote from Kuehn sub-quoting David Lodge, Deaf Sentence (New York: Viking 2008)

Ownership is certainly a factor here, but given how inexpensive many books are now, if you own it, why not mark it up? See also: Mortimer J. Adler's position on this.

Marking up library books is a barbarism; not marking up your own books is a worse sin.

https://web.archive.org/web/20170429050031/http://takingnotenow.blogspot.com/2013/08/underlining-in-library-books.html

Despite his career as an administrative scientist, Luhmann eschewed the International Library Format which allows for DIN A6 and DIN A7 for "literature cards."

Cross reference:

1. See Deutsches Institut für Normung e.V. (DIN), Publikation und Dokumentation 2. Erschließung von Dokumenten, Informationsverarbeitung, Reprographie, Bibliotheksverwaltung, Normen, vol. 154 of DIN-Taschenbuch , 2nd ed. (Berlin, Kö ln: Beuth, 1984), 64f.

link to https://hypothes.is/a/hKgd_t1jEeyxoxOujPZNkg

Machine translation (Google):

While there were already plans in the first decade of the 20th century for a further rationalization of cataloging by introducing label printing in the Prussian (academic) libraries, from 1919 the “German library handwriting” was created on the part of the public libraries. The writing instructions designed by Erwin Ackerknecht primarily served to give handwritten catalogs a uniform, legible typeface. He therefore chose the “Latin cursive” as his starting script, which was easier to read than the Sütterlin cursive script that was common at the time.

Deutsche Büchereihandschrift looks very familiar to me. I've seen this loopy sort of script in many early 20th Century library card catalogs, including many cards at the Library of Congress

https://de.wikipedia.org/w/index.php?title=Erwin_Ackerknecht&stable=1

https://en.wikipedia.org/wiki/Erwin_Ackerknecht<br /> Influential historian of medicine

<ins datetime="2022-08-24T15:44:48+00:00"> Erwin Heinz Ackerknecht (1 June 1906, in Stettin – 18 November 1988, in Zurich), the historian of medicine, did some library related work, but didn't invent this handwriting style, his father Erwin Julius Ackerknecht did. see: https://de.wikipedia.org/w/index.php?title=Erwin_Ackerknecht</ins>

What does this handwriting style look like?

CIP - The Classification of Instructional Programs

Another classification scheme

https://nces.ed.gov/ipeds/cipcode/browse.aspx?y=55

The Outline of Knowledge appears in the Propædia volume of the Encyclopedia Britannica. It is similar to various olther classification systems like the Dewey Decimal system or the Universal Decimal Classification.

https://collectionbuilder.github.io/

CollectionBuilder is a set of flexible, static web templates for creating digital collection websites. These templates are driven by metadata and powered by modern static web technology. Using three primary components—a spreadsheet of metadata, a directory of assets, and a configuration file—CollectionBuilder helps users to build and customize sustainable, digital collections and exhibits for free, learning valuable development practices in the process.

https://udcsummary.info/php/index.php?lang=en

Interesting defined vocabulary and concatenation/auxiliary signs for putting ideas into proximity.

Could be useful for note taking. Probably much harder to get people to adopt this sort of thing with shared notes/note taking however.

Somewhat similar to the Dewey Decimal classification system.

Original comment:

I've never seen monkey patching done quite like this.

Usually you can't just "override" a class. You can only reopen it. You can't change its superclass. (If you needed to, you'd have to remove the old constant first.)

Rails has already defined ActiveStorage::BlobsController!

I believe the only reason this works:

class ActiveStorage::BlobsController < ActiveStorage::BaseController

is because it's reopening the existing class. We don't even need to specify the < Base class. (We can't change it, in any case.)

They do the same thing here: - https://github.com/ackama/rails-template/pull/284/files#diff-2688f6f31a499b82cb87617d6643a0a5277dc14f35f15535fd27ef80a68da520

Correction: I guess this doesn't actually monkey patch it. I guess it really does override the original from activestorage gem and prevent it from getting loaded. How does it do that? I'm guessing it's because activestorage relies on autoloading constants, and when the constant ActiveStorage::BlobsController is first encountered/referenced, autoloading looks in paths in a certain order, and finds the version in the app's app/controllers/active_storage/blobs_controller.rb before it ever gets a chance to look in the gem's paths for that same path/file.

