2,479 Matching Annotations
  1. Feb 2021
    1. In the stream metaphor you don’t experience the Stream by walking around it and looking at it, or following it to its end. You jump in and let it flow past. You feel the force of it hit you as things float by. It’s not that you are passive in the Stream. You can be active. But your actions in there — your blog posts, @ mentions, forum comments — exist in a context that is collapsed down to a simple timeline of events that together form a narrative.

      This describes exactly what frustrates me the most about online discussions. Especially on Twitter, it is so hard to build coherence on previous (and future) insight.

    1. The first web browser was also an editor. The idea being that not only could everyone read content on the web, but they could also help create it. It was to be a collaborative space for everyone.

      This is really interesting. I think we have got used to the fact that the internet is mostly a passive space - where we search for things. Perhaps we sometime ask questions. And there are only some spaces, where we are actually creative ourselves.

      Hypothes.is is the powerful idea that you can annotate the web.

      Solid is a more radical solution. It is the idea that you can also control what data you share with other.

    1. Spent some time browsing through the wealth of resources here. What a great site. Greg McVerry will appreciate it and many of the curated resources which he may be able to remix and reuse.

    2. I'm curious how a model like Homebrew Website Club or regular DoOO meetups might be similar to or borrow from a teaching model like this class?

    1. Free, Open, Flexible: Rethinking Learning Materials Online

      One of my early sessions on Open Education, with an emphasis on leveraging the material we create in the course of our work.

    1. Essentially, we study culture at an "on the ground" level – looking for the individual stories, rich details, particular nuances, and thick description you can only find by spending extended time with people in their daily lives.

      I'm reading this and can't help but think it's sort of what Jack Jamieson did in writing his recent thesis Independent Together: Building and Maintaining Values in a Distributed Web Infrastructure.

      It's definitely the sort of thing that Maggie Appleton may appreciate.

  2. Jan 2021
    1. This study highlights the potential of digital technology expanding creative palettes and clinical intervention tools for therapeutic sessions.
    1. access

      Also seeing "access" repeated early in the letter. I count 51 matches for "access" in the letter. Now seems like a good time to raise how digital redlining affects students' access to high-speed internet.

  3. Dec 2020
    1. The word florilegium literally means a gathering of flowers — flos (flowers) and legere (to gather).

      Is this the origin of what people have recently started calling digital gardens?

    1. I spin out notes and potential Notions from my project notes, as I encounter things in my work where some idea or thought jumps out. Those potential Notions I put in a folder called proto notions, inside my GotFP

      I just include these initial thoughts / ideas in the same Obsidian vault as my permanent notes. I think of them as "permanent notes in training" or, as some people have started calling them, seedlings (in the language of the digital gardening crowd).

  4. Nov 2020
    1. More importantly, both systems assume that writers have full access to the full conversation that prompts them into writing. On Substack, there are too many walls dividing up the garden.
    1. What I'm starting to realize is that I don't seem to be building a “digital garden” with Obsidian. What I'm building seems more of a personal wiki, a personal knowledge-base, a second brain.

      Very insightful and eerily in parallel to my own thoughts regarding my attempt at Digital Gardening with Notion.

    1. Instant

      The word “Instant” suggests immediate access for all students. However, digital redlining and a lack of high-speed internet means that, for many, “Instant” is not possible.

    1. digital natives?

      let's get rid of this term so those in power are no longer abe to shirk responsibility of teaching children and young people digital skills

    1. 2020 events have accelerated digital transformation, and COVID-19-driven digital adoption rates have covered decades in days: E-commerce grew 10 years in 8 weeks Telemedicine grew 10 times in 15 days Remote working has 20 time more participants in 3 months Remote learning grew 250 million in 2 weeks Online entertainment grew 7 years in 5 months (I must admit that Netflix has become my best friend in this pandemic …)

      Zeigt, wie wichtig es ist, dass Organisationen digital operieren können. Quellen für diese Zahlen?

    1. other technologies

      particularly proctoring and "plagiarism detection" platforms that exacerbate the "patterns of systemic racism" mentioned above.

  5. Oct 2020
    1. Der Guardian über das estnische Bildungssystem und den Covid-19-Lockdown. Rechtzeitige Digitalisierung hat dafür gesorgt, dass die Schulen so leistungsfähig geblieben sind wie davor.

    1. While individuals use these tools in the hope that their training will improve their performance, this relationship is not a given. This paper proposes that an individual's level of digital literacy affects her performance through its impact on her performance and effort expectations. To explain the influence of digital li

      This is the very reason I selected this paper. Digital literacy is also a factor in determining one's technological acumen.

