2,565 Matching Annotations
  1. Feb 2022
    1. Public digital gardens are overrated. They are very hard to navigate. Time and time again, I get lost in the jungle of mystical links, in the check-ins drowned in the bookmarks and the quotes. Fancy IndieWeb sites that boast 5 separate RSS feeds to “help” navigate the labyrinth do not make it better. I’ve tried following multiple interesting people that pump loads and loads of seemingly cool looking stuff into their site. It always ends in confusion. Yes, sometimes I discover a link to another published article (external to the garden, by the way!) that is interesting. As admiring as the garden is, the things they grow there are almost always puzzling.

      Wouter Groeneveld here is mixing up a digital garden and a blog with social media enhancements. I personally wouldn't expect a digital garden to necessarily have features like checkins, bookmarks, etc. Ideally it would be a mix of of a zettelkasten with atomic ideas and notes and a wiki structure with somewhat longer articles and ideas strung together.

      From this definition, my personal website definitely isn't a "digital garden" but a blog with a variety of social media features built in. Looking at some smaller subsets of my website, one might consider it to be a digital garden.

      An additional piece of digital gardening also has to do with actually tending the garden, which I generally don't do in my website the way I do in my Obsidian vault. My vault is more like a digital garden which has many streams of data coming into it and being regularly tended.

      This is another example of the broader space of these ideas being mixed together in a hodgepodge without clear definitions of what each are.

    2. One of the biggest disadvantages of digital gardens, to me, is exactly the fact that it’s structured. That is, articles—whether they are blog posts or wiki pages do not matter—are still mainly text-based. You can’t quickly draw rectangles or arrows next to your notes. You can’t draw an eukaryote and point to its nucleus to explain that that’s where the DNA chromosome strings are coiled up (sorry, I’ve been doing some yeast cell research). You can’t print photos or cut out parts from newspapers to paste it besides a schematic. You can’t grab your watercolor paint and brighten up a page. You can’t paste your cat’s whisker in your notebook (for research purposes, of course!). You can’t smear out a blueberry or wet tea leaf to try and capture its smell and color.

      A list of disadvantages of digital gardens versus paper-based notebooks.

    1. You can just visually scan the existing cards in the left-hand panel, or do a quick search inside of Scrivener itself. The interface doesn’t just let you to see the forest and the trees of your project. It also lets you see the seedlings.

      Note the use of the word "seedlings" here in a context reminiscent of the metaphor of the digital garden.

    1. This freedom of course comes with great responsibility. Publishing imperfect and early ideas requires that we make the status of our notes clear to readers. You should include some indicator of how "done" they are, and how much effort you've invested in them.

      I haven’t done this (yet) in my own digital garden. Maybe because everything feels between seedling and budding. But equally, the digital garden concept frees me from every worrying about status, these notes are for me, you are just welcome to poke around.

    1. It should be recognized that these basic note types are very different than the digital garden framing of 📤 (seedbox), 🌱 (seedling), 🪴 (sapling), 🌲 (evergreen), etc. which are another measure of the growth and expansion of not just one particular idea but potentially multiple ideas over time. These are a project management sort of tool for focusing on the growth of ideas. Within some tools, one might also use graph views and interconnectedness as means of charting this same sort of growth.

      Sönke Ahrens' framing of fleeting note, literature note, and permanent note are a value assignation to the types of each of these notes with respect to generating new ideas and writing.

    1. The problem almost certainly starts with the conception of what we're doing as "building websites".

      When we do so, we mindset of working on systems

      If your systems work compromises the artifacts then it's not good work

      This is part of a broader phenomenon, which is that when computers are involved with absolutely anything people seem to lose their minds good sensibilities just go out the window

      low expectations from everyone everyone is so used to excusing bad work

      sui generis medium

      violates the principle of least power

      what we should be doing when grappling with the online publishing problem—which is what this is; that's all it is—is, instead of thinking in terms of working on systems, thinking about this stuff in such a way that we never lose sight of the basics; the thing that we aspire to do when we want to put together a website is to deal in

      documents and their issuing authority

      That is, a piece of content and its name (the name is a qualified name that we recognize as valid only when the publisher has the relevant authority for that name, determined by its prefix; URLs)

      that's it that's all a Web site is

      anything else is auxiliary

      really not a lot different from what goes on when you publish a book take a manuscript through final revisions for publication and then get an ISBN issued for it

      so the problem comes from the industry

      people "building websites" like politicians doing bad work and then their constituents not holding them accountable because that's not how politics works you don't get held accountable for doing bad work

      so the thing to do is to recognize that if we're thinking about "websites" from any other position things that technical people try to steer us in the direction of like selecting a particular system and then propping it up and how to interact with a given system to convince it to do the thing we want it to do— then we're doing it wrong

      we're creating content and then giving it a name

  2. Jan 2022
    1. When I think back to the creation of that infographic, I wonder whether we had shown the care demanded of the data. Whether we had, in creating this abstraction, re-enacted — however inadvertently — some of the objectification of the slave trade.