If instead of using autoloading, it had used require_relative (or even require?? but that might have still found the app-defined version earlier in the load path), then it would have loaded the model from activestorage first, and then (possibly) loaded the model from our app, which (probably) would have reopened it, as I originally commented.

meat: https://github.com/musaffa/file_validators/blob/master/lib/file_validators/validators/file_content_type_validator.rb

Compared to https://github.com/aki77/activestorage-validator, I slightly prefer this because - it has more users and has been battle tested more - is more flexible: can specify exclude as well as allow - has more expansive Readme documentation - is mentioned by https://github.com/thoughtbot/paperclip/blob/master/MIGRATING.md#migrating-from-paperclip-to-activestorage - mentions security: whether or not it's needed, at least this makes extra attempt to be secure by using external tool to check content_type; https://github.com/aki77/activestorage-validator/blob/master/lib/activestorage/validator/blob.rb just uses blob.content_type, which I guess just trusts whatever ActiveStorage gives us (which seems fair too: perhaps this should be kicked up to them to be their concern)

In fact, it looks like ActiveStorage does do some kind of mime type checking...

activestorage-6.1.6/app/models/active_storage/blob/identifiable.rb ``` def identify_without_saving unless identified? self.content_type = identify_content_type self.identified = true end end

def identify_content_type
  Marcel::MimeType.for download_identifiable_chunk, name: filename.to_s, declared_type: content_type
end

```

compare to https://github.com/musaffa/file_validators

https://www.zylstra.org/blog/2022/06/spring-83/

I've been thinking about this sort of thing off and on myself.

I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?

For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

would sign with herself each day for how many words she committed to write.

Not really enough evidence for a solid quote here. What was his source?

He cites the following shallowly: <br /> - Octavia E. Butler, Bloodchild and Other Stories: Positive Obsession (New York: Seven Stories, 2005), 123–36.<br /> - 2 Lynell George, A Handful of Earth, A Handful of Sky: The World of Octavia Butler (Santa Monica: Angel City Press, 2020).<br /> - 3 Dan Sheehan, “Octavia Butler has finally made the New York Times Best Seller list,” LitHub.com, September 3, 2020, https://lithub.com/octavia- butler-has-finally-made-the-new-york-times-best-seller-list/.<br /> - 4 Butler’s archive has been available to researchers and scholars at the Huntington Library since 2010.

Even the long running (2013) zettelkasten.de website credits Niklas Luhmann as being the "original creator" of the zettelkasten.

sigh

We really need to track down the origin of linking one idea to another. Obviously writers, and especially novelists, would have had some sort of at least linear order in their writing due to narrative needs in using such a system. What does this tradition look like on the non-fiction side?

Certainly some of the puzzle stems from the commonplace book tradition, but this is more likely to have relied on natural memory as well as searching and finding via index methods.

Perhaps looking more closely at Hans Blumenberg's instantiation would be more helpful. Similarly looking at the work of Claude Lévi-Strauss and his predecessors like Marcel Mauss may provide at least an attack on this problem.

My working hypothesis is that given the history of the Viennese numbering system, it may have stemmed from the late 1700s and this certainly wasn't an innovation by Luhmann.

link to: https://hyp.is/hLy7NNtqEeuWQIP1UDkM6g/web.archive.org/web/20130916081433/https://christiantietze.de/posts/2013/06/zettelkasten-improves-thinking-writing/ for evidence of start of zettelkasten.de

Most people born since the advent of the filing cabinet and the computer have spent a lifetime using a hierarchical folder-based mental model for their knowledge. For greater value and efficiency one needs to get away from this model and move toward linking individual ideas together in ways that they can more easily be re-used.

To accomplish this many people use an index-based method that uses topical or subject headings which can be useful. However after even a few years of utilizing a generic tag (science for example) it may become overwhelmed and generally useless in a broad search. Even switching to narrower sub-headings (physics, biology, chemistry) may show the same effect. As a result one will increasingly need to spend time and effort to maintain and work at this sort of taxonomical system.

The better option is to directly link related ideas to each other. Each atomic idea will have a much more limited set of links to other ideas which will create a much more valuable set of interlinks for later use. Limiting your links at this level will be incredibly more useful over time.

One of the biggest benefits of the physical system used by Niklas Luhmann was that each card was required to be placed next to at least one card in a branching tree of knowledge (or a whole new branch had to be created.) Though he often noted links to other atomic ideas there was at least a minimum link of one on every idea in the system.

For those who have difficulty deciding where to place a new idea within their system, it can certainly be helpful to add a few broad keywords of the type one might put into an index. This may help you in linking your individual ideas as you can do a search of one or more of your keywords to narrow down the existing ones within your collection. This may help you link your new idea to one or more of those already in your system. This method may be even more useful and helpful for those who are starting out and have fewer than 500-1000 notes in their system and have even less to link their new atomic ideas to.

For those who have graphical systems, it may be helpful to look for one or two individual "tags" in a graph structure to visually see the number of first degree notes that link to them as a means of creating links between atomic ideas.