    1. How is digital fluency different from digital literacy? In learning a foreign language, a literate person can read, speak, and listen for understanding in the new language. A fluent person can create something in the language: a story, a poem, a play, or a conversation. Similarly, digital literacy is an understanding of how to use the tools; digital fluency is the ability to create something new with those tools. Digital fluency can be viewed as an evolving collection of fluencies including, but not limited to, curiosity fluency, communication fluency, creation fluency, data fluency, and innovation fluency.

      This comparison takes a narrow view of digital literacy. Often the term includes the ability to critically evaluate digital content and to create digital media (see e.g. Perspectives of digital literacies. However, the concept of digital fluency is also useful and this definition includes useful elements.

    1. Digital literacy should be positioned as an entitlement for students that supports their full participation in a society in which social, cultural, political, and financial life are increasingly mediated by digital literacies

      Positioning digital literacy as an entitlement is useful language to persuade individual educators and institutions that digital literacy is core to 21st century education, not just an optional add-on.

    1. Designing Social Media for Informal Learning and Knowledge Maturing in the Digital Workplace

      Ravenscroft, A., Schmidt, A., Cook, J., & Bradley, C. (2012). Designing Social Media for Informal Learning and Knowledge Maturing in the Digital Workplace. Journal of Computer Assisted Learning, 28(3), 235–249.

      https://search.ebscohost.com/login.aspx?direct=true&AuthType=shib&db=eric&AN=EJ966042&site=eds-live&scope=site&custid=uphoenix

      This paper presents an original approach to designing social media that support informal learning in the digital workplace. It adapts design-based research to take into account the embeddedness of interactions within digitally mediated work-based contexts. The approach is demonstrated through the design, implementation, and evaluation of software tools supporting a particular type of informal learning called "knowledge maturing". The paper: introduces and presents the rationale for, and concept of, knowledge maturing; presents a new design methodology for developing social media that support informal learning and knowledge maturing; focuses on one prototype, for "people tagging for organisational development", that was produced by the methodology (and concisely describes two others); presents the formative evaluation of the highlighted prototype; and finally, discusses the implications and insights arising from this work.

      8/10

    1. omos NOSOTROS, PERSONAS dotadas de RAZÓN, quienes tenemos que repensar y res-tringir radicalmente el capitalismo destructivo, y también nuestra ilimitada y destructiva movilidad, para salvarnos a nosotros, para salvar el clima y nuestro bello planeta

      Como personas dotadas de razón debemos de analizar seriamente las implicaciones de permitir un tipo de "panóptico digital", aún más si se pretende utilizar con fines de gobernanza. El capitalismo se ha acentuado y ha mostrado su efectividad para lograr dar accesibilidad mundial a recursos, productos y/o servicios. La mal llamada soberanía , sólo por ser ejercida por el soberano, ha de ser cuestionada y hemos de analizar más allá del modelo económico político a los actores implicados y si realmente han sido fieles a los principios proclamados, tanto en aquellos modelos capitalistas como en aquellos con tendencia comunista. Dejemos de atacar al capitalismo como un ente perverso, los gobernantes pueden ser perversos, los modelos pueden ser mal aplicados. "Seguridad digital", "capitalismo", "liberalismo", "esfera privada", todos éstos términos se ven reducidos a la manera en la que se implementan.

    1. The second article is from Tom Critchlow titled Building a Digital Garden. What I really like about Tom's piece is his discussion of the idea of "non-performative blogging" in your personal space on the web.I love this idea. Instead of "content marketing" we can use our websites to get back to what made the web awesome while also creating better resources for ourselves and our users.

      There's a nice kernel of an idea here that one's website should be built and made (useful) for ones self first and only secondarily for others. This is what makes it a "personal" website.

    1. Personal websites can be so much more than a progression of posts over time, newer posts showing up while everything from the past is neatly tucked on “page 2” and beyond.

      This is an interesting idea and too many CMSes are missing this sort of UI baked into them as a core idea. CMSes could do a better job of doing both: the garden AND the stream

    2. While I lament the loss of some of the artistry of the early web and lay much of the blame at the feet of blogging platforms like WordPress, such platforms also opened the web to far more people who would not have otherwise been able to create a website. Democratizing publishing is a far loftier goal than dropping animated GIFs across personal spaces.

      WordPress has done a lot to democratize publishing and make portions of it easier, but has it gone too far in crystalizing the form of things by not having more wiki-like or curation-based features?

    3. Throughout the platform’s history, end-users have remained at the mercy of their WordPress theme. Most themes are built around what WordPress allows out of the box. They follow a similar formula. Some may have a fancy homepage or other custom page templates. But, on the whole, themes have been primarily built around the idea of a blog. Such themes do not give the user true control over where to place things on their website. While some developers have attempted solutions to this, most have never met the towering goal of putting the power of HTML and CSS into the hands of users through a visual interface. This lack of tools has given rise to page builders and the block editor.

      an apropos criticsm

    1. This principle requires us to expand our definition of “publication” beyond the usual narrow sense. Few people will ever publish their work in an academic journal or even on a blog. But everything that we write down and share with someone else counts: notes we share with a friend, homework we submit to a professor, emails we write to our colleagues, and presentations we deliver to clients all count as knowledge made public.