      This sort of objectification seems very similar to the type of erasure that Poland is doing with the Holocaust as they begin honoring Poles who helped Jews while simultaneously ignoring Poland's part in collaborating with the Nazis in creating the Holocaust.

      How can we as a society and humanity add more care to these sorts of acts so as not to continue erasing the harm and better heal past wrongs?

      Cross reference: https://www.nytimes.com/2022/01/29/opinion/holocaust-poland-europe.html and https://hyp.is/hrsb9oIOEey8sEObTYhk0A/www.nytimes.com/2022/01/29/opinion/holocaust-poland-europe.html

    1. What, then, is the work of theory in the age of digital transformation? Digital theory offers us explanations, interpretations, and predictions which enables us to manage the process of technological change and its impact upon our social, cultural, economic, political, and personal lives. Digital theory provides a point of intersection between the languages and practices of science and engineering on the one hand and the arts and humanities on the other. Digital theory embraces the utopian imagination not as a way of predicting the future but as a way of envisioning meaningful change and keeping alive the fluidity which digital media has introduced into many aspects of our social and personal lives. Digital theory identifies historical antecedents for contemporary media developments and at the same time, defamilarizes older media and opens them to re-examination.

      Jenkins makes a call for digital theory as offering an intersection between the arts and humanities and science. Digital theory "...offers us explanations, interpretations, and predictions which enables us to manage the process of technological change ant it's impact"

    1. Budak, C., Soroka, S., Singh, L., Bailey, M., Bode, L., Chawla, N., Davis-Kean, P., Choudhury, M. D., Veaux, R. D., Hahn, U., Jensen, B., Ladd, J., Mneimneh, Z., Pasek, J., Raghunathan, T., Ryan, R., Smith, N. A., Stohr, K., & Traugott, M. (2021). Modeling Considerations for Quantitative Social Science Research Using Social Media Data. PsyArXiv. https://doi.org/10.31234/osf.io/3e2ux

  3. Dec 2021
    1. Tips and Tricks to Success Used by Top Digital Marketing Companies

      Making your website or business to rank on Google is a tough yet important task. Everyone likes to boost sales, conversion and ROI with the help of digital marketing. Abiding by some effective tips and tricks helps a reputed digital marketing company to bring about the desired change. So, it is good to hire the services of the best one.

    1. She thinks the companies themselves are behind this, trying to manipulate their users into having certain opinions and points of view.

      The irony is that this is, itself, somewhat a conspiracy theory.

      Though, I think a nuanced understanding may be closer:

      • The real purpose is not to influence people to believe anything. It's money. It's ad spend and data collection to sell. We need to demonstrate to advertisers that their ads are actually getting seen. The more they get seen, the more money we make. And, the more time is spent on the service, the more data we have to sell... which is as valuable as the add spend.
      • Companies jigger algorithms to maximize time spent on the service.
      • As the Bible is clear, the heart of man is wicked, and the kinds of things that maximize time spent are themselves attitudes of evil, malice, wickedness, and hatred, and the list of things Paul repeatedly tells us to avoid. Go figure.
      • So, people feel the platforms are basically like smoking, and yet, they can't stop.
    2. Only 10 percent say Facebook has a positive impact on society, while 56 percent say it has a negative impact and 33 percent say its impact is neither positive nor negative. Even among those who use Facebook daily, more than three times as many say the social network has a negative rather than a positive impact.

      Here's the rub. Only 1 out of 10 Americans surveyed think Facebook is a good idea.

      Over half of Americans surveyed actually think Facebook is bad for them and society as a whole. And yet, the general sense is now that life is impossible without it.

      How does the church respond to this? Do we tell people to get off or "use in moderation?"

    1. Are you looking the best digital marketing expert in Bangalore

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    2. Who is the best Digital marketing consultant in Delhi NCR

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  4. Nov 2021
    1. article explores how annotation with digital, social tools can address digital reading challenges while also supporting writing skill development for novices in college literature classrooms. The author analyzes student work and survey responses and shows that social annotation can facilitate closer digital reading and scaffold text-anchored argumentation practices.

      Writing to understand what I read is critical to my practice. Doing so socially is particularly helpful when I don't understand something or am lacking the motivation to keep reading.

