all the subcolletions must have the same name, for instance tags

Oh, and to be absolutely clear, every example that I know of a company trying to adopt the "pioneer - settler - town planner" structure without first getting their principles in a decent state has ... failed. Principles first. Org structure later. Culture, later still.

An index of groups can help a great deal here:

normalizing our dabatase will help us. What means normalize? Well, it simply means to separate our information as much as we can

It is also important to ensure a group doesn't have a scope definition that is shared across multiple groups. Here are two examples:

Organizational Structure

We believe everyone deserves to report to exactly one person that knows and understands what you do day to day. The benefit of having a technically competent manager is easily the largest positive influence on a typical worker’s level of job satisfaction. We have a simple functional hierarchy, everyone has one manager that is experienced in their subject matter.

We don't want a matrix organization where you work with a lead day to day but formally report to someone else.

Par inhumain, nous entendons deux choses : premièrement, ce qui, par définition d’ordre épistémologique, n’est pas humain, soit du préfixe privatif in-, signifiant « sans » ;

Structuring instructional processes

PROGRAMME STRUCTUREThe second set of variables that determine transactional distance are the elements in the course design, or the ways inwhich the teaching programme is structured so that it can be delivered through the various communications media.Programmes are structured in different ways to take into account the need to produce, copy, deliver, and controlthese mediated messages. Structure expresses the rigidity or flexibility of the programme's educational objectives,teaching strategies, and evaluation methods.

I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went.

—Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster.

Sec.??,

Pass one of two single leptonb-performance triggers that require:444–An online reconstructed medium muon withpT> 26 GeV445–Or an online reconstructed electron with withpT> 26 GeV446•Contain an offline medium muon withpT> 30 GeV and no jet within∆R of 0.4.447•Contain an offline medium electron withpT> 30 GeV448•Contain at least two offline b-tagged jets defined as:449–Offline R=0.4 anti-kT jets.450–pT> 35 GeV and |η|< 2.5.451–Offline b-tagged at the 85% operating point.452–The offline jet must be matched to an online jet.

Events are required are pass to the following selection

The set of triggers with an electron or muon in it441withb-taggingalgorithm run on all online jets is called ‘b-performance trigger’ specifically used to study442b-jet trigger performance.

electron plus a neutrino,

an internal documentation of flavour tagging note, [25],

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Event selection, data, and simulated samples are common to both methods.

representative combination

bTrig

spot

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≈40%

70% 77%

Further details of the performance and usage of the muon-jet chains inPbPbcollisions are detailed in365Appendix H and will be summarised here for the paper once we better understand from the HI experts366what plots they would like to have made public, how much detail they need us to cover here etc

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Mean: 0.000098 +/- 0.000074RMS: 0.006637 +/- 0.000053Non-SplitMean: -0.000016 +/- 0.000090RMS: 0.007982 +/- 0.00006

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downside of wasting

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He then showed you how he could make a few strokes on the keyset to designate the type of link he wanted established, and pick the two symbol structures that were to be linked by means of the light pen. He said that most links possessed a direction, i.e., they were like an arrow pointing from one substructure to another, so that in setting up a link he must specify the two substructures in a given order.

"Most of the structuring forms I'll show you stem from the simple capability of being able to establish arbitrary linkages between different substructures, and of directing the computer subsequently to display a set of linked substructures with any relative positioning we might designate among the different substructures. You can designate as many different kinds of links as you wish, so that you can specify different display or manipulative treatment for the different types."

"You usually think of an argument as a serial sequence of steps of reason, beginning with known facts, assumptions, etc., and progressing toward a conclusion. Well, we do have to think through these steps serially, and we usually do list the steps serially when we write them out because that is pretty much the way our papers and books have to present them—they are pretty limiting in the symbol structuring they enable us to use. Have you even seen a 'scrambled-text' programmed instruction book? That is an interesting example of a deviation from straight serial presentation of steps.3b6b "Conceptually speaking, however, an argument is not a serial affair. It is sequential, I grant you, because some statements have to follow others, but this doesn't imply that its nature is necessarily serial. We usually string Statement B after Statement A, with Statements C, D, E, F, and so on following in that order—this is a serial structuring of our symbols. Perhaps each statement logically followed from all those which preceded it on the serial list, and if so, then the conceptual structuring would also be serial in nature, and it would be nicely matched for us by the symbol structuring.3b6c "But a more typical case might find A to be an independent statement, B dependent upon A, C and D independent, E depending upon D and B, E dependent upon C, and F dependent upon A, D, and E. See, sequential but not serial? A conceptual network but not a conceptual chain. The old paper and pencil methods of manipulating symbols just weren't very adaptable to making and using symbol structures to match the ways we make and use conceptual structures. With the new symbol-manipulating methods here, we have terrific flexibility for matching the two, and boy, it really pays off in the way you can tie into your work.3b6d This makes you recall dimly the generalizations you had heard previously about process structuring limiting symbol structuring, symbol structuring limiting concept structuring, and concept structuring limiting mental structuring.