      This idea underlies the reason why one might want to have a public online commonplace book or digital garden.

    1. being able to follow links to “follow a conversation” that is threaded on Twitter.

      This is one of my favorite parts about my website and others supporting Webmention: the conversation is aggregated onto or more closely adjacent to the source. This helps prevent context collapse.

      Has anyone made a browser tool for encouraging lateral reading? I'd love a bookmarklet that I could click to provide some highly relevant lateral reading resources for any particular page I'm on.

    1. Creative Commons Attribution NonCommercial

      I'm gearing up my reading list for the holidays. I wanted to add An Urgency of Teachers: the Work of Critical Digital Pedagogy by Jesse Stommel and Sean Michael Morris. Seemingly I can only find .html, .azw3, and .pdf copies of the book, and I'd far prefer an .epub version. Fortunately the book has a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0), so I've spent some time this morning to convert an original and made myself an .epub version for my Android devices.

      I'm happy to share it if others are looking for the same and don't have the ability (or frankly the time) to make the conversion. I also have a .mobi version (for Kindle) of the text as well since it didn't require much additional work. These are exact replicas with no changes and come with the same CC BY-NC 4.0 license. If Jesse or Sean want copies to make available on their site, I'm happy to send them along. 

      If you have the means, please be sure to make a donation to help support the book and Sean and Jesse's work.

      Originally posted at https://boffosocko.com/2019/12/19/alternate-formats-of-an-urgency-of-teachers-by-jesse-stommel-and-sean-michael-morris/

    1. “INFORMATION RULES”—published in 1999 but still one of the best books on digital economics—Carl Shapiro and Hal Varian, two economists, popularised the term “network effects”,

      I want to get a copy of this book.

    1. This is my digital garden, so you might something you didn’t expect from time to time.

      an example

    1. I love the general idea of where he's going here and definitively want something exactly like this.

      The closest thing I've been able to find in near-finished form is having a public TiddlyWiki with some IndieWeb features. Naturally there's a lot I would change, but for the near term a mixture of a blog and a wiki is what more of us need.

      I love the recontextualization of the swale that he proposes here to fit into the extended metaphor of the garden and the stream.

    1. In the past, I have written and talked about the need to create one canonical URL (address) for yourself online. The need to connect the dots to link together these disparate parts of your digital identity. I’ve been wondering over the last year or so whether that guidance was misguided.

      Ian, I am interested in your point about the 'canonical' link? Is your concern that it is a good ideal, but not realistic to expect of all people?

  6. Sep 2020
    1. Curation comes before a chronological list. The chronological list is still there, but when you click "all articles" instead of numbered pages, all of the articles on that page are visible. If I had thousands of posts that might be a problem, but with my fairly small catalog the pages loads fast and you can scroll through it easily.
    2. The idea of a "blog" needs to get over itself. Everybody is treating writing as a "content marketing strategy" and using it to "build a personal brand" which leads to the fundamental flawed idea that everything you post has to be polished to perfection and ready to be consumed.

      Het is inderdaad het dilemma waar ik mee worstel. Enerzijds wil ik het liefste een Frankopedia maken van mijn site. Iets waar ik losse notities op post, waar ik bookmarks kwijt kan en ik zelf een grootverbruiker ben van de zoekbalk. Maar anderzijds vind ik het lastig te combineren met de meer gepolijste artikelen die ik er wil publiceren. Die meer gericht zijn op het publiek en minder voor mijn eigen second brain

    3. What makes a garden is interesting. It's personal. Things are organized and orderly, but with a touch of chaos around the edges.

      Mooie quote. "a touch of chaos around the edges"

    1. The digital garden is "a space for collecting (and connecting) the dots." You can and should link to other writing and references beyond your own to build up your network of knowledge.

      Digital Gardens, Commonplace books. Ik blijf het een fascinerend concept vinden. Het vereist aandacht en langdurig bijhouden om de waarde te vinden. Dat is wat mij persoonlijk nog tegenhoudt.

    1. But I end up coming back to this simple stuff because I can’t shake the feeling that digital literacy needs to start with the mirror and head-checks before it gets to automotive repair or controlled skids. Because it is these simple behaviors, applied as habits and enforced as norms, that have the power to change the web as we know it, to break our cycle of reaction and recognition, and ultimately to get even our deeper investigations off to a better start.

      I find this quite interesting because of the analogies that are given. Many people find it hard or make it seem hard to investigate what is presented on the internet when in all honesty, the process will get easier to the point that it is considered a mirror check, something we humans do constantly.