    1. While I still enjoy org-roam, things feel (to me anyway) a bit up in the air with it at the moment, as there are big changes coming in version 2 which will probably involve a bit of backwards incompatibility. I couldn’t decide whether to wait to make the changes, or transition to the new version now, and that indecision made me reluctant to add to my collection of notes.

      Example of someone who doesn't want to use their digital notebook because of admin tax of pending future changes.

    1. PowerPoint, Word, YouTube, Canvas, Zoom, Padlet, Skype, Microsoft Teams, etc.), thereby enabling teachers to incorporate appropriate digital solutions into lectures and tutorials, given a number of subject-related factors and learning conditions.

      tools

    1. A second, and currently more important source of digital divisions are the skills to use technology (DiMaggio et al. 2004; Hargittai and Hinnant 2008). In the context of education, the distinction between access and skills is even more relevant as the two requirements are plausibly applicable to both the student and the school. Not only the student, but also the school needs the necessary equipment and skills to work with online education technology.

      A second, and currently more important source of digital divisions are the skills to use technology (DiMaggio et al. 2004; Hargittai and Hinnant 2008). In the context of education, the distinction between access and skills is even more relevant as the two requirements are plausibly applicable to both the student and the school. Not only the student, but also the school needs the necessary equipment and skills to work with online education technology.

    Tags

    Annotators

    1. Expect More. Demanding Better Libraries for Today’s Complex World.

      Sería informativo indicar las fechas de la edición original, que es de 2016 y en inglés, o si hay también edición en francés. Y la entidad que lo publicó.

    1. I am going to rework my website to an information site rather than blog, and include all the new stuff I am doing including the languages, archaeology, applications to education and a very recent approach linking the mnemonic technologies to human evolutionary genetics.

      Perhaps a wiki (single or multiple user) would be a better tool for this?

    1. The benefits of deploying augmented reality solutions to provide digital adventures and disruptive advertising options along the consumer journey include driving purchase intent, high conversion rates, and more activatable data collection.

      The benefits of deploying augmented reality solutions to provide digital adventures and disruptive advertising options along the consumer journey include driving purchase intent, high conversion rates, and more activatable data collection.

    1. “You can’t close the digital divide with just pipes and wires,” Huffman said. “You have to also address the human side of the equation.”

      The Scandinavian countries, for that matter the European Union does not have the monopoly issue with Internet access, which in the U.S. turned into the battle for “net neutrality.” However, a related fight in the U.S., regrading digital inclusion, is much better and successfully fought in the Scandinavian countries by not only effectively establishing awareness, but by enabling relative digital equity in their countries, something, which Biden’s plan is just starting to aim

  5. www.diva-portal.org www.diva-portal.org
    1. Researchers found that the inability to identify body language and gestures and the ability to see students’ reactions to questions caused teacher-student inter-actions to be hindered during online teaching. Online interaction differs from classroom interaction
    1. tudents from more advantaged backgrounds may be morelikely to attend schools with better digital infrastructure and where teachers have higherlevels of digital skills.

      Students from more advantaged backgrounds may be more likely to attend schools with better digital infrastructure and where teachers have higher levels of digital skills. p. 19

    2. OVID-19 is likely to further widen the socio-emotionaldisparities between children from more and less advantaged backgrounds.

      COVID-19 is likely to further widen the socio-emotional disparities between children from more and less advantaged backgrounds.

    3. not only in Finland

      digital inequality during the pandemic is an issue not only in Finland, but also in the Netherlands https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7446757/ van Deursen, A. J. (2020). Digital Inequality During a Pandemic: Quantitative Study of Differences in COVID-19–Related Internet Uses and Outcomes Among the General Population. Journal of Medical Internet Research, 22(8), e20073. https://doi.org/10.2196/20073

      Katz, V. S., Jordan, A. B., & Ognyanova, K. (2021). Digital inequality, faculty communication, and remote learning experiences during the COVID-19 pandemic: A survey of U.S. undergraduates. PloS One, 16(2), e0246641. https://doi.org/10.1371/journal.pone.0246641

      Covid-19 is increasing digital inequality: We need human connectivity to close the digital divide. (2020, April 13). Oxford Law Faculty. https://www.law.ox.ac.uk/research-and-subject-groups/oxfordshire-digital-inclusion-project/blog/2020/04/covid-19-increasing

      Covid-19 is increasing digital inequality: We need human connectivity to close the digital divide. (2020, April 13). Oxford Law Faculty. https://www.law.ox.ac.uk/research-and-subject-groups/oxfordshire-digital-inclusion-project/blog/2020/04/covid-19-increasing