As we are currently using it, the term includes the organization, study, modification, and execution of processes and process structures. Whereas concept structuring and symbol structuring together represent the language component of our augmentation means, process structuring represents the methodology component (plus a little more, actually). There has been enough previous discussion of process structures that we need not describe the notion here, beyond perhaps an example or two. The individual processes (or actions) of my hands and fingers have to be cooperatively organized if the typewriter is to do my bidding. My successive actions throughout my working day are meant to cooperate toward a certain over-all professional goal.

Critique

C’est ce détail qui m’a le plus fait apprécié l’article de Fabrice Maroux.

Rossana de Angelis

Article de Joanie Grenier (2017), extrait de la revue « Mémoires du livre ».

Résumé

Mais il a une méfiance des auteurs de la transparence du système de contrôle qui doit donc s’adapter. L’auteur questionne « les instances de validation » et la valorisation du contrôle par les « pairs » avec la contre-expertise. Il y a donc trois tendances : le libre accès à la science, la recherche contrôlée par les intermédiaires et les revues en libre accès qui sont créés par les chercheurs.

Introduction

Ce texte remet en question la posture de l’écriture électronique, dans un contexte où le texte écrit est né en ligne à l’instar d’avoir été numérisé. L’auteur questionne aussi sur la valeur de l’écriture en ligne quand elle est placée en comparaison avec une écriture papier dite plus “conventionnelle”.

Désintermédiation ou « hyperintermédiation » ?

Dans le cas présent, l’intermédiaire en question est le distributeur De Marque, entreprise fondée en 2009 et rapidement devenue le leader du livre numérique au Québec, grâce notamment à une entente avec l’Association nationale des éditeurs de livres (ANEL) et à la mise sur pied de l’Entrepôt numérique, espace virtuel abritant les contenus numériques qui sont ensuite offerts à la vente.

dont certains ne sont plus fonctionnels - qu’il est possible de consulter directement d’un clic

Compte rendu critique de « De l’éditeur au lecteur : De Marque et la distribution du livre numérique ». Un texte de Joanie Grenier de l’Université de Sherbrooke, diffusé le 2 mai 2017 dans la revue Mémoires du livre, consulté sur Érudit, la plateforme universitaire québécoise de diffusion numérique.

Un aspect rassurant L’aspect pédagogique du texte va ici de pair avec une certaine bienveillance vis-à-vis des lecteurs. En effet, à la conclusion, les auteurs mentionnent le côté « flottant » qu’a l’environnement numérique qui évolue de façon assez rapide. Apporter une vue globale sur le sujet de l’auctorialité permet ainsi de mieux le comprendre et de l’appréhender tout en brisant quelques idées présupposées.

Méthodologie

soit la « technologie wiki » et « le wiki en contexte » (Ibid.).

Pour finir l’objectif est également de faire comprendre que l’édition numérique n’est que le produit d’une évolution culturelle et que sans le développement des téléphonnes, des ordinateurs, du web et d’Internet, l’édition numérique et électronique ne serait pas ce qu’elle est. Ce texte permet de mieux comprendre et mieux réaliser certains faits et la corrélation entre différents secteurs et évolutions au sein de la société. Un texte est toujours le reflet d’une époque.