    1. The purpose (for me) in these bookmarks is to identify a space (or process) between Hypothesis and my IndieWeb commonplace site. I want to read, review, and share the link, salient quotes, and perhaps some context for others. The use of Hypothesis helps as I have another series of links behind to “show my work.”

      Bookmarks op je site zijn één van de meest traditionele vormen van bloggen en je eigen website vorm geven. Inderdaad kan Hypothesis helpen in het proces om de links van context te voorzien, ze bij elkaar te houden én via de Hypothesis API ze op allerlei manieren in je eigen systeem te krijgen. In welke vorm ze uiteindelijk in je eigen commonplace site/digital garden terecht komen, dat is aan je eigen creativiteit. Wat ik erg hoopgevend vind, is dat Hypothesis best wat metadata opslaat van de annotatie, wat weer mogelijkheden geeft voor andere dwarsverbanden, backlinks en digitaal "tuinieren".

  7. Aug 2020
    1. Facebook has apologized to its users and advertisers for being forced to respect people’s privacy in an upcoming update to Apple’s mobile operating system – and promised it will do its best to invade their privacy on other platforms.

      Sometimes I forget how funny The Register can be. This is terrific.

    1. Facebook is warning developers that privacy changes in an upcoming iOS update will severely curtail its ability to track users' activity across the entire Internet and app ecosystem and prevent the social media platform from serving targeted ads to users inside other, non-Facebook apps on iPhones.

      I fail to see anything bad about this.

    1. “There were little white girls slicking their edges and drawing their eyebrows all weird,” Roberts says. “They would wrap tape around their fingers to be their fake nails. They'd put hoops on. When you call them out, it's, ‘Anyone of any race can be a Hot Cheeto Girl.’ No sweetheart, we know what you're doing. We know that the Hot Cheeto Girl is just a derivative of the ghetto girl, the hood rat, the Shanaynay that people used to call Black and Latinx women.”
    2. The most effective videos come down to one factor: how well a creator grabs hold of our attention. That is to say, how deftly they make what we watch theirs. Blackness is a proven attention getter. Its adoption is racism, custom-fit.

      This last line needs more explanation. Why is its adoption racism?

    3. the tenets of minstrel performance remain alive today in television, movies, music, and, in its most advanced iteration, on the internet.

      I wonder if it's the history of minstrelsy that makes this a problem. When I think of people laughing at minstrel shows, I think they were laughing at the racist caricatures of black people on show, so it was hateful entertainment and their joy was derived from it. When I think of what people are doing today on TikTok, it doesn't immediately seem to be for the same reasons. And the laughter doesn't seem to come from a place of hatred of black people. A person painting themselves black and making a "joke" about black people being stupid feels very different from someone imitating Nene Leakes to call an airline ghetto. Is it possible to imitate black culture innocently?

    4. In a video uploaded to TikTok last December, a white teen saunters through an airport terminal, roller suitcase in hand. As he passes the check-in counter for Spirit—the notoriously awful low-cost airline—a look of mild irritation crosses his face. He glances left, then right. “Whew chile, the ghetto,” he says, elongating the o in ghetto. Only it's not the young man's voice we hear. It's that of reality diva NeNe Leakes, whose audio was pulled, edited, and resynchronized for the eight-second clip.
    5. As Blackmon puts it, “Be clear: Without Black culture, TikTok wouldn't even be a thing.”
    6. TikTok, it turned out, was reminiscent of Vine in more ways than one. The common denominator of many of its viral moments is an unspoken partiality to Black cultural expression
    1. I devised and delivered the original Turing's sunflowers experiment with Jonathan Swinton for the museum and am co-author on the paper from the results. I also conceptualised Hookedonmusic with computational musicologists from Amsterdam for the same museum group. I describe in a book chapter a reflection on digital methods, and wider implications for communities and society in relation to ethics. Do have a look, in relation to ethics https://www.academia.edu/41439394/The_Dream_Life_of_Digital_in_search_of_lost_purpose

      Your paper mainly focuses on on a narrow form of what citizen science can be for museums - ie crowdsourcing, it could also consider the role of museums as a platform to engage audiences in thinking about topics of wider societal concern e.g. Turing's homosexuality and its relevance to museum visitors today.

    1. 1) a inexistência de infraestrutura física de transmissão; 2) a disponibilidade de equipamento/conexão de acesso (como computadores, modem, antenas); 3) o treinamento no uso dos instrumentos do computador e da internet; 4) a capacitação intelectual dos usuários para o uso da tecnologia e dos espaços virtuais; e 5) o aproveitamento e o desenvolvimento de conteúdos específicos e adequados às necessidades de diversos segmentos da população. Por certo que os citados elementos se tornam ainda mais complexos se pensados em nível de satisfação e de qualidade de satisfação.