      Burgess, G. (2020, August 13). Beyond the pandemic: Tackle the digital divide. University of Cambridge. https://www.cam.ac.uk/stories/BeyondThePandemic_digitaldivide

      Robinson, L., & Schulz, J. (2020). Digital inequalities in time of pandemic: COVID-19 exposure risk profiles and new forms of vulnerability | First Monday. First Monday, 25(7). https://doi.org/10.5210/fm.v25i7.10845

    1. ffost guides to research devote a few pages to methods of note takingW but they lag behind thenew technologiesi seeW for exampleW xacques parzun and venry tY uraffW The ́odern ResearcherS]gcei postonW ]gg‘TY

      Might be interesting to look at this reference to see what she's referring to specifically.

      It would be interesting to see how note taking is changing with even newer digital tools like Hypothes.is, Diigo, Twitter, Readwise, etc.

      Perhaps the growth of digital gardens in public may be a place for study as well? Though one would need to be wary of the idea of performative note taking as these are often done specifically in public as opposed to private as is more common in the past.

  6. Oct 2021
    1. But something I’m craving is is more precise language around saying what we mean, when we talk about technological or digital literacies. There are tons of really great frameworks for digital literacies out there, but they’re primarily used to talk about children are used a lot in K 12 contexts. I know there’s lots of conversations about digital literacies, and adult literacies, as well. But I think especially in this moment, we could continue to get really precise about what we’re talking about when we’re talking about our strengths, with using certain technologies or limitations with others.
    1. There will be three billion gamers by next year, according to a Newzoo study. And as Loftus puts it: “People are going to need to wear something.”

      THIS is it - web 3 is making consumers mutiplicitous - opens marketts WITHIN games, subworlds that can be exploited / marketed to / fashion trends will sweep games, online subcultures (maybe) - people have markeable personas on and off the web, new context for targeted advertising / commerce.

      Will cannabalize physical economies?

      Accessorize for a zoom meeting - digital suits, etc digital costumes. Something to wear at digital concerts, in games; your Perona will not be birthed into the metaverse clothed, accessorized...

      Assets will be portable across platforms.

    1. I’m not going to post them at this point in this post, because I want to save you from my experience: I spent three hours one day watching videos and reading links and posting on message boards and reading the replies, and that doesn’t include the year and a half I spent half-heartedly trying to understand the system. I’ll also only post the links that really made sense to me.

      It shouldn't take people hours a day with multiple posts, message boards, reading replies, and excessive research to implement a commonplace book. Herein lies a major problem with these systems. They require a reasonable user manual.

      One of the reasons I like the idea of public digital gardens is that one can see directly how others are using the space in a more direct and active way. You can see a system in active use and figure out which parts do or don't work or resonate with you.

    1. Many players already struggle with bandwidth and network congestion for online games that require only positional and input data. The Metaverse will only intensify these needs. The good news is that broadband penetration and bandwidth is consistently improving worldwide. Compute, which will be discussed more in Section #3, is also improving and can help substitute for constrained data transmission by predicting what should occur until the point in which the ‘real’ data can be substituted in.

      Data/bandwidth/access inequality will be among the next big concerns/issues: areas offering high speed reliability will enable residents of those markets opportunity to transact & experience things off limits to "underserved" data markets (solvable via satellite internet?) in ways that pose a severe disadvantage to the latter

      Control over the distribution & availability of this technology will be extremely vital (and will hopefully be egalitarian, but... it means $$$ and vested interests will seek to establish gatekeeper roles).

      Per the chart below, it appears some markets will remain substantially ahead of others (who knows how the tech will ultimately be deployed), but the rollout of web 3metaverse technology will likely NOT be an egalitarian digital immersion accessible by all people, not even close.

    1. https://slate.com/culture/2011/08/cathy-n-davidson-s-now-you-see-it-do-the-young-really-rule-in-the-internet-era.html

      A very prescient article by Annie Murphy Paul from 2011. It doesn't review Davidson's book, so much as to take to task some of the underlying optimistic views of the magic of technology. If only we were able to better adapt and evolve to create the sort of changes in humanity to take advantage of the potential benefits that were assumed. Instead, much of the tech sector adapted instead to hijack our slowly evolving attention to benefit themselves.

      I wish we as a culture had had more of this sober sort of outlook about technology at the time.