To have a better idea of a hierarchy of value within these ideas, it may help to have some names and delineate this hierarchy of potential links. Perhaps we might borrow some well ideas from library and information science to guide us? There's a system in library science that uses a hierarchical set up using the phrases: "broader terms", "narrower terms", "related terms", and "used for" (think alias or also known as) for cataloging books and related materials.

We might try using tags or index-like links in each of these levels to become more specific, but let's append "connected atomic ideas" to the bottom of the list.

Here's an example:

• broader terms (BT): [[physics]]
• narrower terms (NT): [[mechanics]], [[dynamics]]
• related terms (RT): [[acceleration]], [[velocity]]
• used for (UF) or aliases:
• connected atomic ideas: [[force = mass * acceleration]], [[$$v^2=v_0^2​+2aΔx$$]]

Chances are that within a particular text, one's notes may connect and interrelate to each other quite easily, but it's important to also link those ideas to other ideas that are already in your pre-existing body of knowledge.

See also: Thesaurus for Graphic Materials I: Subject Terms (TGM I) https://www.loc.gov/rr/print/tgm1/ic.html

While algorithmic feeds and "artificial intelligences" might control large swaths of what we see in our passive acquisition modes, we can and certainly should spend more of our time in active search modes which don't employ these tools or methods.

How might we better blend our passive and active modes of search and discovery while still having and maintaining the value of serendipity in our workflows?

Consider the loss of library stacks in our research workflows? We've lost some of the serendipity of seeing the book titles on the shelf that are adjacent to the one we're looking for. What about the books just above and below it? How do we replicate that sort of serendipity into our digital world?

How do we help prevent the shiny object syndrome? How can stay on task rather than move onto the next pretty thing or topic presented to us by an algorithmic feed so that we can accomplish the task we set out to do? Certainly bookmarking a thing or a topic for later follow up can be useful so we don't go too far afield, but what other methods might we use? How can we optimize our random walks through life and a sea of information to tie disparate parts of everything together? Do we need to only rely on doing it as a broader species? Can smaller subgroups accomplish this if carefully planned or is exploring the problem space only possible at mass scale? And even then we may be under shooting the goal by an order of magnitude (or ten)?

Older content may broadly be considered more valuable than newer content. The fact that it has been "tried and true" gives it enormously more value than newer and untested content.

Newer content is primarily valuable solely because it is new. How much of it will live on to become old content without falling off of the long tail of the value distribution?

Link this to the idea of imitation > innovation in Annie Murphy Paul's book The Extended Mind.

Link this to the fact that NASA uses 30+ year old software and systems in their outer-space program because all the glitches and bugs have been found and it's far more reliable.

Finding the older gems has generally been the sort of driving idea behind @peterhagen and his https://lindylearn.io/ site -- particularly his Hacker News tool.

https://en.wikipedia.org/wiki/Functional_Requirements_for_Bibliographic_Records

mainstream way: ActiveRecord

Built With Bits

In 2021, our eight-week mentoring programme helped educators and teachers to achieve this by combining collaborative learning experiences and digital technologies with the values of accessibility, inclusivity and sustainability that are at the heart of the European Commission’s New European Bauhaus movement.

The programme explored how virtual experiences can be used within education and is designed for teachers and educators working with students in secondary education in Greece, Italy, Spain and Portugal.

Shared during Open Education Week 2022 https://oeweek.oeglobal.org/resources/2022/built-with-bits/

https://www.fermatslibrary.com/margins

A tool for creating and sharing marginalia. Geared toward the education space, but has relatively limited UI and isn't as feature rich as Hypothes.is.

Benedictine abbot Franz Stephan Rautenstrauch (1734 – 1785) in creating the Catalogo Topographico for the Vienna University Library created a nine point instruction set for cataloging, describing, and ordering books which included using paper slips.

Interesting to note that the admonishment to leave the backs of the slips (pagina aversa), in the 1780's seems to make its way into 20th century practice by Luhmann and others.

catalog, until a successor card catalog comes along in 1848. Only the<br /> absence of a bound repertory allows the paper slip aggregate to answer all inquiries about a book ’ s whereabouts after 1781. Thus, a failed undertaking tacitly turns into a success story.

The Josephinian card index was created, in part on the ideas of Konrad Gessner's slip method, by accumulating slips which could be rearranged and then copied down permanently. While there was the chance that the original cards could be disordered, the fact that the approximately 300,000 cards in 205 small boxes were estimated to fill 50 to 60 folio volumes with time and expense to print it dissuaded the creation of a long desired compiled book of books. These problems along with the fact that new books being added later was sure to only compound problems of having a single reference. This failure to have a bound catalog of books unwittingly resulted in the success of the index card catalog.

https://annotations.lindylearn.io/

What a great UI for annotations on Hypothes.is and Hacker News.

I wonder if this is pulling data from the public Hypothesis API? What triggers inclusion into the lists?

Example:

{
  "@context": “http://www.w3.org/ns/anno.jsonld”
  "id": "http://data.europeana.eu/annotations/1",
  "type": "Annotation",
  "created": "2015-03-10T14:08:07Z",
  "creator": {
    "type": "Person",
    "name": "John Smith"
  },
  "generated": "2015-04-01T09:00:00Z",
  "generator": {
      "type": "Software",
      "name": "HistoryPin",
      "homepage": "https://www.historypin.org/"
  },
  "motivation": "tagging",
  "bodyValue": "MyBeautifulTag",
  "target": "http://data.europeana.eu/item/92062/BibliographicResource_1000126189360"
}