      Fatores para exclusão digital

    2. A ciberexclusão representa um dos vieses da desigualdade social e trata do problema da não fruição adequada (por variados motivos) da

      Exclusão Digital

  8. Jul 2020
    1. The word “pedagogy,” as we use it, defines the work of education at the intersection of theory and practice — the act of teaching that derives from reflection and which inspires reflection again. Pedagogy is both where “critical” and “digital” terminate, and also the whole terrain of teaching.

      I agree with this. Creating divisions on how pedagogy relates to one age group over another takes away from the key developments around education and pedagogy, and creates a slightly more disconnected, disjointed field for education. Good education and educational practices are just that - the subject or age specificity can distract from otherwise good practices and theories that can and often do transcend the disciplines.

    1. It is not unusual for one individual to possess several dozen different usernames and passwords.

      Having multiple names is an interesting manifestation of having multiple identities. Do you tend to use your "real" name, a consistent username across services, or different usernames based on the kind of service? What happens when those contexts collapse (like when you give a work acquaintance your personal email address).

    2. A digital identity is made up of the sum total of digital traces relating to an individual or a community

      I tend to think of my digital identities (plural) as something closer to personae - the personalities I wish to expose or highlight or preserve on particular platforms or with particular groups. Interesting challenge to think about the integrative, single identity.

    1. the indexable nature of human beings themselves via the traces they consciously or unconsciously leave on the network, that is to say the question of their digital identity.

      "Consciously or unconsciously" is interesting. The imposition of identity by others, as well as our own volition in crafting it.

    1. prevent its disclosure to any person not authorized to create the subscriber's digital signature

      So the signature can be used by another entity to create the digital signature if authorized beforehand.

      So if there is a statement that "I authorize [organization] to create a cryptographic key-pair on my behalf, and create the digital signature."

    1. Simply stated, students are often not provided with opportunities in school to practice the web literacies necessary to read, write, and participate on the web.

      I remember having to take a computer science course in high school/middle school, but it mainly focused on developing digital skills instead of digital literacies

  9. Jun 2020
    1. This integration of digital tools and automated technologies into building practices has become ever-more urgent in light of the agility that will be required to cope with the effects of climate change, including the increased mobility of people and reduction in material and human resources. Architecture that could accommodate more people in the event of mass migration, or construction practices that could efficiently utilise local resources instead of relying on global supply chains, are possible results of digitising the production of the built environment.

      As long as the tools are made freely available to the public, lest the control shift to those who own/control such tools (proprietary software in the hands of large digital coroporations).