      I'm now even more intrigued by Paul's new book: The Extended Mind: The Power of Thinking Outside the Brain, which is already in my reading queue.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Annie Murphy Paul </span> in "@ChrisAldrich @amandalicastro @CathyNDavidson Chris, you may be interested in this review of "Now You See It" that I wrote . . . https://t.co/TnnbQ3NHWf" / Twitter (<time class='dt-published'>10/17/2021 10:25:52</time>)</cite></small>

    2. The digital age has brought all of us new and exciting tools that will surely continue to alter the way we learn and work. But focusing one’s attention, gathering and synthesizing evidence, and constructing a coherent argument are skills as necessary as they were before—in fact, more necessary than ever, given the swamp of baseless assertion and outright falsehood that is much of the Web. Some day not too far in the future, the digital natives may find themselves turning down the music, shutting off the flickering screen, silencing the buzzing phone and sitting down to do just one thing at a time.

      Very prescient for 2011!

    3. Who’s Afraid of Digital Natives? Let’s not get intimidated by kids and their Internet savvy.

      This is a common trope/stereotype which since has generally turned out not to be true. While some of the generation at this time were more digitally savvy, on the whole it turns out that they aren't always as savvy as we thought or expected them to be.

      Note that this was written in 2011.

      When did the phrase "digital native" originate?

      Cross reference: https://en.wikipedia.org/wiki/Digital_nativen which indicates:

      Native–immigrant analogy terms, referring to age groups' relationships with and understanding of the Internet, were used as early as 1995 by John Perry Barlow in an interview,[9] and used again in 1996 as part of the Declaration of the Independence of Cyberspace.

      The specific terms "digital native" and "digital immigrant" were popularized by education consultant Marc Prensky in his 2001 article entitled Digital Natives, Digital Immigrants, in which he relates the contemporary decline in American education to educators' failure to understand the needs of modern students.

  7. Sep 2021
    1. Note to self: mind garden is the first term I came across for this type of note-taking, but perhaps in the way I use this site, it would be more accurate to think of it as a commonplace book?

      I love the phrase mind garden here. It almost feels to me like a portmanteau concept that ties together the ideas of mind (or memory) palace and digital garden.

    1. playing house

      This is how I feel about most people's personal websites. Few people have homepages these days, but even for people who do, even fewer of those homes have anyone really living there. All their interesting stuff is going on on Twitter, GitHub, comments on message boards...

      Really weird when this manifests as a bunch of people having really strong opinions about static site tech stacks and justifications for frontend tech that in practice they never use, because the content from any one of their profiles on the mainstream social networks outstrips their "home" page 100x to 1.

    1. Social learning does not mean learning without tension or argument. In “Thinking with Peers”, Paul shows that argument and conflict are useful ways to focus attention and strengthen ideas, so long as the arguing is done with a certain amount of openness to new ideas. She approvingly quotes Stanford Business School professor Robert Sutton’s formula for productive conflict: “People should fight as if they are right, and listen as if they are wrong.” The brain, it seems, likes conflict. Or, at least, conflict helps strengthen attention.

      I wonder how this may be leveraged with those who are using Hypothes.is for conversations in the margins in classrooms?

      cc: @remikalir, @jeremydean, @nateangell

      Could teachers specifically sow contention into their conversations? Cross reference the idea of a devil's advocate.

      I love the aphorism:

      “People should fight as if they are right, and listen as if they are wrong.” — Robert Sutton, Stanford Buisness School professor's formula for productive conflict

    1. Q. What do you mainly focus on when drawing cartoons?Being simple. Being able to read them on a shaky bus. Being able to roughly understand the narrative even if you are not starting from the first episode,

      I like the points the author makes here. I see these both as design concerns recognizing the reader's experience and the limitations and affordances of technology.

  8. Aug 2021
  9. edwardbetts.com edwardbetts.com
    1. s

      La brecha digital es un fenómeno que se ha naturalizado y hoy en día es considerado como elemento colateral para la evolución tecnológica. Sin embargo, esto no es así; su solución va más alla del alcance en la infraestructura de las TIC, se trata de un problema de educación.

    2. khs hmuoths y mj oh tjrajrh jmhm

      La categoría de analfabetos digitales se refiere a todas aquellas personas que desconocen las TIC´s, lo cual les impide interactuar por medio de las herramientas que dichas tecnologías ofrecen. No se refiere tan solo a personas de la tercera edad; sino, por ejemplo, a jóvenes que debido a condiciones socio.económicas no pueden aproximarse a la infraestructura tecnológica.

    1. Funnily enough, I've been on an intellectual bent in the other direction: that we've poisoned our thinking in terms of systems, for the worse. This shows up when trying to communicate about the Web, for example.