L’objectif est également d’expliquer en quoi constitue cette nouvelle notion d’édition électronique, en expliquant point par point les trois principales dimensions de ce processus. Il est important d’expliquer cette notion car en compraraison aux méthodes d’éditions précédentes non numériques, elle vient se situer à la fois en continuité ainsi qu’en rupture de celles-ci. L’objectif de cet article est aussi de clarifier l’opinion publique et l’inquiétude que cette évolution a suscité quant aux différents rôles qui se voyaient émancipés dans ce processus numérique, Marin Daco et Pierre Mounier l’expliquent dans leur article en disant : […] on en effet pu laisser penser à une évolution rendant obsolète toute position intermédiaire entre le producteur (auteur) et le consommateur (lecteur). […] Plutôt qu’à une disparition de la position éditoriale, c’est à sa transformation qu’il faut penser. L’objectif est donc d’informer de la manière la plus objective possible et complète, la société, les lecteurs, les auteurs et les éditeurs quant à ce que représente l’édition électronique et ses nombreux et importants enjeux. L’objectif est également d’instruire la société quant à la révolution majeure de la notion de l’accessibilité et de la diffusion du savoir qu’occasionne l’édition électronique diffusée par le web sur Internet. C’est un rapport tout au autre au savoir qu’elle propose, ainsi qu’elle offre également cette notion de collaboration qui n’était guère possible avant.

Objectifs et conclusion

L’article Édition électronique qui nous intéresse ici, est comprit entre les pages 47 jusqu’à la page 55 de l’ouvrage Communication

L’auteur démontre que le numérique s’inscrit dans un héritage de pratiques qu’il ne fait que réunir.

Les deux premières parties tournent autour de la définition de la littérature électronique et du numérique. La troisième partie explique brièvement que le numérique se place dans une continuité de pratiques et caractéristiques qui existent depuis longtemps. Finalement, la quatrième partie propose pour chaque aspect culturel du numérique identifié par Vitali-Rosati, un aspect concordant dans l’œuvre de Plamondon (qui est un livre physique bien réel).

La quatrième partie et la première partie sont beaucoup plus longues que la deuxième et la troisième, qui elles ne prennent que quelques paragraphes. La deuxième et la troisième partie auraient gagné à être jumelées.

Le texte souffre malheureusement de quelque inepties orthographiques et syntaxiques1. L

Le texte expose une certaine tension entre la culture numérique avec l’idéalisme du partage et de la libre circulation du savoir et la culture imprimée qui est centrée sur l’objet livre (le livre papier). L’avènement du livre numérique affecte tous les secteurs gravitant de près ou de loin autour du livre. Il induit de prime abord une modification des habitudes de lecture qui suscite de l’enthousiasme chez certains et de la méfiance chez d’autres. La lecture immersive et linéaire (celle du livre relié) est mise à mal au profit de modes de lecture rapide et fragmentaire qui, semble-t-il, érige en modèle cognitif le déficit d’attention caractéristique des enfants difficiles. On parle de baisse du temps consacré à la lecture et on perçoit une menace à l’acte de lecture lui-même. Le monde éditorial est ébranlé par la dématérialisation des supports de diffusion et la pression vers la gratuité d’accès sur les biens informationnels. Il existe une certaine inquiétude face à la perspective de voir Google et Amazon, devenir les grands éditeurs de demain.

Propos du document

Topological Structures: How Objects are Organized in Spatial Systems

New York-based startup Tastemakers has raised a $1 million seed-round — led by Precursor Ventures — for its business that connects Africa adventures to global consumers.

Because of this distinction, outcome and impact evaluations are going to look a little different.

In the end, it’s important to remember that these are guidelines, and you will no doubt encounter program evaluation projects that cross the lines of research, and vice versa. Understanding how the two differ will help you decide how to move forward when you encounter the need to assess the effect of a program in practice.

Explain defining features of content analysis as a strategy for qualitative data analysis and when it is most effectively used

A few exemplars of studies employing Thematic Analysis:

We are usually relatively unfamiliar with our participants, at least on a personal level. This can make sitting down for an interview where we might be asking some deep questions a bit awkward and uncomfortable, at least at first. Because of this, we want to craft our questions in such a way that they are not off-putting, inadvertently accusatory or judgmental, or culturally insensitive.  To accomplish this we want to make sure we phrase questions in a neutral tone (e.g. “Tell me what that was like”, as opposed to, “That sounds horrible, what was that like”). To accomplish this we can shift perspectives and think about what it would be like for us to be asked these questions (especially by a stranger), and we can pilot test our questions to see how they ‘feel’ to others. Also, if we are conducting interviews on topics that may be particularly hard for people to talk about, we likely will want to start out with some questions that are easier to address prior to getting into the heavier topics. Make them relatable Unlike surveys, where researchers may not be able to explain the meaning of question, when conducting interviews, we are present to help further explain questions if there is some confusion. However, ideally our questions are as clear as possible from the beginning. This means that we avoid jargon or technical terms, we anticipate areas that might be hard to explain and try to provide some examples or a metaphor that might help to get the point across, and we do our homework to relay our questions in a cultural context that is appropriate. Like the discussion above, pilot testing our questions can be very helpful for ensuring the relatability of our questions, especially with community representatives. What sounds good in our heads as a question, might make little sense to our intended audience. Make them individually distinct, but collectively comprehensive Just like when we are developing survey questions, you don’t want to ask more than one question at the same time. This is confusing and hard to respond to for the participant, so make sure you are only asking about one idea in each question.  However, when you are thinking about your list of questions, or your whole interview guide collectively, ensure that you have comprehensively included all the ideas related to your topic. It’s extremely disheartening as a qualitative researcher that has concluded their interviews and realized there was a really important area that you failed to include in your guide. To avoid this, make sure to know the literature in your area well and talk to other people who study this area to get there perspective on what topics need to be included.

These two categories exist as opposite extremes on a continuum.

assure there is fair distribution of risks and benefits related to our research, be conscientious in our recruitment efforts to support equitable representation, and that we ensure special protections to vulnerable groups involved in research activities. As you plan your qualitative research study sampling plan, make sure to consider who is invited and able to participate and who is not.

across our participants.

Federal Reserve System

In this chapter you will learn:

Il n'en reste pas moins que, du point de vue des relations plus que des représenta-tions, du dynamisme intellectuel.plus que des syntagmes, la ratiocina-tion est marquée par une engrammation dans l'imaginaire.

2 1 L'INTELLECT IMAGEANT

mais au lieu de les affecter à un sens littéral, à un message d'ex-pression ou de communication, elle les inscrit dans de nouvelles combi-naisons linguistiques qui rendent active une pluralité de niveaux de signi-fications, entre lesquels s'instaure une coexistence, par libre jeu, de sens figurés.

les images médiatement riches de pensée, parce qu'elles nécessitent une démarche interprétative pour livrer leur profon-deur de pensée

les images immédiatement donatrices de savoirs, parce qu'elles laissent l'information effieurer sans délai à la surface des figures (formes spatiales et images verbales)

Impact of Fully Connected Layers on Performance of Convolutional Neural Networks for Image Classification

Deep convolutional Gaussian processes

Deep processing of structured data

On the loss landscape of a class of deep neural networks with no bad local valleys

How deep is deep enough? - Optimizing deep neural network architecture

Create a note by selecting some text and clicking the button

Create a note by selecting some text and clicking the button

CREATE Overview

As virtuous men pass mildly away,    And whisper to their souls to go, Whilst some of their sad friends do say    The breath goes now, and some say, No: So let us melt, and make no noise,    No tear-floods, nor sigh-tempests move; 'Twere profanation of our joys    To tell the laity our love. Moving of th' earth brings harms and fears,    Men reckon what it did, and meant; But trepidation of the spheres,    Though greater far, is innocent. Dull sublunary lovers' love    (Whose soul is sense) cannot admit Absence, because it doth remove    Those things which elemented it. But we by a love so much refined,    That our selves know not what it is, Inter-assured of the mind,    Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one,    Though I must go, endure not yet A breach, but an expansion,    Like gold to airy thinness beat. If they be two, they are two so    As stiff twin compasses are two; Thy soul, the fixed foot, makes no show    To move, but doth, if the other do. And though it in the center sit,    Yet when the other far doth roam, It leans and hearkens after it,    And grows erect, as that comes home. Such wilt thou be to me, who must,    Like th' other foot, obliquely run; Thy firmness makes my circle just,    And makes me end where I begun.

This argument dictates that one might reasonably withhold access to A (desirable), where it is likely or inevitable that such freedom will lead to circumstance B (undesirable).

Les Cours Planning Tarifs Les Salles Inscriptions

“If you’re not on MySpace, you don’t exist.”