  10. May 2020
    1. If your hosting provider does not support HTTPS, the following options are available: You can contact your web hosting provider: tell them you want a free HTTPS certificate through Let’s Encrypt. You’re probably not the only one using your web hosting provider service who wants HTTPS. You can request that your web hosting provider offer Let’s Encrypt HTTPS certificates as a free part of their hosting package. An effective way to make this ask is through email, their help desk system, or by contacting the web hosting provider through social media. You can switch to a different web hosting provider. Find a web hosting provider who offers full HTTPS support as part of their web hosting package by checking our list. You might be able to use Certbot. If you have SSH access to the server your website is hosted on, you might be able to use Certbot. You will need to know the software and system your server is running on. After you confirm the software and system information, you can use the dropdown menus above to generate specific instructions for running Certbot on your server through the command line.
    1. ABSTRACTLet’s Encrypt is a free, open, and automated HTTPS certificate au-thority (CA) created to advance HTTPS adoption to the entire Web.Since its launch in late 2015, Let’s Encrypt has grown to become theworld’s largest HTTPS CA, accounting for more currently valid cer-tificates than all other browser-trusted CAs combined. By January2019, it had issued over 538 million certificates for 223 million do-main names. We describe how we built Let’s Encrypt, including thearchitecture of the CA software system (Boulder) and the structureof the organization that operates it (ISRG), and we discuss lessonslearned from the experience. We also describe the design of ACME,the IETF-standard protocol we created to automate CA–server inter-actions and certificate issuance, and survey the diverse ecosystemof ACME clients, including Certbot, a software agent we created toautomate HTTPS deployment. Finally, we measure Let’s Encrypt’simpact on the Web and the CA ecosystem. We hope that the successof Let’s Encrypt can provide a model for further enhancements tothe Web PKI and for future Internet security infrastructure.
    1. public-benefit digital infrastructure projects, the first of which was the Let's Encrypt certificate authority. ISRG's founding directors were Josh Aas and Eric Rescorla. The group's founding sponsors and partners were Mozilla, the Electronic Frontier Foundation, the University of Michigan, Cisco, and Akamai.
    2. About Internet Security Research Group Mission Our mission is to reduce financial, technological, and educational barriers to secure communication over the Internet.
    1. HTTPS Everywhere HTTPS Everywhere is a Firefox, Chrome, and Opera extension that encrypts your communications with many major websites, making your browsing more secure. Encrypt the web: Install HTTPS Everywhere today.
    1. Certbot is part of EFF’s larger effort to encrypt the entire Internet. Websites need to use HTTPS to secure the web. Along with HTTPS Everywhere, Certbot aims to build a network that is more structurally private, safe, and protected against censorship. Certbot is the work of many authors, including a team of EFF staff and numerous open source contributors.
    2. What’s Certbot? Certbot is a free, open source software tool for automatically using Let’s Encrypt certificates on manually-administrated websites to enable HTTPS. Certbot is made by the Electronic Frontier Foundation (EFF), a 501(c)3 nonprofit based in San Francisco, CA, that defends digital privacy, free speech, and innovation.
    1. The objective of Let’s Encrypt and the ACME protocol is to make it possible to set up an HTTPS server and have it automatically obtain a browser-trusted certificate, without any human intervention. This is accomplished by running a certificate management agent on the web server. To understand how the technology works, let’s walk through the process of setting up https://example.com/ with a certificate management agent that supports Let’s Encrypt. There are two steps to this process. First, the agent proves to the CA that the web server controls a domain. Then, the agent can request, renew, and revoke certificates for that domain. Domain Validation Let’s Encrypt identifies the server administrator by public key. The first time the agent software interacts with Let’s Encrypt, it generates a new key pair and proves to the Let’s Encrypt CA that the server controls one or more domains. This is similar to the traditional CA process of creating an account and adding domains to that account. To kick off the process, the agent asks the Let’s Encrypt CA what it needs to do in order to prove that it controls example.com. The Let’s Encrypt CA will look at the domain name being requested and issue one or more sets of challenges. These are different ways that the agent can prove control of the domain. For example, the CA might give the agent a choice of either: Provisioning a DNS record under example.com, or Provisioning an HTTP resource under a well-known URI on http://example.com/ Along with the challenges, the Let’s Encrypt CA also provides a nonce that the agent must sign with its private key pair to prove that it controls the key pair. The agent software completes one of the provided sets of challenges. Let’s say it is able to accomplish the second task above: it creates a file on a specified path on the http://example.com site. The agent also signs the provided nonce with its private key. Once the agent has completed these steps, it notifies the CA that it’s ready to complete validation. Then, it’s the CA’s job to check that the challenges have been satisfied. The CA verifies the signature on the nonce, and it attempts to download the file from the web server and make sure it has the expected content. If the signature over the nonce is valid, and the challenges check out, then the agent identified by the public key is authorized to do certificate management for example.com. We call the key pair the agent used an “authorized key pair” for example.com. Certificate Issuance and Revocation Once the agent has an authorized key pair, requesting, renewing, and revoking certificates is simple—just send certificate management messages and sign them with the authorized key pair. To obtain a certificate for the domain, the agent constructs a PKCS#10 Certificate Signing Request that asks the Let’s Encrypt CA to issue a certificate for example.com with a specified public key. As usual, the CSR includes a signature by the private key corresponding to the public key in the CSR. The agent also signs the whole CSR with the authorized key for example.com so that the Let’s Encrypt CA knows it’s authorized. When the Let’s Encrypt CA receives the request, it verifies both signatures. If everything looks good, it issues a certificate for example.com with the public key from the CSR and returns it to the agent. Revocation works in a similar manner. The agent signs a revocation request with the key pair authorized for example.com, and the Let’s Encrypt CA verifies that the request is authorized. If so, it publishes revocation information into the normal revocation channels (i.e. OCSP), so that relying parties such as browsers can know that they shouldn’t accept the revoked certificate.
    1. Let’s Encrypt is a free, automated, and open certificate authority (CA), run for the public’s benefit. It is a service provided by the Internet Security Research Group (ISRG). We give people the digital certificates they need in order to enable HTTPS (SSL/TLS) for websites, for free, in the most user-friendly way we can. We do this because we want to create a more secure and privacy-respecting Web. You can read about our most recent year in review by downloading our annual report (Desktop, Mobile). The key principles behind Let’s Encrypt are: Free: Anyone who owns a domain name can use Let’s Encrypt to obtain a trusted certificate at zero cost. Automatic: Software running on a web server can interact with Let’s Encrypt to painlessly obtain a certificate, securely configure it for use, and automatically take care of renewal. Secure: Let’s Encrypt will serve as a platform for advancing TLS security best practices, both on the CA side and by helping site operators properly secure their servers. Transparent: All certificates issued or revoked will be publicly recorded and available for anyone to inspect. Open: The automatic issuance and renewal protocol will be published as an open standard that others can adopt. Cooperative: Much like the underlying Internet protocols themselves, Let’s Encrypt is a joint effort to benefit the community, beyond the control of any one organization. We have a page with more detailed information about how the Let’s Encrypt CA works.
    1. Ross-Hellauer, T., Tennant, J. P., Banelytė, V., Gorogh, E., Luzi, D., Kraker, P., Pisacane, L., Ruggieri, R., Sifacaki, E., & Vignoli, M. (2020). Ten simple rules for innovative dissemination of research. PLOS Computational Biology, 16(4), e1007704. https://doi.org/10.1371/journal.pcbi.1007704