      It's surprisingly difficult to get anyone to conceive of the Web as a medium suited for anything except the "live" behavior exhibited by the systems typically encountered today. (Essentially, thin clients in the form of single-page apps that are useless without a host on the other end for servicing data and computation requests.) The belief/expectation that content providers should be given a pass for producing brittle collections of content that should be considered merely transitory in nature just leads to even more abuse of the medium.

      Even actual programs get put into a ruddy state by this sort of thinking. Often, I don't even care about the program itself, so much as I care about the process it's applying, but maintainers make this effectively inextricable from the implementation details of the program itself (what OS version by which vendor does it target, etc.)

    1. Randall L.Anderson, “Metaphors of the Book as Garden in the English Renaissance,”YES33(2003),248–61, explains that seventeenth-century commentators sawmiscellanies as private, idiosyncratic collections and commonplace books asproduced with a readership in mind, for reference.

      This would appear to be an interesting direct connection of the analogy of commonplaces to digital gardens.

    Tags

    Annotators

    1. I like the differentiation that Jared has made here on his homepage with categories for "fast" and "slow".

      It's reminiscent of the system 1 (fast) and system2 (slow) ideas behind Kahneman and Tversky's work in behavioral economics. (See Thinking, Fast and Slow)

      It's also interesting in light of this tweet which came up recently:

      I very much miss the back and forth with blog posts responding to blog posts, a slow moving argument where we had time to think.

      — Rachel Andrew (@rachelandrew) August 22, 2017
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      Because the Tweet was shared out of context several years later, someone (accidentally?) replied to it as if it were contemporaneous. When called out for not watching the date of the post, their reply was "you do slow web your way…" #

      This gets one thinking. Perhaps it would help more people's contextual thinking if more sites specifically labeled their posts as fast and slow (or gave a 1-10 rating?). Sometimes the length of a response is an indicator of the thought put into it, thought not always as there's also the oft-quoted aphorism: "If I Had More Time, I Would Have Written a Shorter Letter".

      The ease of use of the UI on Twitter seems to broadly make it a platform for "fast" posting which can often cause ruffled feathers, sour feelings, anger, and poor communication.

      What if there were posting UIs (or micropub clients) that would hold onto your responses for a few hours, days, or even a week and then remind you about them after that time had past to see if they were still worth posting? This is a feature based on Abraham Lincoln's idea of a "hot letter" or angry letter, which he advised people to write often, but never send.

      Where is the social media service for hot posts that save all your vituperation, but don't show them to anyone? Or which maybe posts them anonymously?

      The opposite of some of this are the partially baked or even fully thought out posts that one hears about anecdotally, but which the authors say they felt weren't finish and thus didn't publish them. Wouldn't it be better to hit publish on these than those nasty quick replies? How can we create UI for this?

      I saw a sitcom a few years ago where a girl admonished her friend (an oblivious boy) for liking really old Instagram posts of a girl he was interested in. She said that deep-liking old photos was an obvious and overt sign of flirting.

      If this is the case then there's obviously a social standard of sorts for this, so why not hold your tongue in the meanwhile, and come up with something more thought out to send your digital love to someone instead of providing a (knee-)jerk reaction?

      Of course now I can't help but think of the annotations I've been making in my copy of Lucretius' On the Nature of Things. Do you suppose that Lucretius knows I'm in love?

  10. Jul 2021
    1. FluentFelicityOp · 12hBrilliant... I must ask you to share a little of your story. What brought you to have learned this much history and philosophy?

      I've always had history and philosophy around me from a relatively young age. Some of this stems from a practice of mnemonics since I was eleven and a more targeted study of the history and philosophy of mnemonics over the past decade. Some of this overlaps areas like knowledge acquisition and commonplace books which I've delved into over the past 6 years. I have a personal website that serves to some extent as a digital commonplace book and I've begun studying and collecting examples of others who practice similar patterns (see: https://indieweb.org/commonplace_book and a selection of public posts at https://boffosocko.com/tag/commonplace-books/) in the blogosphere and wiki space. As a result of this I've been watching the digital gardens space and the ideas relating to Zettelkasten for the past several years as well. If you'd like to go down a similar rabbit hole I can recommend some good books.

    1. Publication Dates are not important to Digital Gardeners. Posts are connected via references or common themes.

      I would argue against this. Many digital gardeners use publication dates and even last updated dates on their posts. Time in particular can be an incredibly important datum with regard to providing useful context to one's content.