    1. In general, developers are free to maintain their add-ons in the manner they choose. Is that generally pro- or generally anti-freedom?
    2. honestly it looks a lot more like typical tech company anti-freedomism
    3. What's terrible and dangerous is a faceless organization deciding to arbitrarily and silently control what I can and can not do with my browser on my computer. Orwell is screaming in his grave right now. This is no different than Mozilla deciding I don't get to visit Tulsi Gabbard's webpage because they don't like her politics, or I don't get to order car parts off amazon because they don't like hyundai, or I don't get to download mods for minecraft, or talk to certain people on facebook.
    4. They don't have to host the extension on their website, but it's absolutely and utterly unacceptable for them to interfere with me choosing to come to github and install it.
    5. It's no less beyond the pale than when apple actively sabotaged people's devices to force them to upgrade or amazon deleted people's already bought and downloaded ebooks. It's completely unacceptable and frankly should fall under consumer rights laws.
  11. Apr 2020
    1. Abdulla, A., Wang, B., Qian, F., Kee, T., Blasiak, A., Ong, Y. H., Hooi, L., Parekh, F., Soriano, R., Olinger, G. G., Keppo, J., Hardesty, C. L., Chow, E. K., Ho, D., & Ding, X. (n.d.). Project IDentif.AI: Harnessing Artificial Intelligence to Rapidly Optimize Combination Therapy Development for Infectious Disease Intervention. Advanced Therapeutics, n/a(n/a), 2000034. https://doi.org/10.1002/adtp.202000034

    1. un ensemble hétérogène mais cohérent

      en effet, cette harmonisation technique est nécessaire pour penser la filiation entre l'écriture et la production: écrire dans MS Word peut être aussi éloigné de l'objet de publication que le manuscrit rédigé à la main (pas de cohérence), alors que l'écriture en Markdown ou LaTeX s'inscrit dans la logique fluide d'un système de publication nativement numérique comme la chaîne de Quire ou de Stylo (cohérent du premier jet à la publication finale).

    2. Nous pouvons constater qu’il y a un lien entre les formes produites et les moyens mis en œuvre pour les produire.

      dans une perspective nativement numérique, écrire et produire sont alors intrinsèquement liés.

      par exemple: dans le modèle du manuscrit rédigé à la main ou tapé à la dactylo, le processus de production est au mieux analogue (consistant à reproduire des lettres que l'auteur a posées sur papier), au pire complètement hétérogène à l'acte d'écriture (il faut prendre le processus du début pour en faire un livre publiable).

    1. Duygusal Pazarlama Süreci Duygusal pazarlama, kitleleri markalarla kişisel ve insani bir şekilde bağlayan bir hikaye anlatır. Yeni medya kanalları, cihazları ve platformları ortaya çıktıkça, insanların marka öykülerine bolca erişebilmelerini sağlıyorlar. Dahası, şirketlerin duygusal kimliklerini daha basit hale getirerek kimliklerini ve vizyonlarını aktarmaları için birçok yol var.
    1. Dijital Pazarlama ve Empati Dijital pazarlamadaki hedef kitlenizin tıpkı sizin gibi insanlar tarafından oluştuğunu düşünürseniz sizden ne bekleyeceklerini, ne isteyeceklerini ve nasıl harekete geçeceklerini anlayabilirsiniz. Bu yüzden bu yazımızda pazarlama stratejinize empatiyi nasıl yerleştirmeniz gerektiğini ele alıyoruz.
    1. By retracing how one body is chained to another in precarity, it shows the thickness of desire and potential inside these digital bonds.

      i'm still not sold on the idea that there is desire or love for the work that is performed (see annotation about digital worker above).

    2. Lily and Bill were part of a supply chain that fed the military indus-trial complex that fed the budding digital industries.

      this still reads pre-digital to me.

    3. this ten-year span of digital work exemplified the precarity of digital labor before precarity became a term to describe the uncertain and stressful conditions of work for digital workers.

      Are they digital workers though? Maybe they need to define digital. I was reading this case study as a proceeding whatever digital was. Is it digital because they made equipment for electronics?

    4. A digital worker is not necessarily alien-ated from the commodity she doesn’t own; she finds an unrequited desire and love for the digital work she performs. A feminist methodology shows how being chained is not determined by digital rules and technologies that enable oppression. It is not a result of the material infrastructures and technologies that enable communication, connectivity, and networks.

      What? I need to come back to this.