    1. The world could benefit from a curated set of bookmarklets in the style of Smalltalk ("doIt", "printIt", etc buttons) that you can place in your bookmarks bar (or copy into a bookmarks document and open in it in your browser), where the purpose would be to allow you to:

      1. access a new scratch area (about:blank) for experimentation
      2. make it editable, or make any given element on a page editable
      3. let you evaluate any code written into the scratch space

      scratch.js aims for something something similar, and though laudable it falls short of what I actually crave (and what I imagine would be be most beneficial/appreciated by the public).

    1. Taking my own advice, this document was written in the world’s greatestweb authoring tool: LibreOffice Writer.

      Great. This is something that I advocate for technical people to put forth as a "serious" solution more often than I see today (which is essentially never). But next time, save it as HTML. (And ditch the stylistic "rubbish"; don't abuse "the sanctity of the written word by coercing it to serve the vanity of a graphic artist incapable of discharging his duty as a mere lieutenant".)

    1. Which makes them similar to “commonplace”: reusable in many places. But this connotation has led to a pejorative flavor of the German translation “Gemeinplatz” which means platitude. That’s why I prefer to call them ‘evergreen’ notes, although I am not sure if I am using this differentiation correctly.

      I've only run across the German "Gemeinplatz" a few times with this translation attached. Sad to think that this negative connotation has apparently taken hold. Even in English the word commonplace can have a somewhat negative connotation as well meaning "everyday, ordinary, unexceptional" when the point of commonplacing notes is specifically because they are surprising or extraordinary by definition.

      Your phrasing of "evergreen notes" seems close enough. I've seen some who might call the shorter notes you're making either "seedlings" or "budding" notes. Some may wait for bigger expansions of their ideas into 500-2000 word essays before they consider them "evergreen" notes. (Compare: https://maggieappleton.com/garden-history and https://notes.andymatuschak.org/Evergreen_notes). Of course this does vary quite a bit from person to person in my experience, so your phrasing certainly fits.

      I've not seen it crop up in the digital gardens or zettelkasten circles specifically but the word "evergreen" is used in the journalism space) to describe a fully formed article that can be re-used wholesale on a recurring basis. Usually they're related to recurring festivals, holidays, or cyclical stories like "How to cook the perfect Turkey" which might get recycled a week before Thanksgiving every year.

    1. You can use LibreOffice's Draw

      Nevermind LibreOffice Draw, you can use LibreOffice Writer to author the actual content. That this is never seriously pushed as an option (even, to my knowledge, by the LibreOffice folks themselves) is an indictment of the computing industry.

      Having said that, I guess there is some need to curate a set of templates for small and medium size businesses who want their stuff to "pop".

    1. Is it useful to the person writing to know that what’s written may be readable by others and that spurs deeper thought in reflection – or is that more blog-like than note-like?

      I often find that doing the work in public ups the quality and effort I put into the thing because I know there's at least the off-hand chance that someone else might read it.

      Generally this means a better contextualized product for myself when I come back to revisit it later, even if no one else saw it. Without it, sometimes my personal scribbles don't hold up when I revisit them, and I can't tell what I had originally intended because I didn't flesh out the idea enough.

    1. Revisiting this essay to review it in the framing of digital gardens.

      In a "gardens and streams" version of this metaphor, the stream is flow and the garden is stock.

      This also fits into a knowledge capture, growth, and innovation framing. The stream are small atomic ideas flowing by which may create new atomic ideas. These then need to be collected (in a garden) where they can be nurtured and grow into new things.

      Clippings of these new growth can be placed back into the stream to move on to other gardeners. Clever gardeners will also occasionally browse through the gardens of others to see bigger picture versions of how their gardens might become.

      Proper commonplacing is about both stock and flow. The unwritten rule is that one needs to link together ideas and expand them in places either within the commonplace or external to it: essays, papers, articles, books, or other larger structures which then become stock for others.

      While some creators appear to be about all stock in the modern era, it's just not true. They're consuming streams (flow) from other (perhaps richer) sources (like articles, books, television rather than social media) and building up their own stock in more private (or at least not public) places. Then they release that article, book, film, television show which becomes content stream for others.

      While we can choose to create public streams, but spending our time in other less information dense steams is less useful. Better is to keep a reasonably curated stream to see which other gardens to go visit.

      Currently is the online media space we have structures like microblogs and blogs (and most social media in general) which are reasonably good at creating streams (flow) and blogs, static sites, and wikis which are good for creating gardens (stock).

      What we're missing is a structure with the appropriate and attendant UI that can help us create both a garden and a stream simultaneously. It would be nice to have a wiki with a steam-like feed out for the smaller attendant ideas, but still allow the evolutionary building of bigger structures, which could also be placed into the stream at occasional times.

      I can imagine something like a MediaWiki with UI for placing small note-like ideas into other streams like Twitter, but which supports Webmention so that ideas that come back from Twitter or other consumers of one's stream can be placed into one's garden. Perhaps in a Zettelkasten like way, one could collect atomic notes into their wiki and then transclude those ideas into larger paragraphs and essays within the same wiki on other pages which might then become articles, books, videos, audio, etc.

      Obsidian, Roam Research do a somewhat reasonable job on the private side and have some facility for collecting data, but have no UI for sharing out into streams.

    1. Alan Jacobs seems to be delving into the area of thought spaces provided by blogs and blogging.

      In my view, they come out of a cultural tradition of commonplace books becoming digital and more social in the the modern era. Jacobs is obviously aware of the idea of Zettelkasten, but possibly hasn't come across the Sonke Ahrens' book on smart notes or the conceptualization of the "digital garden" stemming from Mike Caulfield's work.

      He's also acquainted with Robin Sloane, though it's unclear if he's aware of the idea of Stock and Flow.

    1. And essentially the idea there is that one is making a kind of music in the way that one might make a garden.  One is carefully constructing seeds, or finding seeds, carefully planting them and then letting them have their life.  And that life isn't necessarily exactly what you'd envisaged for them.  It's characteristic of the kind of work that I do that I'm really not aware of how the final result is going to look or sound.  So in fact, I'm deliberately constructing systems that will put me in the same position as any other member of the audience.  I want to be surprised by it as well.  And indeed, I often am. What this means, really, is a rethinking of one's own position as a creator.  You stop thinking of yourself as me, the controller, you the audience, and you start thinking of all of us as the audience, all of us as people enjoying the garden together.  Gardener included.  So there's something in the notes to this thing that says something about the difference between order and disorder.  It's in the preface to the little catalog we have.  Which I take issue with, actually, because I think it isn't the difference between order and disorder, it's the difference between one understanding of order and how it comes into being, and a newer understanding of how order comes into being.
  11. Jun 2021
    1. Slides from

      Panel: Digital Literacies

      How do the collaborative and multimodal qualities of social annotation encourage digital literacies? Join an expert panel of educators and researchers as they share their projects and perspectives, as well as discuss how social annotation exemplifies creative and interactive digital literacies. The panel will be moderated by Mary Klann (History, UC San Diego/San Diego Miramar College) and features speakers Jenae Cohn (Academic Technology, CSU Sacramento), Cherise McBride (Education, UC Berkeley), and Paul Schacht (English/Digital Learning, SUNY Geneseo).

    1. The other way to lessen the impact of blockchains is to ensure that the energy used is completely renewable. On April 7, a coalition led by Energy Web announced the Crypto Climate Accord, modeled loosely on the Paris Agreement. The top-level goal of the accord is for all of the world’s blockchains to be powered by 100 percent renewables by 2025.
    1. Though things are improving, the fact remains that no Blockchain model is truly energy efficient, so if you’re in doubt as to whether you need it and are concerned about CO2 emissions, you should proceed with caution. In some ways, the problem of the Blockchain is that it hit the public imagination - and that of app developers and entrepreneurs - long before the technology was fully mature (it definitely still isn’t) and many of these scalability and energy-consumption problems have yet to be ironed out. 
    1. The goal of the GCC is to facilitate a greener and more sustainable art world. Our aim is to provide information and the necessary tools so that we can collectively reduce our carbon footprint by 50% over the next ten years (in line with the Paris agreement), along with near zero-waste practices.
    1. It is an important aim of ALB, in the form of a close, long-term collaboration with artists, to follow the creative processes and make this visible in exhibitions, events and conferences. Instead of subordinating the artworks on exhibition to theory, we are interested in an inductive approach – that rather places the individual artistic work at the centre of inquiry.
    1. One reason is that, due to their location and big tech’s sleight of hand magic trick to convince us all that digital culture is immaterial, most people don’t even know they exist. The project lead, Nicole Starosielski (NYU), came out with an excellent and groundbreaking book (The Undersea Network, 2015) drawing attention to its history, architecture and impacts on social groups and the environment
    1. Reflecting on how new digital tools have re-invigorated annotation and contributed to the creation of their recent book, they suggest annotation presents a vital means by which academics can re-engage with each other and the wider world.

      I've been seeing some of this in the digital gardening space online. People are actively hosting their annotations, thoughts, and ideas, almost as personal wikis.

      Some are using RSS and other feeds as well as Webmention notifications so that these notebooks can communicate with each other in a realization of Vanmevar Bush's dream.

      Networked academic samizdat anyone?