  12. Mar 2020
    1. Something else that will never change is the right to freely self-host Matomo On-Premise; this way you can always host Matomo Analytics on your own servers without having to pay for it.
    1. The digital divide is real, and in the coming months, those without internet access or devices that can run newer software will be shut out of many of the digital communities we’re building to support one another.
    1. GDPR introduces a list of data subjects’ rights that should be obeyed by both data processors and data collectors. The list includes: Right of access by the data subject (Section 2, Article 15). Right to rectification (Section 3, Art 16). Right to object to processing (Section 4, Art 21). Right to erasure, also known as ‘right to be forgotten’ (Section 3, Art 17). Right to restrict processing (Section 3, Art 18). Right to data portability (Section 3, Art 20).
    1. Resources for Closing the Digital Divide

      This website hosts numerous resources to aid educators in their attempt to close the digital divide that alienates a certain socio-economic demographic of students and limits their ability to succeed in school. The website first lists hyperlinked articles to help educators understand the state of the digital divide, then lists hyperlinked articles and resources to help take action to improve the digital divide and close digital learning gaps before supplying links to articles and resources that can help instructors develop media and digital literacy within their respective classrooms. This would be an incredibly helpful website for any instructor who is looking for background information on and resources by which to close the digital divide. Rating: 9/10

    1. Right now, if you want to know what data Facebook has about you, you don’t have the right to ask them to give you all of the data they have on you, and the right to know what they’ve done with it. You should have that right. You should have the right to know and have access to your data.
  13. Feb 2020
    1. Do learners seek out texts that consider multiple perspectives and broaden their understanding of the world? Do learners critically analyze a variety of information and ideas from a variety of sources? Do learners choose texts and tools to consume, create, and share ideas that match their need and audience? Do learners create new ideas using knowledge and insights gained? Do learners analyze the credibility of information, authorial intent, and its appropriateness in meeting their needs? Do learners use information and the ideas of others to solve problems and make decisions as informed citizens? Do learners strive to see limitations and overlaps between multiple streams of information? Do learners gain new perspectives because of the texts they interact with? Do learners use tools to deepen understandings, to share ideas, and to build on others’ thinking? Do learners develop new skills strategies to meet the challenge of new texts and tools?

      These are the goals of digital literacy.

    1. The results of the questionnaire indicated that West Town students had greater access to the Internet at home and were required to use the Internet more in school. These results suggest that a separate and independent achievement gap existed for online reading, based on income inequality.

      The achievement gap is multifaceted, so as educators, we need to attack it in more ways. Getting children library cards (internet access) and technology experiences from a younger age can help close this gap, but only if it is in a equitable way.

    1. The rise of big data and social media has resulted in particular transformations of academia. Deborah Lupton (2015) has, in this context, coined the notion of digital soci-ology. She argues that digital sociology consists of (a) professional digital practice so that sociologists employ ‘digital tools as part of sociological practice – to build networks, construct an online profile, publicize and share research and instruct students’ (p. 15); (b) the investigation of the use of digital technology; (c) digital data analysis, which has also been characterized as the rise of digital methods (Rogers, 2013); and (d) critical digital sociology, the fourth aspect of digital sociology. Lupton (2015) defines critical digital sociology as the ‘reflexive analysis of digital technologies informed by social and cul-tural theory’ (p. 16).All forms of social analysis reflect society in complex ways. Critical digital sociology is a particular reflexion of and on digital technologies’ role in society. It is a theoretical approach grounded in critical and Marxist theory that tries to understand capitalism and domination as well as their possible alternatives. But one should note that there is a con-tradiction between critical sociology as digital sociology’s fourth dimension and big data analytics that is part of Lupton’s third dimension of digital sociology.
    2. Jürgen Habermas (1971), we can say that there is a danger that digital positivism advances an ‘absolutism of pure [digital, quantitative] methodology’ (p. 5), forgets about academia’s educational role, falls short of fully understanding ‘the meaning of knowledge’ (p. 69) in the information society at large and is an ‘immunization of the [Internet] sciences against philosophy’ (p. 67).
  14. Jan 2020
    1. xor

      ⊕ is the symbol for xor

      xor is true when one of the two inputs is exclusively 1.

      ie:

      1 ⊕ 0 = 1 0 ⊕ 1 = 1 1 ⊕ 1 = 0

    1. "It's not interactive, ... there's one screen, and you just have to read it," he explained. "It's the same as reading a [paper] page."

      sometimes tech isn't much of an improvement >> we need to channel to the special abilities of growing tech -hashtags, hyperlinks, interactive games and level checks, etc.

    2. That makes digital writing a potentially powerful lever for social good, allowing students to "actively participate in civic society and contribute to a vibrant, informed, and engaged community," as the ALA notes. It also makes digital writing a potentially dangerous tool—decisions about when and what to share online can have repercussions for a student's safety, privacy, and reputation.

      I love how digital literacy allows so many to have access to so much and to communicate easily with others. But there is a definite dark side to sharing in any digital format and many don't think about that.